Select Committee launches fan-led review of live music
A Select Committee is launching a new fan-led review of live music in the country amid continued worries over the future of nightlife culture.
The review was announced by Culture, Media and Sport Committee Chair Dame Caroline Dinenage at the first edition of SXSW London this week.
It will be chaired by Lord Brennan of Canton and ask fans to bring ideas forwards that can help 'protect the industry and ensure it works in the best interests of fans'.
Dinenage said: 'Despite some headway being made on an industry-led levy to support grassroots music, venues are still shutting their doors at an alarming rate, while the government continues to stick its fingers in its ears when it comes to calls for a fan-led review.
'It's time to put the power in the hands of those who truly understand and love live and electronic music – the fans, artists, DJs and festival goers, as well as those who work behind the scenes. They deserve a voice in shaping a thriving grassroots music scene and building a sustainable talent pipeline that ensures the UK music industry remains one of the UK's global success stories.'
She added: 'Small music venues and nightclubs are already under immense pressure and the current planning system is only adding to their burden.
'Requiring local authorities to properly consider existing venues when approving new developments would be a game-changer. It would help protect the live music ecosystem and give these vital cultural spaces a real chance to survive and thrive.'
Dinenage has also tabled an amendment to legislation currently passing through Parliament, with the aim of strengthening live music venues' ability to battle noise disputes with neighbours.
It would allow the 'Agent of Change' to gain a statutory footing, with existing venues able to avoid unreasonable restrictions from planning developers and nearby businesses.
Mark Davyd, the boss of the Music Venue Trust, said: 'As guidance, the 'Agent Of Change' principle has been a vital tool to protect grassroots music venues from the potential threats posed by redevelopment. It has, however, been poorly enforced and often completely overlooked, leading to many venues closing.
'By placing the 'Agent Of Change' principle on a statutory footing, we will be able to ensure residents have high-quality housing and access to local culture, whilst also protecting the grassroots music venues at the heart of our towns and cities for future generations.'
Last November, the UK's live music industry was urged by the government to introduce a levy on all stadium and arena tickets to help the future of grassroots venues.
In the wake of the DCMS select committee report on grassroots music venues earlier in 2024, Creative Industries Minister Sir Chris Bryant called on the live music industry to support the introduction of a voluntary levy on all stadium and arena tickets which will help support grassroots venues, festivals, artists and promoters across the UK.
It came after Coldplay announced that 10 per cent of proceeds from their UK stadium tour this summer will go towards the MVT, while Sam Fender's 2024 arena tour saw £1 from every ticket sold going towards the organisation.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
2 hours ago
- Yahoo
‘A Shared Language': Inside Country Music's Rap Revival
It's no coincidence that the two songs tied for most weeks atop the Billboard Hot 100 toe the line between country and rap. Lil Nas X set the record with his Billy Ray Cyrus-featuring 'Old Town Road' in 2019, and late last year, Shaboozey tied the record when 'A Bar Song (Tipsy)' hit the same 19-week mark. 'Country and rap might come from different worlds, but they thrive on the same foundation — raw storytelling and authenticity,' UnitedMasters director of A&R Aaron Hunter says. More from Billboard BigXthaPlug's Texas-Sized Charm Is Beloved By Country's Biggest Stars — And Coming to Nashville Kneecap Announce Massive Wembley Arena Headline Show Drake & PARTYNEXTDOOR Announce '$ome $pecial $hows 4 U.K.' Tour Dates Hybrids of country and hip-hop have a long history in popular music, dating back to the 1980s including hits like Sir-Mix-A-Lot's 'Square Dance Rap,' Kool Moe Dee's 'Wild Wild West' and Shawn Brown's 'Rappin' Duke' (which The Notorious B.I.G. sampled in 'Juicy' a decade later). This year has brought an even bigger boom of successful crossovers between the genres. Post Malone's Big Ass Stadium Tour with Jelly Roll — two artists with roots in hip-hop now making country music — has so far featured special guests including Eminem and Quavo. Dallas rapper BigXthaPlug teamed with Bailey Zimmerman for 'All the Way,' a top five hit on the Hot 100, while ERNEST and Snoop Dogg released their country collaboration, 'Gettin' Gone.' On the festival front, the country-heavy Stagecoach was more rap-inclusive in 2025, with Nelly and T-Pain playing to major audiences. Meanwhile, Morgan Wallen's Sand in My Boots Festival had Wiz Khalifa, 2 Chainz and Three 6 Mafia onstage. 'Both genres share the same theme of heartbreak, life stories and struggle, whether it's rural life or urban hustle, and that grit creates a natural connection,' Hunter says. He also points to the rising use of trap drums and 808s in country and rap, which has 'blurred lines, making collaborations feel less forced and more like a shared language.' BigXthaPlug will follow the success of 'All the Way' with a country-trap project this summer that will include guest appearances from Jelly Roll, Post Malone and Shaboozey. Even though the Dallas native never listened to country music growing up, he has felt a warm welcome from the Nashville community. 'My fan base is the country world's fan base,' he says. 'They was messing with me, [but] now it's a full acceptance.' This story appears in the May 31, 2025, issue of Billboard. Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart
Yahoo
2 hours ago
- Yahoo
Mubi CEO on Pushing Into Production and That Huge Cannes Haul
Arthouse streamer and distributor Mubi is planning to work on not more than 12 movies annually but is already up to 15 movies this year after a hot streak picking up a slew of Cannes Film Festival buzz titles – and the Venice Film Festival has not even started yet, CEO and founder Efe Cakarel told SXSW London on Friday in an energetic appearance that had the crowd engaged late in a busy week. Cakarel shared his love of the cinema-going experience early in his appearance, saying, 'I really focus on theatrical,' and 'I am very committed to these films getting as wide a release in cinemas as possible.' More from The Hollywood Reporter Canal+ to Distribute Netflix in Francophone Africa in Landmark Pact Enzo Staiola, Child Star in Vittorio De Sica's 'Bicycle Thieves,' Dies at 85 Wes Anderson Shares How Indian Cinema Legend Satyajit Ray Shaped His Aesthetic Last year, Mubi released The Substance globally, he highlighted. 'It turns out distribution is not rocket science,' Cakarel concluded, adding that the firm is launching theatrical in Italy next. Mubi was on a streak at Cannes, picking up rights in select markets to competition titles The Secret Agent from writer and director Kleber Mendonça Filho, Sentimental Value, Joachim Trier's latest feature, Mascha Schilinski's Sound of Falling (In Die Sonne Schauen), and Lynne Ramsay's Jennifer Lawrence-Robert Pattinson starrer Die My Love. The latter deal came with a $24 million price tag, the biggest known and announced during the festival. He joked that his team is 'freaking out' after Mubi's strong Cannes run – in a good way. Production is also a big new area for the company after Mubi debuted its first production at Cannes, namely Kelly Reichardt's The Mastermind. 'We want to produce more' great films and series, he shared. Mubi is, for example, a co-producer on the new Jim Jarmusch movie, Father Mother Sister Brother, which stars Cate Blanchett, Vicky Krieps, Adam Driver, Mayim Bialik, Tom Waits, Charlotte Rampling, Indya Moore, and Luka Sabbat. Cakarel mentioned on Friday that it is set to screen at Venice. Cakarel also shared on Friday that Mubi was 'profitable' by 2020. With 60 percent first-quarter 2020 subscriber growth amid the COVID pandemic, the company experienced strong cash flow growth, which allowed Mubi to invest and grow further. The company's headcount has also grown to 400 people in 15 countries, he explained. The company has increasingly picked up movies not only for streaming but also for theatrical distribution. Mubi chief content officer Jason Ropell highlighted the role of streaming in the indie film space last year, saying: 'The streaming component of the ecosystem has actually broadened the audience for multiple kinds of film, including independent film. There's a generation of viewers, of customers, of cinephiles that have been exposed to films, which they would not have but for that technology, for the access to streaming.'Last year, Mubi acquired The Substance at Cannes, prepping the title for what would go on to be an Oscar run for Coralie Fargeat's body horror thriller. SXSW London runs through June 7. Penske Media, the parent company of The Hollywood Reporter, is the majority stakeholder of SXSW. Best of The Hollywood Reporter 13 of Tom Cruise's Most Jaw-Dropping Stunts Hollywood Stars Who Are One Award Away From an EGOT 'The Goonies' Cast, Then and Now
Yahoo
2 hours ago
- Yahoo
New Lena Dunham, Sarah Snook Shows Touted as Universal U.K. TV Labels Execs Talk Sector Cuts
Upcoming Sarah Snook-starring thriller series All Her Fault and Lena Dunham rom-com show Too Much, as well as a planned TV take on Alfred Hitchcock's The Birds got big shout-outs during SXSW London on Thursday. They were in the spotlight as global hit series from various production labels under the Universal International Studios umbrella took center stage at the first-ever SXSW London. More from The Hollywood Reporter Enzo Staiola, Child Star in Vittorio De Sica's 'Bicycle Thieves,' Dies at 85 Wes Anderson Shares How Indian Cinema Legend Satyajit Ray Shaped His Aesthetic Evan Shapiro to Keynote The Hollywood Reporter's Access Canada Summit 'Global Stories: What makes compelling TV?' was the question discussed by Surian Fletcher-Jones, head of drama at Working Title Television; Sue Gibbs, head of development at Heyday Television, the joint venture of producer David Heyman and Universal International Studios; and Noemi Spanos, creative director at Carnival Films. Beatrice Springborn, president, Universal International Studios and Universal Content Productions (UCP), functioned as the moderator. Confronted with a question about how TV industry cost reductions, other spending cutbacks and layoffs are affecting their work, the execs shared insight into the challenges but also opportunities. 'One is adapting,' offered Gibbs. 'Heyday as a company, historically, we've always worked with IP. David's known for it with Harry Potter and Paddington. So we will always be looking for IP. I think we're probably looking less to the new books that are coming out because it's so super competitive. They're so expensive. So, we're looking at classic books, old TV shows, articles, etc. So I think it's adapting in that way.' Gibbs also mentioned that Heyday has often commissioned scripts with writers and then taken them out to the market to buyers. 'We're slightly changing that now and trying to be more fleet of foot,' she explained. 'Perhaps you just go out with a pitch so you can be faster. Or we're trying to set up more projects with buyers. [In the past], we would have perhaps taken them out to a number of buyers at the same time. Now, we are trying to get in with a buyer straight off, which is a financial incentive, but it's really more about the emotional incentive. If the buyer is emotionally invested in your project from the off, they can be more likely to try and help make it work.' In terms of upcoming shows they are excited for, Spanos touted psychological thriller All Her Fault for Peacock. 'Sarah Snook's character knocks on a door to pick up a kid from a play date, and the older woman who opens the door has never heard of her, her kid has no idea what she's talking about,' she explained. 'That kicks off that sort of thriller engine, but also it turns into a sort of bigger Big Little Lies kind of mystery about all the secrets and lies between these different families and relationships.' Concluded Spanos: 'What I liked coming into it, reading it fresh and watching it fresh was that there's quite a thematic feminist messaging underneath it all, because it's called All Her Fault, and it's all really about how the mother is treated very differently from the father in that circumstances by the police, by the community, by everyone, really.' About the series planned on The Birds, Gibbs shared: 'This is obviously a Universal film title, the iconic Hitchcock movie. We're not adapting that. We're going back to the source material, the Daphne du Maurier novella and using that as inspiration. And at its heart, it's looking at when nature turns on you. Obviously, with climate change that is very timely, and we just attached an exciting U.S. showrunner who's very experienced in genre.' She didn't mention their name. Fletcher-Jones, meanwhile, touted Too Much and how it explores the differences between the U.S. and U.K. in lovable ways. And she said that Working Title and the BBC are developing a TV adaptation of E.M. Forster's popular 1924 novel A Passage to India, which is set against the backdrop of the Indian independence movement against the British Empire and has previously received the film treatment. The companies are collaborating with Canadian director and writer Richie Mehta on the five-part series. 'Richie is Indian by heritage, so it is completely turning that novel on its head and doing it from the Indian point of view,' shared Fletcher-Jones. 'It's a beautiful piece he's writing and directing it all.' She also called it a take that will 'reclaim colonial history, which feels really sort of Soul Food-y.' On Wednesday, SXSW London sessions featured appearances by the likes of Idris Elba, ABBA's Björn Ulvaeus and Letitia Wright, among others. SXSW London, which not only features panel discussions, but also film screenings and live music events, among other things, runs through June 7. Penske Media, the parent company of The Hollywood Reporter, is the majority stakeholder of SXSW. Best of The Hollywood Reporter 'The Studio': 30 Famous Faces Who Play (a Version of) Themselves in the Hollywood-Based Series 22 of the Most Shocking Character Deaths in Television History A 'Star Wars' Timeline: All the Movies and TV Shows in the Franchise