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Buzz Feed
15 hours ago
- Lifestyle
- Buzz Feed
Just 20 Pieces Of Bedroom Furniture From Walmart
A black antique bed which, if we're being honest, is giving weekends at grandma's country house in the best way. Perfect for sentimental decorators, waking up in this bed will practically have you smelling fresh biscuits and gravy while Andy Griffith plays in the living room. Promising review: "I love how this bed looks. I was looking for a metal bed that isn't a platform style because I don't want a low bed. And I didn't want a low footboard either. This is perfect. It was easy to assemble. Would recommend." —MichellePrice: $242+ (originally $390+; available in three sizes and seven colors) A light honey caning dresser with a beautiful design — because if you're upgrading your space, then you may as well go for sleek and sophisticated! A little tabletop lighting and a mounted mirror, and the only thing better looking than this setup will be your dazzling reflection. (Don't can totally gawk at both!) Price: $358 (also available in black) Or! A quality nine-drawer dresser so farmhouse-coded it might as well have been plucked straight from a resale furniture store booth stacked with "Gather" signs. Not only is it clean and welcoming, but it's also great for beefing up your storage! Price: $289 A vintage nightstand since it's safe to say you'll probably need a place to keep your midnight snacks within arm's reach. As if storage wasn't enough, it also comes with two built-in USB ports so you can stay charged while you mindlessly scroll through TikToks and inhale a bag of Doritos. Promising review: "Really solid wood. Has been sturdy since I set them up about four months ago. Really REALLY impressed with the quality of these." —TarrynPrice: $158 An upholstered bedframe and headboard because nothing gives new life to your room like a spacious bed fit for a queen like yourself. Plus, it looks so darn comfy you'll find yourself wanting to sleep for days at a time. Did someone say breakfast in bed? ;) Promising review: "WOW! I purchased this head board and frame in grey. Looks great and feels wonderful. It made a complete difference in my bedroom. The quality is so good it looks like I spent a lot more then I did." —LoriPrice: $99.99+ (available in three sizes and six colors) Or! A wooden panel headboard to give your bedroom that rustic cabin getaway aesthetic without the struggle of chopping firewood or chasing off bears in the middle of the night. Instead, you can pull up some campfire ambiance on YouTube and bake s'mores in the air fryer. Same thing, right? Promising review: "LOVE this headboard! Love the color and especially the lights. And Walmart had the lowest price. Exactly what I was looking for." —JuliePrice: $176.99+ (normally $195; available in two colors and four sizes) A wingback accent chair so cozy, your book nook is practically begging for it. Just grab a good read and a blanket, turn on a lamp, and before you know it, you're nodding off thirty chapters deep into The Lord of the Rings at 2 a.m. "My precious!" you scream as your friends drag you to bed. Promising review: "Great quality, simple to assemble, surprisingly very comfortable and supportive. This chair gives that high-end look at a fraction of the cost. It has quickly become a favorite sitting area for our household and the perfect addition to my home office." —elizabethPrice: $99+ (available in six colors and single or two packs) A dimmable floor lamp that will pair nicely with your dapper new armchair and give you plenty of ambient lighting to stay up reading at all hours of the night in your bedroom. Promising review: "This lamp is beautiful. I use Edison bulbs (warm lighting). There are other options regarding bulbs as well. You can choose to turn on one, two, or all three lights with the turn switch. The lighting is great." —AnonymousPrice: $69.97 Or! An antique golden floor lamp so elegant no one will believe it's affordable, because, if we're being honest, it practically screams luxe. Your reading bedroom corner will look like a page out of a magazine photo shoot. Promising review: "This lamp is so nice. I ordered it for a bedroom in the basement, but I would not hesitate to use it on my main floor, where I have nicer pieces. It looks more expensive than what I paid for it." —RevaPrice: $105.92 (originally $124.39) A footed mirror that can be propped up, mounted on the wall, or even moved around between rooms for when you need to get hot girl snatched but the light just isn't giving. Because we all know you require ample lighting like the cute little houseplant you really are! Promising review: "This is a good quality mirror, and I live in a house in which it's hard to get access to good light. This makes it hard for me to get ready sometimes. The fact that this mirror is lightweight and I can move it around the house and lean it anywhere is a major plus for me!" —CharlisaPrice: $80.22 A velvet bench so pink and posh, Elle Woods would snatch it up if given the chance. Whether it rests at the foot of your bed or next to your window, you can still bask in the morning sunlight while you devise a plan to go to Harvard and get the love of your life back. What, like it's hard? Promising review: "Love this product! The fabric is soft, and the gold-tone legs are a great combo. Super good quality and very sturdy." —QPrice: $64.99+ (available in four colors) A charming arch TV stand that'll make you feel right at home while providing plenty of storage space for your favorite old DVDs. Because who needs a movie night out when you've got high school romcoms, Ben and Jerry's, and a cute setup in your bedroom? The only thing you'll have to worry about is choosing between A Cinderella Story and The Princess Diaries. Promising review: "I could not see my self spending a lot of money for a TV console for the basement. Hesitated to buy but so glad I did. Highly recommend for the price. Very impressed." —IvettePrice: $198 (available in three colors) A sage narrow bookcase to put it feels like home. A great place to keep your contemporary comfort reads, journals, and scrapbooking supplies, this says, "I'm a down-to-earth mom friend here to make sure you have all the emotional support you need." Promising review: "I love this bookshelf so much. It's a great addition to my daughter's bedroom and was so simple and easy to assemble solo. I am extremely impressed with the quality of materials compared to the price of the product. Would 100% recommend to anyone looking for something similar." —SeejPrice: $148 (available in four colors) Or! A unique angled bookcase for any interior decorators in the making entering their mid-century modern era. Who knew you could expand your storage space and give your bedroom some snazzy retro vibes at the same time? Use it to showcase your old vinyl collection, vintage comic books, or even your favorite house plants — just don't forget the water! Promising review: "I love this shelf. It's so sophisticated for a great price! It was quick and easy to put together, instructions were clear and every piece labeled well. I was missing the center stability leg and customer service went way above and beyond to take care of me and fix the issue super fast. The shelf really brings my room together to finish off the look. Rest assured if a piece does happen to be damaged in transit, that Nathan James Furniture really knows how to take care of their customers!" —AnonymousPrice: $179.99 A pair of nesting end tables because sometimes you just need something simple to balance out all the jazz you've given your bedroom. This way, you have a place to set your morning coffee and an extra surface for more lamps, plants, and pictures. Promising review: "These tables are solid wood. There was no veneer that I could see. They fit together as described and look great. They are substantial in use, not wobbly. I can't remember the name of the color I chose, but it looked appropriate with the rest of the living room. We actually bought these to use separately over the end speakers. They work great!" —AnonymousPrice: $74.99+ (available in three colors) A caning desk so presh you wouldn't believe how versatile it is. With just a few tweaks you could turn this into a work desk, a small TV stand, a decorative lamp stand, or even a makeup vanity when paired with a desktop or mounted wall mirror. The limit does not exist! Promising review: "This desk is wonderful! The two drawers are large and roomy, and the tabletop is big enough for the extra large monitor. I liked it so much that I purchased the console for the TV too. It also has a great deal of storage and is equally attractive. I would recommend these to a friend. They are great quality for the money." —RosiePrice: $155 (normally $197; available in two colors) A wall-mounted cubby shelf for showing off only your most unique and valuable trinkets like the aspiring modern art curator you know yourself to be. She's different. She's edgy. She's hanging over your bed and hogging all the attention. Promising review: "Love this shelf. Put it on the wall over my bed and use it to hold plants." —AngelaPrice: $74.98 A fashionable garment rack that should come with its own designer label because your clothes deserve a tailor-made setup as well. Why have an ordinary closet when, instead, you can have Saks Fifth Avenue in your bedroom? Promising review: "I love that it's sturdy and it's very convenient. It fits perfectly in my bedroom and adds a nice touch." —JenniferPrice: $93.72 (available in two colors) An adorable mushroom storage ottoman since we're obviously in our cottagecore princess era. Because even if you're just relaxing after a day at the office, this will make you feel like you're kicking your feet up after picking mushrooms and pruning lilacs in the flower garden. Alexa, play Fleetwood Mac. Promising review: "Such a cute little stool! Very well-made and kind of genius how the bottom part ships flat, but once put together, looks and feels very solid. I didn't realize it would have storage on the inside, which is a bonus. Great price, too." —Walmart CustomerPrice: $42+ (available in two colors) Or! A sage boucle ottoman so inviting it's pretty much begging you to throw on your fuzzy pajamas and come have a lazy day, and how could you resist? Whether you're turning it into a footrest, using it for extra seating, or retrieving your blankets for a midday nap, you'll be snug as a bug in a rug. Promising review: "The storage ottoman is a great addition to my room! The fabric is soft. There is quite a bit of space in the storage area. I store my blankets and throws in it. I purchased two to sit side by side and use for extra seating when needed." —AnonymousPrice: $54.94 (available in three colors) Need ingredients for all your new recipes? Shop each recipe directly through the app, or check out Walmart's grocery selection to get veggies, meat, seafood, and more delivered right to your door. Reviews have been edited for length and/or clarity.
Los Angeles Times
16-06-2025
- Entertainment
- Los Angeles Times
6 popular TV reboots that discovered the secret to Emmy success
Every year, Emmy prognosticators weigh the chances of TV's newcomers. But what about newcomers that are also old-timers? Whether you prefer to call them remakes, revivals or reboots, reimaginations of beloved movies and TV shows are all the rage: Think of CBS' 'Matlock,' which swapped in Academy Award winner Kathy Bates for Andy Griffith as a charming lawyer who gets things done in the legal system; Peacock's 'Bel-Air,' which turned a multicam sitcom into a drama; or HBO's 'Perry Mason,' which was less about the courtroom than Mason as private investigator. When it comes to awards season, though, reboots aren't such a hot commodity. Max's 'Gossip Girl,' Paramount+'s 'Frasier' and ABC's 'The Wonder Years' came and went with no wins, and continuations like NBC's 'Law & Order' and 'Will & Grace,' Fox's 'The X-Files' and CBS' 'Murphy Brown' have generally not received the same love from voters as their original runs. Not all reboots fizzle at the Emmys, though. Here are six examples of rethinks that not only brought back beloved series from the graveyard but made them award-worthy all over again. With 26 nominations and an astounding 18 wins, the premiere season of 'Shōgun' is the first Japanese-language series to take home an Emmy for drama series. In addition to the top prize, the adaptation of James Clavell's 1975 historical novel won awards for stars Hiroyuki Sanada (lead actor, drama) and Anna Sawai (lead actress, drama) plus a raft of below-the-line Emmys. The original miniseries' take on Clavell's story of colonialism and war in medieval Japan didn't do so badly, either — in 1980 it scored 14 nominations and won three Primetime Emmys, including one for limited series. The fixer-upper series featuring five gay men zhuzhing up the lives of more staid straights was a phenomenon when it originally aired between 2003 and 2007 but was comparatively overlooked by the Emmys, picking up a win for reality program in 2004 plus three other nominations. Meanwhile, Netflix's reboot — featuring makeovers of more than just straight guys, and a less snarky sensibility — has earned 11 Emmys to date, including six wins for structured reality program (2018, 2019-23). 'Westworld' stands out on this list because it reimagines a feature film, not an earlier TV series — in this case, the 1973 movie written and directed by Michael Crichton and starring Yul Brynner. The film scored no top-line awards or nominations, but the HBO reboot, which premiered in 2016, landed 54 Emmy nominations and nine wins across its four-season run, including a 2018 trophy for Thandiwe Newton (lead actress, drama) for her performance as the series' cunning madam, Maeve Millay. The story of a single mom raising her growing daughters earned three nominations during its original run from 1975 to 1984, including one in 1982 for star Bonnie Franklin (lead actress, comedy); director Alan Rafkin and supporting actor Pat Harrington won. The Netflix reboot, which recast the Romanos as the Cuban American Alvarez family and shifted the action from Indianapolis to L.A., was nominated for each of its four seasons and won two, as well as a special Television Academy Honor. In the decades between the original 1978-79 'Battlestar' and the full-throttle reboot, science-fiction storytelling on the small screen advanced at lightspeed, which may have helped the latter last far longer than the original. The story of human refugees fleeing space colonies destroyed by Cylon robots (who were now on their tail) earned the original series three nominations and two Emmy wins in below-the line categories. The reboot ended up with three Emmy wins of its own from 19 nominations, though all the wins were for special effects and sound editing. (A 2003 backdoor pilot became a three-hour miniseries and also earned three Emmy nominations.) Let's call this one an unplanned reboot. After ABC canceled its 2018 'Roseanne' revival due to star Roseanne Barr's public flameout, the quick-thinking network teed up 'The Conners,' which follows the titular family after its matriarch's untimely death. Falling somewhere between a traditional revival and a full-on reboot, 'The Conners' hasn't matched the original 'Roseanne's' Emmy haul, which included 25 nominations and four wins (three for Laurie Metcalf and one for Barr). But the series, which recently concluded its own seven-season run, has performed solidly with voters, earning six nominations and one win in 2021 for editing in a comedy series.
Yahoo
15-06-2025
- Entertainment
- Yahoo
See 'The Andy Griffith Show' Cast Through the Years, 1960 to 2025
When The Andy Griffith Show premiered in 1960, no one could have predicted just how deeply it would embed itself in the American psyche—or how far its stars would travel beyond the sleepy little town of Mayberry. The show wasn't flashy, it avoided controversy and pretty much ignored what was happening in the real world. And yet, more than 60 years later, it's still with us. And whatever the reason for our continuing fascination, most of all it offers a subtle reassurance that a lot of us are chasing that things are going to be okay. Another thing is true: four of its cast members—Andy Griffith, Don Knotts, Ron Howard and Jim Nabors—left a wide-reaching impact that was far from limited to Mayberry. Rather than be a standard biography of The Andy Griffith Show and its stars, what follows is more like a walk through time. What did these four actors do during and after the series? How did their lives and careers evolve through each decade? From the early '60s through the 2020s, we track their lives and work in five-year intervals, not only to see how they grew individually, but how they stayed connected—through collaborations, reunions or simply the impact the show had on their individual careers. The years 1960 to 1964 marked the height of Andy Griffith's rise as a television sensation. The Andy Griffith Show premiered in October 1960, spun off from a backdoor pilot episode on The Danny Thomas Show titled 'Danny Meets Andy Griffith.' As Sheriff Andy Taylor, the easygoing lawman of Mayberry, Griffith stepped into the role that would define his career. Although he was already recognized for his earlier work on stage and in films like A Face in the Crowd (1957) and No Time for Sergeants (1958), it was The Andy Griffith Show that firmly cemented his status as a household name and cultural icon. Don Knotts became a breakout star as the hilariously nervous but lovable Deputy Barney Fife. He joined The Andy Griffith Show at its start in 1960, reuniting with Griffith after their earlier work together in No Time for Sergeants (1958), where Knotts had a small but memorable role. Bringing a vaudevillian energy and brilliant comic timing to Mayberry, he served as the perfect foil to Griffith's calm, straight-man presence. Viewers adored him, and critics agreed—his portrayal earned him four consecutive Emmy Awards for Outstanding Supporting Actor (1961 through 1964). During these years, Knotts focused almost entirely on his role as Barney, taking on very little outside work and pouring all his creative energy into one of television's most iconic sidekicks. Between 1960 and 1964, Ron Howard—billed as Ronny Howard—grew from a child actor into a household name, thanks to his role as Opie Taylor, the sweet-natured son of Sheriff Andy Taylor. Just six years old when the series began, Howard had already logged a handful of early credits, including a small role in The Journey (1959) and a memorable appearance in The Twilight Zone episode 'Walking Distance' (1959). But it was Opie who made him a television staple, endearing him to audiences with a natural charm well beyond his years. During this time, he also appeared in several films, most notably The Music Man (1962), playing lisping, shy Winthrop Paroo—a performance that earned him critical praise. Jim Nabors entered the spotlight toward the end of this period, making his first appearance as Gomer Pyle on The Andy Griffith Show in the episode 'The Bank Job,' which aired in December 1962. A nightclub singer and cabaret performer with a rich baritone voice, Nabors was discovered by Andy Griffith while performing at The Horn, a Santa Monica club known for comedic acts. Griffith was so taken with Nabors' shy, drawling stage persona that he cast him as the guileless, good-natured gas station attendant in Mayberry. Gomer quickly became a fan favorite, and Nabors was promoted to series regular during the 1963–64 season. Between 1965 and 1969, Andy Griffith remained the heart of The Andy Griffith Show, though the series—and his role in it—began to evolve. Don Knotts had departed at the end of Season 5 in 1965, and with Barney Fife gone, the show gradually became more of an ensemble, shining the spotlight on supporting players like George Lindsey (Goober), Howard McNear (Floyd), and others, while Jim Nabors had already left for his own spinoff, Gomer Pyle, U.S.M.C., in 1964. Behind the scenes, Griffith took on a larger role as executive producer, though his focus was more on winding the series down than building it up. In 1968, after eight successful seasons, The Andy Griffith Show ended its run, but CBS kept Mayberry alive through Mayberry R.F.D., with Griffith appearing in the first episode and a few transitional appearances before bowing out entirely. By the decade's end, he was eager to explore more dramatic territory, though the shadow of Mayberry was never far behind. Don Knotts successfully transitioned to a film career during this period, signing a multi-picture deal with Universal Pictures. Believing that Andy Griffith intended to end the show after five seasons, Knotts chose not to renew his contract and left The Andy Griffith Show in 1965. His first major post-Mayberry film, The Ghost and Mr. Chicken (1966), a comedy-mystery tailored perfectly to his persona, was a surprise box office success and confirmed his bankability as a leading man in family comedies. He followed it with a string of similarly styled films, including The Reluctant Astronaut (1967), The Shakiest Gun in the West (1968) and The Love God? (1969), each reinforcing his image as the jittery but lovable underdog. Knotts also returned to Mayberry briefly, guest-starring in the 1966 episode 'The Return of Barney Fife,' a performance that earned him his fifth Emmy Award. As Ron Howard entered his early teens, he remained a steady presence on The Andy Griffith Show through its final season in 1968. His portrayal of Opie evolved during these years—shifting from wide-eyed innocence to a more thoughtful, grounded character that reflected both his and the series' growth. Outside of Mayberry, Howard continued building his résumé with roles in both film and television. In 1965, he starred in Village of the Giants, a campy sci-fi teen comedy, and made guest appearances on shows like I Spy and Daniel Boone. Jim Nabors became a major TV star during this period, thanks to the phenomenal success of Gomer Pyle, U.S.M.C., which premiered in 1964 as a spinoff of The Andy Griffith Show and ran through 1969. As Gomer, Nabors brought his signature blend of wide-eyed innocence and Southern charm—along with his trademark 'Gollllllly!'—to a military setting, playing hilariously against Frank Sutton's blustery Sgt. Carter. The sitcom was a ratings juggernaut, consistently landing among the top 10 shows on television. Remarkably, Nabors never abandoned his musical roots—CBS regularly spotlighted his voice through guest appearances and musical variety specials. In 1969, at the peak of his popularity, Gomer Pyle ended by Nabors' own choice, as he sought to expand his horizons. That fall, he launched The Jim Nabors Hour, a variety show that blended comedy sketches with musical performances, which was his first major effort to move beyond Gomer while still embracing the qualities that made him beloved. Andy Griffith spent much of the early 1970s working to redefine his career beyond Sheriff Andy Taylor. He made a deliberate pivot toward dramatic roles, beginning with the 1973 TV movie Go Ask Alice, in which he played a stern, emotionally distant father—a stark contrast to his beloved Mayberry persona. That same year, he filmed the psychological thriller Pray for the Wildcats, which aired in January 1974, co-starring William Shatner and Robert Reed. Griffith's portrayal of a dangerously unhinged ad executive shocked audiences and critics, showcasing his dramatic range. He also attempted a return to weekly television with The Headmaster (1970–71), a CBS series in which he played the principal of an elite private school. Canceled after 14 episodes, it was quickly followed by The New Andy Griffith Show (1971), which awkwardly reunited him with former Mayberry castmates, yet failed to recapture the original show's magic or ratings. Throughout the early 1970s, Don Knotts continued to carve out his niche in family-friendly comedy. He starred in How to Frame a Figg (1971), a lighthearted satire of small-town bureaucracy and one of the last films under his Universal Pictures contract. In 1970, he launched The Don Knotts Show, a comedy-variety series that showcased his slapstick sensibility and knack for sketch comedy, though it only lasted one season. He also teamed up with Disney for several projects, most notably The World's Greatest Athlete (1973), in which he played the bumbling assistant to a college coach played by John Amos. Knotts filmed The Apple Dumpling Gang with Tim Conway in 1974 (it would be released in 1975), marking the beginning of one of his most enduring comic partnerships. This was a formative era for Ron Howard, marking his transition from child actor to teenage television star. He landed guest roles on series like The Bold Ones and Love, American Style—including a 1972 segment titled 'Love and the Television Set.' Written by Garry Marshall, it served as the backdoor pilot for what would eventually become Happy Days. Around this time, Howard enrolled at the University of Southern California's School of Cinematic Arts, where he began studying film and screenwriting, laying the groundwork for his future as a director. On the big screen, he played Steve Bolander in George Lucas's American Graffiti (1973), a nostalgic coming-of-age hit that reintroduced Howard to a new generation of moviegoers. By early 1974, Happy Days officially premiered, and Howard was suddenly a TV icon all over again—this time as clean-cut everyman Richie Cunningham. Jim Nabors spent the early '70s expanding his reach as an all-around entertainer. With Gomer Pyle, U.S.M.C. behind him, he launched The Jim Nabors Hour in 1969, which ran for two seasons, ending in 1971, but Nabors remained a fixture on television. He became a beloved regular on The Carol Burnett Show, where his recurring guest appearances turned into a tradition—Burnett famously called him her 'good luck charm' and made sure he appeared in the season premiere each year. Nabors also focused on his music career, releasing a steady stream of albums featuring gospel, easy listening and romantic standards. Between 1975 and 1979, Andy Griffith began embracing darker, more complex roles that stood in sharp contrast to his Mayberry image. A key example was the 1974 made-for-TV movie Winter Kill, in which he played a small-town police chief tracking a serial killer. Although it wasn't picked up as a series, it served as a prototype for several similar projects. Griffith reprised variations of that lawman role in TV pilots like Adams of Eagle Lake (1978) and Deadly Game (1977), each continuing his push into more dramatic territory. During the late 1970s, Don Knotts enjoyed a career resurgence, thanks in large part to his popular collaborations with Tim Conway in a string of family-friendly Disney comedies. Their pairing kicked off with The Apple Dumpling Gang (1975), a box-office hit that introduced audiences to their hilariously mismatched chemistry. They followed it with Gus (1976), a slapstick romp about a mule who becomes a football star, and reunited again for The Apple Dumpling Gang Rides Again (1979). This period marked Ron Howard's transition from beloved TV actor to budding filmmaker. He spent the second half of the decade starring as Richie Cunningham on Happy Days, which had become a full-blown cultural phenomenon by the mid-1970s. But behind the scenes, his creative ambitions were shifting. Howard took film courses and began directing short films, gradually building his confidence behind the camera. In 1977, he made his feature directorial debut with Grand Theft Auto, a car-chase comedy produced by Roger Corman. Howard not only directed but also starred in the film and co-wrote the script with his father, Rance Howard. Despite its modest budget, the movie was a box-office success and proved that Howard's talents extended well beyond acting In the latter half of the 1970s, Jim Nabors leaned further into his music and variety roots. He released a steady stream of albums during this time, focusing on easy listening, gospel, and patriotic standards—genres that resonated with his loyal fanbase. Nabors became a popular draw at venues ranging from Las Vegas showrooms to state fairs and concert halls. Between 1980 and 1984, Andy Griffith made meaningful strides in his long-standing goal of being recognized as a dramatic actor. He took on darker, more morally ambiguous roles in made-for-TV films like The Demon Murder Case (1983), where he played a skeptical defense attorney, and Fatal Vision (1984), a chilling true-crime drama in which he portrayed the father of a convicted killer. These performances helped reshape his public image and proved he could handle serious, layered material. At the same time, Griffith stayed active in lighter fare, including The Yeagers (1980), an unsold pilot that featured him in a more familiar, folksy role. He also lent his warm voice to commercials and public service campaigns. During the early 1980s, Don Knotts lent his voice to animated specials and made occasional TV guest appearances, including a 1982 episode of Fantasy Island and a handful of variety programs. But the most significant development during this period came in 1979—continuing into the early '80s—when he joined the cast of Three's Company as the flamboyant landlord Ralph Furley. Brought in after Norman Fell and Audra Lindley departed for the spinoff The Ropers, Knotts injected new life into the show with his trademark expressions, flashy wardrobe and nervous energy. This was the pivotal period when Ron Howard fully transitioned from actor to filmmaker. Though he remained on Happy Days through 1980, he departed the series at the end of Season 7 to focus on directing—having already demonstrated promise with his feature debut Grand Theft Auto (1977). In the years that followed, he directed several made-for-TV movies, honing his skills and attracting attention in Hollywood. His breakthrough came with Night Shift (1982), a fast-paced comedy starring Henry Winkler and a breakout performance by a then-unknown Michael Keaton. Produced by Howard's longtime mentor Garry Marshall, the film was both a critical and commercial success, establishing him as a rising director. He followed that momentum with Splash (1984), the romantic fantasy starring Tom Hanks and Daryl Hannah. In the early 1980s, Jim Nabors remained a beloved entertainer, even as his focus shifted further from scripted television and more fully into music and live performance. One of the most enduring traditions associated with Nabors during this period was his annual rendition of 'Back Home Again in Indiana' at the Indianapolis 500. Although he had first performed it in 1972, it became firmly cemented as a tradition in the 1980s, with Nabors returning year after year to deliver the song in his signature baritone—turning it into one of the race's biggest moments. The late 1980s marked one of the most successful career reinventions in television history for Andy Griffith. In 1986, he returned to weekly TV as the star of Matlock, playing Ben Matlock—a brilliant but unpretentious Southern defense attorney known for his folksy charm, relentless courtroom style and seersucker suit. Created by Dean Hargrove and produced by Fred Silverman, the character debuted in a two-hour NBC pilot movie before launching as a weekly series. Audiences quickly embraced Griffith in the role, which allowed him to channel the warmth of Sheriff Andy Taylor while adding a sharper, more assertive edge. Also in 1986, Griffith reunited with his original Andy Griffith Show castmates for the nostalgic TV movie Return to Mayberry, a ratings hit that momentarily brought Mayberry back to life. After Three's Company ended in 1984, Don Knotts remained active in television through guest appearances, variety specials and retrospectives celebrating his earlier work. He reunited with Andy Griffith in 1986 for a memorable guest role on Matlock, playing Les Calhoun—a quirky, meddlesome neighbor—in the episode 'The Captain.' The performance was so well-received that Knotts returned for several more guest spots on the show, bringing a dose of comic relief that complemented Griffith's more serious turn. That same year, he also reprised his role as Barney Fife (now the town's acting police chief) in the nostalgic TV movie Return to Mayberry, delighting fans in what would be his final official appearance as the beloved deputy. Following the success of Splash (1984), Ron Howard cemented his status as a top-tier director with Cocoon (1985), a sci-fi fantasy about seniors rejuvenated by aliens. The film was both a critical and box-office hit, earning two Academy Awards. He continued his upward trajectory with Gung Ho (1986), a comedy about cultural clashes in the auto industry, and Willow (1988), a George Lucas-produced fantasy epic. Though Willow received mixed reviews on release, it showcased Howard's growing confidence with large-scale productions and has since become a cult favorite. In 1986, he briefly returned to acting, reprising his role as Opie Taylor in the TV movie Return to Mayberry. In the late 1980s, Jim Nabors focused primarily on his music career, touring nationally and headlining venues in Las Vegas and Hawaii, where he had made his permanent home. Though acting roles became less frequent, he remained a familiar presence through talk shows, variety specials, and nostalgic tributes—especially those celebrating The Andy Griffith Show. While he occasionally stepped back from performing due to health concerns, Nabors continued to draw enthusiastic crowds In the early 1990s, Andy Griffith was firmly reestablished as a television star, thanks to the ongoing success of Matlock. The legal drama remained a dependable ratings performer on NBC until 1992, when the network unexpectedly canceled it. ABC quickly picked up the series, where it continued with new episodes through the mid-1990s. During this time, Griffith also lent his familiar voice to commercials and television specials, and made occasional appearances on talk shows and in classic TV retrospectives. Beyond his recurring role as Les Calhoun on Matlock, Don Knotts continued to stay active in entertainment during the early 1990s. He lent his voice to various animated projects and children's programming, and remained a welcome presence on talk shows, game shows and nostalgic specials. In 1991, he appeared in The Magical World of Disney special, The Legend of the Ruby Silver, and made cameos in other family-friendly productions. In 1991, Ron Howard directed Backdraft, a big-budget action drama about Chicago firefighters that combined emotional depth with impressive visual effects. He followed it with Far and Away (1992), an ambitious historical romance starring Tom Cruise and Nicole Kidman. Though reviews were mixed, the film performed well internationally and underscored Howard's expanding scope as a filmmaker. During this period, he also continued to build Imagine Entertainment, the production company he had co-founded with Brian Grazer in the mid-1980s. By the early '90s, Imagine had become a respected name in both film and television. Living full-time in Hawaii, Jim Nabors devoted himself primarily to live performances during the early 1990s, touring with his musical revue and continuing to release albums centered on inspirational, gospel and patriotic themes. In 1991, he returned to the Indianapolis 500 to sing 'Back Home Again in Indiana,' reviving the tradition that had become one of the race's most anticipated moments. With Matlock concluding its run in 1995, Andy Griffith shifted back into occasional acting roles, appearing in a mix of television movies and specials. In 1996, he starred opposite Naomi Judd in the heartwarming holiday TV movie A Holiday to Remember, and also made a memorable comic turn as a spoof villain in the Leslie Nielsen comedy Spy Hard. In 1998, he took on a dramatic role in the TV movie A Justice for All (also known as Crime in the Streets), continuing his exploration of morally complex characters. In the latter half of the 1990s, Don Knotts significantly slowed his on-screen activity but remained a familiar presence through select film and voice roles. He appeared in the comedy Big Bully (1996) and voiced the narrator in the animated musical Cats Don't Dance (1997). In 1998, he made a brief but memorable cameo as the TV repairman in Pleasantville, and in 1999, he voiced the character of Muff Potter in the animated film Tom Sawyer. On television, he guest-starred in a 1994 episode of Burke's Law and lent his voice to the animated TV movie Jingle Bells (1999), part of the Rankin/Bass holiday revival. The late 1990s marked a peak creative period for Ron Howard. In 1995, he directed Apollo 13, a gripping historical drama about NASA's ill-fated lunar mission, which earned widespread acclaim and was nominated for nine Academy Awards. He followed it with Ransom (1996), a high-stakes thriller starring Mel Gibson, which became a major box-office success. Howard spent the remainder of the decade developing and producing projects through Imagine Entertainment and closed out the '90s with EDtv (1999), a media satire about the rise of reality television. In the final years of the 1990s, Jim Nabors maintained a comfortable and respected career focused largely on music and nostalgia-driven appearances. Living quietly in Hawaii with his longtime partner, Stan Cadwallader, Nabors largely stepped back from the spotlight but remained a beloved public figure. He continued to sing at the Indianapolis 500 and toured selectively, performing at concert halls, patriotic celebrations, and special events. Between 2000 and 2004, Andy Griffith remained a beloved figure in American pop culture. Although he had won a Grammy Award back in 1997 for I Love to Tell the Story: 25 Timeless Hymns, the album continued to resonate with listeners into the 2000s, reflecting Griffith's deep faith and musical roots. On television, he made a rare dramatic appearance in a 2001 episode of Dawson's Creek, portraying a grieving grandfather in one of the series' more emotional installments. In 2003, The Simpsons playfully referenced his Matlock persona in a parody episode—though Griffith himself did not provide the voice. In the early 2000s, Don Knotts enjoyed a late-career resurgence, returning to sitcom television with a recurring role as quirky neighbor Mr. Wiggle on 8 Simple Rules for Dating My Teenage Daughter. He also reunited with longtime friend Tim Conway for stage shows and nostalgic appearances, including interviews and TV specials reflecting on their comedic legacy. In 2003, Knotts recorded his voice for Disney's Chicken Little, released after his death in 2005. Ron Howard entered the 2000s at the height of his directing career. In 2001, he helmed A Beautiful Mind, the acclaimed biopic of mathematician John Nash, which won Best Picture and earned Howard the Academy Award for Best Director. The film's success solidified his place among Hollywood's top-tier filmmakers. He followed with The Missing (2003), a dark western thriller starring Cate Blanchett and Tommy Lee Jones. Though less commercially successful, it was praised for its bold tone and direction. Meanwhile, through Imagine Entertainment, Howard produced the cult hit Arrested Development, which premiered in 2003, serving as executive producer and narrator. In the early 2000s, Jim Nabors had largely retired from show business, living quietly in Honolulu with Cadwallader. Following his earlier liver transplant, he focused on his health and personal life but remained a cherished public figure. In the final active years of his career, Andy Griffith made select appearances that reinforced his status as a beloved television icon. In 2007, he delivered a standout late-career performance in the indie hit Waitress, playing the gruff but tender diner owner—a role that introduced him to a new generation. He also lent his voice to documentaries and specials focused on faith, patriotism and classic TV. In 2005, Griffith was awarded the Presidential Medal of Freedom, honoring his lasting contributions to American culture. n his final years, Don Knotts remained a cherished figure, even as his health declined due to lung cancer and respiratory complications. His last major role was voicing Mayor Turkey Lurkey in Disney's Chicken Little (2005), a fittingly playful farewell for one of TV's greatest comic actors. Knotts passed away on February 24, 2006, at age 81. Tributes poured in, including from Andy Griffith, who remembered him as 'a wonderful man, a dear friend and a fantastic actor.' His legacy as a comedic legend remains enduring. Ron Howard's momentum as a filmmaker remained strong in the late 2000s. In 2006, he directed The Da Vinci Code, the blockbuster adaptation of Dan Brown's novel starring Tom Hanks. Despite mixed reviews, it grossed over $750 million worldwide and launched a successful film franchise. Howard followed with Frost/Nixon (2008), a critically acclaimed political drama that earned five Oscar nominations, including Best Picture and Best Director. During this period, he also continued producing acclaimed TV content through Imagine Entertainment, including Friday Night Lights and Arrested Development. Between 2005 and 2009, Jim Nabors remained largely retired, living quietly in Honolulu with Stan Cadwallader. Though no longer acting or recording, he continued his cherished tradition of singing 'Back Home Again in Indiana' at the Indianapolis 500. While far from the spotlight, he remained a treasured symbol of television's golden age, remembered fondly for his warmth, humor and remarkable voice. In his final years, Andy Griffith made only a handful of public appearances but remained a revered figure in American popular culture. In 2010, he appeared alongside Brad Paisley in the music video for 'Waitin' on a Woman." Though his health was declining, he occasionally took part in interviews and tributes celebrating The Andy Griffith Show and Matlock. That same year, he was awarded North Carolina's Order of the Long Leaf Pine, one of the state's highest civilian honors. Griffith passed away on July 3, 2012, at his home on Roanoke Island at age 86. His death marked the end of an era, with tributes pouring in for a man long regarded as the embodiment of decency, wisdom and humility. In the early 2010s, Ron Howard continued to thrive as both a director and producer. He directed The Dilemma (2011), a dark buddy comedy starring Vince Vaughn and Kevin James, which received mixed reviews. Behind the scenes, he remained active with Imagine Entertainment, producing acclaimed series like Parenthood and contributing to the streaming revival of Arrested Development. He also began work on major projects, including the adaptation of Dan Brown's Inferno and the Jay-Z concert documentary Made in America (2013). During this period, Jim Nabors enjoyed a quiet retirement in Hawaii, largely stepping away from public life. In 2011, he made one of his final high-profile appearances at the Indianapolis 500, performing his traditional song, which he'd been doing for nearly 40 years. In 2013, he publicly confirmed his longtime relationship with Stan Cadwallader, announcing they had married in Seattle shortly after same-sex marriage became legal in Washington. The news was met with widespread affection. Though no longer performing, Nabors' legacy endured through reruns of The Andy Griffith Show and Gomer Pyle, U.S.M.C., where his sincerity and warmth continued to resonate with generations of viewers. Jim Nabors died on November 30, 2017, aged 87. In 2015, Ron Howard directed In the Heart of the Sea, a visually ambitious maritime drama starring Chris Hemsworth. While it underperformed at the box office, it reinforced Howard's command of large-scale storytelling. He earned widespread acclaim with The Beatles: Eight Days a Week – The Touring Years (2016), which won the Grammy for Best Music Film. In 2018, Howard entered the Star Wars universe, stepping in to complete Solo: A Star Wars Story after the original directors' departure. Though reviews were mixed, Howard was praised for steering the film to completion under tight constraints. Throughout the 2020s, he remained prolific via Imagine Entertainment, producing high-profile films and series. He directed Hillbilly Elegy (2020) for Netflix—critically divisive but Oscar-nominated for Glenn Close—and expanded his documentary work with Rebuilding Paradise (2020) and We Feed People (2022). As of 2025, Howard continues to be a vital creative force, with a career spanning decades, genres and formats. 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