logo
Corrie's Cait Fitton opens up on harsh sides of fame - 'it's taken time'

Corrie's Cait Fitton opens up on harsh sides of fame - 'it's taken time'

Yahoo5 hours ago

Since joining Coronation Street last year, Cait Fitton has braced herself for the challenges of soap stardom.
Cait Fitton recently hinted at brewing turmoil for her character, Lauren Bolton, in Coronation Street, saying, "She's at a really stable point of her life. She has a job at the Rovers behind the bar and she's learning the craft. She's trying to build relationships. That's where the party comes in."
What starts as fun quickly leads to disaster when Aadi (Adam Hussain), egged on by Bernie (Jane Hazlegrove), decides to throw a bash.
READ MORE: Coronation Street Brody's real dad revealed in huge DNA bombshell
READ MORE: Amazon reduces 'long lasting' Hugo Boss perfume that 'always gets compliments'
In scenes airing on ITV, Lauren attends with Summer, Nina, and Brody, but drama unfolds when newcomer Brody, portrayed by Ryan Mulvey, begins peddling LSD.
Confiding in her fans, Cait revealed, "Lauren doesn't even know what is going on," and "She has anxiety over whether or not she should even be there because she doesn't know anybody apart from Betsy. She seems out of place, though she tries her best to fit in."
The turn of events sees Lauren accidentally consuming LSD, leading to a harrowing ordeal. "She has a traumatic experience with it," Cait shared, insisting that "We see a side of her that we haven't seen for months."
Her experience at the party sets off a chain reaction affecting her trajectory on the show. With anticipation, Cait suggested, "It's going to be a rollercoaster. Everybody at that party - their lives are going to be changed. I don't know how she'll go through it.
" Cait has opened up about the challenges of her intense soap scenes, admitting that while she's flourishing as Lauren, the emotional demands of the role have been a journey.
"It's taken me a long time to have thick skin, it's not an overnight process," she reveals." We are normal people outside of filming, but everyone sees the characters as actual people.
That can be really hard, especially with Lauren, who is a complex character. "The actress shared how tough it's been on set since her co-star Paddy Bever, who played Max Turner, left the show following his character's arrest and imprisonment for arson.
"It's been really hard without Paddy," Cait confesses. "My journey started with him and his time ended with me. It was strange to wrap my head around doing scenes without him. I miss working with Paddy."
Despite the distance, Cait maintains a strong bond with Paddy. "I am in touch with him," she says, "We're both very busy, but we do catch up. We are in need of an in-person catch-up soon.
"In the wake of Paddy's departure, Lauren has found camaraderie with Betsy Swain, portrayed by Sydney Martin, and Cait is thankful for her new co-star. "Sydney has a beautiful aura to be around," Cait praises.
"She's so positive and the best person to go to for advice. I had that with Paddy but being with a girl who is the same age as you is different. We clicked straight away. We're always looking for each other at work. She's like my home. "
The duo enjoy spending creative time together, even planning a pottery date. However, Cait has also received support from several other co-stars, including David Neilson, who plays Roy Cropper, and Alison King, known for her role as Carla Connor.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

How Clean Is Your House? presenter Kim Woodburn dies
How Clean Is Your House? presenter Kim Woodburn dies

Yahoo

time30 minutes ago

  • Yahoo

How Clean Is Your House? presenter Kim Woodburn dies

Kim Woodburn - a former cleaner who found fame presenting the hit TV show How Clean Is Your House? - has died. Woodburn, who was 86, later became a contestant on Celebrity Big Brother in 2017, finishing as runner-up. Her manager said in a statement: "It is with immense sadness that we let you know our beloved Kim Woodburn passed away yesterday following a short illness. "Kim was an incredibly kind, caring, charismatic and strong person. "Her husband, Peter, is heartbroken at the loss of his soulmate. "We are so proud of the amazing things Kim achieved in her life and career. "We kindly ask that Kim's husband and close friends are given the time and privacy they need to grieve. "We will not be releasing any further details." On Tuesday, her husband shared a video montage of photos of Woodburn over the years, starting when she was just four years old, with the message: "My wonderful, beautiful, Kim passed away last night. God bless, my love, xx xx" Known for her trademark tight, plaited bun, Kim was largely blind in her right eye, and had poor sight in her left eye, and earlier this year had told her followers she was undergoing emergency eye surgery. Woodburn, who had been selling video greetings to fans, shared her last Instagram post in February, when she posted a message saying "Kim is unable to record any further videos for the foreseeable future due to a health problem". She wrote: "No more videos for now, my loves, I need to get better!" Woodburn, born Patricia Mary in Hampshire, left a turbulent home life aged 16, moving to Liverpool to become a live-in cleaner. She revealed in her 2006 autobiography that, at the age of 23, she prematurely gave birth to a stillborn son and buried him in a park. The revelation in her book led to a police inquiry, but no action was taken by officers. In the same year as the stillbirth, she changed her name to Kim - after American actress Kim Novak. Years later, she was scouted by a TV company looking for a cleaner with an engaging personality to front How Clean is Your House? Paired with Scottish cleaner Aggie MacKenzie, the two professional cleaners fronted the show - a ratings hit and a pioneer for the home cleaning genre - from 2003 to 2009. Woodburn went on to appear in Celebrity Big Brother, I'm A Celebrity… Get Me Out Of here! and E4's Celebrity Cooking School, as well as regularly contributing to ITV's This Morning and Loose Women. She also appeared on The Oprah Winfrey Show, Big Brother's Bit On The Side, Celebrity Come Dine With Me and A Place In The Sun.

‘Star Wars' 'Looks Terrible' in Screening of Long Lost Original 1977 Version
‘Star Wars' 'Looks Terrible' in Screening of Long Lost Original 1977 Version

Yahoo

timean hour ago

  • Yahoo

‘Star Wars' 'Looks Terrible' in Screening of Long Lost Original 1977 Version

A long-lost original print of 1977's Star Wars was recovered from an archive and screened for a group of cinema aficionados and die-hard fans. An audience was finally permitted to watch the first released version of the film — nearly perfectly preserved and unfaded — that creator George Lucas famously suppressed from being publicly shown on a big screen for 47 years. The British Film Institute event was introduced by Lucasfilm boss Kathleen Kennedy, who joked that the screening was 'not illegal.' More from The Hollywood Reporter Colin Trevorrow Talks Producing 'Deep Cover,' the Return of 'Jurassic World' and Star Wars Detachment Carrie Fisher Had to Encourage Mark Hamill to "Embrace" 'Star Wars': "Get Over Yourself, You're Luke Skywalker" Mark Hamill Rules Out Doing More 'Star Wars' 'What you're going to see is in fact the first print, and I'm not even sure there's another one quite like it,' Kennedy said. 'It's that rare.' And the result? An attending film critic from The Telegraph who attended the screening last week admitted the unaltered original 'looks terrible' by modern standards. While fans understandably tend to focus on Lucas' most intrusive creative moves (adding the jarring CG version of Jabba the Hutt, having Greedo shoot first, stuffing distracting CG creatures and droids into Mos Eisley), the amount of subsequent polish and tweaks over the years is so extensive that many aspects of the original look just as noticeably fake as the egregious CG. 'I felt like I was watching a completely different film,' wrote Robbie Collin, who called the print a 'joyously craggy, grubby, stolidly carpentered spectacle' that 'looks more like fancy dress than grand sci-fi epic.' 'Every scene had the visceral sense of watching actual people photographed doing actual things with sets and props that had been physically sawn and glued into place. The slapstick between C-3PO and R2-D2 looked clunkier, and therefore funnier; the Death Star panels were less like supercomputers than wooden boards with lights stuck on, and so better attuned to the frequency of make-believe. It felt less like watching a blockbuster in the modern sense than the greatest game of dressing up in the desert anyone ever played.' A vlogger for Cinema Savvy, George Aldridge, who says he's seen A New Hope at least 100 times said the screening was 'incredibly special,' but likewise made him realize 'there are so many great changes to the Star Wars films; it's the ones we dislike that have always overshadowed them.' He, too, noted the print was so radically different that 'it felt like watching the film for the first time.' 'From day one, George Lucas has been making changes to these films,' he said. 'It hasn't just been here's one big scene change there. It's been the little nuance. It's been the sound effects, it's been the smallest details — which you do not notice until now you don't see it.' Aldridge noted differences 'like R2-D2 isn't hiding behind rocks when the Tusken Raiders come for them … there are so many little things that I noticed the cantina … there's been cleaning up of James Earl Jones' voice [as Darth Vader]…' So, ironically, a version of Star Wars that Lucas for so long didn't want to shown seems to give viewers more respect for Lucas — due to gaining some appreciation for his extensive and controversial tinkering. Both reviewers noted, however, that the theater burst into applause when Han Solo (Harrison Ford) shot first during the Greedo confrontation. Enthused Aldridge: 'Han Solo was so much cooler.' Lucas' tweaks to the print began with the very first theatrical rerelease of Star Wars in 1981. Until now, the studio has only permitted the screening of various Special Editions. BFI negotiated with Disney and Lucasfilm for the rights for a back-to-back screening on the festival's opening night. This particular BFI print was stored for four decades at a temperature of 23 degrees Fahrenheit to preserve its quality. Lucas, over the years, has been rather firm about not screening the original and, when asked in 2004 by the Associated Press why he doesn't simply release the original version along with the Special Editions, rather grumpily shot back, 'The Special Edition, that's the one I wanted out there. The other movie, it's on VHS, if anybody wants it. I'm not going to spend the — we're talking millions of dollars here — the money and the time to refurbish that, because to me, it doesn't really exist anymore. It's like this is the movie I wanted it to be, and I'm sorry you saw a half-completed film and fell in love with it. But I want it to be the way I want it to be. I'm the one who has to take responsibility for it. I'm the one who has to have everybody throw rocks at me all the time, so at least if they're going to throw rocks at me, they're going to throw rocks at me for something I love rather than something I think is not very good, or at least something I think is not finished.' Best of The Hollywood Reporter 13 of Tom Cruise's Most Jaw-Dropping Stunts Hollywood Stars Who Are One Award Away From an EGOT 'The Goonies' Cast, Then and Now

Wait. The TikTokers don't love you like I love you - Yeah Yeah Yeahs thrill at Manchester Apollo
Wait. The TikTokers don't love you like I love you - Yeah Yeah Yeahs thrill at Manchester Apollo

Yahoo

timean hour ago

  • Yahoo

Wait. The TikTokers don't love you like I love you - Yeah Yeah Yeahs thrill at Manchester Apollo

Yeah Yeah Yeahs. Manchester Apollo. Monday June 16, 2025. What do you do when your most famous song has been completely bastardised by a TikTok dance craze? If you're the Yeah Yeah Yeahs you strip it back entirely and add a string quartet. READ MORE: 45 of Parklife 2025's most fashionable festival-goers READ MORE: Chris Brown brings surprise star guest out at Co-op Live gig in Manchester It could easily have been business as usual for the New York trio - now 25 years into their journey as one of the most revered indie darlings of the 21st century. An electric live band, their pretentious, cerebral art-rock speaks for a generation. So when they announced a short tour to celebrate their many years together, it sold out in minutes. More recently, they have found fame with a new audience much younger than the Millennials who grew up hearing Y Control and Zero blasting out of the speakers at 5th Ave and 42s. That's because their glorious ballad Maps has become part of a viral dance trend that propelled the song to the top of the TikTop Billboard Top 50 chart - 21 years after its release. But it's the die hard fans rather than the TikTokers who fill the seats of Manchester Apollo tonight. After a test run in California, Manchester is the first stop on a tour of 'beautiful iconic theatres' and one of only two UK dates. The Hidden In Pieces tour is intended to display YYY's softer, more mature side with the band working alongside a string quartet to show off a selection of rarities and B-Sides. And from the opening chords of lovesong Blacktop, it's clear this is going to be something pretty special. Frontwoman Karen O's pure, delicate vocal rings out above a reverberating synth - setting the tone for a show filled with delicate and heartfelt moments of beauty. O is usually one of the most energetic performers around. But she spends much of this set gently pottering about the stage in a red jumpsuit, gold boots and a blue diamond encrusted cape. During some of it, she's even sitting down - unheard of at a normal YYY's gig. The last time they visited Manchester, O spat water into the air, growled, roared, rolled around and hurtled about the stage. That's her shtick. Tonight she is a different beast. Older, wiser, more relaxed - much like her audience (I can't have been the only one to delight in the prospect of a seated gig on a weeknight). 'Are you ready to get comfy and cosy with the Yeah Yeah Yeahs tonight?' she asks. 'This is new for us. It's just you and us tonight.' Promising some 'deep cuts' from their back catalogue, O launches into Mystery Girl - a very early song from their first EP. Then there's an acoustic guitar version of the anthemic Gold Lion which doesn't stray too far from the source, but slows the tempo down and adds a double bass. Let Me Know - a B-side O admits is only really for true fans, follows with a searing string quartet intro. A cover of Bjork's Hyperballad doesn't quite work and it takes me a little while to recognise the bonkers lyrics of that masterpiece above a busy arrangement and overly loud synth. And IsIs - a gloriously chaotic racket in its recorded form - honestly sounds a bit of a mess here. But overall the orchestral arrangements in this show throw new light and shade on YYY's raw, exposing lyrics. As O, guitarist Nick Zinner and drummer Brian Chase power into fan favourite Cheated Hearts, the energy ramps up and you can feel they are on safer ground. Warrior lends itself well to this more acoustic sound and really allows O to show off both the vulnerability and explosive power of her unique voice. A new arrangement of Runaway sounds lovely and achieves the Lynchian vibe the band may have hoped to display when they cited the late great director in their press for this tour. It sounds huge and dramatic with strings adding an ethereal, Mica Levi-like eeriness. O has always been an emotionally raw performer - you need only look at the famously heart-wrenching video for Maps to glean that. But this evening's performance is bolder still. 'I'm not really sure why we're doing this,' she admits 'We just really wanted to. 'We just wanted to sing these songs really vulnerable for you. It's really special to be here doing this with you.' This is a bold, experimental show which at times feels more akin to something you would find at Manchester International Festival rather than the Apollo on a Monday night. There are also moments of huge charm and emotion. The short pretty Mars - which O dedicates to her son Django - is an ode to childhood wonder and wisdom. While Maps - an already sorrowful song - is elevated with an utterly beautiful string quartet interlude. 'Those strings man,' gasps a visibly moved O. An acoustic, almost Country version of Spitting off the Edge of the World leads us into songs it would be impossible not to include - Modern Romance, Y Control. An encore in which O dons light-up trainers and blasts out Burning and Zero in her more usual energetic style brings the show to a thrilling end, and all before 10pm - something that disappoints the girls in front of me who have just returned to their seats with fresh pints. As a Millennial of a certain age, I admit that the nostalgia linked to YYYs might not make me the most impartial of reviewers. I love this band. I have a Stan Chow poster of Karen O on my living room wall. I am an early noughties cliché. But even I am not impervious to their mistakes. At some points tonight, the heady mix of strings, synth and fuzzy guitars sounds a mess. But mostly, it's a spectacular show. And unlike some of their peers from the New York indie sleaze era, Yeah Yeah Yeahs are always developing. This might be a gig for true fans, but the TikTokers are missing out on something truly beautiful.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store