
50 Years Strong: SBS and NITV Supercharge NAIDOC Week 2025 in a joint 50th celebration
Interviews Available
Images here
Big Backyard Quiz Trailer here
Emily: I Am Kam Trailer here
As SBS and NAIDOC Week mark 50 years, NITV and SBS unleash a powerhouse lineup for 2025 to celebrate the history, culture, and achievements of Aboriginal and Torres Strait Islander peoples. with curated content for NAIDOC Week 2025 premiering across SBS and NITV from Sunday 6 July to Sunday 13 July.
Recognising the significant contributions of the world's oldest continuous culture, and providing distinctive and authentic Indigenous perspectives, NITV and SBS's extensive line-up for NAIDOC Week's 50th anniversary includes the NAIDOC Awards digital broadcast, a laugh-out-loud entertainment series, timely news and current affairs programs and compelling documentaries for all Australians, exploring the official 2025 NAIDOC Week theme, The Next Generation: Strength, Vision & Legacy.
Tanya Denning-Orman, a proud Birri and Guugu Yimidhirr woman and Director, First Nations at SBS, said : 'This year marks a significant milestone as we celebrate 50 years of NAIDOC Week, and also 50 years of SBS as a network. We are proud to honour the strength of Aboriginal and Torres Strait Islander communities and cultures through programming across NITV and all SBS platforms, and reflect on the legacy of past leaders and draw inspiration from the next generation. Our content showcases the achievements and voices of First Nations peoples, unapologetically Blak, loud, and proud, premiering new original NITV commissions, and amplifying Aboriginal and Torres Strait Islander voices right across the network.
'Once again, Shelley Ware's educational resources through SBS Learn will foster deeper understanding and connection for school children across the country. We're also proud to feature this year's NAIDOC Week poster artwork, 'Ancestral Lines,' created by Ngarbal Gamilaraay artist and NITV graphic designer, Jeremy Worrall, which is a powerful tribute to intergenerational knowledge and cultural strength.'
National NAIDOC Committee Co-Chairs, Steven Satour and Lynette Riley, said:
'NITV has delivered a deadly line-up for NAIDOC Week 2025 — a true celebration of Blak excellence on screen. From groundbreaking documentaries to laugh-out-loud entertainment and thought-provoking current affairs, this programming honours our past, celebrates our present, and champions our next generation.
'As we mark 50 years of NAIDOC Week, we're proud to see our stories told with such strength, pride and creativity. We're especially thrilled to have Barkaa headlining the 2025 National NAIDOC Awards — her voice, her fire, and her message embody the heart of this year's theme: The Next Generation: Strength, Vision & Legacy .'
SBS and NITV's impressive multiplatform and multilingual offering includes: Big Backyard Quiz (BBQ), a cheeky new entertainment series hosted by 10 News First's Narelda Jacobs OAM and comedian Steven Oliver that challenges contestants to see who knows the most about the people and history of Australia from a Blak lens. This season's stellar line-up of comedians as contestants includes Meyne Wyatt (The Moogai , We Are Still Here ) , Shari Sebbens (The Moogai , Little J & Big Cuz) , Matt Okine, Nina Oyama, Rhys Nicholson and Emma Holland, all in Episode 1. Also featuring this season will be Ernie Dingo, Rove McManus, Tasma Walton, and Peter Rowsthorn. Big Backyard Quiz is executive produced by Adam Manovic and Daniel Gallahar and was filmed with the support of ScreenWest in Boorloo (Perth).
Big Backyard Quiz premieres on Saturday 12 July at 7:30pm on NITV and SBS On Demand. Emily: I Am Kam (pronounced karma) is a heartfelt documentary about internationally renowned artist, Emily Kam Kngwarray from the Utopia community in the Northern Territory. The film delves into Emily Kam Kngwarray's transformative impact on the international contemporary art world and her enduring legacy, providing a rare opportunity to witness her journey and the profound influence of her art and the power of Emily's work to protect her Country, Alhalker. The documentary is produced by Tamarind Tree Pictures and directed by Danielle McLean (Barrumbi Kids).
Emily: I am Kam premieres on NITV and SBS On Demand on Wednesday 9 July at 8:30pm, and on SBS on Saturday 12 July at 8:30pm, after its world premiere at Sydney Film Festival this month. Weekly flagship Indigenous news and current affairs programs Living Black , and The Point will also premiere special NAIDOC Week episodes. Living Black is Australia's longest running Indigenous current affairs television program, featuring inspiring and influential people talking about their lives and careers. Walkley Award-winning journalist Karla Grant explores the issues affecting First Nations peoples through candid interviews and powerful investigations. For this NAIDOC Week episode, she interviews legendary Australian tennis icon Evonne Goolagong Cawley AC MBE. Fifty years after winning the Australian Open, Evonne is still firmly entrenched in the sport. Keen to hear her insights, Karla travelled to Darwin to attend the National Indigenous Tennis Carnival where she spoke to Evonne about her extraordinary life and career, and how her foundation is on the lookout for the next generation of tennis stars.
Living Black, featuring Evonne Goolagong Cawley AC MBE and hosted by Walkley Award-winning Executive Producer Karla Grant, premieres on Monday 7 July at 8:30pm. The Point is the home of First Nations perspectives, with the team travelling the country to hear from Aboriginal and Torres Strait Islander peoples and non-Indigenous Australians. Join proud Wuthathi and Meriam man and SBS and NITV National Indigenous Affairs Editor, John Paul Janke, as NAIDOC celebrates 50 years. In this episode, The Point sits down with emerging leaders who continue in their ancestor's footprints. What is it like to carry a name like Mabo, Dodson, or Bayles?
The Point will premiere a NAIDOC-themed episode on Tuesday 8 July at 7:30pm, hosted by National Indigenous Affairs Editor John Paul Janke. The 2025 National NAIDOC Awards will take centre stage in Boorloo (Perth), honouring the outstanding achievements of First Nations people across the continent. Hosted by 10 News First's Narelda Jacobs OAM and Mark Coles Smith, this year's NAIDOC Awards are set against the backdrop of Whadjuk Noongar Country in Boorloo (Perth). The awards shine a spotlight on those who lead with strength, creativity, and Cultural pride. NITV, as the home of Indigenous storytelling on national television and digital media, is the Principal Media Partner and will be on the ground to capture all the colour, celebration, and community spirit — from Blak carpet arrivals and powerful performances to exclusive interviews with this year's winners and changemakers.
The 2025 National NAIDOC Awards will air on Saturday 5 July at 7:30pm (WST) (9:30pm AEST) on SBS On Demand, and NITV's Facebook and YouTube channel, and distributed to First Nations Media Australia (FNMA). Ablaze is an incredible biographical documentary from opera singer Tiriki Onus, who finds a 70-year-old silent film believed to be made by his grandfather, Aboriginal leader and filmmaker Bill Onus. As Tiriki travels across the continent and pieces together clues to the film's origins, he discovers more about Bill, his fight for Aboriginal rights and the price he paid for speaking out.
Ablaze premieres on NITV and SBS On Demand on Sunday 6 July at 8:30pm. To kick off NAIDOC Week, SBS's Elder in Residence, Widjabul Wiabul woman Rhoda Roberts AO, will deliver her third annual SBS Elder in Residence Oration, creating a historical record of Indigenous thought leadership while addressing current challenges and futures aspiration. The SBS Elder in Residence Oration provides a platform for First Nations voices to be amplified, offering a space for reflection, connection, and learning for all Australians.
The 2025 SBS Elder in Residence Oration premieres on NITV and SBS On Demand on Sunday July 6 at 6:30pm.
In addition to the above content, a dedicated hub of iconic and award-winning First Nations content will be available to STREAM FREE on SBS On Demand and will air across the network's channels. SBS will share news and information in more than 60 languages across the network this NAIDOC Week. Multilingual and multiplatform coverage throughSBS Audio shares First Nations perspectives, celebrates cultures, knowledges and history, and showcases SBS's unique ability toconnect the newest Australians with the world's oldest living continuous culture.TheSBS Audio offering includesvideos, podcasts and articles in Filipino, Vietnamese and Urdu, and a special NAIDOC Week explainer video in Arabic, English, Greek, Mandarin, Punjabi and Vietnamese.
Additional highlights of the multiplatform offering across the SBS network during NAIDOC Week include: NITV News – Covering NAIDOC events from across the week and sharing the latest news from the oldest living culture, join Mudburra and Wagadagam woman Natalie Ahmat, Yorta Yorta and Gunditjmara man Michael Rennie, and Worimi woman Breanna Holden for NITV News . Supported by a team of journalists, watch NITV News for stories from an Indigenous perspective, culminating on Friday 11 July with a special edition of Nula at 5.30pm, featuring NAIDOC marches and community gatherings from around the country.
Monday to Thursday, 7-10 July at 6.30pm and Friday 11 July at 5:30pm on NITV and 3:00pm on SBS and SBS On Demand Throughout the week, SBS Food is proud to present NAIDOC themed episodes of The Cook Up with guest host Nornie Bero ( Island Echoes with Nornie Bero) , premiering weekdays from Monday 7 July to Wednesday 9 July at 7:00pm. Nornie will share stories and create incredible dishes with guests including entertainer Jay Wymarra, the 'Bush Tukka Woman' Samantha Martin, comedian Andy Saunders, and journalist Rae Johnston (Going Places with Ernie Dingo and The Secret DNA of Us ) . SBS World Movies will host a curated collection of acclaimed Australian cinema telling Aboriginal and Torres Strait Islander peoples' stories from Monday 7 to Friday 11 July at 9:30pm. This includes Sweet As, Mad Bastards , Walkabout, Bran Nue Dae and The New Boy . Students around Australia can discover more through SBS Learn's popular NAIDOC Week education resource, authored by proud Yankunyjatjara, Kokatha and Wirangu woman Shelley Ware. This is the seventh National NAIDOC Week curriculum-aligned education resource developed by Shelley for SBS Learn. It is a valuable and culturally informed online teaching guide featuring activities, discussion prompts and videos to enable teachers to embed Aboriginal and Torres Strait Islander perspectives into primary and secondary classrooms all year-round. As part of NAIDOC Week and aligning with this year's theme of The Next Generation: Strength, Vision & Legacy , NITV will launch a selection of Jarjums branded interstitials with First Nations children sharing their stories of culture and language. The NAIDOC Week Collection, including Shelley Ware Guest Curate s and more, will live on the NITV Muy Ngulayg hub, a dedicated streaming hub on SBS On Demand that provides a platform for First Nations storytelling including First Nations films, documentaries and TV series from Australia and around the world that illuminate inner knowledge, traditional culture and lore.
SBS's National NAIDOC Week activation proudly continues the work set out in SBS's Elevate Reconciliation Action Plan 2022-2026. This plan outlines SBS's commitment to reflecting, exploring and embedding First Nations stories, knowledges, cultures and languages across the network, and to connecting the oldest continuous culture on Earth with the newest Australians.
For a PDF of this media release, click here
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


SBS Australia
3 hours ago
- SBS Australia
SBS Japanese Weekly News Wrap Saturday 14 June
SBS Japanese 13/06/2025 12:18 Listen to SBS Japanese Audio on Tue, Thu and Fri from 1pm on SBS 3. Replays from 10pm on Tue, Thu and Sat on SBS1. Listen to past stories from our podcast. Download the free SBS Audio App and don't forget to visit SBS Japanese Facebook and Instagram page!

ABC News
3 hours ago
- ABC News
Singing the Aphrodite myth, and a new take on golden age of Persian contemporary music
Growing up in Iran, Ashkan Shafiei would listen to 'forbidden music' on cassette tapes—songs recorded before the revolution, or by Iranian artists living overseas. Ashkan plays the rubab, a plucked-string instrument popular in Afghanistan, but rarely heard in Iran despite having an ancient history there. Now living in Australia, Ashkan's own music blends 'forbidden music' influences with traditional Persian music and his love of jazz and funk. His new EP Hunter was developed as part of the Artist Accelerator Program by Music in Exile — an initiative supporting artists from non-English language backgrounds to launch music careers in Australia. Is it Aphrodite's fault that the beauty industry has never been more powerful? That's the question that Aphrodite , a new work by American composer Nico Muhly and Australian playwright Laura Lethlean, asks in its world premiere by Sydney Chamber Opera. Starring Sydney Chamber Opera stalwart Jessica O'Donoghue, and Puerto Rican soprano Meechot Marrero in her Australian debut, it's an exploration of beauty and pleasure underscored by Omega Ensemble. Jess, Meechot and SCO Artistic Director Jack Symonds join Andy to give a sneak preview of the work. We say farewell to Terry Harper who is retiring after 49 years tuning the pianos in the ABC studios in Sydney. His work has been heard on thousands of recordings and live performances across Radio National, Jazz, Classic, local radio and more. We'll hear from Terry about the two essential skills that every piano tuner must have. Plus, a track to remember Sly Stone who died this week at 82. Aphrodite is presented by Sydney Chamber Opera at Carriageworks in Sydney 20 – 28 June Ashkan Shafiei is performing at the Stay Soft Studio Winter Solstice Night Market at Collingwood Yards in Melbourne on Saturday 21 June Music heard in the show: Title: Madhouche Artist: Ashkan Shafiei Composer: Ashkan Shafiei Album: Hunter (EP) Label: Impressed Recordings/Music in Exile Title: Extracts from Aphrodite Artist: Jessica O'Donoghue, Meechot Marrero (singers), Jack Symonds (piano) Composer: Nico Muhly, text Laura Lethlean Performed live in The Music Show studio Title: Dance to the Music Artist: Sly & the Family Stone Composer: Sylvester Stewart Album: Dance to the Music Label: Epic Records Title: Madhouche Artist: Ashkan Shafiei Composer: Ashkan Shafiei Album: Hunter (EP) Label: Impressed Recordings/Music in Exile Title: Camel on Mars Artist: Ashkan Shafiei Composer: Ashkan Shafiei Album: Hunter (EP) Label: Impressed Recordings/Music in Exile Title: Chi Begam Artist: Ashkan Shafiei Composer: Marzieh Album: Hunter (EP) Label: Impressed Recordings/Music in Exile The Music Show is made on Gadigal and Gundungurra Country

ABC News
4 hours ago
- ABC News
'Tough enough, brave enough': What it takes to be a cowboy in the NT's Top End
It's late afternoon at a dusty rodeo arena in rural Darwin, and a growing crowd is watching on as women compete in barrel racing, guiding horses around an obstacle course plotted by 44-gallon drums. A persistent dust cloud hovers at ground level, stirred up by the rhythmic canter of a new horse entering the arena every minute or so. For many spectators who have driven in from Darwin and nearby towns, the Noonamah Rodeo is an exaggerated spectacle of rural life. A road train cab perched above the arena spews flames at various intervals. There's a half-time freestyle motocross show, and the live country music playing will continue until the early hours of the morning. For urban visitors, it's a rare chance to pull on the RMs and a Ringers Western work shirt or to flaunt a slightly more polished cowboy-core 'fit inspired by celebrities like Orville Peck or Beyoncé. But for others, it is serious business. Backstage, dozens of young men in sturdy boots, well-worn jeans and wide-brimmed hats are standing, talking among themselves. It seems most of them know each other from the rodeo circuit, and they aren't afraid to call themselves "cowboys". One of them is UK-born Jack Milsom. Just a year ago, at 25, he left his small home town in the Adelaide Hills seeking a life on a remote Top End cattle station, with no idea what to expect. One year on, he's buckling up a pair of tasselled leather chaps in the shadow of this rodeo arena by a roadside pub. Jack says he's always been drawn to the idea of life on the land, and so one day, with "literally only directions, not knowing how the pay was or what I was doing" he got in the car and drove 3,200 kilometres north. "Looking at stations and what not, I thought 'that lifestyle is for me', and took the jump," he says, in his blended British-Australian accent. "I thought, bugger it, you only live once. "It's just so free. You get to work on the land every day, the boss is cruisy, you get to go back to the workshop at the end of every day. "Everyone has a beer, a yarn, and rinse, wash, repeat." For the men and women who work on remote Top End cattle stations — part of a community of workers often based hundreds of kilometres from each other — events like this one are important. As well as a rare chance to socialise, they are an opportunity to compete in that celebrated event of cowboy culture, the rodeo. Women typically compete in barrel racing, while the men ride bulls. When he's not riding unruly livestock for a crowd of thousands, Jack is driving heavy machinery at Old Mount Bundy Station, near Jabiru, where he lives and works. He is quick to clarify that station life is not easy, but affords an undeniable sense of freedom. "Don't get me wrong, the work's hard and you do long hours, but it's very rewarding work," he says. In a yard behind the arena — a quasi-locker room for competitors, bordered by nothing more than temporary cyclone fencing — a handful of other bull riders are preparing for a night of rural entertainment. The cowboys get changed in full view of thousands of spectators queuing up to enter the venue, pulling gear out of worn duffel bags that litter the ground. Splayed open in the dust, they contain a variety of cattlemen's accoutrements like brushes, bull-ropes, talcum powder and leather-related products. Straddling a saddle in the dirt as he adjusts his stirrups, Jack says that before each rodeo, he applies rosin to the inside of his chaps, in the hopes he'll stick to his saddle as he's being thrown around. Nearby, other competitors are tying and tightening various intricate knots in the bull-ropes which will bind them to the huge animals they'll be riding in just minutes. It's a struggle to spot anyone not wearing a wide-brimmed hat of one variety or another. Not many look like the felt type you might associate with The Man from Snowy River. Instead, most Top End cowboys and cowgirls prefer hats made of thatched straw. "Wide-brimmed hats, they go back a long way for cattlemen. It's what drovers wore," Jack explains. "You see cattlemen with bigger brims and felt hats, that's actually a tool when you're out working with cattle on horseback. "You use the top of your hat. You flip it upside-down and give your horse a drink, and also it keeps you safe from the sun." As well as a good hat, Jack says durable denim is essential for a cowboy, because when "you're playing with cattle in the yard, you get hooked, they [your jeans] get ripped". And while a big belt buckle might seem like a cowboy staple, it's not something just anyone can wear. "You do see a lot of people trying to act like they've got a buckle and stuff but, see, some of the cowboys around here, they've actually earned it, they've done the hard yards," Jack says. Most rodeo spectators from Darwin and surrounds are wearing what New South Wales competitor Dean Wallace sees as a less authentic interpretation of cowboy western wear. While many spectators will stay at the arena into the early hours of the morning for an after-party, Dean says most of his fellow competitors will "go back to their utes for a sleep" or a quiet beer. "I think the ones that highlight a bad view of cowboy culture are the ones that dress up for tonight, get on the piss, try to fight someone and get carried out," he says. "You see some people who dress up just for tonight and they've never actually seen a paddock, stepped in s*** or touched a sheep." Dean isn't keen on the suggestion cowboys are proud of their differences from "city slickers", and says rather than being concerned about their identity, most cowboys just don't care. "There are moral standards for a cowboy, and you shouldn't have to think about what those are," he declares. But he explains that the cowboy identity can't simply be adopted by anyone. "It's just being tough enough to handle whatever gets thrown at you, brave enough to do whatever you have to do and looking after those around you. I guess that's my view of a cowboy," he says. While Dean says the cowboy identity usually comes with growing up in a pastoral family, he believes it is not impossible to become one — but it takes hard work. "I'm all for anyone that wants to get into it," he says. "If you put your hat on, put your boots on and you're willing to work for it, that's all there is to it. "I'm telling you, if you go from a lifestyle where you're not used to it and you try to get into it, you'll quickly figure if you're a cowboy or not." As the final bull is taken back to the yards and the night-time entertainment starts warming up, as if on cue, Dean and his fellow bull riders begin to pack up and head to their utes, leaving the crowd of partygoers behind them in the settling dust.