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Wordle hints today for #1,460: Clues and answer for Wednesday, June 18

Wordle hints today for #1,460: Clues and answer for Wednesday, June 18

Yahoo4 hours ago

Hey, there! We've reached the midway point of the week, and we hope your Wordle streak remains in one piece. To help you extend it or perhaps start a new one, here's our daily Wordle guide with some hints and the answer for Wednesday's puzzle (#1,460).
It may be that you're a Wordle newcomer and you're not completely sure how to play the game. We're here to help with that too.
Wordle is a deceptively simple daily word game that first emerged in 2021. The gist is that there is one five-letter word to deduce every day by process of elimination. The daily word is the same for everyone.
Wordle blew up in popularity in late 2021 after creator Josh Wardle made it easy for players to share an emoji-based grid with their friends and followers that detailed how they fared each day. The game's success spurred dozens of clones across a swathe of categories and formats.
The New York Times purchased Wordle in early 2022 for an undisclosed sum. The publication said that players collectively played Wordle 5.3 billion times in 2024. So, it's little surprise that Wordle is one of the best online games and puzzles you can play daily.
To start playing Wordle, you simply need to enter one five-letter word. The game will tell you how close you are to that day's secret word by highlighting letters that are in the correct position in green. Letters that appear in the word but aren't in the right spot will be highlighted in yellow. If you guess any letters that are not in the secret word, the game will gray those out on the virtual keyboard. However, you can still use those letters in subsequent guesses.
You'll only have six guesses to find each day's word, though you still can use grayed-out letters to help narrow things down. It's also worth remembering that letters can appear in the secret word more than once.
Wordle is free to play on the NYT's website and apps, as well as on Meta Quest headsets and Discord. The game refreshes at midnight local time. If you log into a New York Times account, you can track your stats, including the all-important win streak.
If you have a NYT subscription that includes full access to the publication's games, you don't have to stop after a single round of Wordle. You'll have access to an archive of more than 1,400 previous Wordle games. So if you're a relative newcomer, you'll be able to go back and catch up on previous editions.
In addition, paid NYT Games members have access to a tool called the Wordle Bot. This can tell you how well you performed at each day's game.
Before today's Wordle hints, here are the answers to recent puzzles that you may have missed:
Yesterday's Wordle answer for Tuesday, June 17 — PRANK
Monday, June 16 — PETTY
Sunday, June 15 — QUAIL
Saturday, June 14 — GHOST
Friday, June 13 — BILGE
Every day, we'll try to make Wordle a little easier for you. First, we'll offer a hint that describes the meaning of the word or how it might be used in a phrase or sentence. We'll also tell you if there are any double (or even triple) letters in the word.
In case you still haven't quite figured it out by that point, we'll then provide the first letter of the word. Those who are still stumped after that can continue on to find out the answer for today's Wordle.
This should go without saying, but make sure to scroll slowly. Spoilers are ahead.
Here is a hint for today's Wordle answer:
What a famed Norwegian artist might do to consume food.
There are no repeated letters in today's Wordle answer.
The first letter of today's Wordle answer is M.
This is your final warning before we reveal today's Wordle answer. No take-backs.
Don't blame us if you happen to scroll too far and accidentally spoil the game for yourself.
What is today's Wordle? Today's Wordle answer is...
MUNCH
Not to worry if you didn't figure out today's Wordle word. If you made it this far down the page, hopefully you at least kept your streak going. And, hey: there's always another game tomorrow.

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David Mallett's New Manhattan Salon, and other beauty news
David Mallett's New Manhattan Salon, and other beauty news

Forbes

time31 minutes ago

  • Forbes

David Mallett's New Manhattan Salon, and other beauty news

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16 things to do in the Wilmington area for the first weekend of summer
16 things to do in the Wilmington area for the first weekend of summer

Yahoo

time35 minutes ago

  • Yahoo

16 things to do in the Wilmington area for the first weekend of summer

Summer is finally here, officially anyway, and there are plenty of ways to celebrate in the Wilmington area this weekend. The entertainment events are heavy on the music side, with some notable touring shows and one long-running festival dedicated to the blues. But there's also some good theater, comedy and one of the area's biggest annual agricultural festivals as well. If you're planning out past this weekend or looking for even more events, don't forget to check out or lists of outdoor summer concerts in the Wilmington area, Pride Month events in the Wilmington area and June concerts in the Wilmington area. ALL WEEKEND June 19-29 at Thalian Hall: Opera House Theatre Co. presents the rockin' musical comedy based on the film by John Waters. Gabriella Seebode stars as Tracy Turnblad, a teen in early 1960s Baltimore on a mission to integrate a local TV dance show. 7:30 p.m. June 19-21 and 26-28, 2 p.m. June 22 and 29. 910-632-2285. 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How Criterion turned its film archives into a streaming powerhouse
How Criterion turned its film archives into a streaming powerhouse

Fast Company

time37 minutes ago

  • Fast Company

How Criterion turned its film archives into a streaming powerhouse

The average consumer subscribes to 4.5 streaming services, many of which offer content that feels largely indistinguishable from one another. When Netflix disrupted film and television in the late 2010s, it introduced a new model of viewership: an endless blend of originals and archives, delivered through a finely tuned personalization algorithm. Today, Disney+, Hulu, HBO Max, Peacock, and many others follow the same playbook. Not the Criterion Channel. The streamer rejects the infinite-content model, instead curating rotating collections of select films that appear for just a few months. Their offerings range from mass-market to niche indie: A recent example, 'Surveillance Cinema,' matched the $350 million-earning Minority Report with the tiny French neo-noir Demonlover. It also turns away from algorithmic recommendations—every title is handpicked by a programmer. Aliza Ma, the Criterion Channel's head of programming, says that she's 'offended' by the Netflix model of curation. 'It's absurd in the face of art and curiosity that you would think somebody's past behavior could indicate future taste,' she tells Fast Company. This approach has earned the Criterion Channel a loyal following among artistically curious cinephiles, creating a stable, low-churn subscriber base. For just $10.99 a month, viewers from the U.S. and Canada can escape the clutches of streamer sludge. The mega-viral Criterion Closet doesn't hurt either. 'I would have expected that broader is better,' Ma says. 'It's a brilliant surprise to us that the more specific we get, the more we pull focus on a subject or theme, the better it seems to reach people.' A streamer without an algorithm For over 30 years, Criterion was known as a seller and refurbisher of physical media. Their DVD and Blu-ray archives sustained the business, while the company licensed their films to several video-on-demand (VOD) services. First they were available on Mubi, then Hulu, and finally FilmStruck, the streamer from Turner Classic Movies. But when FilmStruck shut down in 2018, Criterion president Peter Becker and his team decided to create their own point of access. The Criterion Channel was running by 2019 and has since eclipsed the company's physical media business. In 2024, Criterion and its sister company, Janus Films, were sold to billionaire Steven Rales, founder of the film studio Indian Paintbrush and a minority owner of the Indiana Pacers. The channel's focus on curation naturally narrows its appeal. In the ongoing ' streaming wars,' Criterion isn't trying to compete on scale. Instead, it leans into its niche. 'You have to think you care about movies enough to want a streaming service really devoted to movies,' Becker says. But specificity also creates a highly loyal customer base, he adds. Asked whether one specific collection surged traffic at the site, Becker notes that there are 'different points of entry for everybody.' Some are more popular within the streamer's walls than others—both Ma and Becker reference the 2023 ' High School Horror ' set featuring movies like Donnie Darko and I Know What You Did Last Summer. But subscribers come more for the curation than for any individual film, meaning they're likely to stay longer. Michael Cunningham, acclaimed author of Day and The Hours (the latter of which was adapted into a film starring Meryl Streep and Nicole Kidman), is a subscriber to the Criterion Channel. 'I'm a fan because Criterion is keeping alive films that would otherwise fade away and be forgotten,' he writes in an email to Fast Company. 'It reminds us that greatness resides in a wide range of movies, from Potemkin to Some Like It Hot.' Estimating the Criterion Channel's size is a difficult task. The company declined to provide Fast Company with revenue or user figures, only saying that it 'has grown steadily since we launched.' When its predecessor FilmStruck shut down in 2018, the subscriber base was estimated at just 100,000. The Criterion Channel has likely surpassed this—it has over 100,000 downloads on the Google Play store alone. But that's still small compared with other specialty streamers like Mubi, which has more than 5 million Google Play downloads. It's audience is also shifting. 'If you had gone back 10 or 15 years and looked at who was collecting DVDs and Blu-rays, you would have seen a heavy disproportion of people who were male and over 30,' Becker says. 'That has been completely shattered.' DVDs, writers, and that infamous closet Criterion, the company behind the channel, still operates its specialty DVD business and commissions a stable of writers to pen essays on its archive. But the Criterion Channel is the company's 'most far-reaching project,' Becker says. And then there's the company's infamous closet. It began in 2010, when Guillermo del Toro stepped into Criterion's DVD archive in New York and picked out his favorites. Choosing among a collection organized only by spine number, del Toro professed his love for François Truffaut's The 400 Blows. Criterion has continued to pump out these 'Closet Picks'—the videos are now significantly less grainy —and posts them to YouTube. 'We record a couple a week, and we're always amazed by the conversations we have in there,' Becker says. 'I think it's a relief for the people in the Closet, because they don't have to talk about their own movies.' Creatives see the Criterion Closet as more than a stop on their press tour, though. Griffin Dunne, star of films like Martin Scorcese's After Hours, relished the opportunity to rifle through Criterion's archives. 'There are a few benchmarks in an actor's or director's career,' Dunne wrote in an email to Fast Company. 'Getting your first job, any job, in the movie business. Seeing your name in a New York Times review for your first film. Getting nominated or winning for any of the EGOTs. Being invited to the Criterion Closet to talk about your favorites films.' The closet has since gone mobile. Criterion now takes a portable version on the road, drawing fans who line up for hours. Becker even recalls a couple who got engaged inside. 'We're always amazed and gratified at how young the people who come out are,' he says, noting that most attendees are in their 20s and early 30s. The traveling closet of films also reveals the diversity of Criterion's audience. Few titles are picked more than a handful of times. While some favorites recur—Richard Linklater's films, for example, or Anora —most picks are highly personal and eclectic. Has the Criterion Closet helped funnel audiences back to their streamer or paid offerings? Becker isn't interested in talking shop. The closet wasn't set up as a marketing tool, so they don't track it as one. But it has been a helpful brand extension, he concedes. 'When 13 million people see the Ben Affleck video, that's a lot of people,' Becker says. 'We're definitely reaching more people than would have sought us out without it.' Affleck's first pick from the Criterion Closet was Jean Renoir's The Rules of the Game, the 1939 French satire celebrated for its humanist worldview. It's hard to imagine the film finding traction on Netflix. How would they package it? What thumbnail image or search-friendly pitch could make it click? Its age alone might be a barrier—back in March, the oldest title on Netflix was 1973's The Sting. But viewers can find The Rules of the Game on the Criterion Channel. It appears in a 'French Poetic Realism' collection, alongside commentary from Cunningham, the novelist. They can watch the film, explore its historical context, and dip into criticism, too. That's what the Criterion Channel offers: not just content, but curation. The final deadline for Fast Company's Next Big Things in Tech Awards is Friday, June 20, at 11:59 p.m. PT. Apply today.

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