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5 days ago
- Entertainment
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Robin Williams' ‘Popeye' Had the ‘Most Coked-Up Film Set' and ‘Everyone Was Stoned,' Says Former Studio Boss: ‘They Were Shipping' Cocaine in Film Canisters
Barry Diller's book tour for his recently published memoir 'Who Knew' hit New York City's 92Y, where moderator Anderson Cooper asked Diller during a Q&A to reveal 'the most coked-up film set' he ever visited during his tenure as the CEO of Paramount Pictures. The former studio executive had the answer almost immediately: Robert Altman's 'Popeye' (1980). 'Coked-up film set? Oh, 'Popeye,'' Diller answered (via Entertainment Weekly). 'By the way, you can watch it. If you watch 'Popeye,' you're watching a movie that — you think of it in the thing that they used to do about record speeds, 33 [RPM], whatever. This is a movie that runs at 78 RPM and 33 speed.' More from Variety Making the Public Domain Even More Horrifying: Modest Proposals for Turning 1920s Classics Into Slasher Fare, From Mickey to Hemingway (Column) Robin Williams Called Conan O'Brien After 'Tonight Show' Firing and Sent Him Out on a Bike Ride: 'You're Gonna Be Fine. Ride Around, You'll Feel Better' Robin Williams Was the First Person to Visit Christopher Reeve in the Hospital and Made Him Laugh by Pretending to Be a Russian Colon Doctor Diller served as the head of Paramount Pictures from 1974 until 1984. His illustrious tenure at the studio included the releases of hit movies such as 'Saturday Night Fever,' 'Raiders of the Lost Ark,' 'Grease' and 'Beverly Hills Cop,' among other classics. But it's Altman's 'Popeye' that earns the distinction of having the most 'coked-up film set.' 'You couldn't escape it,' Diller said about the drug use on the movie's set. 'They were actually shipping in film cans at the time. Film cans would be sent back to L.A. for daily processing film. This was shot in Malta. And we found out that the film cans were actually being used to ship cocaine back and forth to this set. Everyone was stoned.' Robin Williams starred as the title character in 'Popeye,' which marked the comedian's first big-screen acting role after making a name for himself on hit television series 'Happy Days' and its spinoff 'Mork & Mindy.' The film co-starred Altman regular Shelley Duvall as Olive Oyl. The movie was a box office success with $60 million worldwide (unadjusted for inflation), nearly double its production budget. Reviews, however, were mixed. Variety wrote in its original 'Popeye' review: 'It is more than faint praise to say that 'Popeye' is far, far better than it might have been, considering the treacherous challenge it presented. But avoiding disaster is not necessarily the same as success. To the eye, Robin Williams is terrifically transposed into the squinting sailor with the bulging arms. But to the ear, his mutterings are not always comprehensible.' Best of Variety 'Harry Potter' TV Show Cast Guide: Who's Who in Hogwarts? New Movies Out Now in Theaters: What to See This Week Emmy Predictions: Talk/Scripted Variety Series - The Variety Categories Are Still a Mess; Netflix, Dropout, and 'Hot Ones' Stir Up Buzz
Fox News
26-01-2025
- Entertainment
- Fox News
Steven Spielberg put the kibosh on ‘E.T.' sequel back when he 'didn't have any rights'
Steven Spielberg knew lightning wouldn't strike twice in his extra-terrestrial. "I just did not want to make a sequel," the critically acclaimed filmmaker said in conversation with one of the films' stars, Drew Barrymore, at the TCM Classic Film Festival: New York Pop-Up x 92NY event on Saturday, per The Hollywood Reporter. "I flirted with it for a little bit — just a little bit to see if I [could] think of a story — and the only thing I could think about was a book that was written by somebody that wrote the book for it called 'The Green Planet,' which was all going to take place at E.T.'s home," he said, referencing William Kotzwinkle's 1985 publication, which continued E.T.'s story from the 1982 blockbuster. "We were all going to be able to go to E.T.'s home and see how E.T. lived. But it was better as a novel than I think it would have been as a film." Spielberg, who made the Academy Award-winning film, "E.T. the Extra-Terrestrial," early in his career, said when sequel discussions began, he didn't have a lot of pull within the industry. "That was a real hard-fought victory because I didn't have any rights. Before 'E.T.,' I had some rights, but I didn't have a lot of rights," he explained. "I kind of didn't have what we call 'the freeze,' where you can stop the studio from making a sequel because you control the freeze on sequels, remakes and other ancillary uses of the IP. I didn't have that. I got it after 'E.T.' because of its success." Barrymore, who shot the film when she was ages 6 and 7, told Spielberg that she remembered him being against a follow-up film from the get-go. "I remember you saying, 'We are not making a sequel to 'E.T.'' I think I was eight. I remember being like, 'OK, that's a bummer, but I totally get it,'" Barrymore recalled. "I thought it was a smart choice. I very much understand it. Where do we go from here? They're just going to compare it to the first and leave something that's perfect alone in isolation open to scrutiny. It made so much sense." "I have no intention ever of seeing E.T. anywhere outside this proscenium," Spielberg said from inside 92Y's Kaufman Concert Hall. Although the movie was once the highest grossing film of all time, in the more than four decades since the movie has premiered, Spielberg has spoken at length about one of his regrets with the feature. "When E.T. was re-released [in 2002], I actually digitized 5 shots where 'E.T.' went from being a puppet to a digital puppet and I also replaced the gun when the F.B.I. runs up on the van, now they're walkie-talkies. So, there's a really bad version of 'E.T.' where I took my cue from 'Star Wars' and all of the digital enhancements of 'A New Hope' that George [Lucas] put in, and I went ahead, because the marketing at Universal thought we need[ed] something to get an audience back, and see the movie so I did a few touch up[s] in the film," he told Screen Rant years ago. "Social media wasn't as profound as it is today but what was just beginning, you know, erupted a loud, negative voice about, 'how could you ruin our favorite childhood film by taking the guns away and putting walkie-talkies in their hands among other things.' So, I learned a big lesson and that's the last time I decided to ever mess with the past. What's done is done, and um, I'll never go back and do another movie I've made and I have control over to enhance or changes."
