The 2025 set-jetting hotlist: 8 locations where film tourism is about to boom
Traveling to famous filming locations is no longer a niche trend. Twenty years ago, 'The Lord of the Rings' trilogy drew tourists to New Zealand. Today, fans of 'White Lotus' are flocking to the paradisiacal settings featured in the hit U.S. series. DataPulse Research reveals which destinations are poised to become must-visits for set-jetters in 2025.
Lately, there's been a lot of buzz about Koh Samui preparing for a tourism boom. Hotel operators and restaurateurs are hopeful that more affluent travelers will discover the island paradise—arriving with deep pockets and dreams of luxury resorts. Fueling this optimism is the so-called “White Lotus' effect. The cult HBO series has reportedly inspired TV lovers in recent years to spend their holidays at iconic filming locations. This phenomenon, known as set-jetting, is far from new—but it's gaining momentum.
'Screen tourism, or set-jetting, can be traced back to the late 1980s. It has grown significantly over the past few decades,' explains Pedro Barbadillo. He works as a film consultant in Mallorca, Spain, and was until recently the island's film commissioner. He advises film crews on how to ensure a film's authenticity and credibility, among other things.
Cult HBO hit 'The White Lotus' is widely credited with inspiring TV lovers to plan their next getaway around an on-screen destination (this season it's Thailand). And while we can definitely understand the allure of swapping the freezing East Coast for the tropics, this is one trend that's been around a lot longer than you might think.
When 'The Lord of the Rings' and 'The Hobbit' trilogies launched in 2012, New Zealand was inundated with tourists keen to catch a glimpse of Middle Earth. As the chart below shows, the year-on-year growth rate in the number of tourists visiting New Zealand rose sharply from near zero in 2012 to more than 11% in 2016.
A study by researchers at Leeds Beckett University estimated that 'The Hobbit' trilogy generated an impressive$771.80 million in tourism revenue for New Zealand, benefiting local businesses, tourism operators, and related industries alike. The study also found an overall economic gain of $186.24 million, boosting household incomes, business profits, and tax revenues.
Unsurprisingly, not every film or TV destination becomes a major tourist attraction. In the case of the 'Mad Max' films for example, the subsequent increase in Australian tourist numbers was short-lived. The same is true of Kazakhstan. It welcomed a few more tourists than normal after the release of 'Borat,' but those figures soon dropped back to normal levels.
For a filming location to become a tourist destination, certain conditions need to be met according to Pedro Barbadillo : 'The location must appear in an iconic film or series that becomes a cultural phenomenon for a specific social group—like millennials or Gen Z.' Additionally, the place must be accessible to mass tourism, Barbadillo adds. Some places strengthen the effect by referencing the film in their marketing or offering themed experiences that draw fans from around the world.
If you haven't yet succumbed to the hype surrounding 'White Lotus,' here are the cliff notes: Each six-episode season is set in a different location (Season 1 Hawai'i, Season 2 Sicily, Season 3 Thailand) and follows the lives of staff and uber-rich guests at a luxurious resort. It's darkly humorous and quirky. But is the awareness generated for each destination really enough to send tourism numbers soaring? A quick look at the first three seasons shows two hits and a miss.
Looking back, Season 1 triggered a small tourism boom in Hawaii in 2021, specifically at the Four Seasons Resort in South Maui's Wailea, one of the show's key filming locations. Compared to the previous year, website visits increased by 425%, and availability inquiries rose by 386%, according to a Four Seasons manager in an interview with ABC. Travel site Expedia also told ABC that search interest for both Hawaii and Sicily, where Season 2 was filmed, jumped by 300%.
Our charts tell a slightly different story. As you can see below, searches for 'flights to Hawaii' and 'Wailea' did spike around the July 11, 2021, release date, but they quickly slumped. What's more, related search terms focused on phrases like 'Hawaii COVID restrictions' and 'Hawaii COVID travel' rather than 'Hawaii White Lotus'. Unsurprisingly so—after all, the world was still in the midst of the COVID-19 pandemic in 2021. If the number of searches for 'flights to Hawaii' or 'Wailea' is any indication of 'White Lotus' fans' penchant for set-jetting, Thailand doesn't have much to get excited about.
Interestingly, the number of daily Wikipedia page views for Wailea rose by 279% during the first season and remained at that level until the final episode aired.
Searches for 'flights to Sicily' and 'San Domenico' (part of the name of the hotel that hosted Season 2) tell a very clear story. Within three months of Season 2 dropping, searches for 'flights to Sicily' grew 144% among U.S. Googlers. Even more dramatically, searches for 'San Domenico' rose more than 800% in the month or so after the season premiere.
Search users also used phrases related to 'White Lotus' in their Sicily search terms, telling us they were researching a possible Italian getaway because they'd been influenced by the TV series. For an example of this effect, look at the main search term 'flights to Sicily,' with the fifth fastest growing related team being 'San Domenico Palace.'
According to a hotel manager quoted by The Guardian, the San Domenico Palace was fully booked for six months following the season's release.
Similarly, the number of daily English-language Wikipedia page views for Sicily and Taormina saw a significant increase following the release of the second season.
Judging by the data so far, 'White Lotus' viewers have been captivated by Thailand and driven to act on their wanderlust.
Following the season premiere in mid-February of this year, travel to Thailand was mentioned 60% more frequently on social media than before, according to social media analysts at Sprout Social. According to travel platform Trip.com, bookings for flights and hotels in Koh Samui have increased by nearly 30% compared to the same period last year.
While similar ups and downs can also be seen in the previous six months, searches for 'Koh Samui' (the specific Thai island where Season 3 is set) increased 170% after the season dropped.
Wikipedia page views also reflect the surge of interest in Koh Samui: within 24 hours of the second episode airing, they temporarily spiked by an astonishing 2,976%.
Travellers are seeking out destination-related information in larger numbers
It isn't just flight searches that are spiking. Would-be visitors are also showing an interest in learning more about each season's destination. While interest in flights to Hawaii remained flat, the number of daily Wikipedia page views for Wailea grew 279% just before the launch of Season 1 and remained elevated through to the final episode airing. Likewise, the number of daily page views for Sicily and Taormina also increased sharply when Season 2 aired, by 150% and 122%, respectively.
An analysis of Thailand's Wiki page views does not reveal any obvious reaction to the season premiere, but daily page views for Koh Samui jumped 2,976% in the 24 hours after Episode 2 dropped.
American viewers did more than research travel options in 2022 and 2023. As seen below, the number of Americans visiting Sicily in 2022 grew by more than 300% and continued to grow faster than the overall number of tourists in 2023. Could this be down to 'White Lotus'? Anecdotal evidence suggests so.
The Four Seasons Domenico Palace reports that it was fully booked for six months after the release of Season 2. The obvious conclusion here is that fans couldn't wait to experience the 'White Lotus' resort in real life. It's also worth noting that the town of Taormino also welcomed way more foreign visitors than usual in the aftermath of Season 2, with the number of hotel check-ins doubling between 2021 and 2022. Showing that the Italian tourist board may well have managed to sustain its TV tourism stream, check-ins have remained elevated and grew by more than 50% in 2023.
This could also be due to things like new 'White Lotus' fans going back and re-watching previous seasons (thereby unleashing a desire to visit Sicily) or original fans finally having the time or money to book their dream trip.
Which upcoming releases could spark the next big travel wave? DataPulse analyzed streaming data, box office expectations, Google search trends, and fan buzz to identify eight destinations with the potential to become global set-jetting hotspots in 2025. From blockbuster sequels to cult TV follow-ups, these locations offer the perfect mix of cinematic appeal and wanderlust potential.
'Squid Game' Season 2 was only released in December but is already the third most watched Netflix season ever, meaning it could well have the reach to make South Korea the top set-jetting destination of 2025.
While the show is set on a fictional island, it does heavily feature iconic architecture from the Daejeon Expo Science Park and Incheon International Airport, helping to bridge the gap between TV and the real world. We can also see evidence of this in the Google search data. 'Squid Game' is the ninth fastest-growing Google topic related to South Korea while the search term 'Squid Game' is one of South Korea's top 25 most closely related Google topics.
Such a strong association between the series and its origin country demonstrates the show's remarkable influence over the image of South Korea in the eyes of the world.
Set in a fictional United States of the future but shot in the Canada of today, 'The Last of Us' Season 2 set a trailer viewership record for HBO with 158 million global views in only three days. Season 1 cumulatively accrued some 32 million views in the U.S. and the second season, released on April 13, was poised to capture just as many viewers with the same rugged, self-reliant aesthetic. The city where the season is filmed, Mission, British Columbia, has room to grow as a tourist destination—so could it soon welcome an influx of visitors? A recent survey found that attendance at events held in Mission is almost entirely composed of locals, suggesting it's a hidden gem on the tourist trail and ripe for discovery.
'Wednesday' Season 1 is another top-three Netflix hit. Shot in Romania, the first season of 'Wednesday' has been viewed 250 million times and resulted in an uptick of foreign visitors.
The second season is set to premiere later this year and features a high-profile cast—most notably, Lady Gaga. Filming took place at various locations across Ireland. Even then—Prime Minister Simon Harris made an appearance on set—after all, it's the largest TV production ever filmed in Ireland.
Thailand's population of 66 million welcomed 35 million tourists to the country in 2024. Even if 'White Lotus' doesn't flood Thailand with tourists, 'Jurassic World: Rebirth' just might. Despite being set on a fictional tropical island, the latest release from the 'Jurassic' franchise prominently features breathtaking scenery from sites in Krabi, Thailand, like Ao Phang Nga National Park, Khao Phanom Bencha National Park, and Ko Kradan.
Timed for release in the summer blockbuster season, 'Jurassic World: Rebirth' is likely to sell between 30 million and 60 million theater tickets in the U.S. based on prior 'Jurassic World' releases. While parks like Ao Phang Nga National Park already max out their 1,600 daily visit limit, the film's vistas may still push an influx of tourists toward lesser known sites.
'Mission Impossible—The Final Reckoning' will be the final chapter of the 'Mission Impossible' franchise. And where better to complete the franchise than at the end of the Earth: Norway's Arctic region? The film will also feature more southerly, easily-accessible regions of Norway, like the fjords of Aurland. Aurland is already one of the top holiday destinations for Norwegians and is accessible by cruise, car, or train, making it a convenient option for foreign visitors, too.
Visitors to Britain's official tourism site will already find an entire page dedicated to advertising the pastoral settings of last year's hit 'Wicked.' Since its release in fall 2024, some 40 million Americans have seen the film in theaters. This fall, 'Wicked: For Good' will bring Oz to life using many of the same English countryside vistas from the first film, along with landscapes from Egypt's White Desert National Park.
Starring Ariana Grande, Cynthia Erivo, Jeff Goldblum, and Michelle Yeoh, seeing the whimsical appeal of rural Britain and mysteries of Egypt brought to life on the big screen could well trigger a desire to take a nomadic journey through the desert or frolic in the English countryside this year or next.
The fall 2024 release from the Paddington franchise earned more than $43.5 million at the American box office. While the film relies heavily on computer-generated imagery for its main character, it also features real Peruvian sites and traditional Peruvian woven art. Like the British tourism ministry, the Peruvian tourism commission has carefully sought to link the film to its setting by offering background on the scenes of the film via the web.
Scotland is no stranger to set-jetting. Since the release of 'Braveheart,' the small Scottish town of Stirling, home to the National Wallace Monument, has seen more than $33 million in tourism revenue. Now, as renowned director Guillermo del Toro prepares to release his adaptation of 'Frankenstein,' a new wave of viewers may be motivated by the ephemeral beauty of craggy mountains and deep blue lochs to make the journey.
Set jetting is a novel way to use up vacation days, but it can make for a truly memorable trip by taking film and TV fans off the beaten path. It could spark a desire to visit somewhere that previously wasn't on the radar—like a desert in Egypt or the Arctic expanse of Norway—taking viewers on a true journey of discovery.
For destinations that manage to score a starring role on the big screen, there's a clear opportunity to capitalize. However, a prolonged boost in tourist numbers isn't a given, as destinations like Australia have found. The places successful in making their destinations a long-term success fully embrace their links with the TV show or movie that put them in the spotlight. As streaming platforms continue to invest in global content, don't be surprised if your next trip is inspired by the next 'White Lotus.' Wherever the screen leads, set-jetters follow.
This story was produced by DataPulse Research and reviewed and distributed by Stacker.
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Photograph by Jonathan Stokes The Faroe Islands are a place where dark, towering cliffs rise out of the frothing Atlantic; where meadows sweep up and up to end at shard-like pinnacles of rock; and where waterfalls tumble sideways, caught on the wind. Photograph by Jonathan Stokes Behind us, Lake Sørvágsvatn seems separated from the ocean by the slimmest sliver of land, creating an optical illusion that it floats above it. Absorbed by the spectacle in every direction, we watch as clouds churn and froth across the sky, creating shifting patterns of sunlight on the water, and the wind threatens to throw us to the waves. 'Long ago, so many people were lost at sea and in nature in the Faroes,' Elin says. 'Perhaps that's why they needed to believe in myths — you feel that there's a force bigger than you here and you need some explanation for it.' Proving the adage that truth is often stranger than fiction, however, she tells of the Viking-owned slaves who were thrown to their deaths at Trælanípan when they were too old or sick to be useful, and of a woman who hiked here with her husband more recently, and was never seen again. The seal woman & the spy Humans are thought to have lived on the Faroe Islands for well over two millennia. It's only in recent years that they've begun to tame them. Where tiny settlements of turf-roofed houses were once only accessible by boat or by a long, treacherous yomp over wild landscapes, tunnels now burrow under the sea and carve through mountains to connect them. One — the 6.8-mile Eysturoy Tunnel — even has a roundabout in it, 620ft beneath the waves. The following morning, I zip between islands through these underwater passageways on the drive north. Before leaving Vágar, I stop at Trøllkonufingur, a column of basalt as tall as the Eiffel Tower. 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In the island of Kalsoy, this hard-to-reach patch of land formed the backdrop of the final moments of the James Bond film, No Time To Die. Photograph by Jonathan Stokes Linked to its neighbours by a moderately infrequent ferry service, the pencil-shaped island of Kalsoy retains that out-of-time feel. A single road runs north to south, and sheep and geese are the most conspicuous users of it. We take it to its furthest point, swooping down the mountains in a series of hairpin bends to end at Trøllanes. 'It means Troll Peninsula,' Elin says as we stroll past the village's stone houses, home to just 13 residents. 'It's said it was visited every 12th night by trolls who lived in the surrounding mountains, and the villagers would run away as they drank and partied.' Their torment ended one night when an old woman who was too weak to run called out for Christ in fear — the trolls left and never came back. Sat in the bowl of a valley, with mountains looming on all sides and giant boulders littered across the slopes, Trøllanes is fertile ground for a tall tale — I'm almost convinced an unseen menace waits and watches above the village, ready to rush in under cover of nightfall. 'It can be so impressive and overwhelming here, particularly in winter,' Elin says. 'It makes it easy to believe in dark stories.' We leave the vanquished trolls of Trøllanes to climb up and over a ridge north of the village, following a faint trail as it weaves through the hills and around patches of bog. After an hour, the land abruptly runs out and, it seems, we find ourselves at the very edge of the world — with nothing but wheeling sea birds and the dark, rolling ocean between us and the North Pole. Just visible to the east are two sea stacks: the remnants, it's said, of a witch and a giant who, like the troll witch, came to steal the islands and were turned to stone in the dawn light. The narrowest thread of a path tacks along the cliff edge in their direction, ending at a red-and-white stone lighthouse. It's a balancing act to follow it, with the wind primed to whip me off into oblivion at the slightest misstep. I wouldn't be the first to meet an unpleasant end here. A little beyond the lighthouse, up a slope that eventually spears skywards and requires some puff to tackle, lies a modest basalt headstone. 'In memory of James Bond,' it reads. '1962-2021.' Actor Daniel Craig might never have set foot on Kalsoy — filming his scenes on green screen instead — but this hard-to-reach patch of land formed the backdrop to the spy's final moments, courtesy of a missile strike, in No Time To Die. This very modern fable is the reason many visitors make their way to Kalsoy these days, but the island has a long association with another tale with a violent ending: the Kópakonan. Having paid my respects to 007, I meet her down on the shore in Mikladagur, a village south along the coast from Trøllanes. She stands 9ft tall with her back to the sea, has a distinctly blue pallor and is half-naked — with what look like skin and flippers draped over the rock beneath her. 'This is one of the best-known tales in the Faroe Islands,' Elin explains as we admire the bronze statue. She tells me that, once a year long ago, seals would come out of the water and shed their skins on the beach, taking human form for a night of revelry. During one of these gatherings, a villager stole a seal woman's skin and she was forced to stay with him and bear his children. She was eventually able to reclaim her skin and flee back to the sea, falling in love with a bull seal and raising pups. In a jealous rage, the man killed her family; consumed with grief, she set a curse on him and his progeny for all eternity. 'Still today, if a man from the village drowns or falls from the cliffs,' Elin says, 'it's blamed on the curse.' There are versions of the seal woman's story across the North Atlantic, from the Orkneys to Greenland — likely evidence that the tales were carried back and forth by fishermen and traders. But it has a particular resonance in the Faroes, where it's known by every local, and it holds special value in Mikladagur. Rumour has it that some villagers even have webbed hands. Up steep concrete stairs above the Kópakonan, Café Eðge has prime views of the statue and the seals that bob near it come autumn — the perfect setting to recount the haunting story. Actor, playwright and artist Eyð Matras did just that, performing her drama, The Seal Woman, at the cafe throughout the summer of 2021. "If a man from the village drowns or falls from the cliffs,' Elin says, 'it's blamed on the curse [of the seal woman].' Photograph by Jonathan Stokes James Bond's burial site is just beyond the working lighthouse on Kalsoy. Photograph by Jonathan Stokes Catching the last ferry back to Klaksvík, I call in on her at her home, a handsome wooden house overlooking the harbour, built by her grandfather in 1899. With her little dog Vanya snuffling at our feet, the candles lit and a spread of local breads and cheeses on the table, we sit down to chat. 'When we tell oral stories like the seal woman, it's first for entertainment — it's for gathering around the fireplace, keeping the darkness of the night at bay,' Eyð explains, pouring the coffee. 'But it's to protect people, too. It's to keep people away from the sea and off the cliff edge. It's a warning.' She fetches some of the costume pieces she wore for The Seal Woman, including a woollen cape with dark threads coming out of it like seaweed and red shoes to represent blood. Her modern adaptation is a monologue set to music, and she recites some lines for me, her voice rising and falling in a steady, captivating rhythm. 'I think, nowadays, we see Kópakonan as a political story about women, self-realisation and having ownership over your own life,' she says, finishing her performance to my enthusiastic applause. 'But it's also about the wildness in her and in nature. That's not only for women but everyone — we should listen to the wildness inside ourselves. We come from it.' The artist & the farmer The Faroese appear particularly well-attuned to listening to the wildness within, and expressing that wildness through every medium possible; storytelling, it seems, is in their blood. The following morning, I make my way through the streets of Tórshavn to join another artist adding a new layer to the islands' timeworn tales. The quaint capital of the Faroe Islands, Tórshavn is a pretty muddle of black-tarred wooden buildings, some with turf roofs, and quiet harbour. Photograph by Jonathan Stokes - - The capital's old town is quiet, with just the odd dog-walker out and about on its cobbled alleys. It's a pretty muddle of black-tarred wooden buildings, some with turf roofs, most with candlesticks in the windows. The Faroese government still has its parliament here, on a peninsula jutting out into the Atlantic, as it has for 1,200 years. On a whitewashed wall curving around a winding lane sweeps a giant mural — of flying squid, tusk fish, whelks and a bounty of other sea creatures found off the islands' coast. I meet the man responsible for it, Heiðrikur á Heygum (or simply Heiðrik), in a cafe overlooking the boat masts of Tórshavn's harbour. Dressed in black, with delicate tattoos of native flora running up his arms, Heiðrik opens a portfolio case to reveal page after page of watercolours — there's a sinister elfin figure perched on a rock in the moonlight; a lone horse with a serpent's tail and glowing eyes standing in the water; a long-haired man with a tall crown and peevish expression sitting on a throne. They're all part of the artist's latest project — an illustrated book of the Faroes Islands' myths and folklore. 'Writing down the stories is new,' Heiðrik says, leafing through the work. 'Traditionally, they were shared through song, and an oral story is like Chinese whispers — it changes every time you tell it. I'm just another reteller, the latest link in the chain.' Heiðrikur á Heygum's latest project — an illustrated book of the Faroes Islands' myths and folklore, is set to be published at the end of the year, with versions in Faroese, Danish and English to bring the tales to a new audience. Photograph by Jonathan Stokes The plan is to publish the collection at the end of the year, with versions in Faroese, Danish and English bringing the tales to a new audience. Until then, visitors must make do with reading the stories in the landscapes that inspired them. 'Anywhere there's nature and the sea,' says Heiðrik, carefully putting away the pages, 'that's where you'll find legends in the Faroe Islands.' I spend my last evening discovering that the tradition of oral story-telling Heiðrik is magicking into print is still very much in rude health. The sun is just starting to set when Anna and Óli Rubeksen invite me into their home in the tiny village of Velbastaður, 15 minutes' drive from Tórshavn. Enormous picture windows line one side of the farmhouse, opening to views of grassland tumbling down to the pearly waters of Hestfjord and, beyond, to the tiny island of Hestur (population 15). 'Come, sit,' says Óli, gesturing to a long table, 'and I'll tell you our story.' Ninth-generation sheep farmers, the Rubeksens have been running supper clubs here since 2014, opening their house to up to 30 guests at a time. 'We try to be like a cultural exchange,' says Óli as sheep dog Mia leaps on to his lap. 'The magic for us is when everyone interacts with each other.' Named for heimablídni, a Faroese tradition of 'home hospitality', the dinners are a crash course in local ingredients and cooking, with dish after dish appearing on the table over the course of several hours: rye bread with salted mutton; carrot and vegetable soup; roast lamb with caramelised potatoes and red cabbage. With candles lit against the gathering gloom, conversation flows, leaping from the Norse language to rhubarb, sheepdog-training to Viking hygiene. Our attention is continually pulled towards the window, even when there's nothing to see but our own reflections staring back at us. 'You can understand in the old days when there was no electricity,' says Anna, peering out, 'you would sit and imagine so many things out there.' For now, feasting and company have tamed the Faroe Islands. But soon I must take my leave and head back out into the night, and everything looks different in the dark. Getting there & around Atlantic Airways flies direct from Gatwick to Vágar twice weekly from the end of May to the end of August; and from Edinburgh twice weekly from March to December. The rest of the year, fly via Copenhagen with Atlantic Airways or SAS. Average flight time: 2hr10m (Gatwick); 1hr35m (Edinburgh) A hire car is your best bet for travelling around the islands, and there are rental desks at the airport. It's a 45-minute drive from there to the capital Tórshavn. When to go June, July and August see the warmest temperatures (around 13C) and longest hours of daylight (up to 20 hours), but also the most visitors; locations with few facilities can get booked up fast. September is a good choice, with temperatures around 12C and 13 hours of daylight. The weather is changeable year-round, with rain and mist a possibility any time. While temperatures are fairly mild in winter (about 7C), many hotels shut for the season. Puffins arrive to nest in April, and usually stay until the end of August. Where to stay Hotel Vágar, Vágar island. From DKK800 (£90). Hotel Føroyar, Tórshavn. From DKK840 (£95). More info How to do it: Nordic travel specialist Where the Wild Is offers several itineraries. The eight-night Classic Circle Self-Drive covers multiple islands and includes visits to Lake Sørvágsvatn and Kalsoy; from £1,700, including hotels and car hire, excluding flights. The four-night Summer Puffin Adventure takes in Tórshavn and the puffin-nesting island of Mykines, from £1,250. This story was created with the support of Visit Faroe Islands. Published in the June 2025 issue of National Geographic Traveller (UK). 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CNN
3 hours ago
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Patrick Schwarzenegger is glad that viewers' loathing for Saxon on ‘White Lotus' evolved into love
Patrick Schwarzenegger is still coming off the 'whirlwind of emotions' that was the making of 'The White Lotus' Season 3. The actor, who is taking part in a new campaign for Venmo with costar Aimee Lou Wood, spoke to CNN recently about how his perspective has changed since the release of the show, which saw his character Saxon go from loathsome finance bro to a vulnerable young man who realized he has a lot to learn. 'It was definitely a learning experience for me, being on this show,' Schwarzenegger said, adding that the viewership and engaged fandom – famous for its memes and fan theories -– was an experience 'that I've been never been part of.' As for his character – a 'grandiose alpha male that comes in grabbing his crotch and walking around naked,' in Schwarzenegger's words – he acknowledged that there were indeed some parallels between himself and who he portrayed, particularly in how they each were received by the viewing public over the course of the season. 'I think people did not like the character, and what happened was, a lot of people did not know who I was,' he said. '(They would) come up with their preconceived ideas of who I am or how I got the role' based, of course, on his famous last name. As the Mike White-created show went on, viewers learned that there was a lot more to Saxon than met the eye, and it was delivered via Schwarzenegger's capable acting chops – family name notwithstanding. 'It's a mistake to think you know a character that's in a Mike White show on day 1, or on week 2 or week 3,' he shared. Schwarzenegger called the show's creator 'very smart' in how he writes his characters, and 'how they change.' Or don't. 'It was fun for me to watch the hysteria of it all and how it evolved over time,' he said. And while he wasn't surprised that viewers received his character rather coolly at first, he was moved by how much they eventually warmed up to him. 'But I also did not know to what extent people were going to like Saxon,' he said. 'It was a very big roller coaster ride of people despising him to (him) becoming one of the most liked and enjoyed characters by the end, because he had a place to go to.' The same could be said of Schwarzenegger himself, who is slated to appear opposite Al Pacino in the feature 'Billy Knight,' according to his IMDb page. (The project is in post-production with no public release date set). The actor's famous father, however, might have some thoughts on any further on-screen nudity. In their conversation for Variety's 'Actors on Actors,' he once again sounded off on the topic spurred by Saxon's nude scene in the 'White Lotus' season 3 premiere, but this time, in a lovingly embarrassing that way only a father could. 'I'm watching your show, and I'm watching your butt sticking out there, and all of a sudden, I see the weenie,' the elder Schwarzenegger said. His son – and the Internet – howled with laughter. Rollercoaster, indeed.