
Little Island Welcomes an Ambitious Sophomore Season
Little Island, the floating park atop a collection of funnel-like columns in the Hudson River, will welcome a flurry of programming to its theaters with no walls this summer, the second season of programming funded by Barry Diller and his family foundation.
Filling its three open-air performance spaces — the Amph, the Glade and the Playground — Little Island will present 110 live performances in its 18-week season. All for $25 or less.
At a moment when the performing arts industry is shrinking,' said Zack Winokur, Little Island's producing artistic director, 'particularly when it comes to new work, we're doing more.'
This season, Winokur added, he's 'thinking of the whole island as a canvas.'
The premieres include a new song cycle written and performed by Whitney White, 'The Case of the Stranger'(June 25-56), which uses Shakespeare as a lens to explore themes of immigration; and a new play by the Pulitzer Prize and Tony Award-winning Suzan-Lori Parks, 'The Tune Up' (July 30-Aug. 3).
The season opens with the world premiere of Dan Schlosberg's 'The Counterfeit Opera: A Beggar's Opera for a Grifter's City' (May 29-June 15), an adaptation of John Gay's comic 'The Beggar's Opera' (1728).
The lineup will also feature a new full-length work by the choreographer Bobbi Jene Smith, 'Seven Scenes' (Aug. 22-28), with a score composed and performed live by Caroline Shaw and Danni Lee of Ringdown; a new song cycle, 'The Lights,' by Matthew Aucoin, set to poetry by Ben Lerner (Aug. 2-3); a park takeover and live radio show from Radiolab (Aug. 6-7); and, on Aug. 10, a tribute night to the composer Arthur Russell, a marathon evening of free music and performance throughout the park, with performances by Laurie Anderson, Richard Reed Parry of Arcade Fire and Martha Wainwright, among others.
Created and performed by more than 300 artists, the season will spotlight a new generation of directors, including Shayok Misha Chowdhury, who will direct the first New York production in more than 20 years of Lee Breuer's 'The Gospel at Colonus,' based on the Oedipus plays by Sophocles and told here in gospel (July 8-26); Eric Ting, who will direct Charles Ludlam's play 'Galas,' starring the opera singer Anthony Roth Costanzo as a character based on the soprano Maria Callas (Sept. 6-28); and Rachel Chavkin, who will direct 'Eugene Onegin,' a bluegrass adaptation of Tchaikovsky's opera (July 30-31).
'People who, to me, represent a major part of my generation's most important and exciting theater makers across all disciplines are converging in one season in this place,' Winokur said.
Other highlights include the Grammy-winner Meshell Ndegeocello's 'No More Water: The Gospel of James Baldwin' (June 21-25), a theatricalized adaptation of her album, which is a tribute to Baldwin's legacy during the centenary of his birth; and musical nights with the painter Amy Sherald (June 20-21), who will host her favorite performers. (It will run alongside her exhibition at the Whitney.)
In addition, party seekers and passers-by can pop into a dance party — there will be eight, in August and September — in the Playground or the Glade hosted by the art and music nightlife collective Papi Juice. Live DJs and surprise performers will entertain as the sun sets into the water.
'People go there to enjoy green space, as we very often can't in the city,' Winokur said. 'And when performances are happening, the park is electric.'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


New York Post
9 minutes ago
- New York Post
The 2025 Tony Awards honored the best shows of the year — for once!
'Maybe' schmaybe. Sunday night was a signed, sealed, delivered happy ending for 'Maybe Happy Ending,' the stratospherically original South Korean gem about robots in love starring Darren Criss that deservedly won the Tony Award for Best Musical. What a stunning achievement for the little show that almost didn't open. Advertisement Gleeky Criss also earned his first Tony for Best Actor in a Musical — one of the production's five total. 5 'Maybe Happy Ending' won the Tony Award for Best Musical on Sunday. Charles Sykes/Invision/AP I know, I know — their performance on the telecast was meh. Microscopic in that 50th Street barn. But go see 'Maybe Happy Ending' at the intimate Belasco Theatre. It's sublime in person. Advertisement Ditto — but different — for 'Purpose,' playwright Branden Jacobs-Jenkins' scintillating drama at the Hayes about a bickering black political dynasty that took home Best Play. Hysterical and vicious, it's the season's meaty tomahawk steak. The Tonys, back home at Radio City Musical Hall for the first time since 2022, finally felt like they were back to their old selves again. The last few years have been quiet, dinky, dark and apologetic. But last night was euphoric. And several productions that performed came off fabulously on the broadcast, hosted by 'Wicked' star Cynthia Erivo, which is watched by about 3.5 million people. That's barely a drop in the viewership bucket compared to the Oscars. The Super Bowl? Fuggedaboutit. But the teeny Tonys exist to sell targeted products that are housed in just 41 theaters across a few blocks in Manhattan. That 3.5 million matters. Advertisement What won our wallets? 'Death Becomes Her''s performance of 'For the Gaze' with Megan Hilty was shimmering and hilarious. It'll sell tickets. 'Buena Vista Social Club' showcased its electrifying Tony-winning dance and transportive Cuban music. The show's box office — or website, anyway — will get a lot of traffic. 5 Nicole Scherzinger took home her first Tony Award for playing Norma Desmond in the revival of Andrew Lloyd Webber's 'Sunset Boulevard.' Charles Sykes/Invision/AP The ingenious Tony Award winner for Best Revival of a Musical 'Sunset Boulevard' has only a month left. Sprint, don't run. And star Nicole Scherzinger, who triumphantly won the Tony for Best Actress, shattered every window in Midtown with her glorious rendition of Andrew Lloyd Webber's 'As If We Never Said Goodbye.' Advertisement A beaming Lloyd Webber won his first Tony in 30 years. What will not move a single seat was 'Gypsy' star Audra McDonald's nails-on-a-chalkboard version of 'Rose's Turn.' Awful. 5 The musical 'Death Becomes Her' came off great on the telecast. Getty Images for Tony Awards Productions And the smaller musicals, 'Dead Outlaw' and 'Operation Mincemeat,' were a little weird in the TV context. Both are niche-as-it-gets musicals about corpses. Welcome to the Radio City Music Morgue! Especially random was 'Real Women Have Curves,' which wasn't even nominated for Best Musical. It should never have been given a slot. It's gonna flop big time, and you could feel as much through the screen. Not that 'Hamilton' — ever heard of it? — needs the boost, but a reunion medley featuring stars Lin-Manuel Miranda, Leslie Odom Jr. and Phillipa Soo was both energizing and nostalgic. 'This makes me feel old,' a friend texted. Too right. 5 Cole Escola won Best Actor in a Play for 'Oh, Mary!' Getty Images for Tony Awards Productions And it was a deeply moving idea for Sara Bareilles and Erivo to duet on the 'Annie' classic tomorrow by the late composer Charles Strouse, who died this year, during the teary In Memoriam. Advertisement My favorite moment of any winner's speech was when Cole Escola, the brilliant writer-director of 'Oh, Mary!' recalled meeting fellow nominees, including George Clooney, while accepting Best Actor in a Play. 'It's been an honor getting to know you over warm salads at all these luncheons,' the always funny Escola quipped. 'Oh, Mary!' is another must see. 5 'Succession' star Sarah Snook won Best Actress in a Play for 'The Picture of Dorian Gray.' Stephen Lovekin/Shutterstock Sarah Snook, Shiv from 'Succession,' snagged Best Actress in a Play for her mind-bending portrayal of 26 separate roles in 'The Picture of Dorian Gray.' At risk of repeating myself, check it out. Advertisement Erivo didn't quite defy gravity as host. Elphaba stayed respectably on the ground, played to her strengths (singing, being British) and thankfully didn't go overboard with bits. In the end, though, the 2025 Tony Awards did a superb job of celebrating the best work of a veyy creative Broadway season. Plenty of the winners are still on. Say it with me: Go see 'em.


USA Today
29 minutes ago
- USA Today
Oprah seemingly threw shade at Patti LuPone during the Tony Awards
Oprah seemingly threw shade at Patti LuPone during the Tony Awards The 2025 Tony Awards paid very little mind to the recent Patti LuPone controversy that made waves in the Broadway community recently, but Oprah Winfrey was seemingly the only one to make reference to it during Sunday night's show. In the lead-up to this year's Tony Awards, LuPone made incredibly disparaging remarks about six-time Tony Award winner Audra McDonald and fellow Tony-winner Kecia Lewis in a New Yorker profile. The Broadway community was furious at the slight, so much so that LuPone eventually apologized for the comments, stating "I regret my flippant and emotional responses during this interview, which were inappropriate, and I am devastated that my behavior has offended others and has run counter to what we hold dear in this community". Broadway actors such as James Monroe Iglehart and others were asked about the controversy on the Tonys' red carpet, but the show itself steered pretty clear of the topic for the majority of the night. That is until Oprah took the stage to announce the winners of Best Actress in a Musical, where McDonald was nominated. In the lead-up to announcing the winner, Oprah seemingly threw shade at LuPone and the "lively conversations among theater fans" that ensued. "Lotta talking going on" indeed!


New York Post
36 minutes ago
- New York Post
Nicole Scherzinger wins her first Tony Award for ‘Sunset Boulevard,' beating Audra McDonald
Nicole Scherzinger is the greatest star of all. The former Pussycat Dolls singer took home the award for Best Performance by an Actress in a Leading Role in a Musical at the 2025 Tony Awards on Sunday, June 8, beating record-breaking six-time winner Audra McDonald. Scherzinger, 46, stars as the faded silent film star Norma Desmond in Jamie Lloyd's revival of 'Sunset Boulevard.' Advertisement 7 Nicole Scherzinger took home the award for Best Performance by an Actress in a Leading Role in a Musical at the 2025 Tony Awards on Sunday.7 Scherzinger stars as the faded silent film star Norma Desmond in Jamie Lloyd's revival of 'Sunset Boulevard.' MEGA 'I always felt like I didn't belong,' she said as she accepted the award. 'But you all have made me feel like I belong and I have come home at last.' Advertisement Scherzinger previously won the 2024 Laurence Olivier Award for Best Actress in a Musical for her role in the musical. In May, shortly after the 'Masked Singer' judge was nominated for her first Tony Award, Scherzinger discussed her flourishing Broadway career. 7 Andrew Lloyd Webber and Nicole Scherzinger backstage during the opening night of 'Sunset Boulevard' at the St. James Theater on October 20, 2024, in New York City. Bruce Glikas/WireImage 'I'm overjoyed with gratitude. My heart is completely full,' she told TODAY at the time. 'Don't ever, ever, ever give up because you never know when your time is coming. I feel so grateful right now.' Advertisement 'One of my best friends from high school was the first person to call me, and he said, 'Babe. I can't believe it. This is what we dreamed of,'' Scherzinger added. 'I can't wait to speak to my mom.' Although the award-winning singer became a superstar as a member of The Pussycat Dolls from 2003 to 2010, she always dreamed of starring on Broadway. 7 'I'm overjoyed with gratitude,' Scherzinger said after she was nominated for her first Tony Award in May. 'My heart is completely full.' Mike Djordj / In December, just months before she would win her first-ever Tony Award, Scherzinger shared a video on Instagram of herself standing in New York's Theater District in 2008. Advertisement 'Growing up, I thought I'd be doing that. I'd be on that side of the street, not this side of the street,' she said in the 16-year-old clip. 'But one day I'll make it back home.' After her nomination, Scherzinger reflected on the full circle moment – and how it paralleled her 'Sunset Boulevard' character's own dreams of returning to the stage. 7 Scherzinger previously won the 2024 Laurence Olivier Award for Best Actress in a Musical for her role as Norma Desmond in the musical. Mike Djordj / 'As Norma Desmond would say, 'I'll be back where I was born to be. With one look, I'll be me,'' Scherzinger said. 'She also says, 'I'll come home at last.'' 'I guess a lot of people didn't know that side of me because they're so used to seeing the pop star side of me or me in the Pussycat Dolls,' she added. 'But this is home for me. I couldn't have asked for a better dream role.' Elsewhere in the interview, Scherzinger thanked 'Sunset Boulevard' and her role as Norma for allowing her to 'share her whole heart with the world.' 7 'Sunset Boulevard,' which received a total of seven nominations, led the Tony Award nominees among musical revivals this year. Mike Djordj / 'It's interesting because playing Norma Desmond, it's like, where does Norma Desmond end and Nicole begin? And vice versa?' the 'Don't Hold Your Breath' singer said. Advertisement 'I always dreamed of wanting to share all of my gifts and all of my talents and my whole heart with the world,' she added. 'Now I've gotten to because of this.' 'I'm so proud of everyone in this production,' Scherzinger concluded, 'because we're all in it together.' 7 Scherzinger was previously the lead singer of The Pussycat Dolls from 2003 to 2010. Zuma / 'Sunset Boulevard,' which received a total of seven nominations, led the Tony nominees among musical revivals this year. Advertisement The Post's theater critic, Johnny Oleksinski, celebrated Scherzinger's performance in his four-star review of the production when it first opened back in October. 'But the show belongs to the titanic Scherzinger, who makes an especially proud and feral Norma,' Oleksinski wrote. 'Her confidence and burning desire to succeed makes her fall much greater than that of a dusty hermit.' The other Best Performance by an Actress in a Leading Role in a Musical nominees included McDonald ('Gypsy'), Jennifer Simard ('Death Becomes Her'), Megan Hilty ('Death Becomes Her'), and Jasmine Amy Rogers ('BOOP! The Betty Boop Musical').