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Boston Globe

Round and round they go: At the PRC, ‘A Simple Circle' pays homage to the beginnings of popular photography

When one thinks of a photographic image — doesn't matter whether it's hanging on a museum wall, sitting in a photo album, staring out from a smartphone — the shape is surely rectangular. It's a shape that's come to be understood as defining the medium almost as much as the interplay of light and shadow does. James Gehrt, from "A Simple Circle." James Gehrt Pro or con, rectilinearity is taken as a given. It wasn't for George Eastman, the founder of Kodak, back in the late 19th century; nor is it for Advertisement Emphasizing the idea of homage, 'A Simple Circle' includes four early Kodak cameras, and very handsome machines they are, as well as several dozen vintage photographs (all round) and such related period ephemera as advertisements, articles, and instructions. James Gehrt, from "A Simple Circle." James Gehrt Those items are subsidiary to Gehrt's own 67 photographs. All are printed in a velvety black-and-white. They're uniform in size, 10 inches by 13 inches; in presentation, matted but not framed; and in shape, as the title declares — not that there's anything simple about circles. There are no captions or titles, which helps give a sense of the images being outside of time, as does the absence of any people in them. Advertisement Gehrt's unfailingly handsome consistency of approach means that style subsumes content. Yet on closer inspection that content quite varied. There's subject matter one might expect: statuary, landscapes, architectural details. There's also subject matter one likely would not: crocodiles, a bear, a contemporary cityscape. The uniformity of presentation makes it easy to overlook the interrelationships among given groupings. (The show was put together by Gehrt and the PRC's program manager, Catherine LeComte Lecce.) Flanking that cityscape are a classical façade and what looks to be an elaborate 19th-century greenhouse. An escalator is next to set of rudimentary outdoor stairs. Several of the photographs have round subjects — wheels, domes — meaning, yes, circles within circles. A photograph of an old wagon hangs alongside a covered car. James Gehrt, from "A Simple Circle." James Gehrt It's not just early Kodaks that inspire Gehrt. That covered car alludes to the 'As a photographer, I have tried to recapture the quiet unobtrusive round images from the 1890s with technology from the modern day,' Gehrt writes. 'I have collected . . . historic round photographs over the years. Now, I am able to create modern comparisons by contrasting and juxtaposing the original Kodak images with my own images. The result is a circle that spans 133 years of visual communication and expression.' Advertisement Will the circle be unbroken? Not if Gehrt and this abundant, beguiling show can help it. A SIMPLE CIRCLE. James Gehrt At Photographic Resource Center, VanDernoot Gallery, University Hall, Lesley University, 1815 Massachusetts, Cambridge, through March 16. 617-975-0600, Mark Feeney can be reached at