logo
Mission: Impossible – The Final Reckoning first reactions are mixed, and that's disappointing

Mission: Impossible – The Final Reckoning first reactions are mixed, and that's disappointing

Digital Trends13-05-2025

In the trailer for Mission: Impossible — The Final Reckoning, Tom Cruise as Ethan Hunt asks someone to trust him one last time. Judging by the first reactions on social media, Cruise is now asking the audience to trust him that he still delivered an action spectacle.
The social media embargo lifted for Mission: Impossible — The Final Reckoning on May 12. The initial reactions are mixed, which comes as a surprise considering how much praise the last few entries have received.
Recommended Videos
Erik Davis of Fandango and Rotten Tomatoes said Cruise takes The Final Reckoning to the next level. 'It's the biggest, wildest, and most consequential Mission movie yet,' Davis wrote on X.
Director Chris McQuarrie and star Tom Cruise truly take #MissionImpossible to the next level with #TheFinalReckoning. Absolutely astonishing action moments meet a sprawling story w/ many nods to past MI films. It's the biggest, wildest and most consequential Mission movie yet.… pic.twitter.com/ocHkxwcv7P — Erik Davis (@ErikDavis) May 13, 2025
Good Day's Chicago Jake Hamilton called the plane sequence 'one of cinema's greatest stunts.' Hamilton wrote, 'Mission: Impossible — The Final Reckoning is a love letter to fans who just rewatched the entire series.'
MISSION: IMPOSSIBLE – THE FINAL RECKONING is a love letter to fans who just rewatched the entire series.
It ties the entire series together as one story rather than 8 entries.
First time I've cried in the series.
Plane sequence is one of cinema's greatest stunts.
I loved it. pic.twitter.com/3HxWtsY3HY — Jake Hamilton (@JakesTakes) May 13, 2025
Indiewire's David Ehrlich had a more negative reaction, calling it 'dull and dysfunctional.' Despite praising the set pieces, Ehrlich was ultimately disappointed by The Final Reckoning, calling it a 'massive heartbreaker.'
Mission: Impossible — The Final Reckoning is dull and dysfunctional in a way i didn't think this franchise was capable of. setpieces are obviously incredible, but as someone so supportive of Cruise's crusade to save the movies and whatnot this was a massive heartbreaker. — david ehrlich (@davidehrlich) May 13, 2025
Griffin Schiller compared Final Reckoning to The Rise of Skywalker, saying it 'plays like an egregious franchise greatest hits.'
While not as bad as TROS, FINAL RECKONING is undoubtedly cut from the same cloth. Plagued by insecurity, MISSION: IMPOSSIBLE 8 plays like an egregious franchise greatest hits. Scenes have no beginning or end, it's scatterbrained nonsense – a constant flow of exposition &… pic.twitter.com/uCOclGGAsl — Griffin Schiller (@griffschiller) May 13, 2025
Mission: Impossible is the gold standard for action franchises, so it's disappointing to read about the mixed reactions. Cruise's action sequences, including the death-defying plane stunt, will certainly be a highlight. However, the conflicting reception is not ideal, especially for a franchise that might have to disappear for the foreseeable future before Cruise returns or another actor steps in as the new lead.
Cruise headlines The Final Reckoning as Ethan Hun, the IMF agent who must race to find the Entity and destroy it before it gets into the wrong hands. The ensemble includes Hayley Atwell, Ving Rhames, Simon Pegg, Esai Morales, Pom Klementieff, Henry Czerny, Mariela Garriga, Holt McCallany, Janet McTeer, Nick Offerman, Hannah Waddingham, Tramell Tillman, Shea Whigham, Greg Tarzan Davis, Charles Parnell, Mark Gatiss, Rolf Saxon, Lucy Tulugarjuk and Angela Bassett.
Christopher McQuarrie directs from a screenplay he co-wrote with Erik Jendresen.
Mission: Impossible — The Final Reckoning opens in theaters on May 23.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Aaron Rodgers officially signs one-year contract with Steelers worth over $13 million: report
Aaron Rodgers officially signs one-year contract with Steelers worth over $13 million: report

Fox News

time23 minutes ago

  • Fox News

Aaron Rodgers officially signs one-year contract with Steelers worth over $13 million: report

Aaron Rodgers is officially headed to Pittsburgh next season. The four-time league MVP officially signed a contract with the Pittsburgh Steelers on Saturday and will address the media on Tuesday for the first time following the team's first minicamp practice, the Steelers' senior director of communications Burt Lauten announced on X. Rodgers, 41, signed a one-year deal worth up to $19.5 million with incentives, which includes a $10 million guarantee, ESPN reported, citing sources. The news, first reported on Wednesday, ended months of speculation as to whether Rodgers would return for another NFL season or enter retirement after a failed two-year stint with the New York Jets. Rodgers addressed the rumors about his decision and his time with the Jets, during an appearance on "The Pat McAfee Show" in April. He said he had spoken to several teams, including New York Giants head coach Brian Daboll and Minnesota Vikings coach Kevin O'Connell, whom he is in regular contact with. "I'm open to anything and attached to nothing. Retirement could still be a possibility, but right now my focus is and has been and will continue to be on my personal life … there's still conversations that are being had." Ultimately, the veteran NFL quarterback decided Pittsburgh would be where he would play his 21st season. Rodgers' arrival solves the Steelers' quarterback problems – at least for now – after Russell Wilson and Justin Fields both signed with New York Teams. Now Rodgers will battle Mason Rudolph, who signed a two-year contract in March, for the starting position. Follow Fox News Digital's sports coverage on X, and subscribe to the Fox News Sports Huddle newsletter.

An AI Film Festival And The Multiverse Engine
An AI Film Festival And The Multiverse Engine

Forbes

time23 minutes ago

  • Forbes

An AI Film Festival And The Multiverse Engine

In the glassy confines of Alice Tully Hall on Thursday, the third annual Runway AI Film Festival celebrated an entirely new art form. The winning film, Total Pixel Space, was not made in the traditional sense. It was conjured by Jacob Adler, a composer and educator from Arizona State University, stitched together from image generators, synthetic voices, and video animation tools — most notably Runway's Gen-3, the company's text-to-video model (Runway Gen-4 was released in March). Video generation technology emerged in public in 2022 with Meta's crude video of a flying Corgi wearing a red cape and sunglasses. Since then, it has fundamentally transformed filmmaking, dramatically lowering barriers to entry and enabling new forms of creative expression. Independent creators and established filmmakers alike now have access to powerful AI tools such as Runway that can generate realistic video scenes, animate storyboards, and even produce entire short films from simple text prompts or reference images. As a result, production costs and timelines are shrinking, making it possible for filmmakers with limited resources to achieve professional-quality results and bring ambitious visions to life. The democratization of content creation is expanding far beyond traditional studio constraints, empowering anyone with patience and a rich imagination. Adler's inspiration came from Jorge Luis Borges' celebrated short story The Library of Babel, which imagines a universe where every conceivable book exists in an endless repository. Adler found a parallel in the capabilities of modern generative machine learning models, which can produce an unfathomable variety of images from noise (random variations in pixel values much like the 'snow' on an old television set) and text prompts. 'How many images can possibly exist,' the dreamy narrator begins as fantastical AI-generated video plays on the screen: a floating, exploding building; a human-sized housecat curled on a woman's lap. 'What lies in the space between order and chaos?' Adler's brilliant script is a fascinating thought experiment that attempts to calculate the total number of possible images, unfurling the endless possibilities of the AI-aided human imagination. 'Pixels are the building blocks of digital images, tiny tiles forming a mosaic,' continues the voice, which was generated using ElevenLabs. 'Each pixel is defined by numbers representing color and position. Therefore, any digital image can be represented as a sequence of numbers,' the narration continues, the voice itself a sequence of numbers that describe air pressure changes over time. 'Therefore, every photograph that could ever be taken exists as coordinates. Every frame of every possible film exists as coordinates.' Winners at the 3rd Annual International AIFF 2025 Runway was founded in 2018 by Cristóbal Valenzuela, Alejandro Matamala, and Anastasis Germanidis, after they met at New York University Tisch School of the Arts. Valenzuela, who serves as CEO, says he fell in love with neural networks in 2015, and couldn't stop thinking about how they might be used by people who create. Today, it's a multi-million-user platform, used by filmmakers, musicians, advertisers, and artists, and has been joined by other platforms, including OpenAI's Sora, and Google's Veo 3. What separates Runway from many of its competitors is that it builds from scratch. Its research team — which comprises most of the company — develops its own models, which can now generate up to about 20 seconds of video. The result, as seen in the works submitted to the AI Film Festival, is what Valenzuela calls 'a new kind of media.' The word film may soon no longer apply. Nor, perhaps, will filmmaker. 'The Tisches of tomorrow will teach something that doesn't yet have a name,' he said during opening remarks at the festival. Indeed, Adler is not a filmmaker by training, but a classically trained composer, a pipe organist, and a theorist of microtonality. 'The process of composing music and editing film,' he told me, 'are both about orchestrating change through time.' He used the image generation platform Midjourney to generate thousands of images, then used Runway to animate them. He used ElevenLabs to synthesize the narrator's voice. The script he wrote himself, drawing from the ideas of Borges, combinatorics, and the sheer mind-bending number of possible images that can exist at a given resolution. He edited it all together in DaVinci Resolve. The result? A ten-minute film that feels as philosophical as it is visual. It's tempting to frame all this as the next step in a long evolution; from the Lumière brothers to CGI, from Technicolor to TikTok. But what we're witnessing isn't a continuation. It's a rupture. 'Artists used to be gatekept by cameras, studios, budgets,' Valenzuela said. 'Now, a kid with a thought can press a button and generate a dream.' At the Runway Film Festival, the lights dimmed, and the films came in waves of animated hallucinations, synthetic voices, and impossible perspectives. Some were rough. Some were polished. All were unlike anything seen before. This isn't about replacing filmmakers. It's about unleashing them. 'When photography first came around — actually, when daguerreotypes were first invented — people just didn't have the word to describe it,' Valenzuela said during his opening remarks at the festival. 'They used this idea of a mirror with a memory because they'd never seen anything like that. … I think that's pretty close to where we are right now.' Valenzuela was invoking Oliver Wendell Holmes Sr.'s phrase to convey how photography could capture and preserve images of reality, allowing those images to be revisited and remembered long after the moment had passed. Just as photography once astonished and unsettled, generative media now invites a similar rethinking of what creativity means. When you see it — when you watch Jacob Adler's film unfold — it's hard not to feel that the mirror is starting to show us something deeper. AI video generation is a kind of multiverse engine, enabling creators to explore and visualize an endless spectrum of alternate realities, all within the digital realm. 'Evolution itself becomes not a process of creation, but of discovery,' his film concludes. 'Each possible path of life's development … is but one thread in a colossal tapestry of possibility.'

Marvel Just Unleashed a Giant Galactus Popcorn Bucket For THE FANTASTIC FOUR
Marvel Just Unleashed a Giant Galactus Popcorn Bucket For THE FANTASTIC FOUR

Geek Tyrant

time28 minutes ago

  • Geek Tyrant

Marvel Just Unleashed a Giant Galactus Popcorn Bucket For THE FANTASTIC FOUR

The theatrical merch game has hit new heights with a massive Galactus popcorn bucket for The Fantastic Four: First Steps that's 20 inches wide and 17.5 inches tall. It's glorious. Whether you're there for the movie or just to flex your snack setup, this thing is going to turn heads in your theater lobby like a celestial being demanding tribute in buttery kernels. The collection also includes a H.E.R.B.I.E. popcorn-and-drink combo container, there's even a Fantasticar-shaped popcorn holder because apparently, it's not enough to just eat your popcorn. You have to do it in style. Co-producer Grant Curtis Marvel Studios President Kevin Feige's ambitions for the Fantastic Four, Syaing: "Kevin [Feige] more than anyone really wanted to continue to do those characters justice and put them on the Mount Rushmore of the MCU that they've never been on," Curtis explained. "It goes back to what I just said. The only way you can do that is to take off any handcuffs." He continued: "That's also kind of what we all do for a living, is try to tell the biggest, coolest narrative possible on a fiscally responsible scale. And we've been able to do that." 'Set against the vibrant backdrop of a 1960s-inspired, retro-futuristic world, The Fantastic Four: First Steps introduces Marvel's First Family—Reed Richards/Mister Fantastic, Sue Storm/Invisible Woman, Johnny Storm/Human Torch, and Ben Grimm/The Thing—as they face their most daunting challenge yet. 'Forced to balance their roles as heroes with the strength of their family bond, they must defend Earth from a ravenous space god called Galactus (Ralph Ineson) and his enigmatic Herald, Silver Surfer (Julia Garner). And if Galactus' plan to devour the entire planet and everyone on it weren't bad enough, it suddenly gets very personal.' Directed by WandaVision 's Matt Shakman, the film boasts a high-profile cast led by Pedro Pascal (Reed), Vanessa Kirby (Sue), Joseph Quinn (Johnny), and Ebon Moss-Bachrach (Ben), with a supporting lineup that includes John Malkovich, Natasha Lyonne, Paul Walter Hauser, and Sarah Niles in yet-to-be-revealed roles. The script was originally written by Jeff Kaplan and Ian Springer, it was revised by Cameron Squires and Avatar: The Way of Water co-writer Josh Friedman, with Eric Pearson ( Thor: Ragnarok, Black Widow ) giving it the final pass. The Fantastic Four: First Steps in theaters on July 25, 2025. Until then, you'll find us camping outside the concession stand, measuring our shelves to see if Galactus will fit.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store