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Gen Z's new favorite read: The Art of Miracles by Ayesha and Yamuna Hasan

Gen Z's new favorite read: The Art of Miracles by Ayesha and Yamuna Hasan

Khaleej Times10-03-2025

Since its official release, 'The Art of Miracles' by siblings Ayesha Hasan and Yamuna Hasan has become a global shift in how generations connect and evolve.
What started as a guide tailored for Gen Z has quickly become a cross-generational creation, igniting curiosity among dreamers, thinkers, and changemakers of all ages. It's fresh, and at its core, it's a handbook for those dealing with the mayhem of modernity while being genuine.
But don't be fooled—this isn't another cookie-cutter piece of reading material. 'The Art of Miracles' delivers a vibrant roadmap for Gen Z that's packed with wisdom, discovery, and informed truths—but its influence extends to Millennials, Gen Xers, and even Boomers! Why? Because everyone's searching for answers. And this book has them.
For Gen Z, 'The Art of Miracles' feels like what they have been waiting for. Troubled by social media pressures? It's here. Struggling to keep it real while still keeping up? Covered. Every chapter is a vault of powerful, practical tips designed not only to survive—but to encourage them to spread their wings and conquer beyond any limitations.
However, adults curious about the emotional realities of their kids, entrepreneurs trying to crack the Gen Z code, and seasoned professionals looking to bridge gaps will all find their 'aha' moments within these pages. It's this universality that makes 'The Art of Miracles' so magnetic. It recognizes that while Gen Z might be leading the cultural conversation, every generation rides the same rollercoaster.
At the heart of the book are its authors, Ayesha and Yamuna. Ayesha Hasan is all energy. She's bold, fierce, and lights up any room she steps into. Think fashion, fame, and ambition. She's the spark. Yamuna Hasan is the calm in the chaos. She's deep and spiritual, an anchoring force in a world that rarely slows down. She's the anchor.
Together, they balance fire and flow, pushing readers to dream bigger and dig deeper. It's the kind of duality that stands out. Let's be real—life is messy, and we all need a little bit of both.
'The Art of Miracles' dives into the tough stuff—beauty standards, mental health, self-acceptance, spirituality—but it does it in a way that's engaging, thoughtful, and wildly accessible. It's not preachy. It's real talk. And for older readers? It's a chance to peel back the layers of Gen Z culture and actually get it. It's a lens into a world that's loud and complicated—but filled with lessons that are timeless.
For Gen Z, this is the toolkit they didn't know they needed. For parents, it's a bridge to their kids' minds. For head honchos, it's a gateway to connect with the next wave of movers and shakers. No matter who picks it up, 'The Art of Miracles' offers a message that transcends age. At the end of the day, it serves as a reminder we all need: we're in this together, even if we're living it in different ways.

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Gen Z's favorite games used as bait in over 19 million attempted cyberattacks
Gen Z's favorite games used as bait in over 19 million attempted cyberattacks

Zawya

time5 days ago

  • Zawya

Gen Z's favorite games used as bait in over 19 million attempted cyberattacks

From April 1, 2024 to March 31, 2025, Kaspersky detected over 19 million attempts to download malicious or unwanted files disguised as popular Gen Z games. Over 47,800 such attempts were registered in Turkiye, making it one of the countries most affected by such incidents. With GTA, Minecraft and Call of Duty among the most exploited, it's clear that cybercriminals are actively following gaming trends to reach their targets. To help players stay safe, Kaspersky is launching 'Case 404' — an interactive cybersecurity game that teaches Gen Z how to recognize threats and protect their digital worlds while doing what they love: playing. Gen Z plays more than any other generation — and not just more, but differently. They outpace Millennials and Gen X in gaming-related spending, and, instead of sticking to a few favorites, Gen Z jumps between numerous titles, chasing viral trends and new experiences. Yet this same spontaneity and openness also make them vulnerable, with cybercriminals exploiting the habits and trust of these players across the platforms. For instance, throughout the reported period, more than 400,000 users worldwide were affected. Attempts to attack users through malicious or unwanted files disguised as Gen Z's favorite games throughout the reported period As part of the new report, Kaspersky experts conducted an in-depth analysis using 20 of the most popular game titles among Gen Z — from GTA, NBA and FIFA to The Sims and Genshin Impact — as search keywords. The study covered the period from Q2 2024 to Q1 2025, with March 2025 standing out as the peak month, recording 1,842,370 attempted attacks. Despite GTA V being released over a decade ago, the Grand Theft Auto franchise remains one of the most exploited, due to its open-world modding capabilities and thriving online community. In total, Kaspersky detected 4,456,499 attack attempts involving files disguised as GTA franchise-related content. With the highly anticipated release of GTA VI expected in 2026, experts predict a potential spike in such attacks, as cybercriminals may exploit the hype by distributing fake installers, early access offers or beta invites. Minecraft ranked second, with 4,112,493 attack attempts, driven by its vast modding ecosystem and enduring popularity among Gen Z players. Call of Duty and The Sims followed with 2,635,330 and 2,416,443 attack attempts respectively. The demand for cheats and cracked versions around competitive CoD releases such as Modern Warfare III fuels malicious activity, while The Sims fans searching for custom content or unreleased expansion packs may inadvertently download harmful files presented as mods or early access. As a result of such attacks, users' devices can be infected with various types of unwanted or malicious software — from downloaders that can install additional harmful programs, to trojans that steal passwords, monitor activity, grant remote access to attackers or deploy ransomware. The goals of these attacks vary, and one common motive is stealing gaming accounts, which are later sold on the dark web or closed forums. Kaspersky Global Research & Analysis Team experts also analyzed darknet marketplaces and closed platforms for advertisements selling compromised gaming accounts and skins. The research indicates a growing number of such offers showing up not just on the darknet, but also on regular closed forums and Telegram channels — making these illicit assets more visible and accessible than ever. 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JD Sports and adidas lead with local culture in their ‘SMU campaign'
JD Sports and adidas lead with local culture in their ‘SMU campaign'

Campaign ME

time7 days ago

  • Campaign ME

JD Sports and adidas lead with local culture in their ‘SMU campaign'

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Streaming trends 2025: Are weekly episodes replacing the binge?
Streaming trends 2025: Are weekly episodes replacing the binge?

Khaleej Times

time04-06-2025

  • Khaleej Times

Streaming trends 2025: Are weekly episodes replacing the binge?

For years, streaming taught us to binge. Entire seasons dropped in one go, the 'Next Episode' button eliminated cliffhanger suspense, and weekend marathons became the norm. But now, something surprising is happening — especially among Gen Z: the weekly drop is back, and it's not just working — it's winning. Take The Last of Us Season 2 on OSN+, a gritty, emotionally devastating post-apocalyptic series that concluded after a seven-week run on May 26 in the UAE, becoming a Monday ritual across the Middle East. The show didn't just dominate timelines — it's dominated time. One episode a week. No skipping ahead. No spoilers unless you dare. What changed? This is the generation long believed to crave instant gratification — the same cohort known for skipping intros, doubling playback speed, and abandoning a series two minutes in. Yet they're showing up week after week for slow-burn television, emotionally raw narratives, and serialised suspense. Why? Because binge culture may have offered control, but the weekly drop delivers community. According to OSN+, Gen Z viewers in MENA (Middle East and North Africa) are choosing weekly drops over binge dumps; 47 of the top 50 most in-demand shows in early 2023 in MENA followed a weekly or staggered release model. TikTok and the rise of episodic attention Ironically, the same Gen Z that's glued to TikTok's short-form content is helping drive this shift. TikTok, once known for its 15-second dopamine hits, has evolved into a platform of mini-episodic storytelling. Viral multi-part sagas like the 'Who Did I Marry?' series or real-life 'Storytime' confessions span five, ten, sometimes twenty clips — and viewers stick around. These aren't just passive watches; they're participatory. Viewers stitch reactions, drop theories, and stay hooked until the final reveal. Sound familiar? It's the same energy fueling weekly appointment TV. In Gen Z's own vernacular, 'it's giving… community.' Weekly drops vs. the binge: What platforms are doing Streaming services have started to take notice and vary their release strategies accordingly: Netflix remains synonymous with binge culture (Bridgerton, Baby Reindeer, Selling Sunset) — often dropping entire seasons at once. But it has flirted with the weekly format for reality shows like The Circle and Love Is Blind, using cliffhangers and staggered episodes to fuel online buzz. It also drops seasons in parts; for instance, makers of Stranger Things released seven episodes of their hit show's fourth season on May 27, 2022, and the remaining two episodes on July 1, 2022. Disney+ almost exclusively releases episodes weekly for major titles like The Mandalorian, Loki, and The Acolyte, leaning into fandom discussion and long-tail engagement. Amazon Prime Video often uses a hybrid model. Shows like The Boys and Invincible premiere with two or three episodes, then shift to weekly drops. HBO/Max (and by extension OSN+ in the Middle East) is a purist in this space, famously championing weekly releases for shows like House of the Dragon, and now The Last of Us. The result? A groundswell of online chatter, theories, and emotional build-up that just doesn't happen with full-season dumps. Each model serves a purpose, but there's a growing appetite for the slow-burn — especially when the story deserves space to breathe. When The Last of Us S2 premiered on OSN+, fans weren't just watching — they were posting, reacting, and predicting. Major character arcs — like the divisive arrival of Abby (played by Kaitlyn Dever), or the emotionally loaded moments with Joel (Pedro Pascal) — became weekly conversation starters. TikTok exploded with edits and think pieces; Reddit threads broke down symbolism, flashbacks, even line delivery. This isn't just consumption — it's participation. Each episode becomes a cultural event, a shared pause in the chaos of content overload. And in a world where everything moves fast, the wait becomes a feature, not a flaw. The return of the weekly drop isn't just a throwback — it's a digital coping mechanism. It builds anticipation. It invites reflection. It lets stories sink in. For a generation bombarded with stimuli, the wait might just be the magic. Binge culture trained us to race. Weekly TV is teaching us to feel. What do you prefer? Binge watching or weekly episode drops.

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