
Ancient Cuban flatbread makes comeback as economic crisis bites
HAVANA, May 6 (Reuters) - A bustling restaurant in old Havana offers diners a blast from the distant past - small circular flatbreads made from ground yucca served alone or topped with any combination of onion, tomato, pork and garlic.
The dish, known locally as casabe, has been around for over a thousand years, historians said. More recently, it has mostly been relegated to field hands and Cuban country outposts.
Now it may be making a comeback.
Cuba's dire economic crisis has vastly reduced the import and production of such basics as wheat flour, sugar and salt.
This has prompted some to give the simple flatbread another look. Its only ingredient is locally grown yucca root, also known as cassava.
'In a time of food crisis like the one we're currently experiencing, we believe cassava bread can help," said Yudisley Cruz, co-founder of Yucasabi, a small business and restaurant that promotes yucca-based products.
Her small restaurant in touristy old Havana sells a single casabe for 15 pesos (4 cents), making it nutritious, delicious and affordable for both tourists and locals alike, she said.
Cruz's restaurant - the only one in Cuba dedicated exclusively to yucca - is trying to popularize the flatbread in urban areas.
But in the countryside, peddlers on foot, bike and moto-taxi sell casabe at even lower prices, a rare foodstuff nearly everyone can afford.
Its near universal appeal, simplicity and cultural roots - it was first cooked on hot rocks by the indigenous Taino people in Cuba and elsewhere in the Caribbean - prompted the United Nations last year to add the food to its intangible cultural heritage of humanity list.
Yucasabi, which features paintings of Tainos in Cuba's lush countryside on its walls, has given the ancient bread a modern spin, in hopes of attracting a new and larger clientele.
"Casabe from Cuba, 100% artisanal, vegan, zero gluten," reads its advertising on social media.
Simplicity, however, remains the flatbread's top selling point, says Julio Cesar Nunez, an 82-year-old traditional casabe producer who lives outside Havana.
Nunez oversees the harvest, peeling, drying, grinding of the yucca root. That is formed into tortilla-like discs and cooked on sheet metal over flames.
'Anyone who takes the time to learn can do it," he said.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Independent
4 days ago
- The Independent
For Ana de Armas, Keanu Reeves' co-star 10 years ago and once again, 'Ballerina' is a pirouette
Years before Ana de Armas was using an ice skate to slice a neck in 'From the World of John Wick: Ballerina,' she co-starred with Keanu Reeves in a much different film. The erotic thriller 'Knock Knock,' released in 2015, was de Armas' first Hollywood film. De Armas, born and raised in Cuba, had just come to Los Angeles after acting in Spain. English was new to her, so she had to learn her lines phonetically. 'It was tough and I felt miserable at times and very lonely,' she says in an interview. 'But I wanted to prove myself. I remember being in meetings with producers and they would be like, 'OK, I'll see you in a year when you learn English.' Before I left the office, I would say, 'I'll see you in two months.'' Since 'Knock Knock,' her rise to stardom has been one of the last decade's most meteoric. She was radiant even as a hologram in 'Blade Runner 2049.' She stole the show in Rian Johnson's star-studded 'Knives Out.' She breezed through the Bond movie 'No Time to Die.' She was Oscar nominated for her Marilyn Monroe in 'Blonde. ' And now, 10 years after those scenes with Reeves, de Armas is for the first time headlining a big summer action movie. In 'Ballerina,' in theaters Friday, de Armas' progressive development as an unlikely action star reaches a butt-kicking crescendo, inheriting the mantle of one of the most esteemed, high-body-count franchises. 'It's a big moment in my career, and I know that. I can see that,' she says. 'It makes me look back in many ways, just being with Keanu in another film in such a different place in my career. It definitely gives me perspective of the journey and everything since we met. Things have come far since then.' Taking on the pressure of 'John Wick' While de Armas, 37, isn't new to movie stardom, or the tabloid coverage that comes with it, many of her career highlights have been streaming releases. 'The Gray Man' and 'Blonde' were Netflix. 'Ghosted' was Apple TV+. But 'Ballerina' will rely on de Armas (and abiding 'John Wick' fandom) to put moviegoers in seats. Heading in, analysts expected an opening weekend of around $35-40 million, which would be a solid result for a spinoff that required extensive reshoots. Reviews, particularly for de Armas playing a ballerina-assassin, have been good. 'There's a lot of pressure,' says director Len Wiseman. 'It's a lot to carry all on her shoulders. But she'll be the first person to tell you: 'Put it on. Let me carry the weight. I'm totally game.'' De Armas, whose talents include the ability to be present and personable on even the most frenzied red carpets, has done the globe-trotting work to make 'Ballerina' a big deal: appearing at CinemaCon, gamely eating hot wings and cheerfully deflecting questions about her next film, 'Deeper,' with Tom Cruise. Yet for someone so comfortable in the spotlight, one of the more interesting facts about de Armas is that she lives part time in that bastion of young A-listers: Vermont. 'Yeah, it surprised many people,' she says, chuckling. 'As soon as I went up there, I knew that was going to be a place that would bring me happiness and sanity and peace. But I know for a Cuban who doesn't like cold very much, it's very strange.' 'This has been a surprise' Winding up in northern New England is just as unexpected as landing an action movie like 'Ballerina.' She grew up with the conviction, from age 12, that she would be an actor. But she studied theater. 'I never thought I was going to do action,' de Armas says. 'What was relatable for me was watching Cuban actors on TV and in movies. That was my reality. That's all I knew, so the actors I looked up to were those.' De Armas also had bad asthma, which makes some of the things she does in 'Ballerina' — a movie with a flamethrower duel — all the more remarkable to her. 'I couldn't do anything,' she remembers. 'I couldn't run. I sometimes couldn't play with my friends. I had to just be home and be still so I wouldn't get an asthma attack. So I never thought of myself as someone athletic or able to run just a block. So this has been a surprise.' At 14, she auditioned and got into Havana's National Theatre of Cuba. Four years later, with Spanish citizenship through her grandparents, she moved to Madrid to pursue acting. When she arrive in LA in 2014, she had to start all over again. Now as one of the top Latina stars in Hollywood, she's watched as immigrant paths like hers have grow increasingly arduous if not impossible. The day after she spoke to The Associated Press, the Trump administration announced a travel ban on 12 countries and heavy restrictions on citizens of other countries, including Cuba. 'I got here at a time when things were definitely easier in that sense,' says de Armas, who announced her then-imminent U.S. citizenship while hosting 'Saturday Night Live' in 2023. 'So I just feel very lucky for that. But it's difficult. Everything that's going on is very difficult and very sad and really challenging for many people. I definitely wish things were different.' 'She doesn't just enjoy the view' Chad Stahelski, director of the four 'John Wick' films and producer of 'Ballerina,' was about to start production on 'John Wick: Chapter 4' when producer Basil Iwanyk and Nathan Kahane, president of Lionsgate, called to set up a Zoom about casting de Armas. He quickly watched every scene she had been in. 'How many people would have played the Bond girl kind of goofy like that?' he says. 'I know that I can harden people up. I know I can make them the assassin, but getting the charm and the love and the humor out of someone is trickier. But she had it.' In 'Knives Out,' Stahelski saw someone who could go from scared and uncertain to a look of 'I'm going to stab you in the eye.' 'I like that in my action heroes,' he says. 'I don't want to see the stoic, superhero vibe where everything's going to be OK.' But it wasn't just her acting or her charisma that convinced Stahelski. It was her life story. ''John Wick' is all hard work — and I don't mean just in the training. You've got to love it and put yourself out there,' says Stahelski. 'When you get her story about how she came from the age of 12, got into acting, what she sacrificed, what she did, that's what got my attention. 'Oh, she's a perseverer. She doesn't just enjoy the view, she enjoys the climb.'' When that quote is read back to her, de Armas laughs, and agrees. 'Being Cuban, and my upbringing and my family and everything I've done, I've never had a plan B,' she says. 'I've never had that thing of, 'Well, if it doesn't work, my family can help.' Or, 'I can do this other career.' This was it. And I also knew, besides being the thing I loved the most, this was my survival. This is how I live. This is how I feed myself and my family. So it's also a sense of, I don't know, responsibility.' That makes her reflect back to when she was just trying to make it in Hollywood, sounding out words, trying not to disappoint directors whose instructions she could barely understand, trying not to be intimidated by the action star across from her who had just finished shooting the first 'John Wick.' 'I was so committed to do it,' she says. 'I was so invested in the trying of it, just giving it a shot. When I give something a shot, I try my best, whatever that is. Then I can actually say: I gave it a shot.'


Telegraph
4 days ago
- Telegraph
The baffling rise of Tom Cruise's ‘girlfriend' Ana de Armas
When the film industry was conquered by an unholy combination of the streaming services and the superhero machine, Hollywood stopped making movie stars. Studio publicists have been reduced to desperately, and unconvincingly, hyping up little-known Gen-Z performers as the next Tom Cruise or Julia Roberts. But such naked attempts seem particularly bizarre in the case of Ana de Armas, a serviceable actress and erstwhile Bond girl whose mediocre career doesn't remotely warrant the surrounding hysteria. That won't change this week as her action movie Ballerina, a spin-off from the Keanu Reeves-led John Wick franchise, limps miserably onto screens. In his one-star review, the Telegraph's Tim Robey describes her trainee assassin character as 'lethally dull' and laments that de Armas 'simply isn't good enough to animate this sock puppet'. Far from a much-needed comeback for de Armas, whose star has dimmed just a little bit more with each lamentable misfire over the past few years, it confirms the long-held suspicion of many sceptical movie-goers that this 'next big thing' is nothing but a mirage. In fact, de Armas, 37, is currently most famous not for her work but for her rumoured 'romance' with Cruise, 62, which might be the most challenging acting role she's ever taken on. What a shame they don't hand out Oscars for that. The Spanish-Cuban de Armas, who was born in Havana in 1988, became a minor celebrity aged 19 when she was cast in El Internado, a Spanish teen mystery show set in a boarding school. She belatedly made the jump to Hollywood in 2014, arriving in LA speaking hardly any English. She had to learn her lines phonetically for her first big project: erotic thriller Knock Knock, starring Reeves. 'I wasn't really sure what I was saying,' she later explained. Unsurprisingly, early reviews weren't exactly rapturous. Nor did de Armas fare much better with her next Reeves-led thriller, 2016 flop Exposed, which earned just £199,000 at the box office, or with 2017 Fast and the Furious imitator Overdrive, in which she was mainly required to pout. Hollywood began to get excited – or, more accurately, overexcited – when de Armas popped in three high-profile franchise movies: sequel Blade Runner 2049 (2017), the first of the Daniel Craig-starring Knives Out detective romps (2019), and Craig's James Bond swansong No Time to Die (2021). However, these were all limited supporting turns, and in the case of the long-delayed and overly sentimental Bond outing, de Armas benefitted enormously from having a sparky, glamorous, pulse-racing scene that stood in stark contrast to the rest of the sombre film. Even so, the adulation that she received was totally unwarranted. Prognosticators conveniently overlooked the fact that she was regularly churning out duds too: yet more dreadful thrillers-with-no-thrills like The Informer, The Night Clerk and Netflix's woeful The Gray Man; plodding spy drama Wasp Network; and fusty biopic Sergio, in which de Armas attempted to portray an economic advisor for the UN. All clear warning signs, but in each case commentators blamed the poor material. Still, we were told, de Armas would wow us when she was given the chance to carry her own major film, and there was feverish awards conversation around her much-anticipated Marilyn Monroe biopic Blonde. Well, de Armas did deliver in that respect – albeit in as divisive a fashion as the film itself. She was nominated for an Academy Award in 2023, but Blonde also won Worst Picture at that year's Razzies. The latter organisation condemned it for exploring the exploitation of Monroe 'by continuing to exploit her posthumously'. The film has a 42 per cent rating on Rotten Tomatoes, reflecting its marmite quality. While much of the opprobrium must go to director Andrew Dominik for his queasy choices – which include a talking foetus, a graphic rape scene, and a camera situated in Monroe's birth canal – many were unconvinced by de Armas's portrayal of the icon as a weepy, infantile victim with colossal daddy issues. Her choice (if it was a choice) to use her natural Cuban accent also raised eyebrows. But arguably her worst movie came in 2022, and it reflects her increasingly chaotic love life. Deep Water was a horribly schlocky, yet simultaneously deathly dull, adaptation of Patricia Highsmith's psychological novel of the same name, with de Armas and Ben Affleck playing an unhappily married couple whose jealous sparring turns murderous. What should have been a steamy thriller from Adrian Lyne, director of Fatal Attraction, instead became an unintentionally hilarious dud. Affleck was so lowkey he looked sedated, while de Armas wildly overcooked her vampy femme fatale. Disney, which acquired the film when it merged with Fox, was reportedly nervous about its erotic content and so delayed, then cancelled, its theatrical release, dumping it on streaming instead. God knows why: it's about as sexy as a tax audit. Hate-watching viewers (the only kind this movie had) fixated on Affleck's character's eccentric hobby of breeding snails. The other point of interest had nothing to do with their performances, but with their off-screen romance. This was in between Affleck's relationships with Jennifer Garner and Lopez. De Armas had previously been married to another actor, Spanish performer Marc Clotet (they divorced in 2013), and briefly engaged to Hollywood talent agent Franklin Latt in 2015. She and Affleck began dating after Deep Water, and quarantined together during the pandemic. De Armas confirmed the relationship in April 2020 by posting a series of loved-up pictures on Instagram. Affleck's kids were also seen playing on their LA lawn with a life-size cardboard cut-out of de Armas. Unfortunately, it later signalled the end of the relationship, in symbolism so heavy-handed you would snort if you saw it in a movie. In 2021 that same cut-out was spotted in the rubbish bin outside Affleck's home. De Armas then sparked a furious backlash with another paramour, in 2024: Manuel Anido Cuesta, stepson of Cuban dictator Miguel Diaz-Canel Bermudez – a man handpicked by Raul Castro (brother of Fidel) and appointed in a phony presidential election. It was a pretty mind-boggling choice given that de Armas's brother Javier Caso is an activist who has protested against the Cuban regime, and was interrogated by authorities in 2020. But perhaps even weirder is de Armas's current purported fling with Tom Cruise. The pair were 'caught' having a Valentine's dinner together in February 2025, and on de Armas's birthday in April they were seen taking a stroll through a London park. In May they appeared in Victoria Beckham's photos, shared on her social media, of David Beckham's 50 th birthday bash at Core restaurant in Notting Hill. That month Cruise also reportedly spent around £8,600 chartering his £1 million helicopter for de Armas to travel from central London to Heathrow Airport, and then for access to the airport's VIP Windsor Suite, ahead of her flight to New York. The pair have gushed about one another in interviews, albeit in professional terms, with Cruise calling her 'a very, very talented, great dramatic actress'. However, a cynic might well note that this apparent fairy tale romance comes in the midst of their respective press tours for Mission: Impossible – The Final Reckoning and Ballerina. If it is a purely transactional relationship concocted and staged by zealous publicists, it's a savvy move on both counts: it buys de Armas valuable press attention, and a possible boost to her flagging career via her a close association with an A-lister, and it makes the eccentric, Scientology-devotee Cruise slightly more palatable to the public. The pair are reportedly working together on an upcoming underwater movie helmed by Mission: Impossible director Christopher McQuarrie. If that's the case, an attention-grabbing off-screen romance could well aid that film's chances. However, it's a deeply depressing sign of de Armas's hurtling descent from supposed Oscar-winner-in-waiting to apparently posing as the girlfriend of an actually successful, if somewhat eccentric, movie star in 'candid' photographs. De Armas recently moved away from LA to live 'off the grid' in a £5 million home in rural Vermont. But if she keeps making movies as dismal as assassin misfire Ballerina, she won't need to worry about escaping attention. Forget trained killers: no one is as ruthless as a Hollywood studio boss who spots a star on the wane.


Reuters
5 days ago
- Reuters
Cuban students seek concessions as frustration grows over internet rate hikes
HAVANA, June 4 (Reuters) - Cuban students clamored on Wednesday for further concessions to roll back a rate hike on internet data, saying a decision on Monday to offer them discounted access did not go far enough. Students of at least one department at the University of Havana, the country's largest, called on their peers to skip classes in protest of the price hikes, which have been rebuked across the Caribbean island nation. Reuters spoke with several students outside the university on Wednesday who confirmed the calls for a class boycott in some departments. They said the situation remained tense on campus, and the issues unresolved, despite concessions on Monday from state-run telecommunications firm Etecsa that offered deeper data plan discounts for university students. Haydee Fernandez, a 28-year-old student, said the price increases were unreasonable. "I can't study if I don't have up-to-date (online) information," she said. "If it's necessary to stop classes, they should be stopped until there's a logical response to these needs." Four students said attendance appeared largely normal on Wednesday but that many students continued to threaten walkouts. Hany Blanco, 19, a first-year student, said she would continue going to classes but felt prices needed to be rolled back immediately. "The old prices were accessible but now it's gotten very difficult." Etecsa on Friday capped subsidized mobile data plans - offered for a steeply discounted rate of 360 pesos (less than $1 on the informal market exchange) - at six gigabytes, well shy of Cuba's average monthly usage of 10 gigabytes, according to state data. Prices for an additional three gigabytes soar to 3,360 pesos ($9), more than Cuba's monthly minimum wage of 2,100 pesos ($6). The price hikes - billed by the government as necessary to upgrade ailing infrastructure - have touched a nerve in Communist-run Cuba, where inflation has soared in recent years. The University of Havana acknowledged the debate over the hikes but warned in a statement late on Tuesday that it would not tolerate disruptions to its classes. Cuba rolled out widespread mobile internet in 2018, well behind much of the world. Cellphone data use on the island has soared since, with over 7.5 million users.