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Jussie Smollett speaks out after reaching civil settlement with city of Chicago

Jussie Smollett speaks out after reaching civil settlement with city of Chicago

Yahoo6 days ago

Actor Jussie Smollett is speaking out after reaching a settlement with the city of Chicago in a civil case related to the city's efforts to recover costs from its investigation into a 2019 incident that authorities claim was a staged hate crime. Smollett has always maintained he is innocent.
Smollett addressed the resolution in a public statement shared Friday on Instagram.
Jussie Smollett heartbroken over criticism after attack: 'You don't even want to see the truth'
"Over six years ago, after it was reported I had been jumped, City Officials in Chicago set out to convince the public that I willfully set an assault against myself. This false narrative has left a stain on my character that will not soon disappear," he wrote.
He added, "These officials wanted my money and wanted my confession for something I did not do. Today, it should be clear… They have received neither."
Smollett said his decision to settle "was not the most difficult one to make," explaining, "I was presented with an opportunity to make a charitable donation in exchange for the case being dismissed."
Calling Chicago his former home, he noted, "Making a donation to benefit Chicago communities that are too often neglected by those in power will always be something I support."
Smollett also announced a separate $10,000 donation to the Chicago Torture Justice Center, writing, "To anyone who has had to prove they have in fact been violated, you know how difficult this can be to navigate. I stand with and for you."
In March 2019, Smollett forfeited his $10,000 bond to the city and agreed to perform 16 hours of community service as part of a separate agreement to drop all criminal charges related to the alleged false report, according to then-Cook County first assistant state attorney Joe Magats.
The city filed a lawsuit in 2019 over $130,000, which the Chicago Police Department said it had spent investigating the actor's claims that he had been attacked in a racially and politically motivated incident.
In November 2019, Smollett filed a counter lawsuit against the city of Chicago, claiming that authorities "maliciously" prosecuted him "in bad faith" and filed criminal charges against him "without probable cause."
The counter lawsuit was filed in response to a lawsuit the city filed against Smollett in April, requesting $130,000 in civil penalties, damages and attorney's fees and costs arising from Smollett's alleged "false statements."
Two brothers -- Abimbola and Olabinjo Osundairo -- later claimed that Smollett paid them $3,500 to help him orchestrate and stage the crime after Smollett allegedly became upset that a letter threatening him, sent to the Fox studio where the television series "Empire" was filmed, did not get enough attention, according to police.
Police later accused Smollett of writing the letter. The brothers were not charged.
As part of the new settlement agreement, Smollett will donate $50,000 to Building Brighter Futures Center for the Arts, a local nonprofit serving underprivileged youth in Chicago through arts and education programming.
The donation was made in exchange for the dismissal of the city's lawsuit against Smollett, according to a statement released Thursday by the city's Department of Law.
In an official statement, the department said, "The City believes this settlement provides a fair, constructive, and conclusive resolution, allowing all the parties to close this six-year-old chapter and move forward."
Jussie Smollett speaks out after reaching civil settlement with city of Chicago originally appeared on goodmorningamerica.com

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Our reunion with Madison's Karina from 'Farmer Wants a Wife': What happened after filming? Are Jay and Grace still together?
Our reunion with Madison's Karina from 'Farmer Wants a Wife': What happened after filming? Are Jay and Grace still together?

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Our reunion with Madison's Karina from 'Farmer Wants a Wife': What happened after filming? Are Jay and Grace still together?

Warning: Spoilers from Fox's "Farmer Wants a Wife" Season 3 ahead. "Farmer Wants a Wife" Season 3 may be over, but we're still not over it. We had our own reunion of sorts this week with Wisconsin finalist Karina Sabol after last week's May 22 season finale. She gave us a behind-the-scenes look at how the final episode went down for her, where she flocked to immediately after for a taste of home, and what she's been up to since filming finished last fall. ICYMI or need a refresher: Farmer J'Marick "Jay" Woods' final two — who he said had "the most beautiful souls" — were Sabol and fellow contestant Grace Clark, a nanny from Washington. Including Woods, there were four farmers this season, each with their own crop of daters attempting to wrangle their hearts. The finale revealed that Woods ultimately chose Clark (the other farmers' picks can be found here). Sad but keeping it together, Sabol told Woods she was happy that he used both logic and his heart to make the decision. 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Alf Clausen, Emmy-Winning Composer for ‘The Simpsons,' Dies at 84
Alf Clausen, Emmy-Winning Composer for ‘The Simpsons,' Dies at 84

Yahoo

time4 hours ago

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Alf Clausen, Emmy-Winning Composer for ‘The Simpsons,' Dies at 84

Alf Clausen, the veteran composer with two Emmy wins and 30 nominations whose whimsical scores brightened such television series as The Simpsons, Moonlighting and, purely coincidentally, ALF, has died. He was 84. Clausen died Thursday at his Valley Village home in Los Angeles, his daughter, Kaarin Clausen, told The Hollywood Reporter. He was diagnosed with progressive supranuclear palsy about eight years ago, she said. More from The Hollywood Reporter Loretta Swit, Margaret "Hot Lips" Houlihan on 'M*A*S*H,' Dies at 87 Mike Sumler, Kool & the Gang Hype Man, Dies at 71 Ena Hartman, 'Dan August' and 'Terminal Island' Actress, Dies at 93 From The Simpsons' second season in 1990 until its 28th in 2017, Clausen crafted many of the spirited melodies that contributed to the cutting-edge lunacy of the Fox animated show. From 23 Emmy nominations, he — along with lyricist Ken Keeler — won in 1997 and '98 for the songs 'We Put the Spring in Springfield' and 'You're Checkin' In (A Musical Tribute to the Betty Ford Center).' His harmonious relationship with the show would not last, however, with Clausen filing a lawsuit against Disney and Fox in August 2019 after he was dismissed from The Simpsons. Clausen's breakthrough as a TV composer came in 1985 on the ABC series Moonlighting. Back then, he had spent years doing a little bit of everything, from music directing and orchestrating to creating additional music for film and television projects. Lee Holdridge, who wrote the music for the Moonlighting theme song performed by Al Jarreau, asked series creator Glenn Gordon Caron to employ Clausen. Caron did so, but to hedge his bets, he hired another composer to alternate episodes with Clausen. By the fourth show, the other composer was let go and Clausen ended up scoring the series throughout its five-season run. Moonlighting's innovative structure provided a range of challenges for Clausen. The 1985 episode 'The Dream Sequence Always Rings Twice' offered film noir flashbacks (filmed in black and white) set in a 1940s nightclub, with Cybill Shepherd, backed by a big band, singing a sultry torch song as co-star Bruce Willis played trumpet. The next year's 'Atomic Shakespeare' served up a music-filled parody of The Taming of the Shrew in medieval times. Clausen received Emmy noms for those episodes, then landed two more in 1988 and '89. Meanwhile, Clausen also took on composing duties for ALF. He provided the theme song and scored the 100-plus episodes of the quirky 1986-90 NBC sitcom about a joke-cracking, alien life form (ALF) portrayed as a shaggy puppet. (Asked if ALF was named after him, Clausen's standard reply was, 'No, but I granted them the rights to use my face as a likeness!) Clausen originally resisted The Simpsons' gig when it was first offered in 1990. The show, which had just concluded its first season (its opening theme was written by Danny Elfman), seemed too light-heartedly compared to what he had done the past five years. 'I was posed the question, 'Would you like to score an animated show?' and I said, 'No,'' Clausen recalled during a 2015 conversation for the Television Academy Foundation website The Interviews. 'I said, 'I just got off of four years of Moonlighting, and I really want to be a drama composer. I'm more interested in doing longform feature films.'' But series creator Matt Groening convinced Clausen that The Simpsons was just what he was looking for. 'We look on our show as being, not a cartoon, we look upon it as a drama where the characters are drawn,' Groening told Clausen. 'And we would like it scored that way. Could you do that?' And I said, 'Yeah, I could do that.'' Groening wanted the music to always reflect the emotion of the characters, not the action on the screen. 'He said he didn't want it scored like a typical Warner Bros. cartoon. He didn't want it scored like a typical Disney cartoon,' Clausen said. 'He wanted something different.' Clausen's first assignment was the 1990 episode 'Treehouse of Horror.' He said he was delighted that it presented the opportunity for 42 musical cues and that the producers didn't flinch when he requested a double recording session to generate them. He kept The Simpsons humming for 550-plus episodes and scored using a live, full orchestra. Among the many memorable ditties he wrote along the way were 'Vote for a Winner,' 'See My Vest,' 'Always My Dad,' 'Ode to Branson' and 'Union Strike Folk Song (Parts 1 and 2).' 'The Garbage Man,' a parody of 'The Candy Man' that he wrote for a 1998 episode, was performed by none other than U2. In a 2012 interview, Clausen remembered that with all the legal, production and publicity people from the show, the studio and the band, there must have been about 50 folks in the booth during the recording session. 'We did the first take of the song and Bono did a really good job of it, but there were a couple things I knew could be better,' Clausen said. 'He and I got along really well, we bonded from the moment we met. So when he finished the first take, I got on the talkback to him out in the studio and said, 'Boy, that was really good. But, you know, I think you can do a better one.' 'And I hear 50 people behind me collectively gasp! They couldn't believe I was telling Bono that he could record a better take. But he and I were used to being in the recording studio and accustomed to the process involved in doing recordings. We understood we were there to get the best take, and he was fine with it.' Alf Heiberg Clausen was born in Minneapolis on March 28, 1941. His mother, Magdalene, was on a weekend break from her master's studies at Iowa State University and shopping in a department store when she went into labor. He lived in Ames, Iowa, until his mom earned her degree, at which point the family relocated to Jamestown, North Dakota. His dad, also named Alf, was an occupational therapist for the city's mental hospital. His mom worked for Stutsman County helping residents deal with laws governing homeownership. Clausen grew up loving toy trains, cars and music. He took piano lessons at an early age, and two of his favorite activities were listening to his parents' orchestral record collection on their Victrola and watching American Bandstand on the family's new TV set. In the seventh grade, he was assigned the French horn, which became his instrument of choice through high school. At North Dakota State University, Clausen pursued a mechanical engineering degree but changed his major to music after he spent a summer with a musician cousin in New York and experienced My Fair Lady, West Side Story and The Music Man on Broadway and concerts featuring the likes of Miles Davis. While working toward his master's at the University of Wisconsin, Clausen enrolled in a correspondence course at Boston's Berklee College of Music to study arranging and composition. He found he enjoyed creating music more than playing it and moved to Boston to study full-time at Berklee. Eventually, he also taught there. Clausen headed to Los Angeles in 1967, played professionally around town and supplemented his income as a music copyist on Planet of the Apes (1968), M*A*S*H (1970), The Carol Burnett Show and The Partridge Family. In 1976, a colleague helped him get his foot in the door as an arranger for ABC's Donny & Marie, and he was promoted to musical director for the show's third season. He then became the musical director for another variety show, 1979's The Mary Tyler Moore Hour. As his reputation grew, Clausen spent the next several years orchestrating and composing for features including Airplane II: The Sequel (1982), Splash (1984), Weird Science (1985), Ferris Bueller's Day Off (1986) and Dragnet (1987) and scored episodes of Fame, Wizards and Warriors and Partners in Crime. Clausen's long association with The Simpsons ended on a sour note when it was announced in 2017 that he was being let go. Bleeding Fingers Music, a composer collective co-owned by Hans Zimmer, replaced him; the move cut the show's music budget by 40 percent as live orchestrations were supplanted by synthesized music. The five-time Annie Award winner sued Disney and its Fox divisions, claiming age discrimination while attacking Zimmer's company for creating Simpsons music 'inferior in quality, depth, range and sound, yet stylistically similar in substance.' He amended his suit in April 2020 to assert he also was fired because of a perceived disability, PSP. Fox and Simpsons executives countered, saying they were disappointed with Clausen's work on a 2017 hip-hop-themed episode, 'The Great Phatsby,' citing his unfamiliarity with newer forms of music and a concern that the show could lose its relevance. A judge dismissed the age discrimination claim but allowed Clausen to pursue other portions of the suit, including wrongful discharge, retaliation and unfair business practices. However, he settled in February 2022. In addition to his daughter, survivors also include his wife, Sally, whom he married in 1993; former wife Judy; two sons, Kyle and Scott; stepchildren Joshua and Emily; his sister, Faye; 11 grandchildren; and a niece and nephew. Best of The Hollywood Reporter 'The Studio': 30 Famous Faces Who Play (a Version of) Themselves in the Hollywood-Based Series 22 of the Most Shocking Character Deaths in Television History A 'Star Wars' Timeline: All the Movies and TV Shows in the Franchise

Alf Clausen, Emmy-winning composer for ‘The Simpsons', dies at 84
Alf Clausen, Emmy-winning composer for ‘The Simpsons', dies at 84

New York Post

time11 hours ago

  • New York Post

Alf Clausen, Emmy-winning composer for ‘The Simpsons', dies at 84

LOS ANGELES — Alf Clausen, the Emmy-winning composer whose music provided essential accompaniment for the animated antics of 'The Simpsons' for 27 years, has died. His daughter Kaarin Clausen told The Associated Press that Alf Clausen died Thursday at his home in Los Angeles after struggling with Parkinson's Disease for about a decade. He was 84. Clausen, who also scored TV series including 'Moonlighting' and 'Alf' ('no relation,' he used to joke) was nominated for 30 Emmy Awards, 21 of them for 'The Simpsons,' winning twice. Al Jean, an early 'Simpsons' writer who was one of the key creative figures on the show in the 1990s, said in a post on X Friday that 'Clausen was an incredibly talented man who did so much for The Simpsons.' While Danny Elfman wrote the show's theme song, Clausen joined the Fox animated series created by Matt Groening in 1990 and provided essentially all of its music until 2017, composing nearly 600 scores and conducting the 35-piece orchestra that played it in the studio. Emmy Award-winning composer Alf Clausen has died at 84. Chris Pizzello/Invision/AP His colleagues said his music was a key component of the show's comedy, but Clausen believed the best way to back up the gags of Homer, Marge Bart and Lisa was by making the music as straight as possible. 'This is a dream job for a composer,' Clausen told Variety, which first reported his death, in 1998. 'Matt Groening said to me very early on, 'We're not a cartoon. We're a drama where the characters are drawn. I want you to score it like a drama.' I score the emotions of the characters as opposed to specific action hits on the screen.' Groening, in a 1996 interview, called him 'one of the unacknowledged treasures of the show.' Clausen was born in Minneapolis and raised in Jamestown, North Dakota. He graduated from the Berklee College of Music in 1966, and moved to Los Angeles seeking a career in music. In the 1970s he was a musical director on several TV variety shows including 'Donny & Marie.' Clausen worked as an orchestrator for composer Lee Holdridge in his scores for 1980s films including 'Splash' and 'The Beastmaster.' It was Holdridge who first got the composing job on 'Moonlighting,' the late-80s ABC rom-com detective series starring Bruce Willis and Cybil Shepherd, but he handed the gig off to Clausen, who would get six Emmy nominations for his music on it. Clausen won his Emmys for 'The Simpsons' in 1997 and 1998 and also won five Annie Awards, which honor work in animation in film and television. He was fired from 'The Simpsons' in a cost-cutting move in 2017, to the outrage of his collaborators and fans. He sued over his dismissal. Clausen is survived by his wife Sally, children Kaarin, Scott and Kyle, stepchildren Josh and Emily, and 11 grandchildren.

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