
Miley Cyrus' mom Tish reveals how she feels about her relationship with boyfriend Maxx Morando
' mother Tish Cyrus is giving her no-holds-barred thoughts on her daughters' romantic lives.
On the latest episode of her Sorry We're Cyrus podcast, the 58-year-old matriarch shared her honest opinion about Miley's, 32, Noah's, 25, and Brandi's, 38, partners.
Chatting with guest Harry Jowsey, she divulged, 'All my girls are in such super-healthy, amazing relationships.'
The proud mom, who is married to Australian actor Dominic Purcell, gushed, 'I love love and I think that they have been much more cautious in love than I was, and taken longer to make sure it's the right person.'
Miley is dating Maxx Morando, while Noah is engaged to fashion designer Pinkus, and Brandi is coupled up with Matt Southcombe.
Tish said her female children have made sure 'there are no red flags' when it comes to who they've settled down with.
In April Noah appeared on Sorry We're Cyrus, which her mom co-hosts with her older sister Brandi, and gushed, 'My fiancé and my mom are really close.'
She elaborated, 'I love that so much because [with] my past boyfriends, my mom has not been close with [them].'
The singer clarified, 'Well, my first one you tried to be [close with] and then the rest were just, like, [a] plane crash. We got through it, and now I'm with a nice, little German man.'
Tish split from her Billy Ray Cyrus in 2022 after 28 years of marriage, and their divorce was finalized in 2023. She married Prison Break star Dominic in August of the same year.
Meanwhile, Billy Ray, 63, debuted his shock romance with Elizabeth Hurley, 59, in April.
It came after the end of his short-lived marriage to 36-year-old singer Firerose, which was settled in August 2024.
Billy Ray praised his ex-wife Tish via social media on Mother's Day this year.
In recognition of the holiday, the country crooner — who shares five kids with Tish — posted a solemn statement on Instagram that centered around family.
In addition to Miley, Noah, and Brandi, the exes are parents to Braison, 31, and Trace, 36 — who slammed the patriarch as 'evil' earlier this week.
'Happy Mother's Day to all the #StrongMothers out there. Here's a couple that made our family who and what we are,' he began.
Speaking highly of his ex, he said, 'Tish Cyrus was and is the very definition of a strong mother,' adding, 'Trust me, I'm the first to admit... being married to me was not easy.'
The Achy Breaky Heart singer continued, 'I'm very good at making mistakes. A very imperfect man. But thank goodness... somewhere along the line my Mama also taught me "life is a series of adjustments."'
He also named Miley in the lengthy message, writing, 'I'm so proud of Miley and her guts and her courage... her wisdom and strength to bring it when our family needed it most.'
Billy went on to share, 'We are so close to a full healing. We have all been through a lot.'
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'Mark's the ultimate Condé Nast company man – he even wrote Vogue features about tennis, Anna Wintour's favourite sport!' the former staffer says, adding, 'It's unfair to say it's over for him before he's begun but I wonder how revealing his Vanity Fair will be.' Guiducci's predecessor Radhika Jones, who came from Time magazine, endured a rocky tenure. Tina Brown's Vanity Fair delivered exclusives about Princess Diana and Margaret Thatcher and infamously persuaded a seven-months-pregnant Demi Moore to pose nude on the cover in 1991; Graydon Carter balanced long reads on Old Hollywood and coverage of corporate scandals with world exclusives on Michael Jackson's alleged sexual misconduct and the identity of Watergate's 'Deep Throat'. Jones set out to broaden the editorial brief and include stories about people who were not rich and powerful. 'It feels like we have all this opportunity to tell new stories with new faces and new voices,' she declared upon becoming editor in 2017. New readers proved harder to come by, however. According to the New York Times, the magazine's print sales have declined. And, although digital subscriptions have increased, with overall circulation remaining steady at just over 1.2 million, online traffic is down 39 per cent in the last four years, according to the media measurement company Comscore. Jones's Vanity Fair generated some exclusives but, as with last year's bizarrely-written scoop about late novelist Cormac McCarthy's relationship with a 16-year-old girl – which appeared to treat McCarthy's paedophilic interest in a teenager as a great love story – they often went viral for the wrong reasons. While Vanity Fair always steered progressive in its politics, it has become even more stridently Left-wing online. 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Part of his duties at Vogue involved organising Vogue World, a series of philanthropic artistic extravaganzas in big cities, including London in 2023. 'Vogue World is closer to a day of shopping than it is to the contents of the magazine,' says Friedman. 'If they were really serious they could have any number of qualified people who could be great editors for Vanity Fair. This is Anna saying she wants someone she can control.' A source close to Vanity Fair says the interview process was long and rigorous and that Wintour would never have chosen Guiducci if he wasn't the best candidate for the job. A spokesperson for Vanity Fair says 'the staff are thrilled with the appointment'. But Wintour's closeness to Guiducci remains a rich source of debate among fashionistas. Manhattan-based investment banker Euan Rellie, whose socialising resulted in him being nicknamed the 'Fashion Banker', says, 'I met Mark fleetingly – he was slick and polished. But Anna's M.O. these days is to surround herself with allies who she enjoys hiring and then promoting to the extent that it's in danger of becoming a social network.' According to a former Condé Nast editorial executive, speaking on condition of anonymity, the predicament facing Vanity Fair has been caused by Wintour's elevation as global chief content officer, which resulted in her supervising international titles. 'Her assumption of total power coincided with a structural upheaval in the company,' he says. 'The budgets got centralised in New York and international editors had to defer to Vogue. Anna's a brilliant editor but her strategic ideas were not always informed by a huge amount of background knowledge. 'She would go on Zoom meetings and talk about how to cover subjects, such as sport, that she wasn't always an expert in.' Another Vanity Fair contributor, speaking on condition of anonymity, adds that the magazine's feature ideas are often now commissioned and co-ordinated in conjunction with Vogue scheduling. 'If you want to write about an in-demand personality or event, Anna will have often secured the exclusive interview or photoshoot for Vogue and you'll need a fresh angle for your idea not to get [scrapped],' he says. Of course controversy has accompanied Vanity Fair ever since it launched in 1913 (it was folded into Vogue in 1935 before being revived in 1983). In 2009, the actor Rupert Everett, who was listed on the magazine's masthead as a contributing editor, was sacked for telling the Daily Beast, 'Who does one have to f--- to get off that masthead?' But the magazine long benefited from the luxurious excesses of magazine publishing with colossal editorial budgets and expenses. Joan Juliet Buck, a former contributing editor to Vanity Fair and editor of French Vogue, who wrote of her Condé Nast experiences in her memoir The Price of Illusion, recalls how a Vanity Fair Princess Diana cover story in 1989 arose: 'I said, 'I have this tax bill to pay', and Tina [Brown] said, 'I'll pay you enough to cover it if you write about Diana.'' Buck adds: 'Tina invented the buzz and the mix. The mix created the buzz. I wrote about the Paris Air Show for Vanity Fair, but she said, 'Martin [Amis] handed in his piece about Wimbledon before you handed in your piece about the Paris Air Show and I'm not running them both in the same issue – so you lose!'' Buck believes Vanity Fair has become the victim of changing tastes in reading habits: ' Vanity Fair used to gather together urgency and glamour into a single monthly object that created the thrill of the moment, and none of that exists anymore,' she says. 'With the end of magazines has come the end of moment itself.' Compounding Vanity Fair 's current problems are that Graydon Carter's Air Mail website, launched in 2019, is evoking the spirit of his Vanity Fair – a recent story featured allegations of sexual misconduct by the Oscar-winning actor Jared Leto which he denies. Carter has also poached a raft of former Vanity Fair staffers. 'Last year at Cannes [Film Festival] Graydon threw a party for the 100 th anniversary of Warner Bros and they upstaged Vanity Fair,' says Friedman. 'This year Vanity Fair didn't throw a party at Cannes.' Carter, who was indiscreet about Wintour in his recent memoir When the Going Was Good, nevertheless has declared Guiducci the 'perfect editor for Vanity Fair '. Brown called him a 'fabulous, fresh appointment with bags of fun and fresh ideas'. And Dana Brown, a former Vanity Fair deputy editor, also agrees with Wintour's choice. 'Mark's first job out of college was a Vanity Fair assistant so he has VF in his genes,' he says. 'He's socially connected in the art and fashion worlds and being a very public face is a really important part of it - that's something the previous regime didn't understand.' Patrick McMullan says: 'Everybody I know loves Mark so let's hope he brings the buzz back to Vanity Fair.' In today's world, that might prove too tall an order. Asked on the Condé Nast website in 2023 about his plans for Vogue World, Guiducci answered, 'Sooner or later, someone will do a fashion show in space.' The cosmos can wait. For now restoring Vanity Fair to its former glory seems like the magazine equivalent of the moon shot.