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ALLDAY PROJECT: Five Explosive Universes Without Boundaries
ALLDAY PROJECT: Five Explosive Universes Without Boundaries

Hypebeast

time3 days ago

  • Entertainment
  • Hypebeast

ALLDAY PROJECT: Five Explosive Universes Without Boundaries

The K-pop scene has long been defined by a formula of perfection: meticulously crafted storylines, flawless choreography and pitch-perfect vocals. Now, a new co-ed group fromTHEBLACKLABEL,ALLDAY PROJECT, is challenging that model by asking a compelling question: 'What kind of synergy is created when already accomplished artists come together?' This group is a departure from the typical K-pop training system. It's a collaboration of five seasoned professionals, each with a unique background — from a top choreographer, a contemporary dancer, a rapper fromShow Me the Moneyto a finalist from a major audition program, and even a student from Columbia University. They are like mismatched puzzle pieces, unconventional and jagged, yet together they hint at immense potential. How did these five individuals learn to understand each other's unique languages and create a unified voice? Hypebeast sat down with ANNIE, TARZZAN, BAILEY, WOOCHAN andYOUNGSEOfrom ALLDAY PROJECT to explore the strange and compelling center of their universe and find out. Given the massive expectations that come with being part of THEBLACKLABEL and working withTEDDY, how do you balance that pressure with the privilege of the opportunity? BAILEY:Being surrounded by all the incredible artists at THEBLACKLABEL naturally creates pressure, but I try to view that pressure as a privilege. I've always dreamed of growing through challenges and difficult than pressure, I was genuinely thrilled to become part of the legacy of THEBLACKLABEL and our producer, TEDDY. Instead of letting expectations weigh me down, I've used them as motivation to sharpen my skills and grow as an artist. YOUNGSEO:Of course, there was pressure that came with those expectations, but I also felt an equal amount of confidence. The excitement and anticipation of wanting to show ourselves to the world just kept growing. You're all accomplished professionals from different fields. How did you bridge your unique 'languages' and styles to create a single, unified synergy as a group? YOUNGSEO:Naturally, we've lived different lives and have different personalities. But I don't think it required a lot of effort — we just respected and acknowledged each other's differences from the start. BAILEY:Honestly, I think this is one of ALLDAY PROJECT's biggest strengths. Creatively, culturally, even personally, we all come from completely different worlds. But we've tried to use that to our advantage — to create something more layered and dynamic. The process of listening, observing and adapting took time – and it's still ongoing. But through it, we've grown not just as artists, but as people. What I love about ALLDAY PROJECT is that we don't try to become the same person. Instead, we're learning to move as one while keeping our individual identities. ANNIE:Despite our different backgrounds, we've shared the same goals and vision from the beginning. That mutual respect and willingness to understand each other helped us become a strong, united team. In fact, I think those very differences are what make us click — and what make ALLDAY PROJECT truly special. Your group dynamic goes beyond just having male and female members. Can you describe how that distinct synergy translates into the overall identity of your music and performances? WOOCHAN:Each member has their strong point of view, but we all share a desire to pursue what's cool. Whether we're on stage or in the studio, that shared value helps us generate synergy. When we're writing music, having such diverse experiences and perspectives naturally leads to richer lyrics and more energy. YOUNGSEO:We bring different opinions to the table and work together to find common ground, so our music ends up reflecting all five of us – our tastes, our colors – without leaning too heavily in any one direction. That's what keeps it fresh and new. BAILEY:Being a co-ed group really broadens our creative scope. We don't just split roles by gender — we mix perspectives, energies and emotions to create something fuller and more dimensional. Especially as a dancer, I've gained a lot. Being surrounded by such diverse energies has helped me embrace both the feminine and masculine sides of my movement more freely. Your debut single,'FAMOUS'literally talks about fame. How does ALLDAY PROJECT define 'success'? YOUNGSEO:To me, success isn't just about becoming famous. It's about achieving the goals that truly matter to you. I want to show everything I can on stage and leave a lasting impression on those who see it. BAILEY:For ALLDAY PROJECT, 'FAMOUS' isn't about fame itself. It's more like a declaration that we've entered a new chapter. We all had our own paths and careers before this – and right now feels like the real starting line. ANNIE:For me, success means being able to keep doing what we love while exchanging positive energy with fans. It's not about fame, it's about connection. Through our music, I want people to feel empowered to be their truest selves and to gain confidence. How do you plan to navigate the expectations placed on you while staying true to the direction you want to take as a group? WOOCHAN:Ultimately, we're trying to persuade the public with what we want to do. When we first came together, we aimed to present a new paradigm in K-pop. We had a strong desire to do things that hadn't been done before. TARZZAN:Since we write and compose our own music, things can sometimes lean more toward what we want. But the company helps us find that sweet spot — the middle ground between meeting public expectations and showing something new. ALLDAY PROJECT is unique because it brings together artists who are already accomplished. How do your personal histories and previous careers inform your dynamic and the collective identity you're creating together? BAILEY:I used to imagine living this kind of life, but actually doing it still feels surreal. When I was choreographing for other artists, I would immerse myself fully in their world. Now that I'm telling my own story, I feel a deeper sense of ownership, but also a new kind of vulnerability and pressure that I've always wanted to experience. WOOCHAN:Show Me the Money 6threw me into a real battlefield at a young age. I had to learn showmanship, quick thinking and survival skills — all of which became the nutrients that helped shape who I am today. TARZZAN:I've always had a vague yearning for hip-hop. Eventually, as I kept chasing what I truly wanted, I became a singer. Even now, I still feel like I'm running towards that dream. ANNIE:I study art history at school and there's a definite parallel between what I learn academically and my own artistry. On stage, I try to let go of the pressure to 'perform well' and focus on the moment, completely. Keeping each realm separate helps me stay grounded and fully present. YOUNGSEO:People often say I look chic and cold when I'm on stage. But off-stage, I'm pretty goofy and scrappy — just a bit of a mess, honestly. Let's do a quick word association. What does 'debut' mean to WOOCHAN, 'singing' to YOUNGSEO, 'dance' to BAILEY, 'stage' to TARZZAN and 'ALLDAY PROJECT' to ANNIE? WOOCHAN:It means pressing the 'start' button. Practice mode is over and now the real game begins. YOUNGSEO:Singing is what allowed me to dream. BAILEY:Dance for me is the reason I need therapy — and also the best therapy I have. It's my language. TARZZAN:The stage is like a friend. I see it often, sometimes we fight, sometimes it disappoints me — but it's always there. ANNIE:A dream come true.

Pocket Knife Software Launches ANNIE AI Trading Platform to Public After Years of Private Development
Pocket Knife Software Launches ANNIE AI Trading Platform to Public After Years of Private Development

Yahoo

time23-06-2025

  • Business
  • Yahoo

Pocket Knife Software Launches ANNIE AI Trading Platform to Public After Years of Private Development

Austin, TX , June 23, 2025 (GLOBE NEWSWIRE) -- Pocket Knife Software, Inc. has announced the public launch of ANNIE, its proprietary AI-powered stock trading platform, after nearly a decade of private development and real-world testing. The system, originally built for personal use, is now available to independent investors via subscription at Cockerham, Founder of Pocket Knife Software Unlike traditional predictive models, ANNIE employs a hybrid of neural networks and genetic algorithms to evolve trading strategies based solely on real-world performance, leveraging real-world trading data since April 2024. The AI reviews over 1,200 U.S. equities daily and generates trade recommendations designed for consistency rather than speculation. Recent iterations of ANNIE have demonstrated performance levels approximately twice as strong as earlier versions, according to Pocket Knife Software's internal data. "ANNIE isn't trying to guess where the market is going tomorrow," said Rick Cockerham, creator of ANNIE and founder of Pocket Knife Software. "It's designed to make sound trading decisions based on what works, using evolved strategies that continuously adapt to changing market conditions". And when ANNIE gives out recommendations, they're exactly that. Because ANNIE delivers trade ideas – not automated trades – users stay in control of their money, their account, and their decisions. Originally conceived while Cockerham was studying AI at Iowa State University in the 1990s, ANNIE has undergone years of iteration. These iterations led him to make ANNIE available to other independent investors seeking an alternative to traditional financial services. The subscription service delivers daily buy and sell signals through email or text message approximately one hour before market close. Subscribers maintain full control over their investment accounts, allowing them to manually execute trades based on ANNIE's recommendations. The platform also includes portfolio tracking and risk management signals such as stop-loss alerts. 'Most AI stock pickers rely on predictive models that can't consistently outperform the market,' said Rick. 'ANNIE is different because it evolves – discarding what doesn't work and refining what does through live market results. That evolutionary engine is what sets ANNIE apart'. ANNIE's public release comes at a time when individual investors face mounting challenges competing against institutional capital and increasingly complex markets. Cockerham emphasizes that the platform is designed for serious, self-directed investors seeking a transparent and disciplined system that complements their own trading decisions. About Pocket Knife Software Founded by Rick Cockerham, Pocket Knife Software develops AI-powered financial tools for independent investors. The company's flagship product, ANNIE, combines neural networks and genetic algorithms to evolve trading strategies based on real-world market performance. Operating from Austin, Texas, Pocket Knife Software is committed to making hedge-fund-grade technology accessible to self-directed investors. Learn more at Press inquiries Pocket Knife Software Rick Cockerham rick@

Cadavar dog arrives at Annie McCarrick dig site as murder case cops probe if American visited house before disappearance
Cadavar dog arrives at Annie McCarrick dig site as murder case cops probe if American visited house before disappearance

The Irish Sun

time13-06-2025

  • The Irish Sun

Cadavar dog arrives at Annie McCarrick dig site as murder case cops probe if American visited house before disappearance

A CADAVER dog has arrived onto the site of a house where a major search for Annie McCarrick's remains is ongoing as a man is still being questioned on suspicion of murder. Garda technical and forensic 6 A cadaver dog has arrived onto the site of the house in Clondalkin Credit: Gary Ashe 6 The search is expected to last for a number of days Credit: Garrett White - Commissioned by The Sun Dublin 6 Tragic Annie McCarrick has been missing for over 30 years Credit: Handout A digger, kango hammer, consaw and other power tools are being used on site today to excavate the house and gardens. Shortly after 11am, a cadaver dog - used to pick up and track the scent of human remains - was brought in. The Irish Sun understands it has been The property, which has undergone extensive renovations over the years, has been sealed off since yesterday morning. READ MORE ON ANNIE However, gardai stressed its current occupiers 'are not connected in any way' to the case. Officers are probing if Annie visited the house before she vanished in 1993. The search there is expected to last a number of days. A 62-year-old man MOST READ ON THE IRISH SUN We have learned that the suspect — who was known to Annie — is being quizzed over more than five separate alibis which the Gardai 'committed to uncovering the truth' of Annie McCarrick's murder and disappearance He must be charged or released by later on today. Gardai are also probing allegations the suspect It is understood the suspect denies any involvement in her disappearance. American Annie was Despite extensive investigations, her body has never been found, nor have any definitive answers. After the case was upgraded to murder two years ago, the gardai focused on two men who sources say were among her many friends. Both have assisted with inquiries over the years, with one of them interviewed abroad in recent times. GARDAI PROBING FALSE ALIBIS The second man was the suspect lifted between yesterday morning when detectives from Irishtown Garda Station landed at his home, which is outside Dublin. Gardai conducted what sources say was a 'cursory search' of the property, but it was not invasive. The suspect is a married man who has lived a normal life since. A source told The Irish Sun: 'Gardai are focusing on inconsistencies and discrepancies in the accounts previously given to them by this man." The source revealed they are probing whether false alibis may have been created at the time. They added: 'There is fresh information in terms of what they are focusing on regarding what cropped up during the reviews of the case and developments with speaking to others too. "This man would have been known to Annie at the time of her disappearance. He hasn't lived in Dublin for some time.' HUGE SEARCH OP The major arrest and search op is being led by an investigation team from the DMR South Central Division, Serious Crime Unit based at Irishtown Garda Station under the direction of a senior investigating officer. It also has the assistance of the Serious Crime Review Team, aka the Cold Case unit, along with the Garda National Bureau of Criminal Investigation. A temporary restricted airspace has been put in place by the Irish Aviation Authority over the search, banning drones from flying overhead. Born on March 21, 1967, Annie was 26 years old at the time of her disappearance. Originally from New York in the US, she was an only child of Nancy and John, who died in 2009 without any answers. My fondest wish would just be to find out what happened to her. To be able to have a grave to visit." Nancy McCarrick As a teenager, Annie visited Ireland on a school trip and fell in love with the country and way of life. When she returned back to the US, she told her parents of her intention to return here to live. She did and in the 1980s, she completed her third level studies at St Patrick's College, Drumcondra and at St Patrick's College, Maynooth before returning to New York in 1991. There she hit the books once more at Stoney Brook University, New York. She moved back to Dublin ­permanently on January 4, 1993, and settled into rental accommodation at St Catherine's Court, Sandymount, Dublin 4. FINAL MOVEMENTS On Friday, March 26 of that year, almost four months later, Annie spoke to her two other flatmates before they both headed off home for the weekend. She made arrangements with other friends inviting them to her apartment for dinner the following day. But when they turned up that evening, she was not there. On Sunday, March 28, her friends began to worry as they discovered she had not turned up to work all weekend. That evening, her pals discovered her groceries — that had been purchased by Annie on the Friday morning in Quinnsworth on Sandymount Road — had been left unpacked in shopping bags in her home. A receipt confirmed the date and time of purchase as 26/03/1993 at 11.02am, and this is the last confirmed activity of Annie. She was reported missing by a friend at Irishtown Garda Station on the evening of Sunday, March 28, 1993. FAMILY'S PAIN Tragically, Annie's mother Nancy had been due to meet up with her doting daughter on March 30 that year, just four days after the disappearance. Nancy travelled over but her intended holiday turned into a nightmare. Speaking in 2023, Nancy, who is in her 80s now, said: 'She was funny. Yes, she was very reliable. "She was conscientious. She wasn't fearful. She couldn't find fault with Ireland. 'It makes a huge difference to hear her case has been upgraded to a murder investigation. "You never know, it might prompt someone to come forward after all these years. As for justice or retribution, I have no interest in it at all. "My fondest wish would just be to find out what happened to her. To be able to have a grave to visit.' Gardai said that they will continue to keep the family of Annie fully updated in relation to the investigation and have been fully apprised of the developments. A spokesman said: 'An Garda ­Siochana appeals to anyone with information, no matter how small or insignificant that they might believe it to be, to contact the investigation team. 'Any information will be welcomed by the investigation team, and will be treated in the strictest confidence. The investigation team can be contacted at Irishtown Garda Station on 01 666 9600 or anyone who wishes to provide information confidentially should contact the Garda Confidential Line on 1800 666 111.' 6 The property has been sealed off since yesterday morning Credit: Garrett White - Commissioned by The Sun Dublin 6 The property has undergone extensive renovations over the years Credit: Garrett White - Commissioned by The Sun Dublin 6 Annie was last seen alive on March 26, 1993 in Sandymount in south Dublin Credit:

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