
Fergus Dennehy: What is to be done about increasingly rude behaviour in cinemas?
At the risk of sounding old – I'm 33 by the way – I'll answer for you. Yes, it really, really has.
Maybe it's because I'm a very frequent cinema-goer and would, on average, try to go at least two or three times a month.
It's fair to say that I do have more pleasant experiences than negative but I feel there's a growing epidemic of rudeness and it needs highlighting.
This year alone I've watched 16 films in the cinema, at least five of which have been properly blighted by the astonishingly rude behaviour of people sitting near me.
Seriously, I cannot wrap my head around how people who have paid to watch a film in a public setting can think that it's okay to act in the way they do.
Let me preface this by saying that it is in no way the fault of cinemas or its staff, they have a busy enough job list without having to confront rowdy teenagers or even adults.
For instance, I've experienced one guy sending multiple voice notes at high volume on WhatsApp throughout an entire movie; I've also had two people sitting right next to me hold a full blown conversation throughout a film, all the while recording videos of scenes from the film on snapchat and sending it to friends.
Meanwhile, in the US, recent issues around the 'chicken jockey' scene in the new Minecraft movie and the ruckus this has caused Stateside – live chickens were brought in to some screenings while full popcorn buckets were thrown into the air – are just more examples of this sort of behaviour.
Then there's my most recent example, one which happened on Sunday evening which finally inspired me to pen this opinion piece.
Picture the scene: I'm at the cinema with my brother to see the new Mission: Impossible film and we're sitting in the back row of the screen. Enter two teenage girls, aged approximately 15 or 16, who proceed to sit two seats away from us.
ADVERTISEMENT
Learn more
Before the film starts there are no issues and they are simply chatting and on their phones. But when the film starts I know I'm in for a long three hours.
Their phones are never put away, meaning out the corner of my eye I can constantly see their bright phone screens as they send snapchats to friends. It's not the biggest issue, I just put my hood up and we're all good.
This was just the beginning, though, and over the course of the film, the two girls proceed to make loud animal noises at the screen, rock as fast as they could back and forth on their chairs (miming Tom Cruise's famous running style while doing so) and even wrestle each other in their seats.
I kid you not, they were clambering over each other in their seats and hitting each other, all just two seats away from me. One even sat on the floor of the screen, clawing at her friend in her seat. Unbelievable stuff altogether.
So why did I not just alert cinema staff and report them or turn to them myself and tell to cop on?
The answer is – maybe it's an Irish thing or just my own natural shyness and aversion to confrontation – the thought of calling them out was, in my head, a worse scenario than simply sitting there and taking it.
Of course, others would have handled this differently but my question is: 'How have we got to the point in society where people think behaviour like this is okay?'.
I've read enough posts online to know that it's a worsening trend, particularly since COVID, and sadly it shows no signs of stopping or abating.
So my last question is this: 'Is there anything – apart from confrontation – that can be done to stop this?'.
Permanent security guards at each screen is an ideal solution but too costly of course. Maybe the only other option is to avoid the cinema altogether and settle for watching movies in the comfort of our own homes.
Yet nothing beats the big screen experience, so I don't see myself abandoning that any time soon.
Any suggestions will be gratefully accepted.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Irish Sun
2 hours ago
- The Irish Sun
‘We're taking thing as they come' says RTE star as he lifts lid on long-distance engagement & ‘next chapter' plans
RTE star and Olympian Jack Woolley has lifted the lid on his wedding plans to his long-distance fiance. The Irish Olympian and his fiance Dave Stig have been in a relationship since 2021. 2 Jack Woolley is engaged to his fiance Dave Stigg Credit: Instagram 2 Jack lifted the lid on their future wedding plans Credit: Instagram He'd planned to propose to Jack live on TV if he won DWTS — but had to hold off after gymnast rival However, personal trainer Dave couldn't wait until a much-needed post-show holiday in Instead, he popped the question to his partner of four years at DWTS' after-party — with Larry Bass, the boss of show producers ShinAwil, calling him up on stage. Read more on jack woolley Jack's time on Dancing With The Stars also meant that he and David got to spend a lot of time in Dublin together, as usually Jack spends most of his time training in Spain. And for as long as they are doing long-distance Jack doesn't plan on getting married to Dave. He told RSVP: "Obviously, I'm over here in Madrid and we're doing long distance. I don't think the best thing for us is to get married and then go back to doing long distance. 'For me, it's kind of when I decide to retire from the sport and things are starting to come to an end, that getting married will be the start of the next chapter, in a way. Most read in News TV 'We're just taking things as they come at the moment.' Additionally delaying their wedding plans is Dave's sister's upcoming ceremony. DWTS contestants jet off on holiday together Jack said: "His little sister is engaged, also, and she's getting married at the start of 2027. It's like, 'do we slip it in beforehand or do we wait until afterwards?' We're trying to figure it out." Although he has ruled out getting married anytime soon, the pair still have some aspects of their wedding planned out. He said: 'We have songs and colours and suits that we want picked out. But we don't know when the wedding is going to actually be, or anything like that." Jack previously told The Irish Sun, that he wants his pro-partner Alex Vladimariov to teach Dave the American Smooth — so they can perform his to Grace as their first dance. 'FIRST DANCE' Jack said: 'How fantastic would that be, hearing that song and dancing to Grace at a wedding in 'We are definitely going to get married here in this country and then another smaller get-together abroad. If someone wants to pay, they are more than welcome.' Speaking about Dave's surprise engagament, Jack said: "I thought he was going to wait until we got out to Spain to do it but he jumped the gun. 'And it turned out to be a great idea with all our friends and family there that night at the party. I am so happy.'


Irish Examiner
4 hours ago
- Irish Examiner
'Ireland gave me and Philip something to belong to': Caught in the spotlight of the Phil Lynott story
The boy is back in town. After a sell-out run at Vicar Street in April, the ghost of Phil Lynott returns to stages in Dublin and Limerick this week in Moonlight — a rock theatre extravaganza that explores Lynott's artistic genius and the early years of his time with Thin Lizzy in the late 1960s and early '70s. The actor Peter M Smith stars in the lead role. 'Philip jealously guarded his private life,' says Smith, 'which created a dichotomy for someone so public, someone who made a living from being in the public eye, having to sell his wares publicly. I remember feeling a tremendous sense of pride when I realised that because we shouldn't be judged on anything but our output.' Smith, who has been heralded for his performance incarnating Lynott, shares striking similarities with the Thin Lizzy frontman, both physically and in his background. Both grew up streets away from each other on Dublin's southside — Lynott in Crumlin, Smith in Drimnagh. Both were raised by single mothers and maternal grandparents, not knowing their fathers. 'When you're raised in our situation, your yearning is always to belong,' says Smith. 'Philip grabbed hold of his Irishness, as I do. No matter where I am in the world, I'm at pains to let people know how Irish I am, even above the fact that I'm black. I don't go around talking about [being black]. I've read books on black consciousness, like Steve Biko's books. I'm very much into black history, like the story of Frederick Douglass, but that's more for my private reading. My real passion is the fact I'm Irish. 'Ireland gave me and Philip something to belong to. He was fiercely patriotic and protective of all things Irish. That bore fruit in a lot of confrontations with journalists who weren't Irish and didn't understand the state of play, shall we say, in Ireland. I'm like that too. I'm quite spiky and defensive about my Irishness. I'm fiercely patriotic. I love being Irish because Ireland has given me something I'll always belong to.' Moonlight: The Philip Lynott Enigma Live at Vicar starring Eric Bell and Peter M Smith Lynott, who died in 1986 in hospital of septicaemia and pneumonia aged 36, was born to be a rock star. He walked down the street with a natural swagger. It could be said Smith was born to play Lynott. He has the acting chops. He has a background in music. In 2002, he was a finalist on Popstars: The Rivals (the series which gave the world Girls Aloud). Smith captures Lynott's spirit uncannily. He got the seal of approval from Lynott's late mother, Philomena, to reprise him on screen, as Smith was earmarked to play Lynott in biopic projects that Neil Jordan and Noel Pearson/Jim Sheridan tried to get off the ground. 'I had extensive discussions with Jim. When we met at auditions, he told everybody else to go home, and sent me into the next room, because there weren't many guys, certainly in their 30s, like me, having the same upbringing and attitude as Philip. I'm a rocker at heart. Jim operates on instinct. He knows his eggs from his eggs. 'So, we were close, but for one reason or another, those biopics didn't happen. Philip's kids were a little bit younger, and their mother didn't want a certain story told in a certain way. These things can happen but now seems to be the right time. Staying away from Philip's private life and looking more at what he's achieved as an artist seems to be doing the trick. 'Philomena was always on board because she wrote the book My Boy, and later an updated, more candid edition. The problem was never Philomena. She was quite the storyteller. Philip's wife wasn't ready to tell the story. 'I understand that. I have daughters. You would want your children to remember your songwriting and not any mistakes you may have made in your life.' Moonlight features an impressive supporting cast, including Brian Kennedy as Oscar Wilde's ghost and Thin Lizzy co-founder Eric Bell playing himself. Smith and his co-stars are accompanied by a live, four-piece band that rocks out Thin Lizzy hits as well as new, original music. 'Larry Hogan, the musical director, has done a great job in adapting the original music to make it sound seamlessly like Thin Lizzy,' says Smith. 'A lot of hardcore Thin Lizzy fans swore blind we were playing Thin Lizzy B-sides such was the faithfulness of the original music to Lizzy's sound. And those are the hardest people to please.' Moonlight: The Philip Lynott Enigma returns for four extra dates to Dublin's Vicar Street (June 20-22) and UCH Limerick (June 24) Read More Culture That Made Me: Music legend Brush Shiels picks his touchstones


Irish Examiner
4 hours ago
- Irish Examiner
10 TV highlights for June: Squid Game, Echo Valley, football history
Aistear an Amhráin, RTÉ One, June 3 The history of some of Ireland's best-loved songs is recounted in the second season of this fascinating documentary series. The second instalment has Cork band The Frank and Walters talking about the enduring popularity of their 1992 indie hit, 'After All'. Stick, Apple TV +, June 4 Owen Wilson returns to comedy playing a former champion golfer whose career fell apart after he had a very public meltdown during a tournament. Twenty years later he's living his worst life, after losing his job at a sporting goods store and with his wife having left him. But then he discovers a 17-year-old golf protégé (Peter Dager). Echo Valley, Apple TV +, June 6 Kyle MacLachlan in Echo Valley Irish actors Domhnall Gleeson and Fiona Shaw star in this thriller set in rural Pennsylvania. The story begins with Julianne Moore's horse trainer, Kate Garrett, receiving a knock on the door in the middle of the night from her daughter Claire (Sydney Sweeney) who is covered in blood. Hell For Leather, RTÉ One, June 9 Tracing the evolution of Gaelic football from the 19th century through to the present, the five-part series features contributions from the late Mícheál Ó Muircheartaigh, and Kerry's Mick O'Dwyer. Fubar, Netflix, June 12 Arnold Schwarzenegger returns for series two of his fun espionage-comedy in which he plays a retired CIA agent who is surprised to discover his daughter (Monica Barbaro) is in the same line of work. Series one was released years before Barbaro became a name to watch with her Oscar-nominated performance in A Complete Unknown. Now she is back to team up with Arnold once again. The Buccaneers, June 18, Apple+ TV Apple does Bridgerton with the return of its period drama (adapted from an unfinished Edith Wharton novel) about five wealthy American women husband hunting in British high society in the 1870s. The cast includes Irish actor Simone Kirby, and Mad Men's Christina Hendricks . Murderer Behind the Mask, Prime Video, June 21 Graham Dwyer. Picture: Collins Courts The murder of Elaine O'Hara by Graham Dwyer is of course well known in Ireland — but now it receives the true crime treatment courtesy of Prime Video. It can only be hoped that the filmmakers will resist tabloid sensationalism. Countdown, Prime Video, June, 25 Conspiracy thriller about an LA cop whose world is turned head-over-heels when a Homeland Security officer is shot dead in front of him. The Bear, Disney+, June 25 Following a meandering third season, the critically-lauded restaurant dramedy returns for a fresh serving of kitchen-based excitement in Chicago. Jeremy Allen White Ayo Edebiri, Oliver Platt and Jamie Lee Curtis head the cast in a show that, though widely acclaimed, is also something of an acquired taste, with a pace slower than treacle flowing uphill. Squid Game, June 27, Netflix Lee Jung-jae as Seong Gi-hun in Squid Game. Picture: No Ju-han/Netflix © 2025 After an explosive first season, the second series of this South Korean thriller about a secret deadly contest on a hidden island was hugely underwhelming. Can the show recover its mojo in its final run of episodes? All will be revealed.