
The Problematic Future of Bordeaux's Wine Futures
Hi again, Top Shelf readers, especially you wine lovers. It's Elin McCoy, and I'm here with the latest wine news.
What's that about Bordeaux's annual en primeur circus? The mega collector who sued auction houses over counterfeit wines now unloading gems at one of them? Convivial chimps in Guineau-Bissau sharing booze? (Yes, that's really a thing.)
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New York Times
2 hours ago
- New York Times
Foday Musa Suso, 75, Dies; Ambitious Ambassador for West African Music
Foday Musa Suso, a griot, kora virtuoso, multi-instrumentalist and composer whose work with artists like Herbie Hancock and Philip Glass helped thrust West African musical traditions into conversation with the world, died on May 25 in his native Gambia. He was 75. The percussionist Stefan Monssen, a mentee of Mr. Suso's, confirmed the death, in a hospital. He did not specify a cause, but said Mr. Suso had been in ill health in recent years after suffering a stroke. Mr. Suso was born into a long line of griots, the caste of musician-storytellers who are traditionally responsible for retaining oral histories in the areas of West Africa where the Mande languages are spoken. He traced his lineage back to Jeli Madi Wlen Suso, who is said to have invented the kora centuries ago by attaching 21 strings and a cowhide to a large calabash gourd. Mr. Suso was the rare musician who learned to play in the various regional styles of griots from around West Africa. In a tribute published in Gambia's major newspaper, The Standard, Justice Ebrima Jaiteh of the country's high court wrote, 'Jali Foday was more than a musician, he was a living archive, a teacher, and a symbol of continuity in a rapidly changing world.' (The honorific 'Jali' refers to Mr. Suso's status as a griot.) And yet Mr. Suso's career was powered as much by his will to expand as by reverence for tradition. He added three bass strings to his kora's traditional 21, allowing him to hold a steady beat and make its sound more danceable — and therefore more appealing to young listeners in the 1970s. He wrote many of his own compositions. He also learned to play more than a dozen other instruments, including the balafon (an African predecessor of the xylophone), kalimba (also known as the thumb piano), nyanyer (a one-stringed violin-like instrument), ngoni (an early West African banjo) and talking drum. After moving to the United States, he began experimenting with electronic instruments as well. Want all of The Times? Subscribe.


News24
10 hours ago
- News24
Full circle moment for Mlindo The Vocalist and DJ Maphorisa in new new single, Inkomo Zika Baba
He's given us AmaBlesser and Emakhaya. Not only did these hits usher us into covid, but they also saw us through its first bit. Even after a stint away from the limelight, Mlindo the Vocalist hasn't lost his touch. The beloved storyteller and award-winning top-selling artist Mlindo has now officially launched the countdown to his highly anticipated third album, Uhambo-The Journey, with the release of its powerful lead single - Inkomo Zika Baba. The lead single features DJ Maphorisa, Cowboii and Madumane. Returning with a bolder and mature voice and a deeper story to tell, he is ready to take us on a sonic journey of his life with Uhambo-The Journey. Read more | Musician Mlindo starting on a clean slate - 'I had to learn the hard way' The album is a storytelling project that chronicles his path from the long-travelled road from his top-selling debut album Emakhaya through the self-reflective lens of his sophomore self-titled album 'Lindokuhle'. He opens a new yet very familiar chapter, that captures growth, self-awareness and his steadfast pursuit of storytelling. 'My new single, Inkomo Zika Baba, featuring DJ Maphorisa and CowBoii, is a piano song and it felt right to release this single first as it features my mentor and father figure DJ Maphorisa. My musical journey started with him, my first biggest song AmaBlesser was done with him, so this song just felt like it's the perfect song to start off the journey of Uhambo,' he shares. On Inkomo Zika Baba, the artists paint a vivid picture of a man so devoted to his partner that he's willing to give everything to make her his wife, even if that means gambling, taking out a loan, or offering every last one of his father's cows. It's a heartfelt, dramatic, and relatable tale of commitment and admiration, told through Mlindo's signature lyrical storytelling. 'In this song we talk about a partner that you love so much that you just want to lobola them. All you want to do is marry them immediately, I talk about being willing to take all my father's cows to give to this person's family just to have them as my wife- there are no limits to how far I would go to get this person to be my wife. I talk about even going to a loan shark, just to make sure that the lobola money is there and it's an amount that is right and fitting for this person,' he adds. In an Instagram post announcing the album countdown, he thanked his supporters for having held him down since Emakhaya days. View this post on Instagram A post shared by Lindokuhle Mgedezi (@mlindothevocalist)


News24
10 hours ago
- News24
5 minutes with photographer Justice Mukheli - ‘I have achieved my dreams'
___________________________________________________________________ The art of film and photography has a way of telling stories words simply can't. The visual arts can pull you in and mesmerises you in a way that is unexpected. In a one-on-one with TRUELOVE, photographer and filmmaker Justice Mukheli tells us more about himself and his loved art. View this post on Instagram A post shared by Justice Mukheli (@justicemukheli) How did life in Soweto, where you grew up, influence your career choice? I used growing up in Soweto as a resource. I tap into for inspiration and lived experience to give the work that I do more depth. View this post on Instagram A post shared by Justice Mukheli (@justicemukheli) What is it about photography and film directing that fulfils and gives you a sense of purpose? Photography and film have been beautiful artistic mediums for me because they have become an extension of how I see the world beyond reality and celebrate with others the history and nuance of my life as well as those of other black people who have been overlooked. What made your professional debut in your industry? I used to work in advertising, where I saw a huge gap in representation of how we are looked at and portrayed as black people. There weren't enough black photographers I could brief on projects that targeted blacks. That led me to take an interest in photography. I then met a producer who suggested that I should try film. The rest, as they say, is history. Which artist or photographer inspires you? Locally, I'm inspired by musician Anatii. He is well-rounded. His work has depth and his music is layered with textures of culture and our heritage. I am also drawn to visual artist Cinga Samson's work. I admire their work. Your twin brother, Fhatuwani, is also an artist. How has it been working with him in the same industry? What sets your brand apart from his? My brother is amazing at his work and he inspires me. As much as we are twins and work in the same field, we both have different artistic voices. The subjects and themes we explore and unpack are different. We also have different purposes and intentions with our work. Opening Studio Mukheli with his brother You opened Studio Mukheli with your brother in September. Tell us more about it. We opened the studio shortly after returning from Morocco on a project, we were working on as photographers. Together with a group of friends, we started a project called I See a Different You a few years ago. But after that, we didn't work together for a while until recently. After photographing a recent campaign, our love for working together was rekindled. Upon our return, we formalised the studio as a collaborative duo on special projects as photographers, film directors and artists. What social dialogue and issues do you aim to address through your work? Currently, I am exploring two themes. The first is masculinity and redefining it for myself. As an '80s baby, I was born in an era that was transitioning into a time when sexuality was a topic and conversation the country took on and created a space for everyone to be whatever and whoever they wanted to be in their sexual orientation. The second theme is spirituality. Being raised Christian, I felt that finding my religion and experience connecting with my ancestry was limiting, which I am exploring through my work. View this post on Instagram A post shared by THE INSIDE SHOW (@theinside_show) How he would like to be remembered As someone who inspired others to see that it is possible to achieve anything you want if you work hard and are consistent. I have pursued and achieved my dreams relative to what was meant for me. Show Comments ()