
The Edinburgh flats living in the shadow of Trainspotting
When tour buses drove past the Banana Flats on the way to Edinburgh's Port of Leith, guides with microphones would describe it as the "Trainspotting building".Cables Wynd House gets a passing mention as the childhood home of Simon "Sick Boy" Williamson in Irvine Welsh's 1993 novel, but for modern tenants, issues are far from fictional.They have accused City of Edinburgh Council of breaching their human rights over the condition of the A-listed block, citing damp, mould, pests and broken lifts ahead of a delayed "retrofit" due to start next year.The authority says the multi-million pound investment will "address concerns" but residents are sceptical and worry the building's fearsome reputation means they have been "forgotten".
The Cables Wynd House Residents Group presented a report to the council last month.They said rights including the right to adequate housing, children's rights and the rights of people with disabilities were being breached by the condition of the building.All but four of the 212 flats in the block, which celebrates its 60th anniversary this year, are owned by the council.The bus tours have now halted their stop outside the flats after complaints from tenants.
Kirsty Chatwood said the notoriety of the building meant residents' voices "were not listened to".Ms Chatwood, 48, experienced severe issues with black mould in her flat from a botched bathroom repair.She said the block "did not deserve" its reputation."Because of Trainspotting and the reputation of the building, we are not respected, our voices are not respected," she said."We're seen as all being drug addicts, like we all have ASBOs, when in fact we are basically a small village."If the refurbishment goes through, if they fix everything they say they are going to fix; the building is going to be amazing, but promises here are rarely kept".
Tenants have also complained about anti-social behaviour, drug use and human waste in communal stairwells.Some are scared to use any of the four "creaking and claustrophobic" lifts in the building due to "violent shaking" and fears of becoming trapped inside.But they also claim there is a "severe lack of accountability" when it comes to requesting work to be carried out by Repairs Direct, the council's in-house maintenance service.Stacey Panda spent six years fighting to have her daughter's bedroom replastered after discovering black mould covering parts of the wall and floor.Ms Panda, 37, said she noticed the "smell of damp" when she moved in to her flat in 2015.
She was forced to sleep on a mattress in her living room with her youngest daughter for several months until the issue was eventually resolved in 2021.But by then, mould had been found on the legs of her daughter's cot, in a wardrobe and a box of family memories including pictures and outfits worn by her two children.She said she was "repeatedly dismissed" by the council during that process and given incorrect advice on how to deal with the problem.She said: "There has been a lot of times where I feel I have failed my kids."My youngest refuses to go in the lift because she was trapped in one for a short period once. The noise absolutely terrifies both my children and we hear it all the time."It feels like they are banking on the retrofit fixing every single problem, but how? How are they going to ensure that? There has been nothing that makes us feel comfortable about it."
A street in the sky
The flats were seen as an innovative solution to Edinburgh's post-war housing challenges when they were completed in 1965.Properties are accessed by open decks, inspired by similar housing schemes in France, which aimed to mimic the experience of living on a tenemented street in the sky.Their unique, curved architecture, designed to make use of limited space, earned them the "banana flats" nickname.In 2017, they were given category A-listed status by Historic Environment Scotland as a leading example of Scottish brutalism.
Allan Mackie said there was a "community" around the flats when he and late wife Betty first moved there in 1968.Mr Mackie, 80, said two bus-loads of families from the block, including their three sons, would leave for a trip to Butlins in Ayr every summer.But he said that had been lost as the condition of the flats was allowed to deteriorate.He has been plagued by problems with mice, which he believes stem from a kitchen refit in 2011.
He said broken window seals have also left his bedroom "like an igloo" at night.On Mr Mackie's landing, a two-foot (60cm) long crack in the wall and a window held in place by duct tape mean it regularly floods when it rains.He has also repeatedly complained about rusting, corroded metalwork and plaster in stairwells peeling off the walls.Mr Mackie said he has "no faith" in the planned refurbishment."The retrofit is a waste of time," he said."As far as we are concerned, the council is non-existent. They talk about the retrofit like it is the be all and end all. But in the meantime, the building is just allowed to fall apart."It is like the council are trying to ignore us into submission."
The council is due to meet the residents' group on 27 February to issue an official response to their report, compiled with the help of Inspiring Leith, part of the Bethany Christian Trust.Hannah Kirby, community development worker at Inspiring Leith, said the issues were affecting residents' health.She said: "The work residents have done is incredible, we just wish they didn't have to spend so much time campaigning for adequate housing in the first place."
The retrofit project, which was due to get under way this year, will see a new heating system installed and new kitchens fitted.Roofs, foyer areas, entrances, fire doors, stairwells and communal landings will also be upgraded.Lift upgrades and repairs were not included in the original retrofit plans until the group pressured the council.Three of the building's four lifts will now be replaced as part of the project, but that will take a year to complete.The council's housing convener, Lezley Marion Cameron, said: "We are committing a significant investment of £69m in Cables Wynd House to address the concerns of our tenants, as set out in this report."Our commitment to our tenants is to make sure everyone is kept informed about when the works start and importantly, what it means for them."Our priority as a council and as a landlord must be and is that all our tenants have a safe, comfortable, and well-maintained home."
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Edinburgh Live
a day ago
- Edinburgh Live
Iconic Edinburgh 'banana flats' bursts into flames as residents evacuated
Our community members are treated to special offers, promotions and adverts from us and our partners. You can check out at any time. More info Residents at the iconic Edinburgh 'banana flats' at Cables Wynd were evacuated after a large fire broke out in a top floor. The incident took place around 10.49pm on Friday (June 6) at Cables Wynd House, which was made famous by its appearance in the 1996 film Trainspotting. Residents were evacuated and nine appliances battled the blaze for hours departing at 7.00am on June 7, about eight hours after arriving on the scene. Footage from the incident shows flames pouring from the window of a flat near the top of the building. Smoke can be seen billowing into the air. A resident of Cables Wynd House told Edinburgh Live: "It was bad. I was a scared if someone was in the flat and I thought we were going to have to leave the building in case it started spreading more. "It was like something exploded. I feel bad for the people [who live there], they have lost all their stuff in the house fire." An announcement was made on the Cables Wynd House Facebook page which called for "neighbourly solidarity" in the face of the terrifying ordeal. It read: "So tonight has been a really scary experience of a fire in the building, a fast evacuation and worries of lives of those anywhere near those flames. "This is a time for all of us to pull together & support each other. In kindness, respect & neighbourly solidarity." A spokesperson from the Scottish Fire and Rescue Service said: "We were alerted to a fire at Cables Wynd House, known locally as the 'banana flats' at 10.49pm on June 6. "We dispatched nine appliances and departed just after 7.00am on June 7. "There are no casualties that we were made aware of."


The Herald Scotland
2 days ago
- The Herald Scotland
The projects transforming Edinburgh's cultural landscape
A cultural revolution stretching across the city will involve a rolling programme of openings of new and reborn venues embracing almost every imaginable art form. Significant gaps in the city's cultural infrastructure will be tackled by some projects, while others will see the future of some of the city's most important landmarks secured. The changes are expected to help the city attract a host of performers and companies who would otherwise bypass the city, as well as encourage a greater geographical spread of the city's festivals and events. The first taste of what is to come will unfold this weekend in Leith Theatre, when the venue reopens for the first time in nearly three years to host performances of a new musical inspired by the classic Scottish film comedy Restless Natives. A 'pop-up summer season' of shows, which also feature a stage adaptation of Leith-born author Irvine Welsh's Trainspotting sequel Porno, was announced shortly before an announcement that the National Lottery Heritage Fund had pledged £4.5 million to get a long-awaited full-scale refurbishment off the ground. The building was originally a gift from Edinburgh to Leith following its controversial amalgamation in 1920, although the venue did not open until 1932 and was forced to close in 1941 after almost being destroyed by a bomb blast during the Second World War. The Leith Theatre Trust launched in the wake of a campaign more than 20 years ago and successfully thwarted city council plans to sell off the building, which closed in 1988 due to its declining condition. Leith Theatre has been reopened on a temporary basis for events like the Hidden Door festival since 2017. (Image: Chris Scott) More than two decades after the original campaign and eight years on from the first of a series of temporary openings for events, including Hidden Door and the Edinburgh International Festival, the trust has also finally secured a 50-year lease from the city council, which was seen as critical to unlock the long-term revamp. Leith Theatre has not been open as a year-round venue since the 1980s. (Image: RYAN BUCHANAN / LEITH THEATRE) Trust chief executive Lynn Morrison described the funding breakthrough as a 'zeitgeist moment' after years of behind-the-scenes efforts to get a refurbishment off the ground. She told The Herald: 'It allows us to develop a plan that celebrates this beautiful building design and original intent while preparing it for its future life. 'By celebrating both heritage and innovation we are creating a space that honours its past while we head full steam in to our exciting future. 'Leith Theatre's potential is extraordinary. It's a space where music, performance and community activity can coexist. This building is and will be for everyone – a cultural treasure on your doorstep.' Edinburgh's reborn Filmhouse cinema is due to open to the public on June 27. (Image: Filmhouse) The campaign to reopen the Filmhouse on Lothian Road may not be as long as the one to bring Leith Theatre back to life, but its supporters will finally be able to celebrate its return this month, after nearly three years of efforts to bring the art house cinema back to life. The Filmhouse had been running for more than 40 years when its doors suddenly closed in October 2022 after its operating company went into administration. Both the cinema and the Edinburgh International Film Festival, which was also run by the Centre for Moving Image, ceased trading with immediate effect. The campaign to bring Edinburgh's Filmhouse cinema back to life saw images of classic films, including Gregory's Girl, projected onto the building. (Image: PA) Within weeks, a Save the Filmhouse campaign was up and running, while a group of former staff launched a bid to raised £2m to buy the building from the administrators after it was put on the open market. Although initially unsuccessful, the four-strong team led by former chief executive Ginnie Atkinson persuaded Caledonian Heritable, the Edinburgh-based bar and restaurant operator who snapped up the building for £2.65m, to agree to negotiations over a potential lease agreement to bring the Filmhouse back to life. Their new charity, Filmhouse (Edinburgh) Ltd, would go on to secure a 25-year lease, and £1.5m in funding from the UK Government to pay for a refurbishment which was seen as critical to the future success of the reopened cinema. A crowdfunding campaign supported by screen industry figures like Jack Lowden, Alan Cumming, Ewen Bremner, Kate Dickie, Charlotte Wells, Dougray Scott, Brian Cox and Emma Thompson has generated £325,000 to date. The fundraising is expected to continue after the planned public opening date on June 27, with a second phase of work expected to add a fourth screen to the venue later in the summer. New seating has been installed in the three screenings rooms, which will have a lower capacity but more leg room, while the much-loved café-bar Ms Atkinson said: 'The whole place is looking absolutely gorgeous. All the seats are in, the café-bar has been completely redone and the foyer looks amazing. It really will be a different place. 'We're really pleased and happy. It's been a long haul, but the reason Filmhouse been sustainable is because we've had so much support from our audiences. 'We also hope that a lot of new people will come and experience Filmhouse for the first time once we reopen.' Although the finishing line will not be reached till next year, the next capital project to completed will be the biggest ever refurbishment of the King's Theatre since it opened in 1906. Laurence Oliver, Noel Coward, Maggie Smith, Simon Callow, Maria Callas, Ian McKellen, Rikki Fulton, Chic Murray, Stanley Baxter, Harry Lauder, Sean Connery, James Corden and Cillian Murphy are among the famous names to have performed at the venue. However, it was said to be at increasing risk of closure without a full-scale refurbishment, which was first explored more than 20 years ago. The revamp, which has been delayed by around three years by the Covid pandemic and a rise in costs, from an estimated £20m in 2018 to more than £40m currently, is finally due to be unveiled in the spring of 2026 ahead of the Edinburgh International Festival returning in the summer. Key improvements include the installation of lifts to improve accessibility throughout the building, refurbished dressing rooms, bar and foyer spaces, the installation of a new 'fly tower,' a new stage and backstage area, a new ground-floor café and box office, and a new studio space. Work is underway to turn the former Royal High School building on Calton Hill into a new National Centre for Music and concert venue. (Image: Richard Murphy Architects) The next big project due for completion after the King's is expected to be the National Centre for Music, the project which will finally bring the long-running saga over one of Edinburgh's most prominent landmarks to an end. Work is well underway to transform the former Royal High School building on Calton Hill into a new National Centre for Music and concert venue after decades of discussion and debate about what it should be used for. The project will open up the A-listed building - last in permanent use when the school relocated to a new site in 1968 - and its grounds to the public throughout the year, is being pursued after a number of previously proposals for the building, including a parliament building before the 1979 devolution referendum, a luxury hotel and a National Photography Centre. (Image: Tom Stuart-Smith Studio) The National Centre for Music, which emerged out of plans to relocate an independent music school to the site, will have three indoor performance spaces and the first new public gardens in the city since the creation of Princes Street Gardens more than 200 years ago. It is one of two city centre cultural projects being bankrolled by Scotland's biggest arts philanthropist, Carol Colburn Grigor, through her Dunard Fund charity, which has committed at least £45m to the £69m project. The National Centre for Music is planned to be 'busy day and night,' with rehearsals, recordings, workshops and performances from orchestras, bands, choirs and small ensembles. The main hall will be able to accommodation audiences of up to 300, while two smaller spaces will each have a capacity of around 100. Chief executive Jenny Jamison, who is planning for a summer 2027 opening, told The Herald that various enabling, investigation and clearing works were currently being carried out in and around the site to allow the main construction work to get underway within the next few months. She said: 'We want this to be a place that celebrates the full richness of Scottish music-making, across all genres and across all levels of experience. 'You might come here to try out an instrument for the first time or you might come here or listen to a top artist. 'We want it to be a place where people are exposed and up-close to music-making and that the inspiring interaction hooks them in to explore further. 'The centre will offer really complementary new infrastructure to what already exists in the city. 'Our main hall will be at a really nice level for an emerging artist looking to step on to a bigger stage, but equally for established artists who are wanting to do something a bit more experimental.' Edinburgh's new indoor concert arena is due to open by 2028. (Image: AEG Europe) Concerts and events of a completely difference scale are to get underway less than a year after the National Centre of Music's planned opening. The first quarter of 2028 is now earmarked for the opening of a long-awaited new indoor arena for the city. AEG, the company behind The O2 in London, is spearheading the 8500-capacity complex, which is expected to host up to 150 shows and attract 750,000 ticket-holders a year once it is up and running. Edinburgh is due to get a new 8500-capacity indoor concert arena by 2028. (Image: Canva) The project, which is earmarked for a new 'urban quarter' already taking shape in the Edinburgh Park area, was backed by the city council a year ago after decades of complaints from music fans in the capital about having to travel to Glasgow or England to see the biggest names in the music business. Alistair Wood, executive vice-president of real estate and development at AEG Europe, told The Herald: 'Securing planning permission last year allowed us to move ahead with our plans, from progressing design work to entering discussions with contractors and sub-contractors. 'We have funding in place, and now we're in the procurement phase. Once we have a final design, suppliers and contractors we'll break ground. We hope to begin construction early in 2026. 'We're excited to start the build process as soon as possible so that we can bring world-class acts to Edinburgh. We're hoping that the new arena will open its doors during the first quarter of 2028, with fans able to purchase tickets to the first shows during 2027. 'We've initiated discussions with a range of brands regarding naming rights opportunities. As expected, there's been strong interest in what is set to become one of the UK's most iconic venues. 'While we're still three years away from opening, these conversations mark the early stages of an exciting journey.' Edinburgh's first new concert hall for a century is due to be created in a gap site off St Andrew Square by 2029. (Image: David Chipperfield Architects) Back in the city centre, a gap site in the New Town, just off St Andrew Square, has already been cleared for what will become Edinburgh's first new concert hall for a century, which is pencilled in for a 2029 opening. The project is the second in the city centre being bankrolled by the Dunard Fund, this tune to the tune of £35m. Another £45m worth of private donations are said to have been pledged to date, with a further £25m in total committed by the Scottish and UK governments, and the city council. The Dunard Centre is due to open in the heart of Edinburgh's New Town in 2029. (Image: David Chipperfield Architects) First announced almost nine years ago, the Dunard Centre will be created on the site of former Royal Bank of Scotland offices, which were built in the 1960s behind Dundas House, the historic building which was acquired in 1825 for the bank's new headquarters and is still the registered head office. The 1000-capacity all-seater venue will provide a year-round home for the Scottish Chamber Orchestra and become one of the Edinburgh International Festival's key venues. The Dunard Centre is being designed by the award-winning British architect David Chipperfield and the world-leading Japanese acousticians Nagata, for the company's first venue in the UK. The venue is expected to host combines classical, pop, rock, folk, jazz and electronica concerts, as well as spoken word events. Chief executive Jo Buckley told The Herald: 'Edinburgh is a cultural capital, but that is only going to keep being a cultural if it keeps investing in that future. 'We have astonishing venues in the city, but they are not modern purpose-built concert halls. The Dunard Centre is about what the city already has. 'There have been a raft of reports showing the need for a mid-sized concert hall in Edinburgh – it's the gap in the market that we don't have. 'There is a whole range of artists who are just not coming to Edinburgh at the moment. They are coming from the United States or Europe to do a gig in London, but don't come up to Scotland. 'The infrastructure is missing but also missing is a promoter curating a programme that brings together quality and diversity in the one place. A lot of Scottish artists are going elsewhere to perform but I don't know that we are seeing the return traffic as much as we should be. 'I think people will travel to Edinburgh for the building and its acoustics, as I don't think you will get better sound anywhere else in the UK.'


The Herald Scotland
3 days ago
- The Herald Scotland
New Garnethill gallery to celebrate city's graffiti scene
With the public opening of the space set for Friday the 6th of June, the duo is hard at work. Setting down his tools for a brief chat, Ciaran tells me: 'I've known Panda since I was 16. We've both been part of the street art and graffiti scene in Glasgow, and various other art scenes in the city for all of our adult lives. 'Whenever I'd speak to Panda about future dreams and plans we had, a gallery was always part of that equation — but it was a pipe dream.' Ciaran, who works as a sign painter, met Panda at college back in 2006. Sat behind a rough wooden counter with a box of Crimbles macaroons in arms reach, Panda adds: 'I've had my stall at the Barras for two and a half years. It was really close to Ciaran's studio — he'd come and visit a lot. We'd speak about how we wanted the city to change, and that planted the seeds of doing something together. 'One day I was walking past and noticed that the space was up for rent. I always imagined the side wall having a mural on it, but had never been inside before.' Panda at work in the new gallery. (Image: Gordon Terris) Panda points to the 2008 film Beautiful Losers, which documents the lives of street artists in New York, as the duo's 'North Star'. 'The film is about a lot of American artists from all sorts of backgrounds,' he notes. 'They forge a really beautiful community and become some of the biggest artists in America. 'We've been involved in this since we were so young, so it is strange that something similar hasn't happened here yet.' Panda says that Glasgow's sometimes-reticent attitude to street art has been sparked by the council's approach to graffiti. He pauses. 'Historically,' Panda explains, 'the council has been very conservative on street art and graffiti. They've had a zero tolerance approach, and spent the highest amount of any council in the UK in removing graffiti. 'But when you remove stuff, it makes things stagnant. Yet, over the last five years, things have begun to change, there have been a lot of murals springing up. I think most people are actually pretty positive about street art.' The duo have been friends for nearly 20 years. (Image: Gordon Terris) This sentiment has been echoed on social media, as 46,000 people have followed the gallery's transformation on Panda's Instagram account. Ciaran adds: 'The immediate community here in Garnethill have been super positive about us moving in, because this building has lay in a semi-dilapidated state for quite some time. 'The exterior was subject to a lot of wear and tear, so as soon as we started slapping paint on it, we got a great reaction - the neighbours loved it. 'We've only been working on it for one month, but it's been a complete team effort - inside and out. If it was just me and Panda doing it, we'd be nowhere near finished but everyone has chipped in — it shows how much people want this. 'We've had joiners, stonemasons, glazers, electricians, neon sign installers and others help out.' Read more from Josh Pizzuto-Pomaco: My trek up the Royal Mile — what do tourists say about Scotland's capital? Calls to bring back this 'unique' detail in Princes Square shopping centre How much has new trains procurement cost taxpayers? Scot Gov refuses to say Top Scottish universities to review trans policies after Supreme Court ruling A crowd-funder set up to help with renovation costs raised nearly £12,000, with more than 300 people chipping in. The gallery will be open five days a week, Wednesday to Sunday; and sell affordable prints, merchandise, and artwork from close friends and fellow street artists. At the core of the gallery will be a rotating floor show each month, showcasing artists from across Glasgow. The first show, entitled 'Friends', is set to run between 6 June and 3 July. Panda says he hopes that the gallery will serve as a social space for Glasgow's arts community. The shop will be open five days a week. (Image: Gordon Terris) The artist has previously shared his experiences of drinking and drug-taking, and how committing to his work has helped to keep him sober. As a fitting tribute to the redemptive power of art, the gallery will open on the eight anniversary of Panda's sobriety. Panda tells me: 'We all used to hang out at the Art School union back in the day, and always went along to shows at Recoat gallery.' 'We want to create something similar — a regular community for artists. We want each show to be an excuse for people to come together.'