Latest news with #AmitabhSengupta
The Hindu
12-05-2025
- Entertainment
- The Hindu
Amitabh Sengupta finds his driving force in lines, strokes and the written word
Swathes of green and a peculiar script beckon you at Shared Echoes, and the longer you gaze on those fonts, the more certain you are of having seen them before. Familiar, and yet new, the raw and primal hand seems to be a cross between hieroglyphics, calligraphy and runes off an ancient manuscript. Shared Echoes, an exhibition by Amitabh Sengupta, display his art works from the Forest and Inscription series. A closer look at his canvases, especially in the Inscription series, reveal far more than what first meets the eye. The Forest series serves as a startling reminder of a world where the green cover is rapidly diminishing. Life and culture Amitabh says he did not have a permanent address for the longest time, travelling outside the country to study in Paris and later on to Nigeria where he worked for 11 years, following which he moved to the United States for higher studies. 'This experiential side of my life and the constant moving about is reflected in my art. The people, culture and landscapes — rainforests, arid deserts and cosmopolitan cities — all served to inspire me.' 'Cultures and languages are different, and people respond differently. These experiences and realities have manifested in the themes, colours and my style over the years,' says the 84-year-old artist. While almost each of his travels has inspired a series, Amitabh says the one constant has been the appearance of syllabary. 'The Inscription series seems to be the longest running, and it merges with almost all my other series now,' he says. The artist delves deep into the permanence and enduring resilience of the written word. 'A city's walls are mirror of its life with social and political slogans, protests and cinema posters, reflecting its nature. And while, every city has its own pattern of life, these are revealed through the writings in public places.' He goes on to explain how he noticed inscriptions on historic artefacts. 'They were not always religious in nature. Sometimes it would be a dedication to a ruler or the selfless act of a citizen. Those walls would have broken and the stones crumbled, but what they communicated still remained despite the passage of time. That intrigued me far more than the information those fragments offered.' Amitabh shares how he came across a book on the history of scripts around that time. 'Cave art was man's way of communicating. It was not about creating or capturing beauty, but a wish to say something; those symbolic early paintings or scratches, were the beginning of a script.' Art and script Having said that, Amitabh went on to explain how art and script serve a parallel purpose. According to him, as scripts evolved, words were formed, creating sentences and meaning. 'In this way, man's expressions which were initially verbal, became silent and by merit of being written, gained depth and extended through time and space.' He adds how some ancient inscriptions still hold mankind in their thrall, especially the Indus script which remains undeciphered. 'This line of thought excited me no end and I began studying various scripts such as Pali, Brahmi and Chinese as well as symbolism in other cultures.' 'Each script is beautiful, complex and complete in itself. You can put it on a pedestal or frame it. Not just phrases or a word; each basic character is a complete aesthetic form.' Scripts and the man It is not surprising then, that Amitabh crafted his own script, the characters of which are seen in the Inscription series. He says sometime in the '90s he used a few characters from the Brahmi script on one of his canvases. 'I used bold hues of brass and black, and though it was an alphabet, to me, it was a form — much like a tree or the human figure. That got me started on the idea of creating my own script,' says the artist. 'Eventually, they became a symbolic abstract with colours, lines and textures. As they are a creation of my own making, they have no historical reference and are not meant to be read or understood. They are abstract, universal and timeless.' His fascination seems boundless, which is remarkable given his age. He continues, 'Even today, how we interpret script has evolved, how we write has changed. Apart from the invention of the press and printing technology, different forms, styles and fonts are constantly developing,' he says, adding that his characters are a symbolic form of script. NGMA Apart from the show at Gallery Time and Space, a retrospective on Amitabh is ongoing at the National Gallery of Modern Art (NGMA) in the city. 'There are around 134 works of mine on display at NGMA — from my early student days in Paris, to the Delhi and Nigerian periods, as well as those from the later Indian periods,' he says, adding that it spans his entire oeuvre. 'A few of my sculptures are also being shown at the retrospective, which gives one an idea of the styles, techniques and media I have employed over the years. One can get an idea of my disposition from my works at the show.' Shared Echoes will be on at Gallery Time and Space till May 18, 2025. Entry free. Mondays closed.
Time of India
04-05-2025
- Entertainment
- Time of India
I see AI not as a threat; rather, as an assistant: Artist Amitabh Sengupta
Artist Amitabh Sengupta may call Kolkata home, but his art is rooted in a journey that spans decades, continents, and cultures. With two exhibitions happening in the city, which kicked off last week, Amitabh brings with him not only canvases, but stories etched in time. In a conversation with Bangalore Times , he reflects on his journey as an artist, his take on AI's use in art and much more. 'MY WORK IS ALWAYS INFLUENCED BY MY SURROUNDINGS' You Can Also Check: Bengaluru AQI | Weather in Bengaluru | Bank Holidays in Bengaluru | Public Holidays in Bengaluru Spanning works from Amitabh's days in Paris to his time in Nigeria in the 1970s and his return to India in the late 1980s, his work is a journey across time and place. 'My work has always been influenced by my environment—be it the forest regions of Bengal, the streets of Chennai, or the heritage sites I visited after returning to India. City walls, street signs, the scratches on old buildings— they all speak to me.' by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Nagelpilz-Laser jetzt 69,90€ statt 229€ (Rabattaktion) Heilratgeber Weiterlesen Undo 'AS AN ARTIST, I WELCOME ALL INNOVATION; AI OPENS UP NEW POSSIBILITIES' Talking about technology, especially the rise of AI in art , Amitabh is extremely optimistic, he says, 'I welcome all scientific innovation, I too use computer graphics, apps, and video editing in my work. AI is a tool — it can be misused, yes, but it can also open new possibilities. It's up to us to decide how we use it. I see AI not as a threat, but as an assistant.' 'BENGALURU HAS EVOLVED, BUT STILL HAS MANAGED TO RETAIN THAT CHARM' Having visited Bengaluru regularly since 1989, the artist has a fondness for the city. 'It was peaceful and green back then, I even considered settling here. Now it's like any other big city—crowded, fast. But it still has its charm,' he says. 'Human figures in paintings shift the focus' One of the striking things about his art is the near-complete absence of the human figure. When asked about why it is so, the artist reveals, 'It's deliberate, once a figure enters the painting, the viewer's focus shifts. It becomes about that person. But I'm more interested in what they leave behind — their structures, their inscriptions, and their impact. Inscriptions are one of my favourite series, the forest imagery, and the mindscapes. I try to present human life symbolically through the sun, the rain, the erosion, stating that nothing is permanent.'
