
Ask Sahaj: I've never felt worthy of love or attention. How can I start?
Hi Sahaj! I'm 26 years old and ethnically South Asian. I've never really felt worthy of love or attention — romantic or otherwise. Growing up, I didn't feel like I deserved hobbies or interests just for my own enjoyment, and now as an adult, I struggle with prioritizing myself.
I'd love to dive into painting, pottery, going to coffee shops or just spending relaxing afternoons at the park (stuff that genuinely brings me joy), but I have a constant fear of doing those things. I can't understand why. I've always put other people's needs above mine, to the point where I feel like I don't even know how to center myself in my own life. I wonder if this is common for women of color? Maybe it's rooted in some deeper cultural or societal messaging I've internalized?
At this age, it's starting to weigh on me that I've never been pursued romantically. I've never experienced the warmth and affection of romantic love. Seeing everyone around me enjoying supportive relationships makes me feel incredibly lonely and somehow 'lesser-than.' Deep down, there's a fear I'm unattractive and undeserving because I don't fit into the White, Eurocentric beauty standards that dominate the culture around me. It's making me question my own worth in ways that hurt deeply.
How can I begin to believe I deserve love, hobbies and happiness? How can I learn to genuinely love myself and see myself as deserving of being at the center of my own life, especially when the messages around me seem to suggest otherwise?
— What About Me?
What About Me?: You have been performing 'excellence' as a survival strategy. You may have been taught, implicitly or explicitly, that you owe your family success, stability and credibility in exchange for their sacrifices. This isn't uncommon in South Asian families and in immigrant families more broadly. Over time, this pursuit of excellence becomes entangled with your sense of self-worth. You start to believe your value lies in how well you fulfill the duty placed on you.
But who are you without the 'model child' mask? What parts of you had to be hidden, silenced or softened to be seen as dutiful? It's okay to step away from perfection. It's okay to choose joy, creativity and rest — not as rewards, but as your birthright. Who are you when you are not producing, giving or doing?
It sounds like you may come from a family where love is shown through provision, discipline, protection — not affection, validation or freedom to explore personal joy. So it makes total sense that now, as an adult, you struggle to center yourself without guilt. You weren't born believing you were undeserving — you learned it. This isn't just psychological. It's generational, cultural and systemic, and that's why it's so hard to 'just believe' you deserve love and happiness.
But joy is not selfish. It's not frivolous. Joy is a form of healing, and quite honestly, it's an act of rebellion and resistance. You're not 'wasting time' when you go to a coffee shop or paint for an afternoon; you're rewriting the story that your worth comes from labor or self-sacrifice. I understand this can feel uncomfortable, but start small. Spend 10 minutes once a week sketching, or have a goal to go to one coffee shop in the next two weeks and do nothing except people-watch. It will be so important for you to slowly infuse this joy and creativity into your life; otherwise, you will never do it. Consider bringing a friend or accountability partner along for a pottery class, or journal as you go to process how this feels and what you are unlearning/learning about yourself along the way.
Doing more of what you want will also allow you to see yourself in a more positive light. You are feeling the pressures of Eurocentric beauty standards — which can affect even the most self-assured people — but neglecting your desires is almost certainly compounding the issue. As I said in a previous column, society constantly decenters women of color from desirability narratives, but that doesn't mean you're not desirable. When you've never been reflected in stories of softness, affection and being wanted, it makes sense you'd internalize a sense of invisibility. Healing this starts with seeing yourself with new eyes and surrounding yourself with voices that reflect that back. That could mean following South Asian artists, models and creators who redefine beauty. Or it could mean reading poetry or stories by women of color about love and desire. Even more, turn the lens inward and affirm your own worth. What do you love about yourself? What does it mean to listen to your bodily wisdom of what feels good and pleasurable? What are your needs in relationships?
I don't believe you need to love yourself to be loved by others; after all, relationships can actually give us agency to discover self-love. So while you wait for romantic love, pursue reparative relationships — where you feel safe, seen and can practice being vulnerable — in friendships and with strangers. Get to know that barista at the local coffee shop you're going to visit. Practice showing up in your fullness.
Love that aligns with who you are will come when it comes. And it will not make you more whole; it will simply meet you where you already are. You're not 'less than' for not having had that yet. You're simply waiting for someone who can hold the fullness of your being, which you are just now learning to reclaim for yourself. Let the romantic loneliness remind you that you crave connection not because you're lacking, but because you were made for it.
You ask how you can truly believe you deserve love, hobbies and happiness. The truth is: You don't 'convince' yourself. Rather, you begin to believe it by practicing it, gently and consistently, in your life.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
4 hours ago
- Yahoo
Back-to-back: Federal Way's White clears 6-11, repeats as state high jump champion
It was only a matter of time before Friday's 3A Boys Triple Jump at Mount Tahoma Stadium turned into The Geron White Show. Federal Way's defending state champion makes skyscraping jumps look easy. When officials set the opening height to clear at 5-6, White sat patiently for his turn. By six feet, he was hurdling the bar feet-first — a confident, effortless warm-up for what was to come. White cleared 6-8 on his third and final attempt, a clutch leap that etched repeat titles into stone, but the senior star was far from finished, and the spectacle was only beginning. A personal-record 6-11 came next. With family, coaches, and friends glued to the surrounding fenceline, White flashed a thumbs up for a personal fan club, his trademark tradition. He shouted, 'Let's Go!' for the hundreds of onlookers and began a slow clap that built in tempo; even White's competitors joined in. 'They know that I put on a show,' White said. 'If I can do it for them, that's just great.' Then came the unforgettable leap that sent both sides of Mount Tahoma Stadium into celebration. White cleared the bar at 6-11, notching an official mark of 6-11.25. Three more attempts at 7-2 fell just short, but the Eagles star settled for a new personal record and back-to-back gold medals. 'This is a surreal feeling,' White told The News Tribune. 'Coming out here and doing this not once, but twice? It's something that not a lot of people can say they did. Me being able to do that is just a blessing, and I love that I could do it for my coaches and teammates.' White claimed last year's 4A Boys High Jump title (6-6) before Federal Way reclassified to 3A last fall. Unrelenting rain and high winds ravaged the 2024 contest, but Friday featured picture-perfect weather conditions: clear, sunny skies with minimal wind. 'I'm stronger,' White said. 'Much stronger. That comes with maturing and really getting your work ethic to be there with you. You get that up, and the sky is the limit.' Ingraham's KingDavid Jackson (6-6) and Liberty of Issaquah's Oden Hatcher tied for runner-up honors. Mount Tahoma's Zane Cordero (6-2) finished T5 on his home track. White already took home hardware at this year's meet with a third-place finish in Thursday's 3A Boys Long Jump (22-1.5) and enters Saturday's 3A Boys Triple Jump (47-7.5) as the top seed. Nine of the 20 contestants failed to clear six feet in the high jump — the bar that White hurdled. 'That's what I usually do,' he smiled. 'It could scare some people… but I'm such a high-class jumper that popping over those heights is really nothing to me.' Callie Wilson couldn't believe it. When Bonney Lake's senior hurdler was first to cross the finish line in Friday's 4A Girls 100-meter hurdles, the emotions poured out — a mixture of shock and jubilation with a hint of relief. Fueled by adrenaline, Wilson bolted off of her starting block and instantly knew she was in position. She clipped a pair of hurdles along the way but finished strong, outlasting top-seed Leilani Mays (Union) for the gold medal (14.22) at Mount Tahoma Stadium. 'It feels absolutely insane,' Wilson said. 'I knew I was (in) a pretty good spot, but to actually do it? Crazy.' Even crazier? Wilson began hurdling in February, just three short months ago. Panthers coaches believed in her potential before she believed in herself, encouraging her to try something new. 'It made track more fun,' Wilson said. 'I have so much room to grow… but it's just absolutely insane.' Curtis duo Shelby Duah (14.58) and Jazzlyn-Rei Smith (14.73) finished third and fourth in a race filled with South Sound track talent. Kentridge's Ayla Johnson (14.93) grabbed a fifth-place finish and Tahoma's Riley Dickson (15.11) took sixth. In Friday's 3A Girls 100-meter hurdles moments prior, Gig Harbor's Eisley Hering (14.89) and Karin Heikkila (15.09) finished fourth and sixth, respectively, bookending White River's Trista Turgeon in fifth (15.05). 'I was thinking… I didn't put in all of this effort in such a little amount of time to not show up and show out,' Wilson said. 'It was going to be my last race ever. I might as well go all-out.' The packed crowds at Mount Tahoma Stadium just witnessed the fastest 4x100 relay the state has ever seen. Curtis sprinters Jayden Rice-Claiborne, Isaac Brooks, Kamil Ross, and Nicholas 'Nico' Altheimer smoked their competition in Friday's 4A Boys 100M preliminaries (40.84), tearing down a Garfield state meet record (41.34) that stood for 39 years. 'They're really good friends with each other, and they just know each other really well,' Curtis head coach Ben Mangrum said. 'The handoffs have been getting better all season long because (we've) been consistent with that group. 'And if something does happen, we have more guys that can step in, and they know that. That frees them up to just be their best.' Curtis captured the West Central District III title with a state-record run (40.97) nine days ago. Now, they've one-upped themselves. Kentridge's 4x100 relay isn't far behind: Jacob Satchell, Berry Crosby, Josiah Brown, and Jordan Miller ran a personal-best 41.11 from Friday's third preliminary heat, another race that brought down Garfield's state meet record from 1986. We'll see the Vikings and Chargers battle head-to-head for gold in Saturday's final alongside the likes of Glacier Peak (41.85), Kamiak (42.18), and Lake Washington (42.36).


Buzz Feed
11 hours ago
- Buzz Feed
South Asians On Hollywood Scandinavian Scarf Trend
Note: This post is an Op-Ed and shares the author's personal views. Suppose you've been browsing TikTok looking for inspiration on what to wear to your friend's upcoming garden wedding. If so, you've probably noticed one particular item has been making the rounds on everyone's vision board for the season. Stroll through any women's clothing store and you'll spot it. Every celebrity was wearing it at award shows, and it looks like it's the accessory of the summer. I'm of course referring to those fab little chiffon scarves that the girlies have been draping around their necks. So chic, they've almost been impossible to escape. But if you have a South Asian friend, you might have had to sit through a rant or two on FaceTime where they tiredly explained their frustration with this particular accessory. My friends sure have had to put up with a couple of vent sessions over the past months. But you might be wondering what the actual issue is, if there's any at all. A little background for those who might need it: if your feed looks different to mine, you might have missed the discussion around the ironically named 'Scandinavian Scarf' micro-trend. The discourse has permeated the online cultural zeitgeist of the South Asian community over the past year, and it's been rampant. In case you missed it, here's the rundown. In a since-deleted TikTok video, the Bipty employee attempted to describe the style of sheer scarf worn as a shawl, saying it was 'very European and effortlessly chic.' While some agreed, the video was quickly spread in South Asian circles online, where viewers instantly recognized the style as something pretty distinctly Desi. In South Asian women's cultural clothing, more often than not, a scarf will be worn. This scarf, called a dupatta or a chunni, is a very prominent feature of traditional dress. It dates back literally thousands of years to the Indus Valley civilization, which was around during the Bronze Age. So it's not exactly something new. To this day, dupattas are worn by South Asian women, both in cultural clothing and in everyday life. You'll find them everywhere from Bollywood movies to Naani's wardrobe. They symbolize a lot of different things to a lot of different people, but it's a pretty distinctive marker that ties the community together. At least, that's what it means to me. After the original video went viral, Bipty founder Natalia Ohanesian took to social media to apologize for her employee's actions. 'The fashion aesthetic my teammate was fawning over in that video is very clearly not European,' she said. 'I understand the deeper conversations of cultural appropriation and all of the hurt that comes from these conversations.' 'I'm seeing this as an opportunity to really enrich Bipty's community, so thank you,' she continued. 'We are very sorry to the South Asian communities that were offended.' The video is currently unavailable as of May 2025, and it looks like Bipty has removed their TikTok presence entirely. Since last summer, South Asians online have been poking fun at the 'Scandinavian Scarf' trend and have been using it as an excuse to post themselves in their gorgeous cultural clothing. As they should. But despite awareness of the issue online, the scarf trend has only grown in popularity. Last year, during awards season, we saw a number of celebrities donning a scarf around the neck, and this year was no different. I counted 7 at this year's Oscars alone before I got bored and stopped counting. The style was sported at the SAG Awards, the Gotham Awards, the White House Correspondents' Dinner, and pretty much everywhere else you can think of. Now, I definitely can't claim that there's anything inherently wrong with wearing a floaty piece of fabric around your neck. A number of fashion outlets covered the trend and credited it to certain 'Old Hollywood' moments: most notably Marilyn Monroe in Gentlemen Prefer Blondes, Grace Kelly in To Catch a Thief, and Princess Diana at Cannes in 1987. While all of these are instances of the style being a Hollywood staple for a while, it's not hard to imagine how the '50s look gained popularity in the West, especially considering that India only gained independence from British rule in 1947. So gems and spices were probably not the only things the Brits took home. Many brands have also been getting a ton of flak for now selling pieces that look distinctly South Asian. Reformation, VRG GRL, and Oh Polly are among the labels that have faced criticism for their recent designs. The Oh Polly one was kind of my favorite, because in what world is that not a sharara? South Asians online have had varying reactions, but the overarching feeling is definitely one of dislike. Some creators have declared that all they want is credit, and that it's fine to wear South Asian inspired pieces as long as they are referred to by the correct cultural names. However, I feel like I'm getting flashbacks to Coachella 2015 when I was fighting for my life on Tumblr, arguing that no, it wasn't okay to wear a bindi and a tikka, yes, even if you were Vanessa Hudgens. As for me, I am of the camp that if you can't pronounce dupatta, there's no reason that you should be wearing one. However, I can't even bring myself to care that much. We really have bigger issues to focus on as a community right now. Have you seen the turmoil that our countries are going through back home? What I'm feeling is exhaustion. After years of the same arguments getting hashed out over and over again, my gut response is just fine, screw it. You win. Wear whatever you want. But I'm also exhausted because I know exactly how this is going to end. The most frustrating part about seeing your culture get co-opted for the trend of the week is knowing that it's on a time limit. With how fast micro-trends run in and out of the social sphere, it's now a matter of minutes before something goes out of fashion. In a year or two, people will look back and laugh about how everyone and their mother were wearing a neck scarf in 2025, and how they wouldn't be caught dead in one now. Meanwhile, my family and I will still be wearing dupattas on Eid, because that's what we do every year. But God forbid I wear one in public, lest someone think I'm following a dead trend. The very idea. Up until literally this year, long, decorated nail extensions were everywhere. Stiletto acrylics were so common that it really seemed like people forgot the origin — which was Black women from the early '90s onwards. At the time, the style was looked down upon as 'ghetto,' but as always, it was adopted by non-Black folks a couple of years on. But now, it seems like it's run its course, as many online creators have been talking about how short, nude nails are here to stay. Now, long nails are outdated. Another cultural look, taken and discarded with little remorse. We can't control trends. I certainly participate in them. And I can't really fault anyone for wanting to wear a scarf around their neck with a pretty dress. It's cute, I get it. But it's tiring, knowing the outcome. Knowing that when something is in, it's in. And when it's out, it's unthinkable. We're not able to change that. But if you see me wearing a scarf with a dress in five or ten years, at least don't act surprised. Check out more AAPI-centered content by exploring how BuzzFeed celebrates Asian Pacific American Heritage Month! Of course, the content doesn't end after May. Follow BuzzFeed's A*Pop on Instagram, TikTok, and YouTube to keep up with our latest AAPI content year-round.
Yahoo
13 hours ago
- Yahoo
Supreme Court allows Trump to begin removing 500,000 immigrants from Cuba, Haiti, Nicaragua and Venezuela
The Supreme Court on Friday granted the Trump administration's request to categorically revoke humanitarian parole for more than 530,000 immigrants from Cuba, Haiti, Nicaragua and Venezuela and order them out of the country. The court did not explain its order staying a lower court decision that temporarily blocked the administration's abrupt policy change. In March, the Department of Homeland Security revoked protections for migrants from five countries issued by the Biden administration. The agency gave them 30 days notice to leave the country unless they had legal protection under another program. MORE: What the Constitution, Supreme Court say about 'due process' for Trump deportees: ANALYSIS A number of migrants and immigrant advocacy groups sued over the move, alleging that federal law did not give DHS Secretary Kristi Noem discretion to categorically eliminate humanitarian protections -- only to do so on a case-by-case basis. A federal district court agreed. The high court's decision means the Trump administration can move forward with it's policy change even as the litigation continues in lower courts on the merits. Justices Ketanji Brown Jackson and Sonia Sotomayor dissented. Jackson, writing in opposition, accused the court's majority of callously "undervalu[ing] the devastating consequences of allowing the Government to precipitously upend the lives and livelihoods of nearly half a million noncitizens while their legal claims are pending. "Even if the Government is likely to win on the merits, in our legal system, success takes time," Jackson wrote, "and the stay standards require more than anticipated victory. I would have denied the Government's application because its harm-related showing is patently insufficient." Earlier this month, the Supreme Court allowed the Trump administration to terminate "Temporary Protected Status" for approximately 350,000 Venezuelans who were protected from deportation and allowed to work in the United States. MORE: Supreme Court allows White House to end protections for 350K Venezuelans for now While the administration's moved to restrict immigration and turn away refugees from countries like Afghanistan and Haiti, it recently accepted white South African refugees -- prompting criticism. The administration's falsely claimed a genocide is taking place against white Afrikaner farmers, which South Africa's president pushed back on during a meeting with President Donald Trump in the Oval Office. Supreme Court allows Trump to begin removing 500,000 immigrants from Cuba, Haiti, Nicaragua and Venezuela originally appeared on