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Grammy-winning singer breaks down in tears as he leaves Mexican reality show with 'critical' medical issue

Grammy-winning singer breaks down in tears as he leaves Mexican reality show with 'critical' medical issue

Daily Mail​02-05-2025

The Mexican–American singer Lupillo Rivera delivered a bombshell revelation on Wednesday's episode of the Mexican reality show La Casa de los Famosos All Stars.
The 53-year-old Grammy winner was visibly emotional and began to tear up as he announced to his cast mates on the Telemundo series that he would be departing the show due to an unspecified health issue.
'For medical reasons, a critical situation, I won't be able to continue on La Casa de los Famosos All Stars,' he said, via Deadline, after his sobs made it difficult for him to speak.
The other stars of the Big Brother–style reality series were visibly concerned, and some even started to tear up just at the sight of Rivera choking up.
'I have had a good time with all of you,' he continued while struggling to get his words out. 'I've had bad moments and I ask for forgiveness to production.
At one point, he even looked frustrated by his own distress as he stamped on the floor while trying to speak.
'I love this game. I love to win. I love to lose. I love to debate,' he continued. 'I will miss it a lot.'
Rivera then wiped at his tears as he went around the room and hugged his concerned costars, some of whom were crying with him.
Shortly after he left the set, some of his costars reportedly commented that he had not been looking well leading up to his unexpected announcement.
However, there wasn't anything obviously amiss about his appearance on Wednesday's episode, aside from his overwhelming emotions that bubbled to the surface.
Rivera had been one of the most successful cast members on the All Stars seasons after forming an alliance with his costars Paulo Quevedo and Luca Onestini.
The trio was dubbed 'PaLuLu,' a combination of the first two letters of their first names.
Rivera — who was born in Long Beach, California — is a mainstay of the Billboard Latin and Regional Mexican charts who won a Grammy award in 2010 for Best Banda Album for his 2009 LP Tu Esclavo y Amo.
The singer is no stranger to reality television, after previously appearing on season four of La Casa de los Famosos, before returning for the current All Stars season, which brings back some of the most popular celebrity contestants from previous seasons.
'I love this game. I love to win. I love to lose. I love to debate,' he continued as his voice cracked. 'I will miss it a lot'
Shortly after he left the set, some of his costars reportedly commented that he had not been looking well leading up to his unexpected announcement
In 2019, he appeared as one of the coaches on La Voz, the Mexican version of the popular singing competition franchise The Voice.
Rivera's departure leaves nine contestants left, while four more will be eliminated prior to the finale.
In addition to Rivera's pals Onestini and Quevedo, Alfredo Adame, Dania Méndez, Luis Alberto Ordaz, Patricia Navidad, Niurka Marcos, Manelyk González, Carlos Antonio Cruz and Rosa Caiafa are still in the running.
The top three contestants remaining on the upcoming finale will each receive briefcases filled with cash, with the winner taking home $200,000, while the runner-up will receive $100,000 and the third-place finalist with earn $50,000.

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Bruce Springsteen faces the end of America
Bruce Springsteen faces the end of America

New Statesman​

time2 hours ago

  • New Statesman​

Bruce Springsteen faces the end of America

Photo montage by Gaetan Mariage / Alamy When I met Patti Smith soon after Donald Trump's first victory, she said she'd ended up next to him at various New York dinners over the years, back in the Seventies, when he was pitching Trump Towers. 'We were born in the same year, and I have to look at this person and think: all our hopes and dreams from childhood, going through the Sixties, everything we went through – and that's what came out of our generation. Him.' Smith's sing-song voice was in my head at Anfield Stadium in Liverpool on one of the final nights of Bruce Springsteen's Land of Hope and Dreams tour. Springsteen was born three years after Trump and will also have sat at many New York dinners with him. Those with half an eye on the news would be forgiven for thinking that Bruce has been lobbing disses at the president from the stage between his hits, but his latest show is heavier than that: a conscious recasting of two decades of his more politicised music, with a four-minute incitement to revolution in the middle. Here is a bit of what he says: 'The America I love and have sung to you about for so long, a beacon of hope for 250 years, is currently in the hands of a corrupt, incompetent and treasonous administration. Tonight we ask all of you who believe in democracy and the best of our American experiment to rise with us, raise your voices, stand with us against authoritarianism and let freedom ring. In America right now we have to organise at home, at work, peacefully in the street. We thank the British people for their support…' Clearly few in the US are speaking out like this on stage, and Trump has responded by calling Springsteen a 'dried-out prune of a rocker (his skin is all atrophied!)' and threatening some kind of mysterious action upon his return. Springsteen, the heartland rocker, was never exactly part of the counter-culture, though he did avoid Vietnam by doing the 'basic Sixties rag', as he put it, and acting crazy in his army induction. Yet he has become a true protest singer in his final act. He wears tweed and a tie these days, partly because he's 75 and partly, you suspect, to convey a moral seriousness. When I last saw him, two years ago, I thought I saw some of Joe Biden's easy energy. Well, Bruce still has his faculties. The feeling is: listen to the old man, he has something to say. Springsteen's late years have been something to behold. At some point in the last decade he stopped dyeing his hair and started to talk in a stylised, reedy, story-book voice. The image of the America he seemed to represent shifted back from Seventies Pittsburgh to Thirties California: the bare-armed steelworker became the Marlboro Man, and in 2019 there was a Cowboy album, Western Skies, with an accompanying film in which he was seen on horseback. His autobiography Born to Run revealed recent battles with depression. And it is depression you see tonight in Liverpool – in the wince, the twisted mouth, the accusing index finger; in his entreaty to Liverpool's fans to 'indulge' his sermon against the American administration, delivered night after night, to scatterings of applause. It is a depression I recognise in older American friends who fear they're going to the grave with everything they knew and loved about their country disappearing. But depression is also the stuff of life, of energy. Springsteen has been particularly angry since the early Noughties, since the second Bush administration, but this is his moment somehow, and his song of greedy bankers – 'Death to My Hometown' – is spat out with new meaning in 2025, an ominous abstraction. The father-to-son speech in 'Long Walk Home' feels different in this politically charged world: 'Your flag flying over the courthouse means certain things are set in stone/Who we are, what we'll do and what we won't'). A furious version of 'Rainmaker' ('Sometimes folks need to believe in something so bad, so bad, they'll hire a rainmaker') is dedicated to 'our dear leader'. As much as I admire Springsteen and seem to have followed him around and written about him for years, the Land of Hope and Dreams tour made me realise I hadn't fully known what he was for. When I saw him in Hyde Park in 2023, the first 200 yards of the crowd were given over to media wankers like me, with the paying fans at the back: every single person I had ever met in London was there, mildly pissed up and whirling about with looks of mutual congratulation. Springsteen had become, to the middle classes and above, a global symbol of right-thinking, summed up by his long stint on Broadway at $800 a ticket. His dull podcast with Barack Obama was the American version of The Rest Is Politics with Rory Stewart and Alastair Campbell: men saying stuff you want them to say, to confirm what you already think about stuff (Obama was in awe of Bruce). Subscribe to The New Statesman today from only £8.99 per month Subscribe Politics was easy for Springsteen when politics consisted of external events happening to innocent people, rather than something taking place on the level of psychology, in a movement of masses towards a demagogue. The job he adopted, back in the Seventies, was to set a particular kind of American life in its political and historical context: to tell people who they were, and why they mattered. His appeal as a rock star always lay less in his words than in how sincerely he embodied them: his extraordinary outward energy, his mirroring of his audience, his apparent concern with others over himself. After 9/11, someone apparently rolled down a window and told him, 'We need you now,' so he wrote his song 'The Rising' from the viewpoint of a doomed New York fireman ascending the tower. A recent BBC documentary revealed he'd donated £20,000 to the Northumberland and Durham Miners Support Group during the strikes of 1984 – rather as he donated ten grand to unemployed steelworkers in Pittsburgh the previous year. His self-made success and songs about freedom were the Republican dream, but when Reagan tapped him up for endorsements it was a right of passage for Springsteen as a Democrat rocker to rebuff them (I'm pretty sure they tried to play 'Born in the USA' at Trump rallies too). He is quoted as saying that the working-class American was facing a spiritual crisis, years ago: 'It's like he has nothing left to tie him into society any more. He's isolated from the government. Isolated from his job. Isolated from his family… to the point where nothing makes sense.' Now, Trump has taken Springsteen's people (the Republicans were doing so long before Trump), and the interior life of the working man that Springsteen made it his job to portray has been exploited by someone else. 'For 50 years, I've been an ambassador for this country and let me tell you that the America I was singing about is real,' he says, possessively, on stage. Springsteen, like Jon Bon Jovi, sees his fans as workers. The distances travelled, the money spent, the babysitters paid for: that's what the three-hour gigs are all about. It is part of the psyche of a certain generation of working-class American musician to consider themselves in a contract with the people who buy their records. It is not a particularly British thing – though time and again I am impressed by the commitment required to see these big shows, especially when so many punters are of an age where they would not longer, say, sleep in a tent: £250 a night for a hotel, no taxis to the stadium, a huge Ticketmaster crash that leaves hundreds of fans outside the venue fiddling with their QR codes while Bruce can be heard inside singing the opening lines of 'My Love Will Not Let You Down'. Yet the relationship between a rock star and his fan is not a co-dependency: the fan is having a night out, but the rock star needs the fan to survive. It is hard to underestimate the psychological shift Springsteen might be undergoing, in seeing the working men and women of America moving to a politics that is repellent to him. He has not played on American soil since Trump's re-election and it is likely that this kind of political commentary there will turn the 'Bruuuuuce' into the boo. A Springsteen tribute act in his native New Jersey was recently cancelled (the band offered to play other songs, and the venue said no). Last week, a young American band told me they won't speak out about the administration on stage because they're not all white and they're afraid of getting deported. It is the job of the powerful to do the protesting, and, like Pope Leo, Springsteen's previous good works will mean nothing if he doesn't call out the big nude emperor now. The Maga crowd will still come to see him, of course, and yell the 'woah' in 'Born to Run' just as loud as everyone else does – perhaps because music is bigger than politics, or perhaps because politics is now bigger than Bruce. Though his political speeches in Liverpool (it's UK 'heartland' only this tour: no London gigs) feel slightly out of step with a city that has its own problems, it seems fair enough for Springsteen to be telling the truth about America to a crowd who's enjoyed their romantic visions of the country via his music for 50 years. But their own personal communion is suspended tonight, and the song 'My City of Ruins' has nothing to do with 9/11 any more: 'Come on… rise up…' In the crowd, a very old man is sitting on someone's shoulders. Bruce Springsteen and the E Street Band play Anfield stadium, Liverpool, on 7 June 2025 [See also: Wes Anderson's sense of an ending] Related

Davina McCall, 57, shares major health update with fans just weeks after receiving all clear from brain tumour
Davina McCall, 57, shares major health update with fans just weeks after receiving all clear from brain tumour

Daily Mail​

time8 hours ago

  • Daily Mail​

Davina McCall, 57, shares major health update with fans just weeks after receiving all clear from brain tumour

has issued a major health update just months after having surgery on her brain - and receiving the all clear. The legendary TV presenter, 57, went live on Instagram on Thursday night with her hairdresser husband Michael Douglas - who lovingly styled her hair for their 'rave date night' in London. During the Instagram Live, Davina - who was diagnosed with a colloid cyst, a rare type of benign brain tumour in November and underwent a six-hour operation - shared a huge update on her post-surgery journey. She explained to fans: 'I am feeling much, much, much better. I am nearly ready to drive, which is a big indicator of how I'm feeling.' Davina shared how she's waiting for an update from the doctors and DVLA before she can get in the driver's seat again. From A-list scandals and red carpet mishaps to exclusive pictures and viral moments, subscribe to the DailyMail's new Showbiz newsletter to stay in the loop. The TV star was all smiles as Michael blow-dried her hair, with Davina giving him compliments throughout the video. The loved-up couple - who have been together since - were asked how long they've known each other for. 'We have known each other since 2000,' Davina said. Michael chipped in: 'I did Davina's hair for a hair commercial. She took my number,' as Davina added: 'Yeah I did.' Her husband continued: 'And we became friends.' She went on to say that they reconnected when she started to host Big Brother, with Michael often doing her hair for the show. Michael said they were heading to Ibiza this weekend on a romantic getaway, which the pair seemed excited for. Last month, discussing her recent health battle, Davina explained to Women's Health: 'When I got this brain tumour I said to [my partner] Michael, "If I make it, this will be the greatest thing that's ever happened to me."' She went on to say that they reconnected when she started to host Big Brother, with Michael often doing her hair for the show She continued: 'Because of the learnings, yes – and because of the places I've had to go to deal with it...I'm sort of going through a slightly mind-blowing phase of my life where I'm just asking questions about everything. 'I keep thinking: I've survived this thing, but I don't know how that happened or why it happened. 'The whole start back into life again after the operation was amazing – mega. And [in the midst of] that feeling of anxiety and institutionalisation – of your house being the only safe place, of forgetting how to function in a normal way – everything felt like a massive win.' Davina went on: 'I want to say a massive thank you to everybody that looked after me so well. A special heartfelt thank you from both of us to Kevin for being such an absolute legend.'

Win Son Bakery
Win Son Bakery

Time Out

time8 hours ago

  • Time Out

Win Son Bakery

In Williamsburg, Josh Ku and Trigg Brown had already made their stake on the corner of Montrose and Graham Avenues, with their full-service Taiwanese restaurant Win Son. But as their restaurant started to trend, they decided they would open a casual affair across the street, opening Win Son Bakery with Jesse Shapell and pastry chef Danielle Spencer in 2019. Years later, the bakery has become a favorite of the neighborhood due to its Taiwanese fare crossed with French and American influences. The first meal of the day starts with a riff on a BEC that we can get behind. Subbing bread for crispy fried and yet still chewy scallion pancakes, the pancakes are folded with Havarti, bacon, eggs and cheese. Plus, each sandwich comes with a gingery sauce for dipping. Lunch continues with fried chicken and shrimp on milk buns and snow pea salads with tofu skin. No matter what, a visit should always include an order of both (yeah, we said it, both!) made-to-order donuts: the millet mochi donut and the fermented red rice donut. Once you get a bite of that QQ texture, you'll understand why. The vibe: There are plenty of tables and stools here, but they are constantly in use, especially during the morning time. Luckily, the residents of Williamsburg know when it is time to give up a table, so you won't have to wait long to snag a seat. The food: Mornings call for the meaty Pork Fan Tuan or the savory Scallion Pancake BEC. Like we said, the donuts are non-negotiable—you have to order them and that's final.

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