logo
Boston University's Honor Wall profiles students, alumni killed in service to country

Boston University's Honor Wall profiles students, alumni killed in service to country

Boston Globe24-05-2025

His story is included in BU's new
'They're really humbling stories of heroism and bravery that a lot of people kind of overlook nowadays, especially when we think of the importance of that time in history,' said Michael Tozeski, who graduated last week with a master's degree from BU's Frederick S. Pardee School of Global Studies.
Tozeski spent the last year researching BU students or alumni who were killed in action since World War I. He relied on state and national military records, BU archives as well as outreach to veterans organizations.
Advertisement
The wall so far includes 28 killed in World War I, 221 killed in World War II, 15 killed in the Korean War, nine killed in the Vietnam War, and three killed in the Global War on Terrorism.
Tozeski said it has been 'tremendously humbling' to learn about BU's service members.
Advertisement
'It's just been a truly unbelievable project,' Tozeski said. 'Like, really, greatest generation kind of stories.'
BU hopes to hear from people with information about other students or graduates who died while in uniform, so that their profiles can be added to the page.
The wall was modeled after an online veterans memorial
The memorial page launched at the suggestion of John Woodward, BU's director of military education since last year. He had heard there were about 220 service members from BU killed in World War II alone.
'The lack of a comprehensive list of the members of the BU community who made the supreme sacrifice serving in uniform saddened me,' Woodward said in an email. 'My dad and my uncles were all combat veterans of World War II. I grew up seeing how important their war service was to them. They always remembered the comrades they lost in the war.'
Tozeski, Woodward's research assistant, got to work. He figures he spent at least 150 hours on the project, spending his lunch hour twice a week at the university's archives center.
'They were able to provide archival material dating back to the turn of the 1900s and were extremely gracious in helping pull records,' Tozeski said of the archives staff.
The profiles on the wall also include World War I Army Private
WWI Army Private Charles W. Whiting of Avon is among the BU alumni listed on the Honor Wall.
Boston University/Honor Wall
'Enemy soldiers were made aware of his efforts, and despite being targeted by field artillery, Pvt. Whiting remained steadfast and continued to repair and maintain the communication lines until he was killed in action,' Tozeski said. 'Such bravery cannot be quantified.'
Advertisement
While some of the people included on the wall had already graduated from BU before they went to war, many were still students, Tozeski said.
'And they're kids,' Tozeski said. 'That's the other thing that I've been so humbled learning, is that a lot of these were students that gave up their education to go to war, you know, they gave up their lives to serve the country.'
Adam Sennott can be reached at

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Inside a historic church painted with murals that reflect searing social commentary
Inside a historic church painted with murals that reflect searing social commentary

Yahoo

time5 hours ago

  • Yahoo

Inside a historic church painted with murals that reflect searing social commentary

MILLVALE, Pa. (AP) — When the scaffolding came down inside the unassuming hilltop church near Pittsburgh, it revealed a raging storm of biblical proportions. A wide-eyed Moses holds the Ten Commandments aloft in righteous fury, ready to shatter the tablets when his followers abandon God for a golden calf. Lightning sizzles and a tornado surges in the background. The late artist Maxo Vanka created the mural in 1941, based on a scene from the Book of Exodus. It's one of 25 murals that cover the walls and ceilings of St. Nicholas Croatian Catholic Church. Vanka, a Croatian American immigrant like most of the original parishioners, painted the scenes in bursts of creative energy that led to marathon-long sessions where he captured stark social inequities alongside traditional religious themes. The murals depict scenes with dualities. An angelic justice figure contrasts with a haunting figure of injustice in a World War I gas mask. Mothers — posed like the grief-stricken Madonnas of traditional pietas — weep over their sons who died in war or were worked to death by American industry. A callous tycoon ignores a beggar. A Madonna snaps a rifle on a battlefield. At the same time, the murals honor the achievements of the immigrant parishioners and the consolations of faith, home and maternal care. The work has drawn international visitors and become a beloved local landmark. One former priest for the church called it 'The Sistine Chapel of Pittsburgh'— a sanctuary dominated by the single artist's tour-de-force. But decades of smoke, atmospheric salts and water leaks had dulled and damaged the paintings. Since 2009, the Society to Preserve the Millvale Murals of Maxo Vanka has been leading a painstaking conservation effort — one section at a time. Results of the latest work completed in late May are evident. The paint in Moses' florid cheeks and deeply grooved facial lines now stand out starkly. Behind him, the large hand of God now gleams brighter. So too do the hair and flamelike feathers of onlooking angels, painted in Vanka's unique palette of bright pink and sea-foam green. 'It's like seeing it how he really wanted it for the first time,' Vanka's granddaughter, Marya Halderman, said of the conservation work earlier this year. 'He always called it his gift to America.' Over four months, a team of more than a dozen workers climbed a 32-foot (9.8-meter) scaffold to clean off grime, extract corrosive salts from the walls, stabilize plaster and delicately fill in areas of lost paint with new pastels and watercolors, which can easily be reversed by current or future conservators. They worked to reveal the artist's original work, including the vigorous brushstrokes he applied amid long hours that stretched into the night, when Vanka reported eating little food, consuming much coffee and often seeing a ghost. The murals 'speak to a unique time in history, World War II and immigration and social justice,' says the Rev. Nicholas Vaskov, director of the Shrines of Pittsburgh, a cluster of historic Catholic parishes that includes St. Nicholas. 'To allow them to continue to speak to people and to see that they are preserved is a great gift.' In January, the crew worked a section that includes the tempestuous Moses and two Gospel scribes in placid poses, St. Matthew and St. Mark. 'One of my favorite things about being a conservator is that I get to touch things that no one has been able to touch for over, what, 70 years?' says Naomi Ruiz, a wall paintings expert. 'You really get to see the artist's brushstrokes, his original hand, his struggle when he's trying to reach off of his scaffold to reach that last little part. It makes you even want to work harder and longer.' Challenges loomed. They were working on the side of the church that takes the most sunlight, which has caused more damage, from fluctuations in temperature and humidity. An artist who crossed social classes Maksimilijan Vanka was born in 1889 in what is now independent Croatia. An out-of-wedlock son of nobility, Vanka was raised by a peasant woman, Dora Jugova. She became the prototype for Vanka's recurring artistic motif of strong, maternal and pious women — such as the sturdy Madonna he depicted with work-worn hands in one of the church's most prominent murals. Vanka's noble family eventually provided him an education. His familiarity with both privilege and poverty gave him insight and sensitivity to people across social classes. Vanka studied in Belgium and served with the Red Cross during World War I. He immigrated to the United States in the 1930s after marrying an American, Margaret Stetten. A Pittsburgh exhibit of Vanka's art caught the attention of the late Rev. Albert Zagar, pastor of St. Nicholas. The church had been rebuilt after a fire, its walls now blank and waiting for the right artist. 'They'd found their person,' said Anna Doering, executive director of the Society to Preserve the Millvale Murals of Maxo Vanka. Vanka transformed the sanctuary in two intense seasons of creativity, in 1937 and 1941. He fused traditional Catholic iconography with searing commentary on war, capitalism, and immigrant labor and contrasting depictions of communal piety and economic greed. 'It's religion, expressed in our social life,' Zagar said in 1941. 'At the same time, it's completely Catholic.' Vanka continued his artistic career until his tragic death in 1963, when he drowned off the coast of Mexico while on vacation. Preserving a local treasure In the decades since, parishioners have cherished the murals, caring for them as best they knew how. More formal conservation efforts began in 1991, when the artist's admirers formed the Society to Preserve the Millvale Murals of Maxo Vanka. By 2009, the society was ready to launch professional work in earnest — preserving one mural at a time. Doering recalls when she first set foot in the church as a consultant. 'My jaw just dropped,' she said. 'I had never seen anything like this. And I wanted to be part of it.' Locals and foundations alike donated. The society also worked with the parish to repair the roof and upgrade climate control systems. In 2022, the society was awarded a $471,670 grant through the Save America's Treasures program, administered by the National Park Service, enabling recent work on the upper part of the church. A process of art and science The conservation workers began by brushing and vacuuming off loose dirt and soot. They did further cleaning with sponges and cotton swabs by the thousands. Much of the grime, Ruiz said, likely resulted from years of atmospheric pollution, ranging from Pittsburgh's former steel mills to everyday highway traffic. The crew also worked to reverse damage to the plaster caused by atmospheric salts. For Ruiz, the murals have universal themes. 'This story that Vanka was telling was specifically for the Croatian people, but it could also speak towards many immigrant families here in the U.S. and how they felt and how they brought a lot of their culture with them,' she said. An unusual field trip Along with conservation work, the society does educational outreach, bringing in student field trips in tandem with the LIGHT Education Initiative, a Pittsburgh-area program with a mission to equip 'the next generation of humanitarians.' Becky Gaugler, director of education and interpretation for the preservation society, welcomed visiting sixth graders from a nearby school earlier this spring. She told them the murals show 'how we can talk about our own stories in relation to those stories in the past.' One student group gathered beneath two contrasting dinner scenes. In one, a modest family prays over a simple meal of bread and soup. In another, a top-hatted millionaire dines alone, indifferent to the beggar at his feet as an angel weeps. The students debated which table they'd rather join. The rich man has better food, they noted, but the family appears more hospitable. 'They are very grateful obviously for what they have,' observed sixth-grader Corinne Coppler. Seeing the big picture Vaskov said the murals remain central to the parish's identity. Though most services are now in English, the parish still holds a monthly Croatian-language Mass and celebrates other ethnic traditions. The scaffolding supporting the conservation work posed 'a temporary inconvenience to reveal something marvelous,' Vaskov said. It finally came down in late May, in time for the parish's 125th anniversary Mass on June 1. Most of the murals have now undergone conservation. More work lies ahead, but it made an opportunity to savor the latest results. 'When you're up there, you really get caught up in every little spot,' Ruiz said. 'Then I look at the big picture. It's so much better than how it was four months ago. It looks so solid. All the colors just pop.' ___ AP photographer Gene Puskar and AP videographer Jessie Wardarski contributed. ___ Associated Press religion coverage receives support through the AP's collaboration with The Conversation US, with funding from Lilly Endowment Inc. The AP is solely responsible for this content.

Inside a historic church painted with murals that reflect searing social commentary
Inside a historic church painted with murals that reflect searing social commentary

Hamilton Spectator

time5 hours ago

  • Hamilton Spectator

Inside a historic church painted with murals that reflect searing social commentary

MILLVALE, Pa. (AP) — When the scaffolding came down inside the unassuming hilltop church near Pittsburgh, it revealed a raging storm of biblical proportions. A wide-eyed Moses holds the Ten Commandments aloft in righteous fury, ready to shatter the tablets when his followers abandon God for a golden calf. Lightning sizzles and a tornado surges in the background. The late artist Maxo Vanka created the mural in 1941, based on a scene from the Book of Exodus. It's one of 25 murals that cover the walls and ceilings of St. Nicholas Croatian Catholic Church. Vanka, a Croatian American immigrant like most of the original parishioners, painted the scenes in bursts of creative energy that led to marathon-long sessions where he captured stark social inequities alongside traditional religious themes. The murals depict scenes with dualities. An angelic justice figure contrasts with a haunting figure of injustice in a World War I gas mask. Mothers — posed like the grief-stricken Madonnas of traditional pietas — weep over their sons who died in war or were worked to death by American industry. A callous tycoon ignores a beggar. A Madonna snaps a rifle on a battlefield. At the same time, the murals honor the achievements of the immigrant parishioners and the consolations of faith, home and maternal care. The work has drawn international visitors and become a beloved local landmark. One former priest for the church called it 'The Sistine Chapel of Pittsburgh'— a sanctuary dominated by the single artist's tour-de-force. But decades of smoke, atmospheric salts and water leaks had dulled and damaged the paintings. Since 2009, the Society to Preserve the Millvale Murals of Maxo Vanka has been leading a painstaking conservation effort — one section at a time. Results of the latest work completed in late May are evident. The paint in Moses' florid cheeks and deeply grooved facial lines now stand out starkly. Behind him, the large hand of God now gleams brighter. So too do the hair and flamelike feathers of onlooking angels, painted in Vanka's unique palette of bright pink and sea-foam green. 'It's like seeing it how he really wanted it for the first time,' Vanka's granddaughter, Marya Halderman, said of the conservation work earlier this year. 'He always called it his gift to America.' Over four months, a team of more than a dozen workers climbed a 32-foot (9.8-meter) scaffold to clean off grime, extract corrosive salts from the walls, stabilize plaster and delicately fill in areas of lost paint with new pastels and watercolors, which can easily be reversed by current or future conservators. They worked to reveal the artist's original work, including the vigorous brushstrokes he applied amid long hours that stretched into the night, when Vanka reported eating little food, consuming much coffee and often seeing a ghost. The murals 'speak to a unique time in history, World War II and immigration and social justice,' says the Rev. Nicholas Vaskov, director of the Shrines of Pittsburgh, a cluster of historic Catholic parishes that includes St. Nicholas. 'To allow them to continue to speak to people and to see that they are preserved is a great gift.' In January, the crew worked a section that includes the tempestuous Moses and two Gospel scribes in placid poses, St. Matthew and St. Mark. 'One of my favorite things about being a conservator is that I get to touch things that no one has been able to touch for over, what, 70 years?' says Naomi Ruiz, a wall paintings expert. 'You really get to see the artist's brushstrokes, his original hand, his struggle when he's trying to reach off of his scaffold to reach that last little part. It makes you even want to work harder and longer.' Challenges loomed. They were working on the side of the church that takes the most sunlight, which has caused more damage, from fluctuations in temperature and humidity. An artist who crossed social classes Maksimilijan Vanka was born in 1889 in what is now independent Croatia. An out-of-wedlock son of nobility, Vanka was raised by a peasant woman, Dora Jugova. She became the prototype for Vanka's recurring artistic motif of strong, maternal and pious women — such as the sturdy Madonna he depicted with work-worn hands in one of the church's most prominent murals. Vanka's noble family eventually provided him an education. His familiarity with both privilege and poverty gave him insight and sensitivity to people across social classes. Vanka studied in Belgium and served with the Red Cross during World War I. He immigrated to the United States in the 1930s after marrying an American, Margaret Stetten. A Pittsburgh exhibit of Vanka's art caught the attention of the late Rev. Albert Zagar, pastor of St. Nicholas. The church had been rebuilt after a fire, its walls now blank and waiting for the right artist. 'They'd found their person,' said Anna Doering, executive director of the Society to Preserve the Millvale Murals of Maxo Vanka. Vanka transformed the sanctuary in two intense seasons of creativity, in 1937 and 1941. He fused traditional Catholic iconography with searing commentary on war, capitalism, and immigrant labor and contrasting depictions of communal piety and economic greed. 'It's religion, expressed in our social life,' Zagar said in 1941. 'At the same time, it's completely Catholic.' Vanka continued his artistic career until his tragic death in 1963, when he drowned off the coast of Mexico while on vacation. Preserving a local treasure In the decades since, parishioners have cherished the murals, caring for them as best they knew how. More formal conservation efforts began in 1991, when the artist's admirers formed the Society to Preserve the Millvale Murals of Maxo Vanka. By 2009, the society was ready to launch professional work in earnest — preserving one mural at a time. Doering recalls when she first set foot in the church as a consultant. 'My jaw just dropped,' she said. 'I had never seen anything like this. And I wanted to be part of it.' Locals and foundations alike donated. The society also worked with the parish to repair the roof and upgrade climate control systems. In 2022, the society was awarded a $471,670 grant through the Save America's Treasures program, administered by the National Park Service, enabling recent work on the upper part of the church. A process of art and science The conservation workers began by brushing and vacuuming off loose dirt and soot. They did further cleaning with sponges and cotton swabs by the thousands. Much of the grime, Ruiz said, likely resulted from years of atmospheric pollution, ranging from Pittsburgh's former steel mills to everyday highway traffic. The crew also worked to reverse damage to the plaster caused by atmospheric salts. For Ruiz, the murals have universal themes. 'This story that Vanka was telling was specifically for the Croatian people, but it could also speak towards many immigrant families here in the U.S. and how they felt and how they brought a lot of their culture with them,' she said. An unusual field trip Along with conservation work, the society does educational outreach, bringing in student field trips in tandem with the LIGHT Education Initiative, a Pittsburgh-area program with a mission to equip 'the next generation of humanitarians.' Becky Gaugler, director of education and interpretation for the preservation society, welcomed visiting sixth graders from a nearby school earlier this spring. She told them the murals show 'how we can talk about our own stories in relation to those stories in the past.' One student group gathered beneath two contrasting dinner scenes. In one, a modest family prays over a simple meal of bread and soup. In another, a top-hatted millionaire dines alone, indifferent to the beggar at his feet as an angel weeps. The students debated which table they'd rather join. The rich man has better food, they noted, but the family appears more hospitable. 'They are very grateful obviously for what they have,' observed sixth-grader Corinne Coppler. Seeing the big picture Vaskov said the murals remain central to the parish's identity. Though most services are now in English, the parish still holds a monthly Croatian-language Mass and celebrates other ethnic traditions. The scaffolding supporting the conservation work posed 'a temporary inconvenience to reveal something marvelous,' Vaskov said. It finally came down in late May, in time for the parish's 125th anniversary Mass on June 1. Most of the murals have now undergone conservation. More work lies ahead, but it made an opportunity to savor the latest results. 'When you're up there, you really get caught up in every little spot,' Ruiz said. 'Then I look at the big picture. It's so much better than how it was four months ago. It looks so solid. All the colors just pop.' ___ AP photographer Gene Puskar and AP videographer Jessie Wardarski contributed. ___ Associated Press religion coverage receives support through the AP's collaboration with The Conversation US, with funding from Lilly Endowment Inc. The AP is solely responsible for this content. Error! Sorry, there was an error processing your request. There was a problem with the recaptcha. Please try again. You may unsubscribe at any time. By signing up, you agree to our terms of use and privacy policy . This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. Want more of the latest from us? Sign up for more at our newsletter page .

Where is Trump's military parade taking place? See route, map
Where is Trump's military parade taking place? See route, map

Yahoo

time7 hours ago

  • Yahoo

Where is Trump's military parade taking place? See route, map

President Donald Trump is getting the military parade he's long wanted this year, as the U.S. Army plans to mark its 250th anniversary with a pomp-filled procession through the streets of the nation's capital, a date coinciding with the president's birthday. "The event is designed not only to showcase the Army's modern capabilities but also to inspire a new generation to embrace the spirit of service, resilience, and leadership that defines the United States," according to a May 21 statement on event organizer's website. "The parade will trace the Army's evolution from the Revolutionary War through to the U.S. Army of Tomorrow." Here's what to know about the parade's route and when it takes place. The military parade is slated for Saturday, June 14, in the heart of Washington, D.C., spanning six blocks and bisecting the National Mall. Celebrations and associated events are set to take place throughout the day, starting with a fitness competition at 9:30 a.m. ET, and an assortment of military demonstrations, equipment displays and live music performances throughout the day. Visitors can expect kid zones, more than 50 vendor and experience booths, and meet-and-greats with "Army soldiers, NFL players, influencers and celebrities," according to the U.S. Army event page. Army, Trump love a $40M parade. But nothing is planned for Navy, Marines. On June 14, 1775, the Second Continental Congress voted to establish the Continental Army, organizers say, marking the creation of America's first national military force more than a year before the Declaration of Independence. Trump, US Army throwing military parade: How to get tickets The parade will take place along Constitution Avenue NW, starting at 15th Street alongside the National Mall, near the National Museum of African American History and Culture. The procession will begin at 6:30 p.m. ET, cutting through the mall between the Washington Monument and German-American Friendship Garden on one side and the long grassy expanse of President's Park in front of the White House on the other. The parade will cross in front of Trump's viewing stand on Constitution Avenue south of the White House at about 6 p.m. It will continue in the direction of the Lincoln Memorial, passing by Constitution Gardens and the Vietnam Veterans Memorial before ending at 7:30 p.m. ET on Constitution Avenue NW and 23rd Street. A concert at the Ellipse is scheduled to start when the parade ends, and Army officials say a firework display will begin at 9:45 p.m. ET. Contributing: George Petras and Janet Loehrke, USA TODAY. Kathryn Palmer is a national trending news reporter for USA TODAY. You can reach her at kapalmer@ and on X @KathrynPlmr. This article originally appeared on USA TODAY: Trump military parade route; See map of June 14 festivities

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store