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ATTACK THE BLOCK 2 Update: John Boyega Says, "It Will Happen" and 'The Story Is Crazy' — GeekTyrant

ATTACK THE BLOCK 2 Update: John Boyega Says, "It Will Happen" and 'The Story Is Crazy' — GeekTyrant

Geek Tyrant14-05-2025

More than a decade after Attack the Block was released, it has become a cult-classic film. it's looking like Moses is getting ready to jump back into action, and John Boyega is very excited about it.
During a recent appearance on the Happy Sad Confused podcast, Boyega confirmed he's read the script for Attack The Block 2 , written by original director Joe Cornish, and teased what's shaping up to be a wild return to the alien-infested streets of South London.
'I've read it, man. It's cool, bro. It's cool. Yeah, I've read it. Joe Cornish has done a phenomenal job on his draft. And we're just cooking it to make it right for everyone. And we obviously need more money for those aliens.
'We want it to look really good for that 2026 crowd. But for us, it's just about developing the story, and making sure Moses and the rest of the characters that we have left are fully hashed out before bringing it out and going to shoot.
'But I'm very passionate and very willing that we will shoot Attack the Block 2. It will happen. You're going to have to see, but the story is crazy. I've got to get in the gym, Jesus.'
So, that's an exciting update! The original Attack the Block was such an awesome movie, and it introduced audiences to Moses and his teen gang on Guy Fawkes Night as they fought off a brutal alien invasion in their London council estate.
It mixed sci-fi, horror, social commentary, and comedy into something fun and fresh. The movie didn't blow up the box office (it made just $6.2 million globally), but it left a lasting mark on those who did see it. The film had a gritty style, cool creature designs, and a bonkers story.
Boyega and Cornish have been planning this sequel for a while. Back in 2021, Cornish said, 'John Boyega was round at my place a few weeks ago and we sat in the garden — socially distanced — talking about story ideas until it was so dark we couldn't see each other. So, yeah, we're working on that.'
That same year, Attack the Block 2 was officially announced, marking the film's 10th anniversary. Not only is Boyega returning in front of the camera, but he's also producing. Boyega previously offered an update on the movie saying:
'We're quite close. We're gettin' there. Obviously, we don't wanna release no dates to anybody because we wanna take care of the creative process.
'We have the main spine of the story, but we're still in the lab, just making sure the story is right. Story is everything. But it won't be too long. I've given them the drums to speed up the process. Hopefully soon, we'll have an announcement for when we'll be around London, messin' stuff up.'
He discussed understanding his character, and how he thinks about what he'd be up to now. The adult version of the character that we'll eventually see in the sequel he describes as being 'bloody frickin' dope." He said:
"It's a character that I really understand. In creating him when I was younger, I really understand where he's at now. It's the character that's stuck with me the longest. Every year I'd think, 'I wonder what Moses is doing now.' So I jump back in, and I think this version of Moses, if people can think about everything he's been through, is pretty darn bloody frickin' dope."
Cornish has spoken about taking the time to properly develop the sequel, even referencing films like Aliens and Terminator 2 as creative benchmarks, not in scale necessarily, but in how they meaningfully evolved their stories and characters.
I can't wait to see what they've come up with for the sequel! I have no doubt that they'll deliver an awesome sequel.

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At Gearbox Records The Sound Quality Remains First
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At Gearbox Records The Sound Quality Remains First

Darrel Sheinman, the man behind jazz label Gearbox. In an era defined by digital speed, algorithmic curation, and disposable listening, Gearbox Records has carved out a defiant space for intentionality, sonic depth, and analog fidelity. Founded by Darrel Sheinman in London, the boutique label has become a cult favorite among audiophiles, crate diggers, and adventurous jazz heads alike—known for producing genre-defying jazz, folk, and ambient records, many of which are cut directly from tape to vinyl. Unlike many indie labels that choose between nostalgia and innovation, Gearbox does both. Its catalog spans an impressive spectrum of artists and styles: from the kinetic energy of free jazz duo Binker and Moses Boyd to the timeless elegance of legendary trumpeter Charles Tolliver, whose 2020 release Connect was recorded entirely to tape at RAK Studios. 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So we're not creating some random token or digital image that spikes and crashes. Instead, when someone buys a record, they also get a token.' This blending of tactile listening and digital innovation mirrors the label's deeper ethos: respecting legacy while embracing evolution. (Sage Bava) Steve Baltin: It's interesting—over the years, I spoke with a lot of people, including Eddie Van Halen and Daniel Lanois, about the importance of analog. They worked almost exclusively with it. Do you find that certain musicians and producers are drawn to the fact that you primarily use analog? So many are meticulous about it—I remember Eddie saying he had two-inch tape reels all over his house. Darrel Sheinman: Yeah, so that was the thing—it was all about the analog sound. For me, there was a richness, and it's engaging. Obviously, it's a little bit cliché to say now, but there's a ritualistic approach to putting on vinyl, reel-to-reel, or tape cassettes, you know, which never went away for me. 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It's been somewhat bastardized. A lot of people think it has to be this narrow thing. We released something with Chihei Hatakeyama—he's a Japanese ambient artist. We have a Japanese office, and he teamed up with a really well-known jazz drummer in Japan, Shun Ishiwaka. They made a record called Magnificent Little Dudes—best title ever—and we've done volumes one and two. It's free jazz drumming behind ambient music. It's actually one of my favorite things we've released because it brings together two very different genres: electronic ambient and jazz. Very pure. Very raw. Some wouldn't call it jazz—but to me, that is jazz. Jazz is about improvisation. It's creativity without limits. That's probably how it started. Johnny Griffin said jazz was music made to lift people up despite their circumstances. That's true too. So even though we also release a bit of folk, ambient, and electronic music, it all carries that same jazz spirit Herbie talked about. I agree with him completely. I mean, how can you not agree with Herbie Hancock? Yeah, I think that's absolutely right. And that's exactly how you stay on the path—as a samurai would say. You can't have a path if you're not actively moving. You've got to drive it. On the business side, we're now pivoting into the Web3 space. I know it's gotten a bit scammy with NFTs and such, but we're trying to do it differently. We want to tie digital assets—tokenization—to real-world products. So we're not creating some random token or digital image that spikes and crashes. Instead, when someone buys a record, they also get a token. We've built a platform that can hold those tokens—even for people who don't fully understand the tech. To them, it's just buying vinyl. But the token can do things: if the record performs well, you can get a discount on future Gearbox releases, or a payout, or access to other things—discounted tickets, maybe meet the artist. We're also integrating some 3D digital art under the NFT umbrella. 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