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Stephen King-produced 'Institute' to premiere on MGM+ July 13

Stephen King-produced 'Institute' to premiere on MGM+ July 13

Yahoo12 hours ago

June 6 (UPI) -- The Stephen King-produced series The Institute is slated to premiere on MGM+ July 13.
Directed and produced by Jack Bender, the adaptation of King's 2019 novel of the same name will star Mary-Louise Parker, Ben Barnes, Joe Freeman and Simone Miller.
The story follows "teen genius Luke Ellis (Freeman), who is kidnapped and awakens at The Institute, a facility full of children who all got there the same way he did and who are all possessed of unusual abilities," a synopsis said.
"In a nearby town, haunted former police officer Tim Jamieson (Barnes) has come looking to start a new life, but the peace and quiet won't last, as his story and Luke's are destined to collide."
The Life of Chuck, based on a novella by King, is now in theaters and a series based on King's best-selling book, Carrie, is in the works at Prime Video.

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Review: THE LIFE OF CHUCK is a Soulful Ode to Existence, Memory, and the Quiet Magic of Living — GeekTyrant
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Mike Flanagan has made a career out of wrestling with grief, mortality, and the unknown. But with The Life of Chuck , he shifts the tone from fear, dread, and horror to warmth and wonder, offering what might be his most emotionally generous film yet. Adapted from Stephen King's novella, this isn't a horror film, at least, not in the way we've come to expect from Flanagan. This is a story about death, yes, but also about life, and how those two are inseparably bound together. For me, it hit like a quiet thunderstor, soft and heavy, with a beauty I was hoping for. The film is structured in reverse, unfolding in three acts that take us on a journey from Chuck's death back to his childhood. It's a gutsy narrative choice, but it works. You don't walk out of this film trying to piece together plot threads or decipher twists, you walk out reflecting on the moments in your own life that suddenly feel more meaningful. That's the effect this movie had on me. It got under my skin and I found myself welling up multiple times, not because of grand, dramatic turns, but because of small, delicate truths that rang so painfully and beautifully real. This story's power is rooted in how universal it feels. Chuck Krantz isn't a world-famous figure or a mythical savior. He's a person who is quietly significant in ways that ripple through others, whether he realizes it or not. The movie opens with a surreal sense of finality, the world is unraveling, time is collapsing, and strange phenomena begin to mark the end of things. But instead of spiraling into apocalyptic chaos, the film focuses on memory, meaning, and human connection. It reminded me, strongly, of how I've felt coming out of films like Stand By Me , with a deep emotional ache wrapped in joy and happiness. It's not easy to describe that feeling, but The Life of Chuck captured it perfectly. The performances across the board of this ensemble cast are excellent, even though many of the roles are relatively small. Tom Hiddleston may be the headliner, but he really only has one big sequence. It's Mark Hamill who delivers one of the most powerful performances in the film. His character might have the most screen time, and there's a emotional weight to his performance. Every cast member, from Karen Gillan to Chiwetel Ejiofor to young Jacob Tremblay, contributes something meaningful. No one feels wasted. Each person brings a note to the symphony of Chuck's life, and they all play it with heart. Flanagan's direction is gentle and confident. He's not interested in hitting us over the head with the film's themes. Instead, he invites us to sit with them, to feel them. There's a vulnerability in the filmmaking that feels new for him. While many of his past works leaned into fear, this one leans into acceptance. It doesn't rage against the dying of the light, it looks at it and says, 'Thank you', which I thought was powerful. I'm not sure this movie will land for everyone, and that's okay. Some may find its structure jarring or its tone overly sentimental. But for those willing to meet it where it is, to embrace its introspection and let their guard down, it's one of the most rewarding cinematic experiences of the year. For me, it was personal. It touched on things I've gone through in my own life, and somehow, instead of leaving me heavy, it lifted me. I walked out of the theater feeling like I'd just been hugged by the universe itself. There's a line running through The Life of Chuck that essentially says: 'Everything matters.' That idea pulses through the film like a heartbeat. It's a movie about moments, quiet ones, strange ones, painful ones, and how they echo. It doesn't answer life's big questions, but it respects them enough to ask. It gave me a chance to stop, reflect, and just be grateful for the ride. I honestly think this is one of Mike Flanagan's finest works. It's daring, heartfelt, and completely unafraid to wear its soul on its sleeve. For me, The Life of Chuck isn't just one of the best Stephen King adaptations, it's one of the best films of the year. It's a quiet masterpiece that reminds us that even as everything ends, what we had still matters.

New Poster and Photos From Stephen King's THE INSTITUTE Series — GeekTyrant
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MGM+ recently released a new poster and a few new images from its series adaptation of Stephen King's The Institute . I loved the bok that this series is based on and I hope this series ends up giving us a strong adaptation. In The Institute , 'When 12-year-old genius Luke Ellis is kidnapped, he awakens at The Institute, a facility full of children who all got there the same way he did, and who are all possessed of unusual abilities. 'In a nearby town, haunted former police officer Tim Jamieson (Barnes) has come looking to start a new life, but the peace and quiet won't last, as his story and Luke's are destined to collide.' Ben Barnes' Tim Jamieson is 'a disillusioned ex-cop who takes a job as the night knocker in a small town, withdrawing from the world until Luke's plight reignites him and gives him something to believe in.' Mary-Louise Parker will play Ms. Sigsby, 'the charming but iron-willed director of the Institute and a true believer in its awful mission. She's certain history will come to see her as a hero.' A trailer for the film was previously shared to press behind closed door. It offers 'a first look at the Institute itself, a cement, brutalist-style building where kids with telekinetic powers are taken after being mysteriously abducted. 'Luke, played by newcomer Joe Freeman, is seen meeting the fellow children in the Institute as well as villain Ms. Sigsby for the first time, who encourages him that he is doing something good for the world as he is hooked up to machines and made to move objects.' Parker says in the trailer: 'You're not kids, not here. There's no bedtime, there's no chores. But here, if you break a rule, there's grown-up consequences.' There are clips flashing of the children being abused and tortured. The Institute is being developed by Jack Bender ( Lost, Mr. Mercedes ), who will produce and direct, and Benjamin Cavell ( Justified, The Stand ) who will write and produce. King previously said in a statement: 'I'm delighted and excited at the prospect of The Institute, with its high-intensity suspense, being filmed as a series. The combination of Jack Bender and Ben Cavell guarantees that the results will be terrific.' Michael Wright, head of MGM+ added: 'We are thrilled to have the opportunity to work again with Stephen King. And The Institute, based on his critically acclaimed novel, is an exciting addition to the MGM+ original series slate. 'There is no creative team I would trust more to bring the book to life than Jack and Ben, whose creative vision and love of Mr. King's voice, will bring this thought-provoking and gut-wrenching story to life, in the engaging, cinematic, and thrilling style MGM+ viewers expect.' Bender said: 'I'm thrilled that Stephen King has entrusted me with another of his brilliant novels and continuing the extraordinary creative relationship with Michael Wright and MGM+. 'Working alongside Ben Cavell and a team of exceptional writers, to tell the story of these uniquely gifted children, will ensure a suspenseful and engrossing series.' Cavell added: 'It is my great honor to have another chance to adapt Stephen King, who has been generous and collaborative beyond my wildest imaginings. 'Also, the opportunity to work with Jack Bender, who has directed some of my all-time favorite television, is truly a dream come true. I couldn't be more grateful to Michael Wright and MGM for putting this team together.' The series will consist of eight episodes.

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