
AM FEST 2025 the best of Abergavenny Music Festival
The event was held yesterday on Sunday, May 4 at Abergavenny Castle and had a variety of music bands and artists to entertain the crowd.
AM FEST 2025 the best of Abergavenny Music Festival (Image: NQ) As the family friendly event fell on May 4, there were a range of different Star Wars characters wandering around the historic castle grounds.
May the Fourth be with you indeed!
From Yoda to Han Solo and many other children's characters including Bluey there was plenty to keep the little ones entertained.
'Yoda' at AM FEST 2025 (Image: NQ) The event also had lots of arts and craft stalls and a fair.
However, AM Fest wasn't just for children. Adults had a selection of bars on site to choose from.
Here's what these festival goers had to say.
Friends Grace Evans 18 and Faye Baugh 18 at AM Fest 2025 (Image: NQ) Friends Grace Evans 18 and Faye Baugh 18 had their faces painted.
Speaking of the event, Grace said: 'It's my first time so it's really fun.
'The music's lively, and they've got dinosaurs wandering Star Wars stuff, we haven't seen the line up before.'
Suzanne Bunce 42 and Elisha Bunce 32 at AM Fest 2025 (Image: NQ) Elisha Bunce, 32, thought the event had lots to enjoy.
She said: 'I think it's really awesome to be honest we've had a couple of armed light sabre battles.
'The kids are quite happy they've been sliding down the slide and we've had a dance and a sing song.'
Music group 'The Best Buddies' at AM Fest 2025 (Left to right Adrian Llewellyn 65, Brian Reeler 72, and Paul Davies 72) (Image: NQ) Band 'The Best Buddies' sang a range of different country songs.
When asked what they thought about AM Fest band member Brian Reeler said: 'It's not the first time we've done it we played as part of a ukulele group a few years ago.
'It's been fabulous especially when the sun shines.'
Not a bad way to spend a Sunday at all.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Guardian
an hour ago
- The Guardian
‘It was simply mind-blowing': readers remember seeing Star Wars for the first time
A relatively long time ago in cinemas near and far away, the first Star Wars film captivated a generation of children and adults. As the British Film Institute in London this week screens the original 1977 theatrical version of the space opera, which has rarely been shown since the 1990s, readers have shared their recollections of its groundbreaking special effects, iconic heroes and villains, and queueing around the block for tickets. Most of those who responded to a Guardian callout recalled being mesmerised by the film's opening crawl, then 'blown away' by the first scene in which Princess Leia's starship is captured by an immense Imperial Star Destroyer. 'It loomed right over our heads in the theatre, immediately putting us in the action, alerting us to the huge stakes in this world,' said Marilyn Stacey, a 68-year-old paralegal and actor from Portland, Oregon, who saw the film with her boyfriend in Westwood, Los Angeles, soon after it opened in the US in May 1977. Many readers said Star Wars was the first 'grownup' film they saw as children, with their few previous trips to the cinema being for Disney films such as Mary Poppins or the Herbie comedies about a sentient Volkswagen Beetle. Mark Hannaby, who was six in 1978 when his father drove him from the suburbs of Wrexham, north-east Wales, to see the film at the biggest screen nearby at the Odeon in Liverpool, recalled how it captured his imagination. 'At that age, I don't think you expect the external world to correspond with your internal world,' said Hannaby, 52, now a journalism lecturer at the University of Chester. 'Dad said my face never left the screen. I was hungry for the story, and unusually uninterested in the wine gums he offered. Even for years afterwards, nothing really compared to it.' Lois Pass, from Southend-on-Sea, who didn't have a TV at home when she saw the film as a teenager in 1978, agreed. 'To suddenly see battles taking place in space, travel faster than the speed of light, plus this mysterious power – the Force – in a galactic battle between good and evil was simply mind-blowing,' she said. Like many readers, Cliff Ramshaw's anticipation for the film had been fuelled by its merchandising. By the time it came out in the UK, Ramshaw, now 58, had already read the novelisation and part of the Marvel comic book adaptation, and had decorated his school haversack with drawings of X-wings and Tie fighters. Unfortunately, his father did not share his enthusiasm for the film when he took him and his younger brother to see it in Sunderland in 1978. 'We arrived early and Dad, not wanting to hang around, took us in straight away [to an earlier screening],' he recalled. 'We sat down just in time to see the attack on the Death Star. After the movie ended we remained seated while the audience left and a new crowd arrived. We saw the beginning and middle of the movie and then, when the attack on the Death Star was about to start, Dad took us out of the cinema and drove us home!' Ramshaw, who now lives in the Cotswolds, didn't get to see the film the whole way through until it was aired on British TV four years later. But his unusual viewing experience did not dampen his love for Star Wars, and he later became a software engineer at George Lucas's visual effects company Industrial Light & Magic. Luke Skywalker's journey from a farm boy on a backwater planet to a hero of the rebellion particularly enraptured readers who had grown up in small or remote communities. Back in 1978, Pass, who grew up in the Essex coastal town of Shoeburyness, was grappling with discomfort about her 'lowly position on the social scale' at the local grammar school. 'There was Luke, a poor, scruffy, nobody from nowhere, just like me, suddenly plucked from obscurity to discover his true calling. Obi-Wan Kenobi revealing that there is a whole lot more to his life than he could ever have imagined [was] a potent message!' Many women who responded to the callout recalled how enamoured they were with Princess Leia's attitude. Rebecca Pollock, a HR worker from Brisbane, Australia, said: 'For a young girl, growing up in a country town in Queensland, watching an amazing heroine like Princess Leia dominate her world gave me a role model who was brave, adventurous and strong in the face of adversity. I loved it when she looked up at Darth Vader and talked back to him, and her banter with Han Solo. Her wit and sarcastic approach was so different to what I'd seen women be.' It wasn't just children and teenagers who were enraptured. Milton Justice, a former artistic director of the Stella Adler Academy of Acting and Theatre, saw the film after Carrie Fisher, who played Princess Leia, auditioned for a part in a murder-mystery film he was producing. 'I remember Carrie's audition, because she was very quirky as an actor. She didn't get the part. After Star Wars opened, I went back into the company and said: 'Are you guys crazy?' I later knew her socially. She really was one of the funniest people ever. Even some of the line readings she did in Star Wars had that kind of way that she saw life.' Justice, who now runs a podcast about acting, said back then many people in the movie industry thought Star Wars was just a one-off. 'In an odd sense, we might have been more respectful of the story than the special effects. I don't blame Star Wars for the fact that so many movies today have so many special effects that you don't even see the story. I think it's very separate from those kind of films.'


Belfast Telegraph
20 hours ago
- Belfast Telegraph
Disney and Universal sue AI firm Midjourney for copyright infringement
Filed in federal district court in Los Angeles, the complaint claims Midjourney pirated the libraries of the two Hollywood studios to generate and distribute 'endless unauthorised copies' of their famed characters, such as Darth Vader from Star Wars and the Minions from Despicable Me. 'Midjourney is the quintessential copyright free-rider and a bottomless pit of plagiarism. Piracy is piracy, and whether an infringing image or video is made with AI or another technology does not make it any less infringing,' the companies state in the complaint. The studios also claimed the San Francisco-based AI company ignored their requests to stop infringing on their copyrighted works and to take technological measures to halt such image generation. Midjourney did not immediately respond to a request for comment Wednesday. In a 2023 interview with The Associated Press, Midjourney CEO David Holz described his image-making service as 'kind of like a search engine' pulling in a wide swath of images from across the internet. He compared copyright concerns about the technology with how such laws have adapted to human creativity. 'Can a person look at somebody else's picture and learn from it and make a similar picture?' Mr Holz said. 'Obviously, it's allowed for people and if it wasn't, then it would destroy the whole professional art industry, probably the nonprofessional industry too. 'To the extent that AIs are learning like people, it's sort of the same thing and if the images come out differently then it seems like it's fine.' Major AI developers do not typically disclose their data sources, but have argued that taking troves of publicly accessible online text, images and other media to train their AI systems is protected by the 'fair use' doctrine of American copyright law. The case joins a growing number of lawsuits filed against developers of AI platforms — such as OpenAI, Anthropic — in San Francisco and New York. Meanwhile, the first major copyright trial of the generative AI industry is under way in London, pitting Getty Images against artificial intelligence company Stability AI.


South Wales Guardian
21 hours ago
- South Wales Guardian
Disney and Universal sue AI firm Midjourney for copyright infringement
Filed in federal district court in Los Angeles, the complaint claims Midjourney pirated the libraries of the two Hollywood studios to generate and distribute 'endless unauthorised copies' of their famed characters, such as Darth Vader from Star Wars and the Minions from Despicable Me. 'Midjourney is the quintessential copyright free-rider and a bottomless pit of plagiarism. Piracy is piracy, and whether an infringing image or video is made with AI or another technology does not make it any less infringing,' the companies state in the complaint. The studios also claimed the San Francisco-based AI company ignored their requests to stop infringing on their copyrighted works and to take technological measures to halt such image generation. Midjourney did not immediately respond to a request for comment Wednesday. In a 2023 interview with The Associated Press, Midjourney CEO David Holz described his image-making service as 'kind of like a search engine' pulling in a wide swath of images from across the internet. He compared copyright concerns about the technology with how such laws have adapted to human creativity. 'Can a person look at somebody else's picture and learn from it and make a similar picture?' Mr Holz said. 'Obviously, it's allowed for people and if it wasn't, then it would destroy the whole professional art industry, probably the nonprofessional industry too. 'To the extent that AIs are learning like people, it's sort of the same thing and if the images come out differently then it seems like it's fine.' Major AI developers do not typically disclose their data sources, but have argued that taking troves of publicly accessible online text, images and other media to train their AI systems is protected by the 'fair use' doctrine of American copyright law. The case joins a growing number of lawsuits filed against developers of AI platforms — such as OpenAI, Anthropic — in San Francisco and New York. Meanwhile, the first major copyright trial of the generative AI industry is under way in London, pitting Getty Images against artificial intelligence company Stability AI.