
London lit up with bold Kneecap support message as Mo Chara walks free on bail
Dublin-based creative agency The Tenth Man lit up London with a huge projection in support of Kneecap. On Wednesday, Liam Og Ó hAnnaidh, was released on unconditional bail ahead of his next hearing on August 20 after he was accused of displaying a flag in support of proscribed organisation Hezbollah at a London gig.
The 27-year-old, who performs under the name Mo Chara, arrived at Westminster Magistrates' Court accompanied by band members Móglaí Bap (Naoise Ó Cairealláin) and DJ Próvaí (JJ Ó Dochartaigh).
Away from court, The Tenth Man created a massive projection which appeared across three Camden's Electric Ballroom, the site of the band's original performance that triggered the investigation as well as County Hall at Southbank and The Strand in Central London.
The ad read: 'More Blacks. More dogs. More Irish. Mo chara', reclaiming the language of historic exclusion as a message of solidarity, resistance, and cultural pride. This isn't about provocation for its own sake,' said Eric Davidson of The Tenth Man.
'We stand with artists and their right to creative expression. We stand with truth-tellers like Kneecap, who through their art shine a light on shadowy parts of this world, knowing they'll be the ones to suffer the repercussions. This witch-hunt is a carnival of distraction and political policing to divert eyes away from Gaza,' added Dan Lambert, Kneecap's manager.
The stunt follows the rollout of a billboard campaign (pictured) on sites around Westminster, timed to coincide with the criminal trial of Mo Chara, one-third of the Belfast hip-hop group. Hundreds of supporters of the group offered a round of applause outside a court in London on Wednesday, after the appearance.
The Tenth Man has worked with Kneecap since 2018, on music videos, political campaigns and creative stunts including an activation with a replica RUC Landrover to launch their movie at the Sundance festival last year.
The campaign also marks a statement of intent from the studio, which recently launched operations in London. Known for its disruptive creative work across music, fashion and youth culture, The Tenth Man has built a reputation for backing artists who push against the grain.
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The Irish Sun
24 minutes ago
- The Irish Sun
Love Island star gets VERY sexy invitation minutes after bombshell enters villa before awkward snub – did you spot it?
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The Journal
38 minutes ago
- The Journal
Inside and outside the Kneecap courtroom: Film directors, The Fields of Athenry, and a few police
Rónán Duffy reports from London The Journal / YouTube MARYLEBONE ROAD IN central London is a busy thoroughfare on any morning, but today a section of it was completely thronged, thanks to Kneecap's ability to draw an audience. The crowd was noisy and numbered in several hundred – but confined as it was to the path and the area immediately outside Westminster Magistrates' Court, from within it, it felt like more. There was some pushing, given the numbers and the tight space available. A small but visible police presence prevented the protest from spilling over onto rush hour traffic. Around the corner, there was a much larger fleet of police vans, presumably on standby, but the full contingent was not required or deployed. 'Spancil Hill' and 'The Fields of Athenry' Outside the court building, there was even a stage erected to provide the tunes. 'Spancil Hill' and 'The Fields of Athenry' got an airing before the mic was handed to high-profile solicitor Darragh Mackin, once the legal business of the day was done. Kneecap's Moglaí Bap (Naoise Ó Cairealláin) also addressed the crowd and attendant media to big up the band's upcoming – and, in the UK, controversial – performance at Glastonbury. 'For anybody going to Glastonbury, you can see us there at 4pm on the Saturday. If you can't be there we'll be on the BBC, if anybody watches the BBC. We'll be at Wembley in September. But most importantly: free, free Palestine. Smoke bombs were let off as Kneecap exited the court. TheJournal TheJournal The man of the moment, Mo Chara (Liam Óg Ó hAnnaidh), did not speak outside, speaking only briefly inside the court to confirm his identity . Inside the packed courtroom, such was the number of journalists that media spilled over from the press benches to the public gallery, there were no spare seats once the hearing began. Also in the public gallery were Mo Chara's bandmates and their manager, Daniel Lambert, who were seated with film director Trevor Birney, who produced the Kneecap film. Film director Jim Sheridan was also in the public gallery. Speaking to The Journal , Sheridan said he 'knows the lads', meaning Kneecap, after attending their gigs and meeting them at the Irish Film and Television Awards. Sheridan directed In The Name of the Father, about the Guildford Four miscarriage of justice, which featured Emma Thompson as human rights lawyer Gareth Peirce. Peirce is now a member of Kneecap's legal team and Sheridan said that knows her too. The Journal / YouTube Ó hÁnnaidh is being prosecuted under the anglicised name O'Hanna and chief magistrate Paul Goldspring referenced Ó hAnnaidh's Irish name. Goldspring said that unsuccessful attempts were made to have an Irish language interpreter present in court today but that 'we'll try and sort one' for the next court date on 20 August. Ó hAnnaidh's team confirmed that he speaks English but said it's his second language, and they therefore formally requested an interpreter for the next hearing. Northern Ireland-based Irish-language coalition An Dream Dearg had members both inside and outside the courtroom supporting Mo Chara. The hearing was delayed by almost an hour such was the chaos that greeted the band's arrival. Ó hAnnaidh arriving at court today. Alamy Stock Photo Alamy Stock Photo A van emblazoned with the words 'More blacks, more dogs, more Irish, Mo Chara' did laps of the area, drawing cheers each time it passed by. The arrival of Kneecap was heralded by a post on their Instagram stories which said they were '20 mins away a chairde Gael'. Given the traffic and general madness of the entire scene the band arrived bang on 10am and had to force their way through the crowd of protesters and media to the glass doors of the court building. Mo Chara was wearing a keffiyeh scarf around his neck and dark sunglasses. Advertisement The third member of the band, DJ Provaí (JJ Ó Dochartaigh), was wearing his trademark tricolour balaclava and was able to wear the balaclava inside the court building for a number of minutes before a member of security told him he would have to remove it to walk through the metal detectors. About 20 people spilled into the building along with Kneecap, while about 50 more were content with staying in the narrow foyer between the metal detectors and the doors. The scene outside the courthouse as Mo Chara arrived. Alamy Stock Photo Alamy Stock Photo The Met Police inside the building kept a distance from the scrum, although they reminded supporters that there was strictly no photography allowed inside the building. The actual hearing lasted about 15 minutes and was adjourned until 20 August, when both sides will present arguments relating to a dispute over the jurisdiction of the court. The dispute relates to the time period between the date of the alleged offence on 21 November 2024 and Ó hAnnaidh being charged in May 2025. Brenda Campbell, for Ó hAnnaidh, said his team would be arguing that the charge was brought outside the six-month limit and that if this is found to be the case the prosecution would fall. The judge agreed that this would be the case should the defence win the argument on the disputed dates. During the hearing, the allegations against Ó hAnnaidh were summarised by prosecutor Michael Bisgrove, who said: 'It's not about Mr Ó hAnnaidh's support for the people of Palestine or his criticism of Israel. 'He's well within his rights to voice his opinions and solidarity, as is anybody else. 'The allegation in this case is a wholly different thing and deals with a video recording showing that, in November of last year, Mr Ó hAnnaidh wore and displayed the flag of Hezbollah, a proscribed terrorist organisation, while saying 'up Hamas, up Hezbollah'. Outside Rónán Duffy / X (Formerly Twitter) After the hearing, Kneecap emerged from the courthouse when Mackin took to the makeshift stage. There, Mackin framed the case as one about freedom of expression. 'Oppression fears the freedom of expression, but the reality is Kneecap will stand up for freedom of expression and defend not only their rights but the rights of artists all around the world,' he said. Do not be afraid, we are on the right side of history. Fifty-one people were shot an killed yesterday in Gaza as they queued for flour. 'If the British government had any sense of history, they will know they have already lost.' Many people present at today's protest expressed similar sentiments, saying the case was about the right to freedom of expression and freedom to protest. Several referenced the fact that while Mo Chara is getting significant publicity for the charges he is facing, other pro-Palestine protesters are facing similar charges – and are being held on remand in some cases. Pepper, from Essex, attended the protest with her friend Kiki. 'It's really important to protect the right to free speech and standing up against the genocide in Palestine, especially with the pro-Palestine prisoners right now. 'Activists in general are getting criminalised and called terrorists for no reason. Meanwhile, the UK government is getting away with so much, so many war crimes. They're complicit and actively participating in the genocide,' Kiki said. Kiki and Pepper from Essex. The Journal The Journal Pepper, said they were both fans of Kneecap and had been to see them at the Wide Awake Festival in London a few weeks ago. 'We wanted to be here to not let Mo Chara go down quietly or let this slip under the radar, because that's not fair. 'It is completely hypocritical, considering all the time, effort, and money that's going into it. I'm really happy everyone showed up today to make an example of how ridiculous it is, and to highlight what we really need to be focusing on,' she said. Andrea Torrejon, originally from Spain but now living in the UK, said Kneecap were targeted after they spoke out at Coachella and people then 'dug up' clips from a concert months before. 'I think the fact is they were trying to bring up stuff that happened last year, just because they dared to speak out at a concert, a concert where other people also spoke out,' she said. 'They went through Twitter, they went through everything. It makes no sense, and it's really worrying not just for them, but for everyone.' Readers like you are keeping these stories free for everyone... A mix of advertising and supporting contributions helps keep paywalls away from valuable information like this article. Over 5,000 readers like you have already stepped up and support us with a monthly payment or a once-off donation. Learn More Support The Journal


Irish Times
39 minutes ago
- Irish Times
Former football coach to be sentenced later for indecent assault of boy over 50 years ago
A man who was indecently assaulted by his football coach over 50 years ago has described him as 'vile', 'evil' and a 'danger to children'. Joseph Thorpe (73) was a coach with a Dublin club when he sexually assaulted the injured party on a date between September 1974 and September 1976, during a club trip to Co Kerry. The complainant was aged 12 to 14 at the time. Dublin Circuit Criminal Court heard that the victim wishes to retain his anonymity, but has no difficulty with Thorpe being identified. Thorpe, with an address at Glenbeigh Park, Cabra, Dublin 7, pleaded guilty to one count of indecent assault on a trial date earlier this year. READ MORE Defence senior counsel Tony McGillicuddy told the court that Thorpe is currently living on a mobile home site in Co Meath. Thorpe has five previous convictions, including three for indecently assaulting another teenage boy in the 1980s, for which he was given a two-year suspended sentence in 1990. Reading his victim-impact statement on Wednesday, the complainant said Thorpe had 'posed' as football manager and coach 51 years ago. 'Football managers build dreams and instil confidence and self-belief in players. [Joseph Thorpe], you were no football manager.' He said Thorpe 'thrashed his dreams' of being a footballer, 'wrecked' his confidence and mental health and 'destroyed' his school and family life. He said the offending had 'destroyed my trust in mankind' and affected his ability to sustain a close physical relationship with a partner. The injured party said he had undergone a 'lifetime of therapy' to deal with the impact of the abuse. 'You are a dirty man, a vile man, an evil man,' he said, later describing Thorpe as a 'danger to children'. He asked Thorpe to take any help offered 'for your attraction to young boys'. 'Please take it, it may save the life of a young child.' An investigating garda told Ronan Prendergast, prosecuting, that the then teenager had an involvement with the club where Thorpe was a coach. Thorpe took him to matches, on fishing trips and also bought him football gear. The incident took place during a club summer trip to Co Kerry during which participants, including many children, stayed in a caravan and a tent. Thorpe sexually assaulted the teenager in a makeshift bed they were sharing in a caravan. The boy told Thorpe to stop. Two others were also sleeping in the same bed and other children were in the caravan, the court heard. The complainant made an initial complaint to gardaí in 2017. The investigating garda outlined during cross-examination that there was a hiatus in the investigation due to a high volume of murder investigations being dealt with by Mountjoy Garda station during this period. Investigating gardaí approached Thorpe in 2019 and while he initially indicated he would agree to a voluntary interview he later declined following legal advice. The investigating garda agreed with Mr McGillicuddy that this was a single incident, which occurred while others were sleeping in the caravan. It was further accepted that Thorpe was previously married and is estranged from his adult children. Mr McGillicuddy noted that this case involved a 'grave breach of trust', adding that he had been instructed to apologise. He said Thorpe lives 'a fairly lonely and solitary life'. Counsel said Thorpe's marriage had broken down after he was charged in relation to his previous offending, and his relationship with his children had been 'sundered' following some media coverage about these convictions around 2007. Mr McGillicuddy said his client was a postal worker, but this employment also ended due to his previous convictions. He submitted that Thorpe had paid a price for his conviction in 1990 and had suffered a 'personal and human cost in that his life effectively crumbled'. A number of medical reports were handed to the court. Mr McGillicuddy outlined that his client has complex medical issues, some of which are being managed on an ongoing basis. He asked the court to take into account his client's guilty plea, willingness to engage with the Probation Service and expression of remorse. Counsel asked the court for as much leniency as possible for his client. He asked the court to adjourn the case as two testimonials had been provided for his client, but these were not accompanied by affidavits. Judge Martina Baxter said the court would adjourn the case for one week, and remanded Thorpe in custody until June 25th. The judge directed that Thorpe should receive all required medical treatment while in custody.