Sharjah, Paris build bridges of knowledge and culture
The House of Wisdom (HoW) explored collaboration opportunities with the Arab World Institute in Paris in the fields of culture and knowledge.
The discussions focused on enhancing the Arab cultural and literary presence internationally through hosting specialised exhibitions and launching multilingual joint publishing projects that reflect the richness and diversity of Arab intellectual output.
The discussions took place during a visit to the institute's headquarters in the French capital, bringing together Marwa Al Aqroubi, Executive Director of HoW and Jack Lang, President of Arab World Institute, in the presence of Dr. Shawqi Abdul Amir, Director of the Arab World Institute.
Both sides explored ways to expand the scope of cooperation and to develop joint cultural programmes that highlight the beauty and history of Arab culture, while opening new windows for dialogue with world cultures.
The meeting featured knowledge and expertise exchange on the potential for hosting roaming artistic and cultural exhibitions between Paris and Sharjah, as well as the development of multilingual intellectual, literary, and artistic publications to be presented to international audiences. It also included a review of both institutions' experiences in curating events focused on building bridges of understanding and promoting cross-cultural exchange among nations.
Commenting on the visit, Marwa Al Aqroubi, Executive Director of the HoW, said: 'Engaging with the Arab World Institute, a reputed institution with decades of experience in promoting Arab culture across Europe, reflects our shared belief in the transformative power of culture. The meeting provided a solid platform to explore joint initiatives and align our efforts in amplifying Arab intellectual and artistic contributions on the global stage.
"The Institute's commitment to presenting Arab heritage in a modern, inclusive, and accessible way resonates strongly with our mission at the House of Wisdom.
She added: 'At HoW, we view culture as a vital tool for building bridges, fostering understanding, and driving progress between nations and civilisations. Through meaningful partnerships, we aim to contribute to a more inclusive and informed global cultural narrative, while reinforcing Sharjah's and the UAE's status as leading centres of cultural innovation, knowledge exchange, and creative dialogue.'
On his part, Dr. Shawqi Abdul Amir, Director of the Arab World Institute, said: 'The HoW shares our belief in the essential role of culture in fostering mutual understanding between peoples. This meeting reflected our commitment to establishing innovative partnerships that move beyond conventional event models and focus instead on projects with lasting civilisational and intellectual impact. We are confident this collaboration will provide new momentum for our initiatives and programmes.'
He added: 'For many years, the Arab World Institute in Paris has worked to present a dynamic and contemporary portrayal of Arab culture to European audiences. At a time when the world urgently needs renewed narratives to reshape East-West relations, we see this partnership as an important step. We look forward to building a meaningful collaboration with HoW that will allow us to broaden the reach of our exhibitions and cultural activities beyond our headquarters.'
During the visit, Marwa Al Aqroubi toured the Arab World Institute, including its renowned library, one of the largest in Europe dedicated to Arab affairs. She reviewed its extensive collection of books, research publications, and periodicals. She explored the permanent and temporary exhibition spaces, which present elements of traditional and contemporary Arab life through interactive visual displays.
She also visited the exhibition 'Rescued Treasures of Gaza: 5,000 Years of History' currently on display at the Institute until November 2.
Al Aqroubi expressed her appreciation for the exhibition's professional curation and the effort to showcase Palestine's rich historical legacy through rare archaeological artefacts. She further commended the exhibition's human element, which conveys the story of a civilisation that has endured and continued to assert its presence despite significant challenges.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Dubai Eye
18 hours ago
- Dubai Eye
Frederick Forsyth, 'Day of the Jackal' author, dies at 86
British novelist Frederick Forsyth, who authored best-selling thrillers such as 'The Day of the Jackal' and 'The Dogs of War', has died aged 86, his publisher said. A former correspondent for Reuters and the BBC, and an informant for Britain's MI6 foreign spy agency, Forsyth made his name by using his experiences as a reporter in Paris to pen the story of a failed assassination plot on Charles de Gaulle. The Day of the Jackal, in which an English assassin, played in the film by Edward Fox, is hired by French paramilitaries angry at de Gaulle's withdrawal from Algeria, was published in 1971 after Forsyth found himself penniless in London. Written in just 35 days, the book was rejected by a host of publishers who worried that the story was flawed and would not sell as de Gaulle had not been assassinated. De Gaulle died in 1970 from a ruptured aorta while playing Solitaire. But Forsyth's hurricane-paced thriller complete with journalistic-style detail and brutal sub-plots of lust, betrayal and murder was an instant hit. The once poor journalist became a wealthy writer of fiction. "I never intended to be a writer at all," Forsyth later wrote in his memoir, The Outsider - My Life in Intrigue. "After all, writers are odd creatures, and if they try to make a living at it, even more so." So influential was the novel that Venezuelan militant revolutionary Illich Ramirez Sanchez, was dubbed 'Carlos the Jackal'. Forsyth presented himself as a cross between Ernest Hemingway and John le Carre - both action man and Cold War spy - but delighted in turning around the insult that he was a literary lightweight. "I am lightweight but popular. My books sell," he once said. His books, fantastical plots that almost rejoiced in the cynicism of an underworld of spies, criminals, hackers and killers, sold more than 75 million copies. Behind the swashbuckling bravado, though, there were hints of sadness. He later spoke of turning inwards to his imagination as a lonely only child during and after World War Two. The isolated Forsyth discovered a talent for languages: he claimed to be a native French speaker by the age of 12 and a native German speaker by the age of 16, largely due to exchanges. He went to Tonbridge School, one of England's ancient fee-paying schools, and learned Russian from two emigre Georgian princesses in Paris. He added Spanish by the age of 18. He also learned to fly and did his national service in the Royal Air Force where he flew fighters such as a single seater version of the de Havilland Vampire. Impressing Reuters' editors with his languages and knowledge that Bujumbura was a city in Burundi, he was offered a job at the news agency in 1961 and sent to Paris and then East Berlin where the Stasi secret police kept close tabs on him. He left Reuters for the BBC but soon became disillusioned by its bureaucracy and what he saw as the corporation's failure to cover Nigeria properly due to the government's incompetent post-colonial views on Africa. It was in 1968 that Forsyth was approached by the Secret Intelligence Service, known as MI6, and asked by an officer named "Ronnie" to inform on what was really going on in Biafra. By his own account, he would keep contacts with the MI6, which he called "the Firm", for many years. His novels showed extensive knowledge of the world of spies and he even edited out bits of The Fourth Protocol (1984), he said, so that militants would not know how to detonate an atomic bomb. His writing was sometimes cruel, such as when the Jackal kills his lover after she discovers he is an assassin. "He looked down at her, and for the first time she noticed that the grey flecks in his eyes had spread and clouded over the whole expression, which had become dead and lifeless like a machine staring down at her." After finally finding a publisher for The Day of the Jackal, he was offered a three-novel contract by Harold Harris of Hutchinson. Next came The Odessa File in 1972, the story of a young German freelance journalist who tries to track down SS man Eduard Roschmann, or The Butcher of Riga. After that, The Dogs of War in 1974 is about a group of white mercenaries hired by a British mining magnate to kill the mad dictator of an African republic - based on Equatorial Guinea's Francisco Macias Nguema - and replace him with a puppet. The New York Times said at the time that the novel was "pitched at the level of a suburban Saturday night movie audience" and that it was "informed with a kind of post‐imperial condescension toward the black man". Divorced from Carole Cunningham in 1988, he married Sandy Molloy in 1994. But he lost a fortune in an investment scam and had to write more novels to support himself. He had two sons - Stuart and Shane - with his first wife. His later novels variously cast hackers, Russians, Al Qaeda militants and cocaine smugglers against the forces of good - broadly Britain and the West. But the novels never quite reached the level of the Jackal. A supporter of the United Kingdom's exit from the European Union, Forsyth scolded Britain's elites for what he cast as their treachery and naivety. In columns for The Daily Express, he gave a host of withering assessments of the modern world from an intellectual right-wing perspective. The world, he said, worried too much about "the oriental pandemic" (known to most as COVID-19), Donald Trump was "deranged", Vladimir Putin "a tyrant" and "liberal luvvies of the West" were wrong on most things. He was, to the end, a reporter who wrote novels. "In a world that increasingly obsesses over the gods of power, money and fame, a journalist and a writer must remain detached," he wrote. "It is our job to hold power to account."
Al Etihad
a day ago
- Al Etihad
'The Day of The Jackal' author Frederick Forsyth dies aged 86
9 June 2025 22:31 LONDON (AFP)Prolific British thriller writer Frederick Forsyth, who instantly became a global bestselling author when his book 'The Day of the Jackal' was published in 1971, died on Monday aged 86, his literary agents Curtis Brown famously penned his most famous work, about a fictional assassination attempt on French president Charles de Gaulle by right-wing extremists, in just 35 days after falling on hard times."The Jackal" went on to be made into a hit film starring Edward Fox as the assassin.A Netflix remake last year with Eddie Redmayne in the lead role was released last year."We mourn the passing of one of the world's greatest thriller writers," his agent Jonathan Lloyd died at home surrounded by his family following a brief illness, according to Curtis former journalist and pilot wrote over 25 books including 'The Odessa File' (1972) and 'The Dogs of War' (1974), and sold over 75 million copies of his novels were also turned into films. Forsyth attributed much of his success to "luck", recalling how a bullet narrowly missed him while he was covering the Biafra civil war between 1967 and 1970.
ARN News Center
a day ago
- ARN News Center
Frederick Forsyth, 'Day of the Jackal' author, dies at 86
British novelist Frederick Forsyth, who authored best-selling thrillers such as 'The Day of the Jackal' and 'The Dogs of War', has died aged 86, his publisher said. A former correspondent for Reuters and the BBC, and an informant for Britain's MI6 foreign spy agency, Forsyth made his name by using his experiences as a reporter in Paris to pen the story of a failed assassination plot on Charles de Gaulle. The Day of the Jackal, in which an English assassin, played in the film by Edward Fox, is hired by French paramilitaries angry at de Gaulle's withdrawal from Algeria, was published in 1971 after Forsyth found himself penniless in London. Written in just 35 days, the book was rejected by a host of publishers who worried that the story was flawed and would not sell as de Gaulle had not been assassinated. De Gaulle died in 1970 from a ruptured aorta while playing Solitaire. But Forsyth's hurricane-paced thriller complete with journalistic-style detail and brutal sub-plots of lust, betrayal and murder was an instant hit. The once poor journalist became a wealthy writer of fiction. "I never intended to be a writer at all," Forsyth later wrote in his memoir, The Outsider - My Life in Intrigue. "After all, writers are odd creatures, and if they try to make a living at it, even more so." So influential was the novel that Venezuelan militant revolutionary Illich Ramirez Sanchez, was dubbed 'Carlos the Jackal'. Forsyth presented himself as a cross between Ernest Hemingway and John le Carre - both action man and Cold War spy - but delighted in turning around the insult that he was a literary lightweight. "I am lightweight but popular. My books sell," he once said. His books, fantastical plots that almost rejoiced in the cynicism of an underworld of spies, criminals, hackers and killers, sold more than 75 million copies. Behind the swashbuckling bravado, though, there were hints of sadness. He later spoke of turning inwards to his imagination as a lonely only child during and after World War Two. The isolated Forsyth discovered a talent for languages: he claimed to be a native French speaker by the age of 12 and a native German speaker by the age of 16, largely due to exchanges. He went to Tonbridge School, one of England's ancient fee-paying schools, and learned Russian from two emigre Georgian princesses in Paris. He added Spanish by the age of 18. He also learned to fly and did his national service in the Royal Air Force where he flew fighters such as a single seater version of the de Havilland Vampire. Impressing Reuters' editors with his languages and knowledge that Bujumbura was a city in Burundi, he was offered a job at the news agency in 1961 and sent to Paris and then East Berlin where the Stasi secret police kept close tabs on him. He left Reuters for the BBC but soon became disillusioned by its bureaucracy and what he saw as the corporation's failure to cover Nigeria properly due to the government's incompetent post-colonial views on Africa. It was in 1968 that Forsyth was approached by the Secret Intelligence Service, known as MI6, and asked by an officer named "Ronnie" to inform on what was really going on in Biafra. By his own account, he would keep contacts with the MI6, which he called "the Firm", for many years. His novels showed extensive knowledge of the world of spies and he even edited out bits of The Fourth Protocol (1984), he said, so that militants would not know how to detonate an atomic bomb. His writing was sometimes cruel, such as when the Jackal kills his lover after she discovers he is an assassin. "He looked down at her, and for the first time she noticed that the grey flecks in his eyes had spread and clouded over the whole expression, which had become dead and lifeless like a machine staring down at her." After finally finding a publisher for The Day of the Jackal, he was offered a three-novel contract by Harold Harris of Hutchinson. Next came The Odessa File in 1972, the story of a young German freelance journalist who tries to track down SS man Eduard Roschmann, or The Butcher of Riga. After that, The Dogs of War in 1974 is about a group of white mercenaries hired by a British mining magnate to kill the mad dictator of an African republic - based on Equatorial Guinea's Francisco Macias Nguema - and replace him with a puppet. The New York Times said at the time that the novel was "pitched at the level of a suburban Saturday night movie audience" and that it was "informed with a kind of post‐imperial condescension toward the black man". Divorced from Carole Cunningham in 1988, he married Sandy Molloy in 1994. But he lost a fortune in an investment scam and had to write more novels to support himself. He had two sons - Stuart and Shane - with his first wife. His later novels variously cast hackers, Russians, Al Qaeda militants and cocaine smugglers against the forces of good - broadly Britain and the West. But the novels never quite reached the level of the Jackal. A supporter of the United Kingdom's exit from the European Union, Forsyth scolded Britain's elites for what he cast as their treachery and naivety. In columns for The Daily Express, he gave a host of withering assessments of the modern world from an intellectual right-wing perspective. The world, he said, worried too much about "the oriental pandemic" (known to most as COVID-19), Donald Trump was "deranged", Vladimir Putin "a tyrant" and "liberal luvvies of the West" were wrong on most things. He was, to the end, a reporter who wrote novels. "In a world that increasingly obsesses over the gods of power, money and fame, a journalist and a writer must remain detached," he wrote. "It is our job to hold power to account."
