The UK banned sending game controllers to Russia. What's the point?
THE HAGUE, Netherlands — The United Kingdom has banned the export of video game controllers to Russia, claiming the devices are being repurposed to pilot drones on the front lines in Ukraine. Experts say this move highlights the blurring lines between consumer electronics and modern warfare.
The episode also shows how bureaucrats far from the frontlines in Ukraine play a role in determining the face of the conflict by deciding what can and cannot be sold to either side. But as general-purpose consumer items have come to be used as weapons of war, the task of setting export controls may sometimes seem like a fight against windmills.
The United Kingdom's new trade restriction comes alongside a list of other items now immediately prohibited for export to Russia, including software for oil exploitation, specific chemicals and a range of electronic devices. A total of about 150 new line items were added to the already extensive list of British export prohibitions.
'Gaming consoles will no longer be repurposed to kill in Ukraine,' said Foreign Office minister Stephen Doughty of the new list's most headline-grabbing item. The UK government said the aim was to hamper Russia's ability to attack and throw a wrench into its industrial war machinery, as has been the stated goal of sanctions for the past three years.
The U.S. and EU have similar sanctions regimes in place, with the latter adding joysticks and game controllers earlier this year.
Nonetheless, questions remain over the effectiveness of such measures.
'If Russia wants video game controllers, they are going to find video game controllers,' said Robert Shaw, program director of the Export Control and Nonproliferation Program at the Middlebury Institute of International Studies' James Martin Center for Nonproliferation Studies. China is the likely source of the vast majority of these devices making their way to Russia already, he added.
Most video game controllers are manufactured in China or Japan, with very few, if any, produced in the UK. This raises questions about the practical effect of the ban, as it would only prevent re-exports through British ports rather than cutting off a significant manufacturing source.
The strength of sanctions by countries like the U.K. and the EU, which have limited domestic mass production of electronics but highly advanced technology, lies primarily in limiting access to cutting-edge tech in domains where the West holds a competitive edge, experts argue. These items, and the know-how needed to use or make them, are not readily available elsewhere, which means limiting their distribution is easier and more effective.
Indeed, the UK's own export control laws are written to this effect, restricting the ability to transfer technology that is required for the development, production, or use of controlled goods to Russia.
Video game controllers don't exactly fit the description of a niche European high-tech item like the Dutch microchip-making machines central to global computer production, specialized British telecommunications devices or German instruments for measuring microscopic vibrations.
But that doesn't mean the ban is without merit, said Shaw, the export control specialist. For one, it's good publicity and grabs people's attention, which is of value in its own right, he said.
'It will have an impact in increasing awareness of the dual-use nature of so many items and how they can be used to advantage in an active military conflict,' Shaw said. Particularly the video game enthusiast and consumer electronics worlds have shown keen interest in this story, despite not being the usual target audience for the dry minutiae of British sanctions policy.
'Having that little bit of awareness might be enough to ask questions regarding new business partners or strange shipping routes that are going to Central Asia,' Shaw explained. It can help raise red flags when something is amiss, leading to questions like 'why are they ordering these, and why are we sending them to a market that's very small?'
Central Asian countries, Turkey and India, among others, have served as key transshipment hubs to evade Western sanctions and import restricted goods to Russia.
The ban also broadens the legal framework available to UK authorities to combat illicit trade with Russia. If a shipment coming from the UK is seized on suspicion that it might be diverted for military use by Russia against Ukraine, Shaw said, authorities could seize it and start investigating on firm legal ground.
Although Western allies tend to have closely matching sanctions lists, China, the origin of most of the electronics flowing into Russia, is unlikely to follow suit in formally banning controllers. But there is the possibility that Beijing may exert informal influence. Clouded in diplomatic language, Chinese government officials have in the past tried to walk a tightrope between supporting their 'strategic partner,' Russia, and staying in good graces with Western governments. And some Chinese companies may even feel it best to hold off on some sales for risk of jeopardizing their position in Western markets, Shaw noted.
Indications that this may be happening already exist.
DJI, the major Chinese consumer drone maker, said it has addressed the use of its products in war zones, for example.
The company released a statement just months into Russia's invasion of Ukraine, saying that 'we absolutely deplore any use of our products to cause harm.' Distributors, resellers and business partners 'have committed … not to sell DJI products to customers who clearly plan to use them for military purposes,' the statement said.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Hamilton Spectator
13 minutes ago
- Hamilton Spectator
The Dutch queen unveils a bell made from Russian weapons to show solidarity with Ukraine
PRAGUE (AP) — Queen Maxima of the Netherlands handed over a bell made partly from Russian weapons to a church in the Czech Republic on Thursday in a sign of solidarity with Ukraine. Known as the Bell of Freedom, it was manufactured by the Dutch Royal Eijsbouts bell foundry that used fragments of artillery shells and other weapons fired by Russia against Ukraine . 'This bell has a lot of symbolism in it and it's a very special project for us,' the owner of the bell foundry, Joost Eijsbouts, told the Czech public radio. 'To use material designed for violence and turn it into something peaceful is a good idea.' The bell will be installed in the tower of the Church of the Holy Saviour in Prague, in place of one of the original bells that were seized by the Austro-Hungarian army and turned into weapons during World War I. The Czech Republic and the Netherlands support Ukraine in its fight against Russian troops. The ceremony at the church, attended by Czech President Petr Pavel and his wife Eva, was meant to be one of the highlights of the Dutch royal couple's stay in Prague. But King Willem-Alexander had to cut short the trip and returned home late Wednesday due to the collapse of the Dutch government . Error! Sorry, there was an error processing your request. There was a problem with the recaptcha. Please try again. You may unsubscribe at any time. By signing up, you agree to our terms of use and privacy policy . This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. Want more of the latest from us? Sign up for more at our newsletter page .


CNN
26 minutes ago
- CNN
Designing the Serpentine Pavillion is an architect's dream job. Meet the woman behind this year's building
Even on a grey, drizzly morning in London, entering this year's Serpentine Pavilion — the 25th architectural structure to be erected in Kensington Gardens — will bathe you in a warm glow. Packed in between curved wooden beams, translucent honeyed yellow square panels filter the weak sunlight into a more inviting summer afternoon hue. 'I try to work with light,' architect Marina Tabassum told CNN ahead of Friday's public opening. 'On a sunny day, it's glowing. But even when it's not sunny you get to see a softer effect of the light coming through.' Since 2000, the chance to design a public space in the center of London is awarded by the Serpentine Gallery each year to an architect who hasn't built in Britain before. 'London as a global city has a very international exchange with music, fashion and art,' said gallery co-director Hans Ulrich Obrist, who has been working on the project every summer since 2006, in a video call. 'It's an interesting paradox. The UK has produced so many architects who radiate internationally… But has not historically welcomed foreign architects to build (here.).' Tabassum, who founded her own architectural firm in Bangladesh in 2005, is more used to building temporary structures for climate refugees in India than manicured European public spaces. In 2023, she designed flood-proof, flat-pack homes for those living in Bangladesh's river deltas — where heavy riverbank erosion has resulted in entire towns lost to water. The tall, free-standing treehouses were designed to be folded and moved elsewhere by their inhabitants who, because of the area's vulnerability to climate change, live a transitory lifestyle. Impermanence, therefore, is a key part of Tabassum's architectural DNA. 'When I started studying architecture, (my university) was always referencing (architect) Louis Kahn's (Capitol Complex in Dhaka),' she said, referring to National Parliament Building. 'It has a presence which gives you the sense that architecture is here to stay, that it can last for maybe hundreds of years… Once we started working more in the coasts of Bangladesh, in the places where land constantly moves, that's when we realized that architecture doesn't have to be static.' While this might be her first building project in the UK, as well as outside of Bangladesh , according to Tabassum, her familiarity with constructing for the present, rather than forever, is what made the project less daunting. 'The pavilion seemed almost similar (to my previous work),' reflected Tabassum, who has traveled to London several times to see the past structures in person. 'It has a different shape and form, but it actually holds similar values.' Titled 'A Capsule in Time,' Tabassum's pod-shaped shelter is made entirely of wood . In its center stands a semi-mature gingko tree — a rare climate resistant species of flora that can withstand temperatures ranging between -30 to 100 degrees Fahrenheit. The tree's symbolic defiance is 'the heart and soul of the entire space,' said Tabassum, and will remain in the gardens after the structure is disassembled. The first Serpentine Pavilion was designed by Zaha Hadid — the celebrated Iraqi-British architect and artist who, at the time, had never built in the country, even after three decades of living in the UK. The marquee was intended to be a one-night shelter for a fundraising dinner organized by the gallery, but the unique shape and atmosphere of Hadid's work struck one attendee in particular: former member of parliament and then secretary of state for culture, media and sport, Lord Chris Smith. 'There was a lot of excitement around it,' said Obrist. Smith was able to receive the correct planning permission that enabled the single-use tent to stand for three months. 'Everyone was very surprised by the idea that the pavilion could stay a bit longer,' Obrist added. In the 25 years since then, the Serpentine has platformed celebrated 'starchitects' like Rem Koolhaas to Frank Gehry, as well as giving lesser-known names their big UK break. 'The pavilion in our architectural world is something quite exciting,' said Tabassum, noting that 'for a long time, we (architects) look forward to who will be making it and what will be the design.' For some, it's a gateway to international acclaim and opportunity. Two former pavilion designers have gone on to win Pritzker Prizes — including Liu Jiakun, who took home the honor this year — while others, such as Kazuyo Sejima and Ryue Nishizawa, have been awarded RIBA Royal Gold Medals. Many go on to secure prestigious new projects restoring or reimagining global landmarks. 'Initially the pavilion scheme was very much focused on well-known architects who had long careers,' said Obrist. 'It's really exciting now that we can also work with more emerging voices.' While it may seem reductive to draw a straight line from the Serpentine's summertime structures to illustrious, award-winning architectural careers, the pavilion offers up-and-coming talent a powerful springboard to the global stage. At least that is the opinion of Diébédo Francis Kéré, the other pavilion designer that went onto win the Pritzker Prize (and was the first Black architect to receive the honor). The Burkinabé-German designer was celebrated for the geometric, cobalt blue pavilion that he erected in 2017. 'When I was called to do it, I didn't believe it was me,' Kéré said over the phone from Berlin. 'I was not that established when I did the Serpentine pavilion. Yes, I was established with the work that was (built) in Africa, but being recognized internationally — it was because of the Serpentine.' Last year Frida Escobedo, who was the youngest architect to design the pavilion in 2018, was commissioned to help renovate two major institutions — the Metropolitan Museum in New York and the Centre Pompidou in Paris. Her new wing at the Met, set to open in 2030, will be the first designed by a woman in the museum's 154-year history. Similarly, Lina Ghotmeh, the Lebanese-born, France-based architect behind the 2023 canteen-style pavilion named 'Á Table,' is currently working on revamping the British Museum in London. 'It was a lovely experience,' she told CNN of her Serpentine project from her studio in Paris. '(The pavilion) attracts so many people from different disciplines. Sometimes architecture tends to be an enclosed profession,' said Ghotmeh. 'I think it's really a great way to get architecture closer to the public.' According to Obrist, it's London's running community who are the most appreciative of the space. The sloping, circular ramp of Olafur Eliasson and Kjetil Thorsen's 2007 pavilion (which was compared at the time to a giant spinning top) was 'a jogger's favourite ramp,' said Obrist. 'Gehry was great for stretching,' he added of the 2008 timber theater — whose haphazard wooden roof always appeared on the brink of collapse. After its four-month run, the pavilion is dismantled and carefully stored away — though hopefully not for long. 'The pavilions always find a second life somewhere,' said Obrist, who adds that they are only ever sold for the price of the material and what it costs to build. Chilean architect Smiljan Radić's 2014 futuristic shell-like structure now lives in the English countryside at Hauser & Wirth Somerset, nestled in the gallery's wildflower meadow; while Japanese designer Sou Fujimoto's mesmeric shimmering matrix from 2013 is permanently installed outside the National Art Gallery in Tirana, Albania. Gehry's crumbling wooden creation resides in a vineyard in Aix-en-Provence, and Kéré's work was bought by the Ilham Gallery in Kuala Lumpur, Malaysia. Once every pavilion is reinstated — and at least four are privately owned by collectors — Obrist hopes to one day design a map marking their forever homes for tourists and travelers . 'Maybe when (people) are in a different city they can go and visit them, which would be fun.' Tabassum has already begun considering the retirement plan for 'A Capsule in Time.' Her main desire is not so different from that of the many Brits who will be visiting the building this summer: 'I really hope it goes to a place where there is nice sun and a sunny atmosphere,' she told CNN, 'so that it gives you that glowing feeling once you're inside that space.'


Washington Post
27 minutes ago
- Washington Post
The Dutch queen unveils a bell made from Russian weapons to show solidarity with Ukraine
PRAGUE — Queen Maxima of the Netherlands handed over a bell made partly from Russian weapons to a church in the Czech Republic on Thursday in a sign of solidarity with Ukraine. Known as the Bell of Freedom, it was manufactured by the Dutch Royal Eijsbouts bell foundry that used fragments of artillery shells and other weapons fired by Russia against Ukraine .