logo
Kinchley's Tavern, with bar pies and retro charm, an essential North Jersey restaurant

Kinchley's Tavern, with bar pies and retro charm, an essential North Jersey restaurant

Yahooa day ago

I see a horse on the roof and so I know I'm there: Kinchley's Tavern in Ramsey, the next stop on my journey to the 25 most essential restaurants in North Jersey, as determined by you, dear readers.
Many of you recommended Kinchley's, and I've always heard it in conversations about the best bar pie in the state. Yet where one stands in that debate is based on gustatory preferences and personal associations and histories with the establishments that serve them; that is, it's hard to name a winner when so many subjective factors are in play.
Nonetheless, with a table full of said pies, a house red ale and some meatballs, I was eager to enter the fray. A fellow diner eyed my spread on his way out and said, "That's an amazing order," and I asked where he'd put these pies in the North Jersey pizza hierarchy.
He thought for a moment and said, "Some people think they're overrated, but I've been coming here for 50 years and they've always worked for me."
Picking up a wafer-thin slice of Kinchley's fra diavolo bar pie and folding it in half with an audible snap, I wonder: Is this pizza going to be worth all the fuss? But then, I look around the wood-paneled dining room to the tables packed with families. I think of the guy eating lunch here 50 years after his first visit, and the value of familiarity and consistency. I consider the dining's quirky accents collected over nine decades and the totem of the rooftop Clydesdale, and think: Oh, there's much more to Kinchley's than pizza.
Kinchley's opened in 1937, making it one of the oldest pizzerias still running in the state. Although it's had three owners in its run, current owner George Margolis says the bar pie recipe hasn't changed since 'Mrs. Kinchley' created it some 80 years ago.
The bar pie has racked up accolades over the years; readers have named it their favorite pizza in Bergen County in our annual (201) Magazine Best of Bergen poll each of the last six years. Barstool's Dave Portnoy graded the bar pie a respectable 7.5 upon his 2018 visit, and quick Google search reveals just how popular Kinchley's is for the influencer/pizza bro crowd.
Beyond the menu of familiar Italian-American dishes and pub grub, Kinchley's charm is rooted in the marriage between nostalgia and peculiarity. That roof horse is a life-sized Clydesdale replica named Great Scott placed there in the '80s, and Kinchley's does indeed encourage diners to use it as a north star, but it's just the first of many throwback tchotchkes and accents at the tavern.
In the dining room, you eat in booths on tables perma-matted with spill-proof red and white checker tabletops. Walls are dark wood panels with the occasional mirror branded with a major American brewery producer — and if you didn't get the hint that you're supposed to drink here, the chandeliers are a hodgepodge of stained-glass fixtures bearing old-school beer logos.
You'll also find memorabilia like various cars of an old model train behind a glass display, artifacts from a time when Mountain Dew was just a quirky soda pop from the mountains and not jet fuel for preteen gamers, and placards with quaint, boozy sayings like 'The truth comes out when the spirits go in.'
The bar, partitioned off from the dining room, features a long, slim tabletop with TVs and a giant mirror on which the Kinchley's logo — Clydesdales pulling a horse — is displayed. Taplists, drink and food specials and words of wisdom are etched in colorful chalk onto framed boards throughout the space.
All of it — the story, the decor, the vibe — primes you for a good experience and echoes the culinary approach: comfort Italian food and pub grub.
So much has been said about the bar pies at Kinchley's that I wasn't expecting the bar itself to be notable. My mistake.
With so much of the decor heralding Big Beer brands, I was pleasantly surprised that the tap list (which rotates) included some craft bangers: Allagash White, Dogfishhead 60 Minute IPA, Franziskaner Weissbier and their own Red Checkered Ale, brewed by the folks at Toms River Brewing. It's a red ale, which you seldom see these days, and was an excellent representation of the style: malty but crisp with a touch of sweetness.
Though the food menu includes burgers, sandwiches and entrees like coconut shrimp and a roast beef platter, I stuck with some Italian American staples and, of course, the bar pies.
The meatballs were the best thing I ate at Kinchley's (and, to spoil it a bit, I liked the bar pies). Pillowy soft and oozing with moisture, they're some of the best I've had in recent memory. The sauce helped; chunks of meat in balance with bright tomatoes and a citrus zip to liven everything up.
The veal parm sandwich I'd classify as 'fine.' The veal was pounded thin, heavily breaded and topped with mozzarella and sauce; all the components are there, it just didn't move me. The bread, however, was stellar: a halved ciabatta loaf, singed with char spots on the outside. It kept the sub's innards intact and actually added the biggest pop of flavor to each bite.
With those out of the way, I headed into the culinary main event at Kinchley's — a bar pie flight of their three most popular pies: original, vodka and fra diavola.
People can disagree in good faith about whether they like the crust of Kinchley's bar pies. For some, it might be too thin; for others, there's no such thing as that. I fall into the latter camp, and so I was pleased at how each slice — as thick as maybe a dozen sheets of printer paper — snapped like a cracker. I liked how the crust bubbles made for even thinner, even roastier bites.
As for the varieties, the fra diavolo stood apart in large part because of the sauce. This wasn't just marinara with red pepper flakes; Kinchley's manages to extract both the spice and the red fruit flavor from the pepper, so you end up getting a sweet-spice experience, which blends with the bitter char on the crust and the fat and salt from the cheese for a balanced bite.
As a counterpoint, the vodka pie was just a little too sweet for my liking. If I were to order it again, I'd cut it with a topping like hot peppers, black olives or maybe anchovies.
To round out the meal, I ordered one of Kinchley's New York-style vanilla egg creams. Now, egg creams have never been a part of my life, so you'll have to excuse me that once the server plopped down a full liter glass of frothy white liquid on the table, I stealthily Googled what one was: neither egg nor cream (as I'd assumed), it's made of milk, seltzer water and vanilla syrup. So voluminous was it that I barely finished half of this sweet, creamy, fizzy concoction, but so pleased by the experience was I that I can certainly see a day when I crave it again.
I won't weigh in on whether it is indeed the best bar pie in the region; that's a choice for only you and your maker. But I'd certainly go out of my way to get another and would recommend it to those who haven't been.
And kudos to Kinchley's for keeping the prices low; everything I mentioned in here totaled to under $70.
I left Kinchley's enamored with its charm; its affinity for quirky historical flourishes and its commitment to comfort. It bucks change in the broad sense but it's not stubborn in the details; the quality of the food, the modern taplist and the quick service are testaments to that.
But I'm also left thinking there's something unique about North Jersey that fosters the continued presence of old-school restaurants like Kinchley's, Rutt's Hut, Holsten's, Patsy's and others; something in between the notes in every Springsteen song, something earnest, something like: If it ain't broke, don't fix it. In other words, something essential.
Go: Kinchley's Tavern. 586 Franklin Turnpike, Ramsey; 201-934-7777, kinchleyspizza.com.
Matt Cortina is a food reporter for NorthJersey.com/The Record. If you have recommendations for other essential North Jersey restaurants for him to visit, go here or email him at mcortina@gannett.com.
This article originally appeared on NorthJersey.com: Kinchley's Tavern in Ramsey one of most essential restaurants in NJ

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Disney+ series showrunner denies hit ‘Star Wars' show is a ‘left-wing' political story
Disney+ series showrunner denies hit ‘Star Wars' show is a ‘left-wing' political story

New York Post

time31 minutes ago

  • New York Post

Disney+ series showrunner denies hit ‘Star Wars' show is a ‘left-wing' political story

'Andor' series showrunner Tony Gilroy said Thursday he does not believe his 'Star Wars' series is 'left-wing.' In an interview with New York Times columnist Ross Douthat on his podcast 'Interesting Times,' Gilroy denied that he wrote the show to represent a left-wing revolution against fascist authoritarians. Advertisement 'I never think about it that way. It was never- I mean, I never do. I don't,' Gilroy declared in response to Douthat asking if he agreed the show is a 'left-wing work of art.' The second season of the critically acclaimed series debuted on Disney+ in April. It follows the adventures of Cassian Andor, a key player in the rebellion against the Galactic Empire. He was a main character in the hit 2016 movie 'Rogue One.' Advertisement The show, which lasted two seasons, provides a dark and realistic depiction about how individuals band together to resist a creeping authoritarian government that uses deception, censorship and violence to cement its own power. 4 The second season of 'Star Wars' series 'Andor' released on Disney+ in April. The cast of the 2nd season sat down for an interview on April 14th. Getty Images for Disney In the interview, Douthat said he believes Gilroy's depiction of the rebellion against the empire in the series is distinctly left-wing. While introducing his guest, he said, 'The 'Star Wars' serial 'Andor' has somehow managed to pull off originality within the constraints of a familiar franchise, pleasing obsessive fans and critics alike. Part of its originality is that it has an explicitly political and, to my mind, left-wing perspective on its world, without feeling at all like tedious propaganda.' Advertisement Gilroy admitted the work was political in that it was inspired by his fascination with revolutions in world history. 4 Tony Gilroy (left) told New York Times columnist Ross Douthat that his show is not explicitly 'left-wing.' Interesting Times with Ross Douthat 'The canvas that was being offered was just a wildly abundant opportunity to use all of the nonfiction and all the history and all the amateur reading that I'd done over the past 40 years and all the things I was fascinated by, all the revolution stuff that not only I would never have a chance to do again, but I really wondered if anybody else would ever have a chance to do again,' he said. Elsewhere, he told Douthat that he was particularly inspired by dictatorships throughout history, like Italian dictator Benito Mussolini's regime. Advertisement 'I want to pay as much attention to the authoritarian side of this, the people who've cast their lot with the empire, who get burned by it all,' he said. 4 The ''Andor' showrunner revealed the inspiration behind the show in an onstage interview. Getty Images for Disney 4 Andor characters Alastair Mackenzie as Perrin Fertha (left), Genevieve O'Reilly, as Mon Mothma (middle), Stellan Skarsgard as Luthen Rael (right). ©Disney+/Courtesy Everett Collection However, the showrunner denied he meant to portray the empire as a right-wing authoritarian government being undone by left-wing freedom fighters. 'But it's a story, but it's a political story about revolutionary ––' the conservative columnist protested. Gilroy interjected, 'Do you identify with the Empire? Do you identify with the Empire?' 'No, I don't,' Douthat said. 'But I don't think that you have to be left-wing to resist authoritarianism. I see the Empire as you just described it: It's presented as a fascist institution that doesn't have any sort of communist pretense to solidarity or anything like that. It's fascist and authoritarian, and you're meditating on what revolutionary politics looks like in the shadow of all that.'

That's no ruby. It's an extremely rare red diamond.
That's no ruby. It's an extremely rare red diamond.

Yahoo

time44 minutes ago

  • Yahoo

That's no ruby. It's an extremely rare red diamond.

While it may look like a blazing red ruby, the 2.33-carat Winston Red Diamond is just that—a diamond. One of the rarest diamonds in the world, the Winston Red Diamond is on display at the Smithsonian National Museum of Natural History in Washington DC–right near the more famous Hope Diamond. To learn more about this exceedingly rare Fancy Red diamond, Smithsonian gem and mineral curator Gabriela Farfan and colleagues spent two years researching its history and tracing its geological past. The team officially categorized the diamond and also narrowed down its potential country of origin as Venezuela or Brazil. The findings are detailed in a study published June 6 in the journal Gems & Gemology. Ronald Winston, son of famed American jeweler Harry Winston, donated the roughly 8 millimeter in diameter diamond to the Smithsonian in 2023. It is the fifth-largest confirmed red diamond in the world. Based on its old mine brilliant cut, gemologists believe that it was likely mined before the middle of the 20th century. This older style of cutting diamonds predates the more modern brilliant cuts seen today. Gemologists estimate that one in every 25 million diamonds is fancy red. According to the Smithsonian, this specific red diamond's documented history begins in 1938, when it belonged to the Cartier Family. The Cartiers then sold it to the Maharaja of Jamnagar India sometime before the 1980s. Winston purchased the stone from the Maharaja in the late 1980s and the diamond once adorned a ring worn by actress Brooke Shields in 1989. At 2.23 carats, it is smaller than the largest confirmed fancy red diamond. The Moussaieff Red clocks in at 5.11 carats and has been displayed in museums around the world. On April 1,the Winston Red Diamond officially went on display at the National Museum of Natural History in Washington DC. Scientifically describing and detailing the Winston Red's color and history was one of the major goals of this new study. Red diamonds are exceedingly rare, which makes studying them equally difficult. A diamond's color is largely determined by its chemical make-up. For example, a traditional white diamond is mostly composed of carbon. Small amounts of nitrogen will give a diamond a more yellow hue. If those nitrogen atoms have enough time–several millions of years–to aggregate in groups, the diamond will appear more brown. After even more years, if the nitrogen atoms form in groups of three surrounding a missing carbon atom, it will turn a yellow color. If the element boron replaces carbon, it produces a blue hue. Red and pink diamonds don't owe their color to chemistry. The extreme pressures and temperatures deep within the Earth can lead to plastic deformation within the rock. During plastic deformation, the atomic bonds in the diamond break and re-form along imperfections called dislocations. These deformations will change the diamond's atomic structure and affect how the light interacts with the stone. It's this deflection that gives it its rosy hue. Pink diamonds get their color in a similar way, since the color red is a more saturated pink. The Winston Red is also considered a Fancy Red diamond, meaning its color is pure red. It does not have any other modifying hues like purple, brown, or orange. Only 0.04 percent of fancy colored diamonds have this Fancy red color grade. The chances of finding a Fancy red diamond like the Winston Red is about one in 25 million diamonds. [ Related: The mystery behind pink diamonds just got some more clarity. ] To learn more, the team used several techniques including photoluminescence, spectroscopy, and cathodoluminescence to study the precious stone. These analyses confirmed the presence of plastic deformation bands and a pattern that officially classifies it as a type IaAB (A<B) Group 1 'pink' diamond. The diamond underwent significant pressure and temperature conditions when it was forming. They also found that the Winston Red gets its pure crimson color because it had a careful balance of the right pressure and temperature during its formation. Based on its mineralogical characteristics and mid-20th century cut, the team believes that it likely originated in Venezuela or Brazil. However, its precise place of origin is still unknown.

Julia Zilberquit Performance at Mozart Evenings Festival Draws Standing Ovations in Italy
Julia Zilberquit Performance at Mozart Evenings Festival Draws Standing Ovations in Italy

Time Business News

timean hour ago

  • Time Business News

Julia Zilberquit Performance at Mozart Evenings Festival Draws Standing Ovations in Italy

Julia Zilberquit on stage of Teatro Marrucino at the Mozart Evenings concert From the 25th of May to the 4th of June 2025, the Italian city of Chieti, in the country's picturesque Abruzzo region, marked the much-anticipated return of Mozart Evenings, a grand festival celebrating the rich legacy and musical genius of Wolfgang Amadeus Mozart. Organised by Konstantin Ishkhanov, its President, in collaboration with Artistic Director Giuliano Mazzoccante, this event marked the second edition of the festival, which has quickly established itself as a staple entry in the cultural calendar of the region. Hosted at the historic Teatro Marrucino, which has been named as one of Italy's Theatres of Tradition since 2003, this 2025 edition of Mozart Evenings featured a total of five classical concerts, bringing together a stunning lineup of international soloists, conductors, and orchestras in a celebratory homage to one of the greatest composers in Western music, including amongst them the celebrated US pianist Julia Zilberquit. Julia Zilberquit with the National Symphony Orchestra of Uzbekistan on stage of Teatro Marrucino A graduate of the Juilliard School, Zilberquit has earned critical acclaim as a recitalist, chamber musician and recording artist, being praised by the New York Times as 'an outstanding soloist' after one of her performances at Carnegie Hall. She has also performed at the 92nd Street Y, and the Alice Tully Hall at Lincoln Center, to mention a few, and has appeared at many major international music festivals including events in Seattle, Colmar (France), Klangbogen (Vienna), the Bard Music Festival in New York, and the Penderecki Festival (Poland). 'Mozart is of course a genius of all times', said Zilberquit, 'and I don't know what the world of classical music would be without him, I cannot imagine it! I'm so happy to be performing here in Chieti in this wonderful amazing Teatro Marrucino, and to be presenting this particular concerto – the Concerto in A minor No. 23, K. 488. In my opinion, it's one of the most beautiful piano concertos, not only from Mozart's oeuvre, but of all time, especially its second movement. It's very sad and very profound, and I think I'm lucky and we're lucky to be in the presence of such a genius piece tonight.' In addition to Zilberquit, the festival's concerts were headlined by such luminaries as pianists Cyprien Katsaris (Greece), Giuliano Mazzoccante (Italy), and Arsenii Moon (France), violinists Davide Alogna (Italy), Karen Shahgaldyan (Armenia), and Anna Tifu (Italy), clarinetist Vicente Alberola (Spain), flautist Tommaso Benciolini (Italy), and violist Giuseppe Russo Rossi (Italy). Moreover, audiences in Italy were also able to witness the talents of the AYSO Orchestra and the National Symphony Orchestra of Uzbekistan, who took to the stage under the direction of several acclaimed conductors, including Luis Andrade (Portugal), Alibek Kabdurakhmanov (Uzbekistan), Gianluca Marcianò (Italy), and Teresa Satalino (Italy). 'I'm very happy to have had the chance to work with the National Symphony Orchestra of Uzbekistan', Zilberquit added. 'It's a great experience, it was my first time collaborating with them, and with Maestro Gianluca Marcianò as well. We've known each other for a very, very long time, and we have always discussed working together, and today, this finally happened, so I'm very happy about that!' Through this remarkable gathering of artistic excellence, Mozart Evenings continued to fulfil its goal of honouring the rich legacy of the Austrian composer, while also celebrating Chieti's musical heritage and its role as a cultural hub for the region. Commenting about the organisation of the festival, Zilberquit took the time to highlight the work being carried out by the duo who spearheaded the event, stating that 'I have worked with Mr Konstantin Ishkhanov and Maestro Giuliano Mazzoccante several times, and it is always a great experience. The organisation is great, it's always top notch! We've done things together in Malta, we've done things together in Dubai, and I'm especially happy to be in Chieti because I was supposed to perform a solo concert here in the spring of 2020, and then the Covid-19 pandemic started. So, of course, this concert did not happen, but five years later here we are!' From left to right: Gianluca Marcianò, Julia Zilberquit, Konstantin Ishkhanov, Arsenii Moon Having met with widespread acclaim from the crowds that packed the sold-out Marrucino Theatre throughout its run, Mozart Evenings now turns its gaze towards the future once again, as Konstantin Ishkhanov looks to continue to bring the very best of classical music, presented by the top musicians of our time, to the stunning streets of Chieti for many more years to come. For more information about Mozart Evenings, please visit . TIME BUSINESS NEWS

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store