
White Lotus star Carrie Coon reacts to her sprint scene in season finale going viral: ‘I'm a New Yorker'
The White Lotus star Carrie Coon has explained her mindset going into her character's now-viral sprint scene from the season three finale.
*Warning — Major spoilers for ' The White Lotus ' season three finale ahead*
In the climax of the HBO show's season three finale — released on Sunday — Coon's Laurie and Kate (Leslie Bibb) accompany their celebrity friend Jaclyn (Michelle Monaghan) outside the White Lotus resort to take photos with the owners, Sritala (Lek Patravadi) and her husband, Jim (Scott Glenn).
While the group is posing for pictures, Walton Goggins's Rick spots an opportunity to enact revenge on Jim, whom he believes killed his father. As he walks up to Jim, he manages to steal the gun from Jim's coat pocket before firing a couple of rounds into the old man's chest.
Immediately after the gun goes off, Laurie makes a mad dash to safety with Jaclyn and Kate trailing behind.
The scene has become an instant hit with fans, who've not only praised Coon for her impressive speed but have also found humor in her character's clear focus on self-preservation.
'Not Carrie Coon delivering that Emmy-worthy monologue about friendship only to leave them to die once the shooting started lmao,' one X user quipped.
'Okay but could we actually find out what Laurie/Carrie Coon's 40 time is?? She is MOVING,' added another.
Speaking to Variety in a new interview about the fan-favorite moment, Coon shared that her speedy getaway was based on personal instinct rather than any particular directing note.
'There wasn't direction,' she revealed. 'I knew the gunshot was going to happen, and we were going to run into the bushes, essentially.'
Coon, 44, added that she pulled on her experience living in America, where gun violence is among the highest in the world.
'Look, I'm an American and I'm a New Yorker,' she said, 'and if you think I don't know where the exits are in any building I'm in, then you're not paying attention to the news. I thought, what would a person do? A person would f***ing run, would book it, and I'm fast.'
The Ohio-born actor is a former collegiate athlete for the University of Mount Union. While she was recruited to play soccer for the school, she also ran track and field. In 2000, she placed second at the Ohio Athletic Conference Championships with a 400-meter dash time of 59.36 seconds, according to Runner's World.
'I'm not as fast as I used to be!' Coon acknowledged. 'Some polite Thai workers were kind of scampering through in the background. I was like, 'No, no, you need to have some Americans sprinting and hitting the deck, and jumping in the lagoon. The Americans are not playing. They know what this means!''
'Rumors of cast fallouts and creative clashes make sense once you see the show's third season in its entirety,' he wrote, 'with this climax being a mixed bag of total genius and crushing disappointment.'
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Daily Mail
2 hours ago
- Daily Mail
Bill Maher reveals why there will be no winners in the battle between Trump and Elon Musk
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New Statesman
2 hours ago
- New Statesman
Bruce Springsteen faces the end of America
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Springsteen has been particularly angry since the early Noughties, since the second Bush administration, but this is his moment somehow, and his song of greedy bankers – 'Death to My Hometown' – is spat out with new meaning in 2025, an ominous abstraction. The father-to-son speech in 'Long Walk Home' feels different in this politically charged world: 'Your flag flying over the courthouse means certain things are set in stone/Who we are, what we'll do and what we won't'). A furious version of 'Rainmaker' ('Sometimes folks need to believe in something so bad, so bad, they'll hire a rainmaker') is dedicated to 'our dear leader'. As much as I admire Springsteen and seem to have followed him around and written about him for years, the Land of Hope and Dreams tour made me realise I hadn't fully known what he was for. When I saw him in Hyde Park in 2023, the first 200 yards of the crowd were given over to media wankers like me, with the paying fans at the back: every single person I had ever met in London was there, mildly pissed up and whirling about with looks of mutual congratulation. Springsteen had become, to the middle classes and above, a global symbol of right-thinking, summed up by his long stint on Broadway at $800 a ticket. His dull podcast with Barack Obama was the American version of The Rest Is Politics with Rory Stewart and Alastair Campbell: men saying stuff you want them to say, to confirm what you already think about stuff (Obama was in awe of Bruce). Subscribe to The New Statesman today from only £8.99 per month Subscribe Politics was easy for Springsteen when politics consisted of external events happening to innocent people, rather than something taking place on the level of psychology, in a movement of masses towards a demagogue. The job he adopted, back in the Seventies, was to set a particular kind of American life in its political and historical context: to tell people who they were, and why they mattered. His appeal as a rock star always lay less in his words than in how sincerely he embodied them: his extraordinary outward energy, his mirroring of his audience, his apparent concern with others over himself. After 9/11, someone apparently rolled down a window and told him, 'We need you now,' so he wrote his song 'The Rising' from the viewpoint of a doomed New York fireman ascending the tower. A recent BBC documentary revealed he'd donated £20,000 to the Northumberland and Durham Miners Support Group during the strikes of 1984 – rather as he donated ten grand to unemployed steelworkers in Pittsburgh the previous year. His self-made success and songs about freedom were the Republican dream, but when Reagan tapped him up for endorsements it was a right of passage for Springsteen as a Democrat rocker to rebuff them (I'm pretty sure they tried to play 'Born in the USA' at Trump rallies too). He is quoted as saying that the working-class American was facing a spiritual crisis, years ago: 'It's like he has nothing left to tie him into society any more. He's isolated from the government. Isolated from his job. Isolated from his family… to the point where nothing makes sense.' Now, Trump has taken Springsteen's people (the Republicans were doing so long before Trump), and the interior life of the working man that Springsteen made it his job to portray has been exploited by someone else. 'For 50 years, I've been an ambassador for this country and let me tell you that the America I was singing about is real,' he says, possessively, on stage. Springsteen, like Jon Bon Jovi, sees his fans as workers. 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The Maga crowd will still come to see him, of course, and yell the 'woah' in 'Born to Run' just as loud as everyone else does – perhaps because music is bigger than politics, or perhaps because politics is now bigger than Bruce. Though his political speeches in Liverpool (it's UK 'heartland' only this tour: no London gigs) feel slightly out of step with a city that has its own problems, it seems fair enough for Springsteen to be telling the truth about America to a crowd who's enjoyed their romantic visions of the country via his music for 50 years. But their own personal communion is suspended tonight, and the song 'My City of Ruins' has nothing to do with 9/11 any more: 'Come on… rise up…' In the crowd, a very old man is sitting on someone's shoulders. Bruce Springsteen and the E Street Band play Anfield stadium, Liverpool, on 7 June 2025 [See also: Wes Anderson's sense of an ending] Related


North Wales Live
2 hours ago
- North Wales Live
The six locations in North Wales rumoured for House of the Dragon filming
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