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Hindustan Times
25-05-2025
- Entertainment
- Hindustan Times
Jury President Juliette Binoche on why It was just an Accident won Palme d'Or
Washington DC [US], May 25 (ANI): Cannes President and actor Juliette Binoche opened up about the jury's decision to award Palme d'Or to Iranian filmmaker Jafar Panahi's 'It was just an Accident' at the global film festival on Saturday, reported Deadline. Jury President Juliette Binoche lauded the creative decision of the team to honour the film. She called it a movie with a feeling of "resistance" and "survival", which she calls necessary in today's life. "The film springs from a feeling of resistance, survival, which is absolutely necessary today. It's very human and political at the same time, because he comes from a complicated country. When we watched the film, it stood out," said Binocher as quoted by Deadline. As per the outlet, Panahi was previously in Competition in 2018 with 3 Faces, won the Camera d'Or for his first film The White Balloon in 1995 and won a Jury Prize in Un Certain Regard for Crimson Gold in 2003. The filmmaker had two unjustified stints in prison in Iran; Panahi getting released in 2023. While recalling the prison history of the director, Binoche called the film a celebration of "art" and "human" desire to win. "It was exciting to celebrate (him). Art will always win. What is human will always win. As actors, directors and people who work in art, we can speak out in public on important issues and transform the world," said Binche as quoted by Deadline. "We are in a world ruled by revenge, violence, and this film for someone who has had this experience of violence in his life, the fact that one can talk about this change within the film, this change which is not revenge, the idea is you can listen and not necessarily want to kill someone or rough them up. The film holds out huge hope and we were fortunate to have this movie in competition. So, we can talk about these matters. You have to have a paradigm shift of looking at things. We're in the mud of violence, in the sludge of what is human..." added Binoche as quoted by Deadline. In addition to Binoche, this year's majority-female jury included Italian actress Alba Rohrwacher, Indian filmmaker Payal Kapadia, French-Moroccan writer Leila Slimani, American stars Halle Berry and Jeremy Strong, South Korean auteur Hong Sangsoo, Mexican director Carlos Reygadas and Congolese filmmaker Dieudo Hamadi. (ANI)
Mint
25-05-2025
- Entertainment
- Mint
Jury President Juliette Binoche on why It was just an Accident won Palme dOr at Cannes 2025
Washington DC [US], May 25 (ANI): Cannes President and actor Juliette Binoche opened up about the jury's decision to award Palme d'Or to Iranian filmmaker Jafar Panahi's 'It was just an Accident' at the global film festival on Saturday, reported Deadline. Jury President Juliette Binoche lauded the creative decision of the team to honour the film. She called it a movie with a feeling of "resistance" and "survival", which she calls necessary in today's life. "The film springs from a feeling of resistance, survival, which is absolutely necessary today. It's very human and political at the same time, because he comes from a complicated country. When we watched the film, it stood out," said Binocher as quoted by Deadline. As per the outlet, Panahi was previously in Competition in 2018 with 3 Faces, won the Camera d'Or for his first film The White Balloon in 1995 and won a Jury Prize in Un Certain Regard for Crimson Gold in 2003. The filmmaker had two unjustified stints in prison in Iran; Panahi getting released in 2023. While recalling the prison history of the director, Binoche called the film a celebration of "art" and "human" desire to win. "It was exciting to celebrate (him). Art will always win. What is human will always win. As actors, directors and people who work in art, we can speak out in public on important issues and transform the world," said Binche as quoted by Deadline. "We are in a world ruled by revenge, violence, and this film for someone who has had this experience of violence in his life, the fact that one can talk about this change within the film, this change which is not revenge, the idea is you can listen and not necessarily want to kill someone or rough them up. The film holds out huge hope and we were fortunate to have this movie in competition. So, we can talk about these matters. You have to have a paradigm shift of looking at things. We're in the mud of violence, in the sludge of what is human..." added Binoche as quoted by Deadline. In addition to Binoche, this year's majority-female jury included Italian actress Alba Rohrwacher, Indian filmmaker Payal Kapadia, French-Moroccan writer Leila Slimani, American stars Halle Berry and Jeremy Strong, South Korean auteur Hong Sangsoo, Mexican director Carlos Reygadas and Congolese filmmaker Dieudo Hamadi. (ANI)
Yahoo
22-05-2025
- Entertainment
- Yahoo
‘It Was Just An Accident' Review: Iranian Director Jafar Panahi's First Film Since His Prison Time Is All About Revenge But Finds The Humor And Humanity Too
Much-lauded Iranian filmmaker Jafar Panahi has done two unjustified stints in prison in Iran, but he always simply speaks the truth in his films. The most recent saw him get out in 2023 and he is now free to travel again, but the experience has affected him to the point his new film, It Was Just an Accident, deals in a fictional way with past wrongfully incarcerated working-class people seeking revenge against the guard who tortured and berated them. It had its world premiere today at the Cannes Film Festival, where it is playing in Competition. Panahi previously was in Competition in 2018 with 3 Faces, won the Camera d'Or for his first film The White Balloon in 1995 and won a Jury Prize in Un Certain Regard for Crimson Gold in 2003. What might surprise audiences about It Was Just an Accident is the amount of humor the director has been able to pack in this film, that is until its final confrontational scene and a lasting image that will give you chills. More from Deadline Jafar Panahi's 'It Was Just An Accident' Gets 10-Minute Ovation As Iranian Filmmaker Attends Cannes For First Time Since 2003 Cannes Film Festival 2025: Read All Of Deadline's Movie Reviews Alejandro González Iñárritu On How 'Amores Perros' Barked Loudly At Cannes 25 Years Ago; Teases New Tom Cruise Movie As the movie opens, we watch a family driving home down a dark road when suddenly the car appears to hit something. The father gets out and sees a suffering dog and off-camera puts it out of its misery. The drive continues until they get home, but before that happens Vahid (Vahid Mubasseri), a mechanic, gets a disturbing call and immediately grabs a motorcycle, eventually catching up with the family's now dented car. He watches from a distance as they put the car in the garage and is back the next morning in his own car waiting as a tow truck takes it to the shop. He then follows the father, who he will reveal to be the man named Eghbal (Ebrahim Azizi) he thinks tortured him when he was tossed into prison for simply asking to be paid his wages. He sideswipes him, shackles and blindfolds him, carting him away to the desert, where he has prepared a grave in order to bury him alive. The father pleads for his life as dirt is being shoveled in his face, unable to understand what Vahid is doing this for. Vahid believes he has the man he nicknamed 'Peg Leg' and other prisoners called a gimp due to the fact he lost a leg and wears a prosthetic, which made a distinctive thumping sound every time he came in contact with them. Because he was tipped about this man who has a prosthetic leg, he is taking revenge but then has doubts when the frightened guy seems so convincing in his denial. He needs another opinion. Others are then brought into the action as we learn each was in the same prison, including a photographer named Shiva (Maryam Adshari) who is in the middle of a wedding photo shoot with a bride (Hadis Pakbaten) and groom (Majid Panahi), interrupted by the anxious Vahid, who now has the man knocked out and tied up in a box in his truck. He wants Shiva to confirm the identity. She thinks it is possible, and it fuels her fury all over again, but she is not 100% sure. Then it turns out the bride was a victim as well and just as hellbent to wreak revenge. Vahid calls another friend to verify the identification — the hot-headed Hamid, who quickly determines he is the one and wants to kill him. Hamid is full of conspiracy theories and believes authorities will get to them because this is all some kind of setup. It all becomes an absolutely absurd and funny situation as the group travels together with their prey in the back of the van, trying to figure out the best path forward. There are more than a few laughs in this film despite the seriousness of the treatment these poor souls were given at the hand of the government for no good reason, working people whose lives were upended. No wonder they have such strong emotions, but to watch this ragtag bunch including a fully dressed bride and groom (who is the only one that didn't share the prison experience) is almost like a farce. Ultimately it very much isn't, and the sheer skill of Panahi to juggle the tonal changes is impressive to say the least. The film has much to say about the callous nature of Iran in just throwing anyone in jail with no viable reason. It gains new universal relevance because it is happening in America right now with the immigration crisis and spreading to other parts of the world with authoritarian regimes. It Was Just an Accident is a powerful statement for humanity and serves as a warning that you better watch your back. It could happen anywhere. This film poignantly shines a light on those who are victimized, and that includes the movie's courageous director, who has traveled to Cannes with his cast for this premiere. Producers are Panahi and Phillippe Martin. Title: It Was Just an AccidentFestival: Cannes Film Festival (Competition)Sales agent: M2K FilmsDirector-screenwriter: Jafar PanahiCast: Vahid Mubasseri, Maryam Afshari, Mohamad Polielyasmehr, Majid Panahi, Georges Hashemzadea, Ebrahim Azizzi, Delmaz Najafi, Afssaneh NajamabadiRunning time: 1 hr 45 min Best of Deadline Everything We Know About The 'Hunger Games: Sunrise On The Reaping' Movie So Far Sean 'Diddy' Combs Sex-Trafficking Trial Updates: Cassie Ventura's Testimony, $10M Hotel Settlement, Drugs, Violence, & The Feds All The 'Mission: Impossible' Movies In Order - See Tom Cruise's 30-Year Journey As Ethan Hunt
