logo
Drake Becomes First Artist With 400 Cumulative Weeks in the Billboard Hot 100 Top 10

Drake Becomes First Artist With 400 Cumulative Weeks in the Billboard Hot 100 Top 10

Hypebeasta day ago

Summary
Drakehas broken a secondBillboardchart record in just two months.
ChartDatareports that the OVO head is now the first artist in history with 400 cumulative weeks in theBillboard Hot 100top 10. The news arrives as 'Nokia' spends its 16th week in the top 10, moving down one spot to No. 10.
Back in April, hesurpassed The Beatlesto have the most cumulative weeks on the Billboard 200 with over 3,346 weeks on the chart. Some of his most notable releases includeTake Care's578 weeks,Nothing Was the Same's505 weeks,Viewsat 411 weeks,More Lifeat 350 weeks andScorpionat 300 weeks.
Drizzy is currently preparing to hit up the UK and Europe for his'$ome $pecial $hows 4 UK/EU'withPARTYNEXTDOOR. He'll start off by headlining all three days of Wireless Festival (his first UK show in six years) followed by stops in Birmingham and Manchester in mid-July before going over to Amsterdam, Antwerp, Zuric, Cologne, Stockholm, Copenhagen, Milan, Paris, Berlin, Munich and Hamburg.
.@Drakebecomes the first artist in history to spend 400 cumulative weeks in the Hot 100's top 10.pic.twitter.com/SOcEpPHZlt
— chart data (@chartdata)June 9, 2025

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

How Lil Wayne Became The Kobe Bryant of Rap
How Lil Wayne Became The Kobe Bryant of Rap

Yahoo

time18 hours ago

  • Yahoo

How Lil Wayne Became The Kobe Bryant of Rap

On Friday (June 6), Lil Wayne continued his beloved decade-spanning series, Tha Carter, with the installment's sixth entry. With a career built on longevity, evolution and unrelenting dominance, Wayne's career arc is rare, but similar to that of another cultural titan: the Black Mamba, the late NBA great Kobe Bryant. Kobe defied physics with his aerial acrobatics and rim-rocking jams. Wayne trounced his competition with punishing punchlines and steely wordplay. More from Billboard Chappell Roan Did the Viral 'Apple' Dance During Charli xcx's Primavera Sound Set: 'Love You B-ch!' 50 Years Ago, Elton John Became First Artist to Enter Billboard 200 at No. 1 - Just How 'Fantastic' Was the Feat? New Jersey Man Arrested For Allegedly Stealing Heart Instruments Like Wayne, Bryant's early beginnings were rocky. Drafted by the Charlotte Hornets in the 1996 NBA Draft, a 17-year-old Bryant was traded to the Los Angeles Lakers for Vlade Divac. Bryant, who was a heralded high school phenom at Lower Merion in Philadelphia, was relegated to the bench his rookie season, backing up Eddie Jones. His minutes were inconsistent. He averaged a putrid six points per game. He shot four airballs in a crucial playoff game against the Utah Jazz. Lakers head coach Del Harris wasn't keen on playing the rookie, though fans saw the spark. When Bryant showed glimmers of greatness, even in small increments, we stopped and took notice. Wayne's career started earlier than Bryant's. He signed with Cash Money at 11, before dropping Tha Block is Hot at 17. Powered by Juvenile, B.G., and Turk, Wayne was a young upstart, sliding in as an edgy wildcard capable of pouncing on any beat with ruthless intentions. Raw and unpolished, Wayne's swaggering energy was the catalyst for hits like 'Bling Bling' and 'We on Fire.' Before vaulting into superstar territory, Wayne was a quintessential role player, playing alongside starry teammates — most notably, Juvenile. Juvie enjoyed a fruitful run in the late '90s, courtesy of his RIAA-certified 4x platinum album 400 Degreez, and the success of 'Ha' and 'Back That Thang Up.' Like Bryant, who played alongside three all-star caliber talents in Jones, Nick Van Exel and Shaquille O'Neal, Wayne bided his time behind rap vets. But, when Wayne and Bryant's names were called, neither flinched under the bright lights. For both superstars, it wasn't about endorsements and commercials. Their wins didn't happen overnight. They trudged through the mud, battled against rivals, and tried to usurp their idols. Kobe had MJ. Wayne had Jay. Still, their admiration never blurred their undying ambition: Bryant's 'Mamba Mentality' was fueled by obsessiveness. After thousands of hours in the film room, Bryant's level of authority on the court mirrored Wayne's unmatched studio effort. When Bryant delivered masterclasses on how to be clutch, Wayne taught MCs how to be prolific, dropping thousands of songs with charm and wit. Bryant was considered a flashy dunker, a human highlight reel devoid of a jumper. With hard work and dedication, he became a gutsy shot-taker, a five-time NBA champion, and spiritual backbone for a dynasty. As for Wayne, he flipped the script from being a Hot Boy sidekick to a mixtape monster and later a rap icon, all without a pen. Wayne and Bryant scoffed at their respective scouting reports during their rookie years and rewrote their legacies. From Bryant's nine-game streak of 40 points in February 2003 to his sacred 81-point game in January 2006, to even his seven-game winners in the 09-10 season, he was considered the gold standard of the NBA's first decade of the 21st century, while Wayne's Carter series and fiery mixtape run with Da Drought and Dedication simultaneously had him in the Best Rapper Alive category. Kobe chased NBA greatness. Wayne chased lyrical immortality. Different courts. Same mentality. Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart

Morgan Wallen Beats The No. 2 Album In America Five Times Over
Morgan Wallen Beats The No. 2 Album In America Five Times Over

Forbes

timea day ago

  • Forbes

Morgan Wallen Beats The No. 2 Album In America Five Times Over

Morgan Wallen's I'm the Problem is leading the Billboard 200 for a third straight week. The country project launched with one of the largest opening sums in recent memory — and certainly the biggest thus far in 2025 — and it has refused to budge ever since. The lengthy set hasn't faced any serious competition for the throne on Billboard's ranking of the most consumed albums in America, and it might not for a while, as it continues to rack up massive consumption figures each frame. I'm the Problem earns its third stay at No. 1 on the Billboard 200 thanks to 246,000 equivalent units shifted. That figure represents a 14% dip from the previous period, yet it still easily secures the top spot. No other title in the U.S. managed even 50,000 units this week, so Wallen safely holds onto his grip on the peak position. Coming in at No. 2 on the latest edition of the Billboard 200 is Happy Burstday by Seventeen. The K-pop boy band's latest effort opens with 48,500 equivalent units, between sales and streaming activity, according to Luminate. That's just under one-fifth of what Wallen managed — amazingly in its third week of availability. I'm the Problem is so dominant that it outperformed the next five biggest albums in America combined. That roundup includes Happy Burst Day, SZA's SOS (No. 3), Miley Cyrus's brand new album Something Beautiful, which debuts at No. 4, Taylor Swift's Reputation (No. 5) and even Wallen's previous full-length One Thing at a Time, which currently sits at No. 6. While I'm the Problem holds at No. 1 on both the Billboard 200 and Top Country Albums charts, it does finally begin to descend on other tallies. This frame, it dips to No. 3 on the Top Album Sales ranking, landing behind Seventeen and Cyrus's new collections.

Queen Joins Eminem And Michael Jackson In A Historic Feat
Queen Joins Eminem And Michael Jackson In A Historic Feat

Forbes

timea day ago

  • Forbes

Queen Joins Eminem And Michael Jackson In A Historic Feat

Queen's Greatest Hits has now spent 650 weeks on the Billboard 200, and it now ranks among the top ... More 12 longest-charting albums in U.S. history. UNSPECIFIED - FEBRUARY 01: Photo of Freddie MERCURY and QUEEN; Freddie Mercury performing live on stage, (Photo by Fin Costello/Redferns) The introduction of streaming platforms radically changed how Billboard compiles its weekly albums chart, the Billboard 200. The tally, which for decades ranked the bestselling full-lengths and EPs in America, had to evolve as streaming platforms like Spotify, Apple Music, Amazon, and iHeartRadio became ubiquitous. It became impossible to ignore that millions of people preferred to stream their favorite albums rather than buy them. Now, the roster is created every week using a blend of pure purchases and streaming activity. That shift has helped dozens of projects remain on the tally for significantly longer stays than might otherwise have been possible. Queen is one such act that has benefited greatly from this move, and it's another huge week for the legendary rock outfit on the Billboard 200. Queen's Greatest Hits slips slightly on the Billboard 200 this frame, falling from No. 52 to No. 58, but it's the length of time the title has spent on the competitive list that's truly worth noting. As of this frame, the compilation has remained on the 200-spot ranking for 650 weeks. The compilation is just the twelfth album in history to make it to 650 frames on the Billboard 200. The last title to do so was Good Kid, M.A.A.D City by Kendrick Lamar, which is only about two months ahead of Queen's set. It looks like the next sets to join this exclusive club will be Back in Black by AC/DC and Take Care by Drake. Both of those titles need just a couple more months to reach the milestone. Pink Floyd's Dark Side of the Moon continues to reign as the longest-charting title in the history of the Billboard 200, as it's fat approaching 1,000 weeks on the tally. The group of artists that have reached 650 frames on the list includes stars like Eminem, Metallica, Journey, Creedence Clearwater Revival and Michael Jackson. Greatest Hits is by far Queen's longest-charting project on the Billboard 200. In fact, it's one of only two from the outfit to rack up triple-digit frames on the tally. The other is Greatest Hits I, II & III: The Platinum Collection, which is up to 150 frames — less than a quarter of the amount of time Greatest Hits has managed. The compilation can currently be found on multiple Billboard rankings this frame. Though it's largely on the decline — which is not unexpected for a decades-old release — from time to time, it rises near the top 10 on both the Top Rock & Alternative Albums and the Top Rock Albums charts. It also holds at No. 3 on the Top Hard Rock Albums chart. The title is about to crack 400 frames on the first two genre-specific lists, and it reached that milestone on the hard rock-only ranking months ago.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store