logo
£10 painting by English 'matchstick men' artist may fetch £1 million

£10 painting by English 'matchstick men' artist may fetch £1 million

Kuwait Times04-05-2025

A rare work by the painter LS Lowry, known for his depictions of English working-class life, originally bought for 10 pounds is expected to fetch up to £1 million ($1.3 million) when it goes under the hammer, auctioneers said Monday. The painting, "Going To The Mill", was bought by literary editor Arthur Wallace in 1926 and has been in his family ever since.
Lowry, who died in 1976 at the age of 88, won fame for his paintings of industrial parts of northern England populated with his signature "matchstick" figures. The work shows mill workers scurrying to work with tall factory chimneys belching out black smoke in the background. Completed in 1925, it is believed to be one of the earliest sales made by Lowry in an unusual two-for-one deal the buyer negotiated directly with the artist. Originally priced at £30, Lowry then suggested a price of £10 for the oil on panel work, which was agreed, according to Wallace's grandson Keith Wallace.
"Grandpa wrote a cheque," he said. "Then Lowry wrote back to him saying: 'I think I've charged you too much. Can I give you another one as well?' So Grandpa got two Lowrys for his £10." The Wallace family still have Lowry's letter from November 9, 1926 where he writes: "Many thanks for your letter and cheque for £10. I am very glad Mrs Wallace likes the picture." The second work, "Manufacturing Town", was previously sold by the family.
Simon Hucker, senior specialist in modern and contemporary art at the Lyon & Turnbull auction house, said the painting was a rare yet classic Lowry painting. "'Going To The Mill' is the epitome of a 1920s Lowry, when he truly becomes a unique voice," he said. "It is especially rare for a painting such as this to have had only one owner," he added.
A work of similar size and date sold from HSBC's collection last year went for £1.2 million, Hucker said. "Going to the Mill" will be sold on Friday at Mall Galleries, where it is estimated to sell for £700,000 to £1 million. After his death, Lowry's work was celebrated in the hit song "Matchstalk Men and Matchstalk Cats and Dogs" by musical duo Brian and Michael. The song reached number one in the UK pop charts in 1978. - AFP

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Memory, belonging and the power of storytelling
Memory, belonging and the power of storytelling

Kuwait Times

time7 days ago

  • Kuwait Times

Memory, belonging and the power of storytelling

In a literary landscape often dominated by narratives from elsewhere, Mai Al-Nakib has emerged as a distinctly original and resonant voice from the Gulf. A Kuwaiti writer and academic, Al-Nakib bridges the personal and the political, the local and the global, with rare finesse. With a PhD in postcolonial studies from Brown University and two decades of teaching English and comparative literature at Kuwait University, her scholarly foundation is as formidable as her creative one. Her debut short story collection, 'The Hidden Light of Objects', earned international acclaim and won the Edinburgh International Book Festival's First Book Award. Her novel, 'An Unlasting Home', is an ambitious and layered exploration of identity, memory and the impermanence of belonging — an urgent meditation in today's increasingly fragmented world. In this interview with Kuwait Times, Al-Nakib opens up about her early discovery of storytelling, the intellectual traditions that shaped her voice and the creative architecture behind her fiction. As she prepares to reintroduce 'The Hidden Light of Objects' to a new generation of readers, we delve into the themes that define her work: Displacement, legacy, language and the ever-elusive idea of home. Kuwait Times: When did you first realize you wanted to become a writer? Mai Al-Nakib: I've always been a voracious reader, and there came a point — around the age of nine — when I realized that I, too, could make words do interesting, unusual, even powerful things. I started keeping a diary, writing everything down. But more than simply recording daily events, I began narrating them — turning them into first-person tales, with dialogue, description and plot. That was the start of my writing life, and it never stopped. Mai Al-Nakib KT: Why did you choose fiction — specifically short stories and novels — as your medium of expression? Al-Nakib: Fiction allows writers to invent and imagine alternatives to the present and makes it possible for readers to inhabit versions of life other than their own. This experience can remind us of our shared humanity. Short stories and novels each do this differently, but both offer powerful ways to experiment with possibilities and connect with others. KT: Which writers or thinkers have most influenced your voice and worldview as a storyteller? Al-Nakib: Literary writers who shaped me early on include Kundera, Kafka, Anais Nin, Rushdie, Joyce and Marquez. In my early twenties, it was Woolf, Beckett, Proust, Assia Djebar and Kanafani. Philosophers and intellectuals who influenced me include Bergson, Deleuze, Barthes, Spinoza, Nietzsche, Benjamin and Edward Said. These — and many others — have made me the person I am. KT: What does home mean to you? Do you feel rooted in a particular place, or does your sense of belonging shift with time and context? Al-Nakib: I recently wrote an essay on exactly this question titled 'Home Is Elsewhere: On the Fictions of Return', published in The Markaz Review. For some of us, the notion of home is a moving target, changing over time. For far too many, the physical persistence of home is not guaranteed. It can disappear overnight. How we respond in the face of such precarity determines our sense of home. For me, home has to do with the people I love and my sense of care for others and for our planet. What else is there? KT: How does 'An Unlasting Home' explore the idea of belonging through family, memory and identity? Al-Nakib: As the title suggests — and as is the case for most of the characters in the novel — homes can sometimes be unlasting. As a result, we may be forced to reckon with a sense of displacement and not belonging. There can be value in this, difficult as it is. The protagonist, Sara, is who she is because of the women who came before her. Their pasts are mirrored in her present. In her quest to reconnect with her geographical and genetic inheritance, Sara weaves their memories and experiences together and comes to better understand her own fraught relationship to home. KT: What were the biggest challenges you faced — creatively and logistically — when writing and publishing this novel, especially considering its themes and scope? Al-Nakib: The biggest challenge in writing 'An Unlasting Home' was figuring out the best form to accommodate the sprawl of the story: Seven women, many family lines, various places, different historical periods and so on. Once I decided to divide the novel into three parts, narrated polyphonically and shifting between past and present, I had found the solution. In terms of publication, I was lucky to have interest from publishers in the US and UK. KT: You're republishing 'The Hidden Light of Objects' — can you share the story behind its original creation and why you decided to bring it back now? Al-Nakib: 'The Hidden Light of Objects' was published by Bloomsbury Qatar Foundation in 2014. It won the Edinburgh International Book Festival's First Book Award that year. After Bloomsbury UK and Qatar Foundation dissolved their publishing agreement, my book went out of print. Happily, Saqi Books — who also published 'An Unlasting Home' in the UK — decided to republish 'The Hidden Light of Objects'. It will be released on June 5th with a beautiful new cover. I'm thrilled to have this book out in the world again. The stories — set mainly in the Middle East and focused on quiet, overlooked moments in a region often overwhelmed by geopolitics — remain timely.

Beloved UK gardener's dog lends a paw at top flower show
Beloved UK gardener's dog lends a paw at top flower show

Kuwait Times

time22-05-2025

  • Kuwait Times

Beloved UK gardener's dog lends a paw at top flower show

The English love their gardens and they love their dogs. Now the two passions have been married at the Chelsea Flower Show thanks to the talents of the nation's beloved gardener Monty Don. Don has designed a unique garden for the show to delight both man's best friend and his master (or mistress). The lawn is for dogs to run and play, and roll and rest, set with a wooden bench and comfortable cushions. Even before some 140,000 visitors were expected at the five-day show organized by the Royal Horticultural Society, there was due to be a special visit from the country's top canine-lovers, King Charles III and Queen Camilla, on Monday. The green-fingered Monty Don, 69, has become a national celebrity, beguiling television audiences for the past 22 years presenting the popular BBC program 'Gardeners' World'. Each week the self-taught horticulturist shares his knowledge, gentle words of wisdom and tips and tricks to keep UK gardens blooming through each season. Padding faithfully at his side have been his dogs, including golden retriever Ned, delighting audiences with his antics as Don walks the 8,000 square metros (two acres) of his garden in Longmeadow, close to the Welsh border. Gardener Monty Don poses with his dog Ned, a Golden Retriever, in his dog-friendly garden, during the preview day at the RHS Chelsea Flower show, in London, on May 19, 2025. Sweet potatoes sprouting among flowers, talking trees powered by AI and drought resistant crops, the prestigious Chelsea Flower Show is facing the future focusing on innovation and climate change adaptation. - AFP Designer Tom Massey and Architect Je Ahn pose in their Avanade Intelligent Garden, which is equipped with sensors that track tree health, soil conditions, air quality, and weather patterns. English actor Joanna Lumley and Floral artist Ricky Paul pose with The Chelsea Punk, a mohican made from pampas grass, during the preview day. A visitor looks at a floral display. Britain's Queen Camilla (second right) speaks with Chelsea Pensioners members, at the London Square Chelsea Pensioners Garden. Britain's King Charles III (third right) and Britain's Queen Camilla (center) speak with British broadcaster and gardening expert Monty Don (second left), at the RHS and BBC Radio 2 Dog Garden during their visit of the preview day at the RHS Chelsea Flower show, in London, on May 19, 2025.--AFP photos Simple And since he has always gardened with a dog by his side, Don said it was natural that he would lean on Ned for inspiration when he was asked to design a dog-friendly garden for the Chelsea Flower Show. Ned was let loose a few weeks ago at a plot packed with plants so the designers could copy the routes he took as he followed his nose and tracked interesting smells. 'We had imagined that Ned would create sweeps and curves through the planting. However, every time he ran off, he returned to Monty via the same route, and as such we have changed the design accordingly,' said landscape gardener Jamie Butterworth. At the Chelsea garden, there's a frisbee on the lawn, and a little stream where dogs can wade to cool off after a boisterous game of fetch. They can flop on the bench, or head for some calm in a little house. 'I wanted it to be a very simple garden,' Don said. 'There's no message, there's no hidden back story. It is what it is. What you see is what you get.' On Sunday, a fox even snuck in for a snooze. It is the first time Don has been asked to design a garden for the prestigious show, run by the Royal Horticulture Society since 1913. Tousled lawn The lawn is replete with dandelions, daisies and clover - a far cry from the neatly cropped grass usually favored by the Brits. Don aimed to keep things simple with hazelnut trees, hyacinths and spring flowers. Brick pathways inspired by his garden at Longmeadow are inscribed with the names of dogs, including Camilla's beloved terriers Bluebell and Beth, who were adopted from a dog shelter. Beth died from a tumor in November, and the royal family announced the passing on social media. Camilla even had the dogs' silhouettes embroidered in gold thread on her coronation dress in May 2023. Monty Don's garden won't be judged among 30 others as part of the competition at the Chelsea Flower Show. But he knows he will be judged by public opinion, and confessed to feeling nervous. After the show, Ned's garden will be donated to London's Battersea Dogs and Cats Home to continue delighting four-legged friends. - AFP

Radiohead's Jonny Greenwood says shows cancelled after 'credible threats'
Radiohead's Jonny Greenwood says shows cancelled after 'credible threats'

Kuwait Times

time08-05-2025

  • Kuwait Times

Radiohead's Jonny Greenwood says shows cancelled after 'credible threats'

Radiohead's Jonny Greenwood on Tuesday said two of his forthcoming shows with Israeli-born rock musician Dudu Tassa had been cancelled due to "credible threats". The guitarist and keyboardist had been due to perform two dates with Tassa in the western English city of Bristol and in London in June. A pro-Palestinian activist movement that advocates political and economic action against Israel over its treatment of Palestinians welcomed the announcement. "Palestinians welcome the cancellation of both of their UK shows. We reiterate our call for all venues to refuse to program this complicit event that can only artwash genocide," the PACBI-BDS movement, which had campaigned against the performances, said on X. Announcing the axing of the shows, Greenwood, Tassa and their musicians said the "venues and their blameless staff have received enough credible threats to conclude that it's not safe to proceed". The letter posted on X said the decision would be "hailed as a victory by the campaigners... but we see nothing to celebrate and don't find anything positive has been achieved". "Forcing musicians not to perform and denying people who want to hear them an opportunity to do so is self-evidently a method of censorship and silencing," it said. "We believe art exists above and beyond should be free to express themselves regardless of their citizenship or their religion -– and certainly regardless of the decisions made by their governments," it added. The letter comes after Irish rappers Kneecap had several concerts cancelled. British counter terrorism police last week launched an investigation into online videos of the Irish band after it denied supporting Hamas and Hezbollah or inciting violence against UK politicians. The police probe came as nearly 40 other groups and artists rallied around Kneecap with a joint statement in which they said that "as artists, we feel the need to register our opposition to any political repression of artistic freedom". Greenwood and his fellow musicians added: "We have no judgement to pass on Kneecap but note how sad it is that those supporting their freedom of expression are the same ones most determined to restrict ours." Radiohead performed in Tel Aviv in 2017 despite being urged to cancel as part of a cultural boycott. "Playing in a country isn't the same as endorsing its government," Yorke wrote on Twitter at the time. "We've played in Israel for over 20 years through a succession of governments, some more liberal than others. As we have in America," he said. "We don't endorse Netanyahu any more than Trump, but we still play in America," he added. — AFP

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store