
‘How To Train Your Dragon' (2025) Review - A Live-Action Remake Done Right
An unsung curse that has plagued the cinematic landscape for years now is that of the dreaded 'live-action remake'. Despite coming on strong with Jon Favreau's Jungle Book reimagining in 2016, just about every genre entry since has suffered from a lack of color and inspiration in favor of a bland, play-by-play remake of whatever animated classic is being castrated.
That is, until Dean DeBlois decided to tackle his own How to Train Your Dragon franchise, sculpting the live-action reformation with the same hands that created the original. The result is, in a rarity for the type, almost as magical as the original animated release was in 2010. DeBlois and Dreamworks didn't just get this one right — they set a new standard.
While the live-action makeover's narrative is almost a one-to-one retelling of the first movie, it sets itself apart with strong casting and unique visuals. In an age of much more expensive movies looking unrealistic and unconvincing, the remake of a children's dragon movie coming onto the scene with some of the best visual effects in the last half-decade was certainly unexpected; yet, here we are.
How to Train Your Dragon simply looks fantastic. The franchise's cartoonish sensibilities are not lost in live-action, like many feared they would be; instead, they're adapted in style, lending themselves to the realistic look of the titular creatures without losing the whimsy that makes them feel so unbelievably special. Toothless, especially, is flawlessly executed here. His characterization (which, of course, relies entirely on expressions) strongly translates to the film's relatively grounded visual palette. If anything, he stands out more in this one than he did in the original. Just fantastic work across the board in that regard here.
Mason Thames as Hiccup, situated aside Toothless for most of the runtime, is nothing short of a stroke of genius in this adaptation. His interactions with the computer-generated dragon are terribly convincing and wonderfully spirited, and his bouts of emotion with the rest of the village, especially Gerard Butler's Stoick, his father, are staunch standouts. Butler voiced the character in the animated trilogy, but his role reprisal here isn't as simple as it seems. Seeing him in costume and working alongside the rest of the cast in physical form adds a new layer to his delivery as the character. He and Thames create the perfect sort of jagged, confused, painfully loving father/son relationship that the narrative necessitates at the center of the movie. Each of them plays a huge role in the third act's emotional weight, elevating every scene they're in and then some.
On that final act, it too is brilliantly done here. While the original film still stands a little taller in most regards, if not only for the reason that it was the first to tell this story on the big screen, the last thirty minutes of the new retelling may actually be a tad stronger. How to Train Your Dragon's scale, from the moment the characters meet at the dragons' lair, is that of a true, proper blockbuster. It's clear that much of the money went to the last few scenes, but the result is a truly dazzling sequence of stakes taking physicality in the form of fire, beating wings, and lone teardrops. If anyone, by that point, is still asking the question: 'Why did this need to be made?' That scene answers it.
Was this movie necessary? On the whole, perhaps not. But is it welcome? Absolutely. Prior to this release, it had been more than a decade since audiences were able to see this classic story told at the cinema. For the first movie's director to return to retell it in this form, and to this degree, is a true delight. How to Train Your Dragon is the best live-action remake of an animated movie ever. Point, blank, period. Here's to hoping they tackle the sequels next.
How To Train Your Dragon will debut exclusively in theaters on June 13, 2025, courtesy of Universal.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Associated Press
32 minutes ago
- Associated Press
Highlights of the Tony Awards: Radio City becomes the room where it happens for a 'Hamilton' reunion
NEW YORK (AP) — Even the ushers at Radio City Music Hall seemed thrilled to be in the room where it happened. A few of them could be seen grooving, like everyone else at Sunday's Tony Awards, to the 'Hamilton' reunion performance — a medley of some of that blockbuster musical's biggest songs, performed by the original cast. The occasion was the 10th anniversary of Lin-Manuel Miranda's juggernaut that spawned multiple touring companies, a West End production and a live-capture film — and is still going strong. But while the theater was buzzing to songs like 'My Shot,' 'The Schuyler Sisters,' 'History Has Its Eyes on You,' and 'The Room Where It Happens,' some people were unfortunately NOT in the room where, er, it was happening. They were the ones who'd taken a trip to the bar or stroll around the lobby, and were then held from entering until the next commercial break — missing perhaps the night's most anticipated highlight. They'd also have missed the entire audience singing along with Jonathan Groff, aka King George, 'Da-da-da, dat-da, dat, da-da-da, da-ya-da, Da-da, dat, dat, da-ya-da.' Note for next year: Exit at your peril! Some other notable moments from Tony night: Cole Escola plans a call to Mom, thanks a Grindr date Most award winners thank Mom, their agents, their co-stars, their spouses. Cole Escola, one of the major stars of this Tony night, promised Mom a call, but also decided to thank 'Teebo from Grindr' — the dating app — when accepting the award for lead actor in a play. Escola is star and writer of the riotous 'Oh, Mary!' — a reimagining of the life of Mary Todd Lincoln (and her beleaguered husband, Abe) that addresses the question: What if the Lincoln assassination wasn't such a bad thing for Mary? (Mary wants to be a cabaret star, you see.) The show is seeing audiences collapse in laughter for 80 minutes every night on Broadway. To nobody's surprise, Escola, a downtown cabaret star, beat out high-wattage competitors like George Clooney and Daniel Dae Kim for the acting award. They mentioned their co-nominees in their speech, saying they had enjoyed sharing 'warm salads' at pre-awards lunches. Escola is the first nonbinary actor to win a Tony in the category. And this guy's still single When 'Maybe Happy Ending' writers Hue Park and Will Aronson accepted the award for best book of a musical, Park felt it necessary to point out that they weren't an actual couple. 'I am very much single,' he clarified, for anyone wondering. Then later, when the duo won for best score, Park deemed a reminder necessary: 'By the way, I'm still single.' And then 'Maybe Happy Ending,' the charming and quirky romance between decommissioned robots in a futuristic Korea, won the big prize: best musical. Park did not get the mic. But producer Jeffrey Richards did, and he reminded the crowd: 'Hue is still single.' Broadway as home, sweet home Cynthia Erivo, the 'Wicked' star and powerhouse vocalist hosting the evening, said it first: 'As they apparently say in a very fertile piece of intellectual property, 'she said with a wink, 'there's no place like home. And Broadway has always been mine.' It's a familiar theme on Tony night: the theater community as a welcoming haven for those who may feel different or unseen. It was echoed by Harvey Fierstein, winner of a lifetime achievement award, describing how he joined the theater after being welcomed by a company in Brooklyn. And it was expressed very emotionally by Nicole Scherzinger, winning best actress in a musical for 'Sunset Blvd.' 'Growing up, I always felt like I didn't belong,' said Scherzinger, former lead singer of the pop group Pussycat Dolls who plays Norma Desmond in the minimalist version of the Andrew Lloyd Webber show. 'But you all have made me feel like I belong, and I have come home at last.' Those last words echo the lyrics of one of Desmond's big numbers, 'As If We Never Said Goodbye.' 'So if there's anyone out there who feels like they don't belong, or your time hasn't come, don't give up,' Scherzinger continued. 'Just keep on giving and giving because the world needs your love and your light now more than ever.' You really COULD have heard a pin drop There's always lots of chatter going on during an awards show. But the way the crowd quieted down during Audra McDonald's powerful, agonized performance of 'Rose's Turn' from 'Gypsy' was striking. In the song's quiet moments, you heard utter silence in the vast room. McDonald, Tony's most awarded actor, is clearly revered by the theater community, who cheered her with standing ovations. But the award she was up for went to Scherzinger. 'Succession,' succeeding again It's been two years since HBO's 'Succession' ended, but its stars keep turning up at awards shows — and often winning. Jeremy Strong won a Tony last year and was nominated for an Oscar this year. Kieran Culkin won an Oscar this year and is appearing on Broadway this season, though he wasn't nominated. And now it was the turn of Sarah Snook — Emmy and Golden Globe winner — to win a Tony. Snook, who played mercurial sibling Shiv Roy in the series, took the Tony for best actress in a play for 'The Picture of Dorian Gray,' in which she plays all 26 roles. Remembering a friend Former Tony winner and musical theater regular Gavin Creel, who died last year of cancer, was a friend to many in the theater community, and was remembered more than once on Tony evening. During the early pre-show, actor Celia Keenan-Bolger was honored with the Isabelle Stevenson award, for her advocacy work in the arts. She spoke movingly of her deep friendship with Creel and their advocacy work together. Later, singer/actor Sara Bareilles performed a soulful duet of 'Tomorrow' from 'Annie,' harmonizing with Erivo, during the memorial segment. That segment ended with a photo of Creel, also a dear friend to Bareilles, and the singer teared up. Both Bareilles and Keenan-Bolger are involved with the Gavin Creel Fellowship, an initiative that plans to provide $25,000 grants to five emerging theater actors each year. And she is telling you she's not going The final award had been announced by presenter Miranda — best musical to 'Maybe Happy Ending' — and the audience started to disperse. But Erivo had another idea. Riffing on the concept of leaving, she launched into the famous 'Dreamgirls' ballad 'And I Am Telling You I'm Not Going' — with rewritten lyrics. It was a yet another powerhouse performance from someone who has one of the best voices on the planet. The audience stopped dispersing — and started cheering.


Forbes
38 minutes ago
- Forbes
Morgan Wallen Joins The Beatles And Led Zeppelin In A Huge Chart Feat
Morgan Wallen easily holds onto the top spot on the Billboard 200 this week as his latest full-length I'm the Problem racks up another massive sum. Luminate reports that the blockbuster moved 286,000 equivalent units in the past tracking frame – its second full period of availability – in the United States alone. That sum is several times greater than that of SOS, the runner-up on the Billboard 200. Wallen's success extends beyond the highest rung on the ranking and his latest project, as Americans are still intensely consuming all of his work. This week, that continued attention – especially on streaming platforms – helps him join a very exclusive club. Wallen fills a trio of spaces inside the top 10 on the Billboard 200 this week. As I'm the Problem holds steady at No. 1, One Thing at a Time remains in fourth place, and Dangerous: The Double Album returns to the region, pushing from No. 12 to No. 10. The singer-songwriter is now the first musician known solely for country music to land a trio of top 10s at the same time, and he's in fairly fantastic company when genre lines are erased. According to Billboard, the last musician to fill three spots inside the top 10 on the Billboard 200 before this frame was Kendrick Lamar. He managed to do so just a few months ago, following his headline performance slot at the Super Bowl. The rapper pushed his latest full-length GNX to No. 1, while Damn. and Good Kid, M.A.A.D City narrowly broke back into the loftiest tier. Seven other musical acts have laid claim to at least three spots inside the top 10 at once, and in some instances, artists have managed even greater performances. That roundup includes Peter, Paul and Mary, The Beatles, Herb Alpert, Whitney Houston, Led Zeppelin, Prince, and Taylor Swift. Both Swift and Prince stand out as the acts that have owned half of all available real estate inside the top 10 on the Billboard 200 at one time.


Buzz Feed
42 minutes ago
- Buzz Feed
Mason Thames & Nico Parker Play Know Or No
The new How To Train Your Dragon live action film is finally out now and we got the new stars Mason Thames & Nico Parker to play Know or No for Seasoned & BuzzFeed UK