Meta AI now has 1B monthly active users
In Brief
Meta AI now has one billion monthly active users across its apps, CEO Mark Zuckerberg said at the company's annual shareholder meeting on Wednesday, as first reported by CNBC. The new milestone doubles the 500 million monthly active users Meta AI had back in September 2024.
The 'focus for this year is deepening the experience and making Meta AI the leading personal AI with an emphasis on personalization, voice conversations and entertainment,' Zuckerberg said.
He went on to state that Meta's plan to is to keep building out the AI assistant before creating a business around it. As the assistant gets upgraded overtime, Zuckerberg said 'there will be opportunities to either insert paid recommendations' or launch 'a subscription service so that people can pay to use more compute.'
If Meta were to launch a paid subscription service, it would be looking to rival popular AI chat apps, such as OpenAI's ChatGPT.
The new milestone comes a month after Meta launched a stand-alone Meta AI app.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
New York Times
17 minutes ago
- New York Times
‘The Holy Blues' Review: Finding the Spiritual in the Secular at BAM
Whispers, rattles, drums — that's what we hear at the start of 'The Holy Blues,' Jawole Willa Jo Zollar's new work for Alvin Ailey American Dance Theater. Then the curtain rises on what looks like a tree trunk with a door that opens to disgorge dancers, one by one. They run and stumble as if they've been ejected, spat out. As this happens, we hear another sound, among the most sweetly soulful ever: the voice of Sam Cooke. This is Cooke back when he was the lead singer of the Soul Stirrers, a gospel group, and before he helped created secular soul music. This is Cooke when he lent his heavenly voice to spiritual songs like the one we hear, 'One More River.' But the later Cooke of 'Having a Party' and 'A Change Is Gonna Come' was no less spiritual. And that continuity — between church on Sunday and twistin' the night away — is the subject of 'The Holy Blues.' The work — conceived and directed by Zollar in collaboration with Samantha Figgins and Chalvar Monteiro, both company members — reaches back even further. The door (scenic design by Joseph Anthony Gaito) represents the Door of No Return, the symbolic aperture through which enslaved Africans were forced from their home. 'The Holy Blues,' which premiered during the company's run at the Brooklyn Academy of Music this week, is a story of Africans in America. The running, stumbling dancers are strangers in a strange land. They cling to one another and drift. Collapsing and rising, they find solace and strength in Christianity, but it is a Christianity they make their own, remembering African circle dances in the 'ring shout,' circumambulating a tree with bottles on its branches. This is danced religion. The dancers shake and swoon, slain in the spirit. They catch those who fall or dip them backward, as in baptism. They also dance the blues. To the Delta blues turned Chicago electric of Howlin' Wolf, they behave as if in a juke joint, doing the slow drag in couples and clumps. The return of the ring shout in this context makes the point about continuity, the joy-from-anguish in Cooke's voice. Then the dancers strip down to their underwear as if exposing their souls, dip one another some more to a gospel choir singing 'Peace Be Still,' a gospel hymn recorded in response to the Birmingham church bombing of 1963, and lift one of their members to walk on the air and into the light. Want all of The Times? Subscribe.
Geek Tyrant
18 minutes ago
- Geek Tyrant
Hot Toys Has Revealed Its Wild Age of Apocalypse Wolverine Figure From DEADPOOL & WOLVERINE — GeekTyrant
Hot Toys has revealed its new figure based on one of the Wolverine variants featured in the Deadpool & Wolverine movie. In the film, Deadpool travels to a number of alternate realities in the Marvel Multiverse looking for the perfect Wolverine to replace the one from his universe to help him. One of the variants he comes across is based on the 'Age of Apocalypse' comic book storyline and this is the figure for that character! The Wolverine 'Age of Apocalypse' Version 1/6 Scale Figure is a Hot Toys Exclusive Artisan Edition release. It features rooted wool hair as opposed to sculpted hair. Wolverine stands approximately 12″ tall, with 30 points of articulation. It includes moveable eyes, multiple swap out left hands, swap out right hand stumps with and without claws, and a display stand. The figure is limited to 2,500 pieces. It's scheduled for release between the Second and third Quarters of 2026. Deadpool & Wolverine – Age of Apocalypse Wolverine (Artisan Edition) [Hot Toys Exclusive] 1/6th Scale Collectible Figure 'In Marvel Studios' Deadpool & Wolverine, audiences are introduced to a variant of Logan inspired by the iconic 'Age of Apocalypse' storyline. Portrayed by Hugh Jackman, this version of Logan (known as Weapon X) hails from a dystopian reality where he has endured immense loss and hardship. 'The absence of one hand serves as a grim reminder of the brutal battles he's faced in a world ruled by Apocalypse. Yet, even in the face of devastation, Weapon X remains a fierce and unyielding warrior. 'Hot Toys is proud to introduce the 1/6th scale Age of Apocalypse Wolverine Collectible Figure (Artisan Edition). It's an exclusive figure available with a limited quantity of 2,500 units only in selected markets. 'The figure features a newly developed head sculpt with detailed beard and skin textures. His signature mid-length dark brown wavy hair is implanted using wool material, adding an extra layer of realism. The upper body and arms are made of silicone with an inner metal armature, while the seamless joints elevate the figure's naturalistic, lifelike appearance. 'Weapon X is attired in a sleek black suit complemented with bold red stripes. The figure comes with various interchangeable hands and arm armors, including options with and without claws, allowing fans to recreate his dynamic poses. To enhance the display options, a specially designed broken wall diorama figure stand is also included. 'Don't miss the opportunity to own one of the most compelling and gritty versions of Logan ever brought to the screen.'
Yahoo
25 minutes ago
- Yahoo
Gerry Adams's lawyer to pursue chatbots for libel
The high-profile media lawyer who represented Gerry Adams in his libel trial against the BBC is now preparing to sue the world's most powerful AI chatbots for defamation. As one of the most prominent libel lawyers in the UK, Paul Tweed said that artificial intelligence was the 'new battleground' in trying to prevent misinformation about his clients from being spread online. Mr Tweed is turning his attention to tech after he recently helped the former Sinn Fein leader secure a €100,000 (£84,000) payout over a BBC documentary that falsely claimed he sanctioned the murder of a British spy. The Belfast-based solicitor said he was already building a test case against Meta that could trigger a flurry of similar lawsuits, as he claims to have exposed falsehoods shared by chatbots on Facebook and Instagram. It is not the first time tech giants have been sued for defamation over questionable responses spewed out by their chatbots. Robby Starbuck, the US activist known for targeting diversity schemes at major companies, has sued Meta for defamation alleging that its AI chatbot spread a number of false claims about him, including that he took part in the Capitol riots. A Norwegian man also filed a complaint against OpenAI after its ChatGPT software incorrectly stated that he had killed two of his sons and been jailed for 21 years. Mr Tweed, who has represented celebrities such as Johnny Depp, Harrison Ford and Jennifer Lopez, said: 'My pet subject is generative AI and the consequences of them repeating or regurgitating disinformation and misinformation.' He believes statements put out by AI chatbots fall outside the protections afforded to social media companies, which have traditionally seen them avoid liability for libel. If successful, Mr Tweed will expose social media companies that have previously argued they should not be responsible for claims made on their platforms because they are technology companies rather than traditional publishers. Mr Tweed said: 'I've been liaising with a number of well-known legal professors on both sides of the Atlantic and they agree that there's a very strong argument that generative AI will fall outside the legislative protections.' The lawyer said that chatbots are actually creating new content, meaning they should be considered publishers. He said that the decision by many tech giants to move their headquarters to Ireland for lower tax rates had also opened them up to being sued in Dublin's high courts, where libel cases are typically decided by a jury. This setup is often seen as more favourable to claimants, which Mr Tweed himself says has fuelled a wave of 'libel tourism' in Ireland. He also said Dublin's high courts are attractive as a lower price option compared to London, where he said the costs of filing libel claims are 'eye-watering'. He said: 'I think it's absurd now, the level of costs that are being claimed. The libel courts in London are becoming very, very expensive and highly risky now. The moment you issue your claim form, the costs go into the stratosphere. 'It's not in anyone's interest for people to be deprived of access to justice. It will get to the point where nobody sues for libel unless you're a billionaire.' Meta was contacted for comment. Broaden your horizons with award-winning British journalism. Try The Telegraph free for 1 month with unlimited access to our award-winning website, exclusive app, money-saving offers and more.
