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‘RuPaul's Drag Race's Season 17 Queens Discuss The Series' 'Beautiful' Storytelling & Welcoming Their Parents To The Stage – Contenders TV: Documentary, Unscripted & Variety

‘RuPaul's Drag Race's Season 17 Queens Discuss The Series' 'Beautiful' Storytelling & Welcoming Their Parents To The Stage – Contenders TV: Documentary, Unscripted & Variety

Yahoo26-04-2025

Season 17 of RuPaul's Drag Race was quite the emotional journey — not only for the audience but also for the queens competing for the title of America's Next Drag Superstar.
'I think that being on Drag Race, especially right now, everyone getting to tell their stories and their backgrounds and getting to really understand who these people are is such a beautiful thing, especially right now in our current political climate where not just queer people are under attack, trans people are under attack, Latino people are under attack, Black people are under attack. We're here in the front lines telling our stories,' Season 17 runner-up Jewels Sparkles said during Deadline's Contenders TV: Documentary, Unscripted & Variety panel, joined by fellow queens Lexi Love, Onya Nurve and Sam Star.
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No doubt, one episode in particular packed the biggest punch when the remaining queens were surprised by their parents, who had come to set to help them with the next challenge. The makeover episode, titled 'Drag Baby Mamas,' saw the queens not only transform their parents into drag stars but also heal some emotional wounds and dig deeper into their sense of self along the way.
Coming off of a difficult challenge the week before, Star called that moment 'a total 180 of emotions, because I truly was at my lowest point having to lip sync the week before, and y'all saw me coming in the work room. I didn't even shave that day. I was like, 'Girl, I can't be bothered…''
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'I needed it, and my mother is just as competitive as I am. And she said, 'Honey, you were in the bottom last week. That is not happening this week,'' Star continued. 'I was so proud of what she was able to do.'
After 17 seasons, RuPaul's Drag Race is still going strong. This season ended its run holding steady with the record ratings it managed last season in the key entertainment demographics. Season 17 also raked in its biggest TV share in series history.
Check back Monday for the panel video.
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Warner Bros Discovery Hits Back At Russell Simmons' 'Unfounded Allegations' In Ex-Mogul's $20M Suit Over 2020 Sexual Assault Documentary
Warner Bros Discovery Hits Back At Russell Simmons' 'Unfounded Allegations' In Ex-Mogul's $20M Suit Over 2020 Sexual Assault Documentary

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Warner Bros Discovery Hits Back At Russell Simmons' 'Unfounded Allegations' In Ex-Mogul's $20M Suit Over 2020 Sexual Assault Documentary

UPDATE: A lot of time has passed since Kirby Dick and Amy Ziering's documentary expose of Russell Simmons and allegations of sexual assault by the famed music executive aired on HBO Max, over five years. Today, with court filings certain to follow, it didn't take Warner Bros Discovery that long at all to respond to Simmons' $20 million defamation suit against On the Record – and give no quarter. More from Deadline Channel 4 Says It Doesn't Use NDAs, But Documents Reveal Company Is Curbing Free Speech Of Aggrieved Ex-Employees Sean "Diddy" Combs' Faces New Accuser "Jane" Wednesday; Trial Dominated Today By $100K Payment For "Only Copy" Of 2016 L.A. Hotel Footage Of Cassie Ventura Beating Jury In Harvey Weinstein Rape Retrial Set To Start Deliberations Wednesday - Update 'We dispute Mr. Simmons' allegations, stand by the filmmakers and their process, and will vigorously defend ourselves against these unfounded allegations, a WBD spokesperson told Deadline this morning, as a new round of layoffs hit the company's cable TV units. Maybe the Bali-residing Simmons will even show up in court to press his own case vigorously against that vigorous defense. PREVIOUSLY, 10:59 AM: With Oprah Winfrey very publicly exiting as a producer, Kirby Dick and Amy Ziering's documentary On the Record, about the women who accused hip hop impresario Russell Simmons of rape and more, was controversial even before its debut at the 2020 Sundance Film Festival. Now, years later, Simmons is claiming again he had proof the allegations cited in OTR were false or at least questionable in their truth. Living in Bali of late, the much-accused Def Jam co-founder is going after HBO, parent company Warner Bros Discovery and the filmmakers for $20 million in a defamation action filed today in NYC – and he's naming names, past and present. 'The Defendants willfully, intentionally, negligently, and/or recklessly, disregarded and/or suppressed evidence and information, including interviews, and over twenty witnesses, that were supportive and favorable to Plaintiff, and/or refuted and rebutted the accusations falsely made against Plaintiff in the film,' exclaims the complaint placed in the Supreme Court of the state of New York docket late Tuesday by attorneys Imran Ansari and Carla DiMare. The duo not only want a hunk of cash for their much-accused client, but they also want the Drew Dixon (a former Def Jam exec), Sheri Sher, Sil Lai Abrams, Jenny Lumet, and Kelly Cutrone featuring On the Record, which HBO Max picked up in February 2020, essentially scrubbed from 'all platforms, networks and media outlets in the Defendants' control' so to never be seen again. Naming those names, Simmons' complaint adds: 'The evidence and information were made available to Defendants, including then CEO of WarnerMedia John Stankey, Chairman and CEO of HBO and Max Content, Casey Bloys, and the company's board members, by the Plaintiff, and/or others on his behalf, however, the Defendants disregarded and/or suppressed said materials.' 'Defendants further disregarded nine consecutive credible and favorable CIA-grade polygraph results, and/or information favorable to Plaintiff that was provided to them or would have been discovered with due diligence, and adherence to accepted journalistic standards, and that Defendants willfully, and/or recklessly, disregarded and suppressed said information and evidence, and published, and continue to republish defamatory content,' it goes on to state. HBO and WBD's scarce communications boss (and ex-Obama press secretary) Robert Gibbs had no response when reached out to by Deadline over Simmons' new swipe at the docu. While repetitive of what was in their actual filing, the same cannot be said of Simmons lawyers. 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That trial is taking place not far from where Sean 'Diddy' Combs, a clear protégé of Simmons on may levels, is on trial in federal court on charges of sex-trafficking and more. Corporately, On the Record was supposed to screen on AppleTV+ under the streamer's deal with Winfrey, but when the talk show queen pulled out of the film over concerns about 'some inconsistencies in the stories,' that avenue became a dead-end. After a strong reception at the Robert Redford founded Sundance, just as Covid-19 was hitting the world, the film was bought by HBO and aired on what was then called HBO Max on May 27, 2020. While Simmons has denied the allegations against him from a variety of women, it seems he has not been so prompt to pay up sums he agreed to. A trio of women who reached settlements with Simmons said in filings earlier this year that he still owes them around $8 million. To be specific, after reaching deals in 2023 and paying up initially, Simmons still owes Alexia Jones $190,000 with 20% annual interest, journalist Toni Sallie $2,940,000 with 20% annual interest, and $4,950,000 to singer Tina Klein-Baker. Living in Bali, Indonesia since 2018, around the time the allegations against him began to peak, and having founded an upmarket retreat. Simmons is out of the reach of U.S. justice. There is no extradition treaty between the world's fourth most populous nation and America. Best of Deadline 'Nine Perfect Strangers' Season 2 Release Schedule: When Do New Episodes Come Out? 'Stick' Release Guide: When Do New Episodes Come Out? List Of Hollywood & Media Layoffs From Paramount To Warner Bros Discovery To CNN & More

‘Before' Co-Star Judith Light Talks Teaming Up With Long Time Friend Billy Crystal For Apple TV+ Psychological Thriller
‘Before' Co-Star Judith Light Talks Teaming Up With Long Time Friend Billy Crystal For Apple TV+ Psychological Thriller

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‘Before' Co-Star Judith Light Talks Teaming Up With Long Time Friend Billy Crystal For Apple TV+ Psychological Thriller

Written by Sarah Thorp, Apple TV+'s latest psychological thriller Before follows Eli (Billy Crystal), a child psychiatrist who, after recently losing his wife, Lynn (Judith Light), is charged to take care of a troubled young boy who has a mysterious and haunting connection to Eli's past. While struggling to make sense of the connection, Eli also begins experiencing intense hallucinations involving Lynn's death, which might not be as clear-cut as it seems. Eli digs deeper into the hidden life of the wife he thought he knew, only to find that Lynn is haunting him from beyond the grave. Here, Light speaks to Deadline about mindfulness, reincarnation and working with her cast and crew to bring this spine-tingling dynamic to life. More from Deadline 'Slow Horses' Season 5 Gets Fall Premiere Date On Apple TV+; First Look Photos Show Nick Mohammed In Guest Role Breaking Baz: 'Bring Her Back' Star Billy Barratt Says He Performed Best In The Horror Pic After Being Locked Alone In A Room Without His Phone Jonathan Tropper Extends Apple Overall Deal As His 'Your Friends And Neighbors' Sets Premiere Record DEADLINE: Once upon a time, you played a real-life murderer, Audrey Marie Hilley, inalongside David Ogden Stiers. And lately, you've been in other spooky things like , and the upcoming . I'm wondering what your personal taste is. Are you a horror fan when it comes to picking roles? JUDITH LIGHT: I've never thought about it put together like that. I personally have trouble watching horror. I don't necessarily watch it, but I choose it for the character; I don't choose it for the genre. When Ryan Murphy asked me to do American Horror, it was a really interesting character, so I wanted to take on that role. The AMC Ridley Scott piece is an extraordinary character, like nothing I've ever played before. So, for me, I'm always looking for what the character is. And yes, I did that with David Ogden Stiers; God rest his soul, such a dear, dear man. He was amazing. And The Menu was me being able to work with Mark Mylod, Ralph Fiennes and the rest of that incredible cast. DEADLINE: Is there anything inspiring you right now? Or anything you wish you could have starred in? LIGHT: I would say Adolescence, that piece that was just extraordinary. I would've loved to have been in that, that's for sure. And my friend Noah Wyle, who is doing The Pitt, is pretty spectacular. I would have also loved to do the Ewan McGregor show A Gentleman in Moscow; I am always in awe of him. Of course, he did that Ryan Murphy piece, Halston, as well. I appreciate the way he chooses his work. It's the same thing for most of us actors. You choose for the character and who you're going to be working with. That's the barometer for some of us who choose in a particular way. DEADLINE: So, what was it about ? There's a lot going on with supernatural elements, topics of mental health and reincarnation. When you received this script, what made you say yes? LIGHT: I didn't get a script. Billy [Crystal] called me and said, will you come over and meet with me and [creator, showrunner] Sarah Thorp? So, I went over, and we talked about exactly what you pointed out. You can certainly call the show spooky to one degree. There's this little boy Noah [Jacobi Jupe] who was scratching at his door, crawling through the dog door, to get connected to him, and you don't know why. Then you're dealing with someone who has mental issues. But the real context of this whole piece was reincarnation. And I've always been interested in that, and Billy, Sarah and I talked about that. At the time, she had written some things, but I hadn't seen anything just yet. I just knew sometime, someplace, somewhere, I was going to work with Billy. When the time came, I was in and wanted to be part of the production. And the two characters that we play, Eli and Lynn, you don't really understand the relationship between the two of them, which so much of the show hinges on, which is the intimacy and the love that they have carried with them through centuries. And that's what I found incredibly compelling. DEADLINE: And briefly on the mental health topic of it all. You've been in the business for a long time. How do you keep yourself mentally healthy? LIGHT: I don't have self-care days, but I do have self-care. I do meditation. I do yoga. There's always a workout every morning. There's always exercises, like Tai Chi or Qigong. I'm always looking to see if I'm staying conscious. There's always a part of me that's always aware of whether or not I'm operating from the 5% frontal part of my frontal lobe. Or am I operating from the past in the back of my brain? There's a lot of studies that have been done about this that most of us drag around our lives from our old history that didn't actually even come from us. But am I staying present to who I am, the way I'm being in the world, how I'm connecting with people? That there's always an awareness of that. And when I find myself taken out in some way, which I often am, I mean to whatever degree we all are, because life presents so many different issues for us to deal with, that I sort of pull myself back to center as best as I can. So, I meditate twice a day. And that really makes a difference; that really helps. And I believe that we all have … there's something else, there's another energy that we can call on. I don't know, some people call it God or a universal connection. There's always something about that for me, because I feel energy so strongly, I do have to take care of myself. When you're doing your work, you have to be present. When you're in a scene with somebody, you have to be present. If you're in a relationship with somebody, you'd better be present. You'd better not be dragging a whole bunch of stuff around with you, or that complicates the relationship. DEADLINE: Are you one of those actors that takes your role home with you? Or are you pretty good about clocking in and clocking out? LIGHT: I'm pretty good about clocking in and clocking out. Again, it goes back to mindfulness. It's like, am I operating from the energy that I just came from, or am I operating right now in the present? How present am I being? And when you're present, a lot of that can stop. I like to listen to people like Anthony Hopkins. He talks about when you go in for the work, you do the work, you know the script, absolutely cold, because then you have the freedom to operate. And it's the same thing with leaving your work. It's like you leave the work and then you come present elsewhere. Sometimes, it requires more effort, attention, awareness and mindfulness than in other times. But I do my best to really just stop because I don't want to bring it home to my husband. Then I'm not being present with him. DEADLINE: Now, back to the Billy Crystal of it all, you both have this tight friendship off-screen. But on-screen, Eli and Lynn don't share that much time together. How did you lean on your dynamic to make these characters work? Especially because the show really does hinge on Lynn. LIGHT: It's so interesting that you point that out. When I went to talk to Billy and Sarah, they said the same thing, that Lynn is the linchpin to all those other relationships. And it's like, how do you play up a person who's dead? Well, you don't think of them as dead. You think of them as alive. Sarah, [writer] Joe Sousa and Billy were aware of that. By the way, Billy was also the producer on this show. How he did this is remarkable to me, and what he did in this role is just so outstanding and stunning. I mean, I would watch him on set, and I would ask him, 'How are you producing and acting in this?' He said basically that he takes one piece at a time, and he delegates and lets other people do the stuff he doesn't need to do. He's really good like that, an extraordinary person, kind and generous. And just an aside here: a lot of people don't think about Billy in terms of the dramatic. When Billy was talking about this project, and Sarah had come to him with this idea about how to make the show work, Billy wanted to play this part. That's his commitment and depth. People don't always think of him in that way. They don't hold in that way, but he's an extraordinary dramatic actor, and, of course, he's an incredibly talented comedian and a great comic actor. However, this drew a beautiful light around him in a way, and his intuition was really guiding him to do this. So, we talked a lot about reincarnation, and it was one of the funny things. It was like I always knew… I would see Billy and say, 'I know him.' You know how it is when you meet somebody and you say, 'I know you.' I just think it's really fascinating. But anyway, Billy was remarkable to be in a scene with, incredible on the set with everyone. The crew adored him, and we were shooting this in the middle of the writer's strike, and then we had to stop, and then we had to come back. So, when they were talking to me about the show and how it would look, it also mattered about the camera work and what the AD was doing. But Billy and I have a connection, so we can always feel that connection. But you really don't get it until the last two episodes of the series where you start to understand what actually happened between them. There was this sense, sensitivity and sensibility of not holding yourself as a ghost, but that you appear because you're needed to appear, to serve where this character, where Billy's character, Eli, is going. And so, we talked a lot about that, and how the presence of Lynn needed to be weighted, substantive, and not sort of woo-woo and ghost-like. So, we did talk a lot about that, and that's what I think makes the show cohesive for him because we did have that dynamic between the two of us. [This interview has been edited for length and clarity.] Best of Deadline 'Nine Perfect Strangers' Season 2 Release Schedule: When Do New Episodes Come Out? 'Stick' Release Guide: When Do New Episodes Come Out? List Of Hollywood & Media Layoffs From Paramount To Warner Bros Discovery To CNN & More

Owen Wilson Bets Big On Peter Dager's Santi In Apple TV+'s ‘Stick' Trailer
Owen Wilson Bets Big On Peter Dager's Santi In Apple TV+'s ‘Stick' Trailer

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Owen Wilson Bets Big On Peter Dager's Santi In Apple TV+'s ‘Stick' Trailer

Apple's newly released Stick trailer has teed up the television world for another feel-good sports comedy starring Owen Wilson and Peter Dager. The ten-episode comedy series, created by Jason Keller and executive produced by Keller and Wilson, swings onto Apple TV+ on Wednesday, June 4 with three episodes, followed by one new episode weekly every Wednesday, through July 23. More from Deadline Marc Maron Joins Owen Wilson In Apple Golf Comedy Series 10 Of The Best Shows On Apple TV+: From 'Pachinko' To 'Silo' Breaking Baz: 'Bring Her Back' Star Billy Barratt Says He Performed Best In The Horror Pic After Being Locked Alone In A Room Without His Phone The clip introduces viewers to Wilson's Pryce Cahill, an ex-pro golfer whose career went off course 20 years ago and whose personal life is in shambles as his wife (Greer) finalizes their divorce. After he loses his job at an Indiana sporting goods store, Pryce randomly discovers Santi (Dager), who has a killer golf swing. The 17-year-old phenom provides Pryce a shot to get his life back on track if he coaches him up to win some tournaments. Along for the ride are Marc Maron, Mariana Treviño, Lilli Kay and more. The heartfelt sports comedy that pulls back the lens on the golf world also features guest appearances from golf superstars such as Collin Morikawa, Keegan Bradley, Max Homa, Wyndham Clark and more. Additional cameos include broadcasters Jim Nantz and Trevor Immelman, Good Good's Matt Scharff, Brad Dalke and Garrett Clark, as well as golf enthusiast Dan Rapaport. Stick is showrun by Keller, who also serves as executive producer alongside Wilson, Ben Silverman for Propagate Content, and Entertainment 360's Guymon Casady. The series is also executive produced by Howard T. Owens, Rodney Ferrell, Drew Buckley, Lee Eisenberg, Natalie Sandy, Christopher Moynihan, Bill Callahan, Valerie Faris, Jonathan Dayton and Jaffar Mahmood. Faris, Dayton and Mahmood serve as directors along with David Dobkin, M.J. Delaney and John Hamburg. [youtube Best of Deadline Sean 'Diddy' Combs Sex-Trafficking Trial Updates: Cassie Ventura's Testimony, $10M Hotel Settlement, Drugs, Violence, & The Feds 'Poker Face' Season 2 Guest Stars: From Katie Holmes To Simon Hellberg 2025-26 Awards Season Calendar: Dates For Tonys, Emmys, Oscars & More

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