Latest news with #AndyWard
The Advertiser
20-05-2025
- General
- The Advertiser
Designers find the beauty in much-maligned plane trees
Love them or hate them, it turns out the ubiquitous London plane tree has an exceptionally beautiful wood grain. That's according to craftsman Andy Ward, who has repurposed timber from an inner-city Melbourne tree for a Design Week exhibition. "People just can't believe how beautiful the material is. It's a shock. They just wouldn't expect the wood to look that way," he said. From furniture to knives, a vase and even pencils, the exhibition at vintage and design shop Ma House Supply Store shows the timber has potential. The exhibition is titled Goodbye London Plane, and the wood for the project came from a street tree that was being cut down and would otherwise have been woodchipped. But Revival Projects - a Collingwood workshop that specialises in saving materials for sustainable building - managed to collect the timber instead. Ma House proprietor and curator Ben Mooney bought the timber and gave half a dozen craftspeople an equal share to work with. "We got the scrappy bits of the tree to be honest, the remnants. So even the scrappy bits are worth something," he said. Ward constructed a backlit partition featuring a cut out circle. The piece shows off the wave of the wood grain by day, and has an "eclipse effect" as light shines through the hole when it gets dark. The hardy London plane tree grows in cities worldwide. In Melbourne, for example, mass planting during the 1980s and 1990s created a CBD monoculture dominated by the species. While plane trees provide shade, they release spores that can cause irritation and allergies, and their roots destroy footpaths and underground infrastructure. The City of Melbourne plans to reduce the dominance of the species over time, to less than 20 per cent of trees in the CBD. "If that's to go ahead, we should be using the material, because it's really beautiful stuff and easy to work with," said Ward. Goodbye London Plane is on at Ma House Supply Store from Wednesday until Sunday as part of Melbourne Design Week. Love them or hate them, it turns out the ubiquitous London plane tree has an exceptionally beautiful wood grain. That's according to craftsman Andy Ward, who has repurposed timber from an inner-city Melbourne tree for a Design Week exhibition. "People just can't believe how beautiful the material is. It's a shock. They just wouldn't expect the wood to look that way," he said. From furniture to knives, a vase and even pencils, the exhibition at vintage and design shop Ma House Supply Store shows the timber has potential. The exhibition is titled Goodbye London Plane, and the wood for the project came from a street tree that was being cut down and would otherwise have been woodchipped. But Revival Projects - a Collingwood workshop that specialises in saving materials for sustainable building - managed to collect the timber instead. Ma House proprietor and curator Ben Mooney bought the timber and gave half a dozen craftspeople an equal share to work with. "We got the scrappy bits of the tree to be honest, the remnants. So even the scrappy bits are worth something," he said. Ward constructed a backlit partition featuring a cut out circle. The piece shows off the wave of the wood grain by day, and has an "eclipse effect" as light shines through the hole when it gets dark. The hardy London plane tree grows in cities worldwide. In Melbourne, for example, mass planting during the 1980s and 1990s created a CBD monoculture dominated by the species. While plane trees provide shade, they release spores that can cause irritation and allergies, and their roots destroy footpaths and underground infrastructure. The City of Melbourne plans to reduce the dominance of the species over time, to less than 20 per cent of trees in the CBD. "If that's to go ahead, we should be using the material, because it's really beautiful stuff and easy to work with," said Ward. Goodbye London Plane is on at Ma House Supply Store from Wednesday until Sunday as part of Melbourne Design Week. Love them or hate them, it turns out the ubiquitous London plane tree has an exceptionally beautiful wood grain. That's according to craftsman Andy Ward, who has repurposed timber from an inner-city Melbourne tree for a Design Week exhibition. "People just can't believe how beautiful the material is. It's a shock. They just wouldn't expect the wood to look that way," he said. From furniture to knives, a vase and even pencils, the exhibition at vintage and design shop Ma House Supply Store shows the timber has potential. The exhibition is titled Goodbye London Plane, and the wood for the project came from a street tree that was being cut down and would otherwise have been woodchipped. But Revival Projects - a Collingwood workshop that specialises in saving materials for sustainable building - managed to collect the timber instead. Ma House proprietor and curator Ben Mooney bought the timber and gave half a dozen craftspeople an equal share to work with. "We got the scrappy bits of the tree to be honest, the remnants. So even the scrappy bits are worth something," he said. Ward constructed a backlit partition featuring a cut out circle. The piece shows off the wave of the wood grain by day, and has an "eclipse effect" as light shines through the hole when it gets dark. The hardy London plane tree grows in cities worldwide. In Melbourne, for example, mass planting during the 1980s and 1990s created a CBD monoculture dominated by the species. While plane trees provide shade, they release spores that can cause irritation and allergies, and their roots destroy footpaths and underground infrastructure. The City of Melbourne plans to reduce the dominance of the species over time, to less than 20 per cent of trees in the CBD. "If that's to go ahead, we should be using the material, because it's really beautiful stuff and easy to work with," said Ward. Goodbye London Plane is on at Ma House Supply Store from Wednesday until Sunday as part of Melbourne Design Week. Love them or hate them, it turns out the ubiquitous London plane tree has an exceptionally beautiful wood grain. That's according to craftsman Andy Ward, who has repurposed timber from an inner-city Melbourne tree for a Design Week exhibition. "People just can't believe how beautiful the material is. It's a shock. They just wouldn't expect the wood to look that way," he said. From furniture to knives, a vase and even pencils, the exhibition at vintage and design shop Ma House Supply Store shows the timber has potential. The exhibition is titled Goodbye London Plane, and the wood for the project came from a street tree that was being cut down and would otherwise have been woodchipped. But Revival Projects - a Collingwood workshop that specialises in saving materials for sustainable building - managed to collect the timber instead. Ma House proprietor and curator Ben Mooney bought the timber and gave half a dozen craftspeople an equal share to work with. "We got the scrappy bits of the tree to be honest, the remnants. So even the scrappy bits are worth something," he said. Ward constructed a backlit partition featuring a cut out circle. The piece shows off the wave of the wood grain by day, and has an "eclipse effect" as light shines through the hole when it gets dark. The hardy London plane tree grows in cities worldwide. In Melbourne, for example, mass planting during the 1980s and 1990s created a CBD monoculture dominated by the species. While plane trees provide shade, they release spores that can cause irritation and allergies, and their roots destroy footpaths and underground infrastructure. The City of Melbourne plans to reduce the dominance of the species over time, to less than 20 per cent of trees in the CBD. "If that's to go ahead, we should be using the material, because it's really beautiful stuff and easy to work with," said Ward. Goodbye London Plane is on at Ma House Supply Store from Wednesday until Sunday as part of Melbourne Design Week.
Perth Now
19-05-2025
- General
- Perth Now
Designers find the beauty in much-maligned plane trees
Love them or hate them, it turns out the ubiquitous London plane tree has an exceptionally beautiful wood grain. That's according to craftsman Andy Ward, who has repurposed timber from an inner-city Melbourne tree for a Design Week exhibition. "People just can't believe how beautiful the material is. It's a shock. They just wouldn't expect the wood to look that way," he said. From furniture to knives, a vase and even pencils, the exhibition at vintage and design shop Ma House Supply Store shows the timber has potential. The exhibition is titled Goodbye London Plane, and the wood for the project came from a street tree that was being cut down and would otherwise have been woodchipped. But Revival Projects - a Collingwood workshop that specialises in saving materials for sustainable building - managed to collect the timber instead. Ma House proprietor and curator Ben Mooney bought the timber and gave half a dozen craftspeople an equal share to work with. "We got the scrappy bits of the tree to be honest, the remnants. So even the scrappy bits are worth something," he said. Ward constructed a backlit partition featuring a cut out circle. The piece shows off the wave of the wood grain by day, and has an "eclipse effect" as light shines through the hole when it gets dark. The hardy London plane tree grows in cities worldwide. In Melbourne, for example, mass planting during the 1980s and 1990s created a CBD monoculture dominated by the species. While plane trees provide shade, they release spores that can cause irritation and allergies, and their roots destroy footpaths and underground infrastructure. The City of Melbourne plans to reduce the dominance of the species over time, to less than 20 per cent of trees in the CBD. "If that's to go ahead, we should be using the material, because it's really beautiful stuff and easy to work with," said Ward. Goodbye London Plane is on at Ma House Supply Store from Wednesday until Sunday as part of Melbourne Design Week.
West Australian
19-05-2025
- General
- West Australian
Designers find the beauty in much-maligned plane trees
Love them or hate them, it turns out the ubiquitous London plane tree has an exceptionally beautiful wood grain. That's according to craftsman Andy Ward, who has repurposed timber from an inner-city Melbourne tree for a Design Week exhibition. "People just can't believe how beautiful the material is. It's a shock. They just wouldn't expect the wood to look that way," he said. From furniture to knives, a vase and even pencils, the exhibition at vintage and design shop Ma House Supply Store shows the timber has potential. The exhibition is titled Goodbye London Plane, and the wood for the project came from a street tree that was being cut down and would otherwise have been woodchipped. But Revival Projects - a Collingwood workshop that specialises in saving materials for sustainable building - managed to collect the timber instead. Ma House proprietor and curator Ben Mooney bought the timber and gave half a dozen craftspeople an equal share to work with. "We got the scrappy bits of the tree to be honest, the remnants. So even the scrappy bits are worth something," he said. Ward constructed a backlit partition featuring a cut out circle. The piece shows off the wave of the wood grain by day, and has an "eclipse effect" as light shines through the hole when it gets dark. The hardy London plane tree grows in cities worldwide. In Melbourne, for example, mass planting during the 1980s and 1990s created a CBD monoculture dominated by the species. While plane trees provide shade, they release spores that can cause irritation and allergies, and their roots destroy footpaths and underground infrastructure. The City of Melbourne plans to reduce the dominance of the species over time, to less than 20 per cent of trees in the CBD. "If that's to go ahead, we should be using the material, because it's really beautiful stuff and easy to work with," said Ward. Goodbye London Plane is on at Ma House Supply Store from Wednesday until Sunday as part of Melbourne Design Week.
The Guardian
17-05-2025
- The Guardian
Nothing to sneeze at: one of Melbourne's most-loathed trees wins a second act
Long the darlings of municipal landscaping, London plane trees line boulevards from New York to Johannesburg. In Australian cities people have lived, worked and sneezed alongside them for generations. Revered by urban planners for their good looks, impressive carbon sequestering capabilities and hardiness, the hybrid plant (made from American sycamore and oriental plane) is an optimum city tree – in measured doses. But while their verdant majesty in summer and handsome silhouettes in winter are widely admired, their reign of eye-watering, throat-scratching terror throughout spring has made them notorious. While some claim that we aren't nearly as allergic to them as we think we are, the City of Melbourne has committed to radically diversifying its urban forest in the coming years, reducing London planes' prevalence in the central business district from 63% to 20%. Since 2019 the local government has removed 449 of them. While most of the trees retired from civic duties become mulch, Andy Ward, a furniture designer and the curator of Melbourne Design Week's Goodbye London Plane, has seized the opportunity to give at least one of them a more lasting second act. Inspired by an Instagram post he saw years earlier by the inner-city timber mill Revival, Ward invited eight makers to parlay the salvaged remains of a newly sacrificed tree into stools, lighting, vases and more. Sign up for the fun stuff with our rundown of must-reads, pop culture and tips for the weekend, every Saturday morning He hopes the project will help reframe people's perspectives of these much-maligned marvels and encourage more designers and makers to find ways to immortalise these silent witnesses to the city's history, bringing them from the streets and into homes. Plane trees, he says, 'are so iconic and polarising, but no one seems to realise how beautiful the material is'. The timber is 'really forgiving' to work with and offers a 'stunning' grain; he likens its malleability to that of sycamore, while being 'slightly softer than American oak' – and a whole lot easier to work with than native hardwoods. Each piece comes from a single tree felled in Gipps Street, Collingwood. In 2022 the team at Revival began their urban timber recovery project; the following year they managed to rescue this 75-year-old behemoth from Yarra city council's chipper with just hours to spare. Rob Neville, Revival's founder, says the tree yielded more than five tonnes of usable timber which has been distributed to more than a dozen 'custodians' – from knife makers to architecture students – all charged with ensuring that the material is given the respect it deserves. 'Treating these trees as waste would have been considered insane back in the day, now it's the norm – we want to help change that,' he says. Revival is working closely with a number of councils in Melbourne to get more felled municipal trees into the hands of designers and makers. Sign up to Saved for Later Catch up on the fun stuff with Guardian Australia's culture and lifestyle rundown of pop culture, trends and tips after newsletter promotion As a lover of the plane tree and an advocate of more sustainable practices in the design world, Ben Mooney, the owner of Ma House Supply Store in Collingwood, where the project will be shown, says he immediately saw the potential of Ward's concept. He hopes that by foregrounding reclaimed timber, the project will not only elevate the status of the London plane but also a more regenerative, respectful way of working with resources that are too often squandered. 'If this helps get the word out, it's a success.' Georgie Szymanski, a timber furniture maker based in Preston, has been crafting art deco-inspired pieces for the last five years. When Ward and Mooney reached out with the concept, she was intrigued. 'To be able to utilise this material that is otherwise just going to waste is so cool,' she says. Szymanski has created a traditional tea table from the timber. The grain, she says, is an unexpected delight. 'It's shimmery, with this freckled appearance – it's crazy how underused it is.' Having previously regarded the trees as little more than a ubiquitous irritant, Szymanski says the project has given her a new-found respect and fondness for them: 'It is 100% a timber I'd use again.' Goodbye London Plane is showing at Ma House Supply Store during Melbourne Design Week, until Sunday 25 May
The Guardian
05-03-2025
- Entertainment
- The Guardian
‘I never wanted to work indoors': Andy Ward on 40 years as a cricket groundsman
'I've just moved house to a nice little village,' Andy Ward says. 'Ideally I'd just get a few mowing jobs. That's all I really need now. I don't want to go back into cricket. After 40 years, that's enough for me. I just want to have a bit of time. I want to enjoy summer.' You may remember 1985 as the summer of 19 by Paul Hardcastle and Frankie by Sister Sledge, of A View to a Kill and the Breakfast Club. Live Aid raised £40m for famine relief. Boris Becker, aged just 17, sensationally won Wimbledon. A loaf of sliced white bread cost about 40p, a pint of milk 23p, a litre of petrol 43p. England won the Ashes 3-1 and a ticket for a decent seat at Lord's to see them do it cost £9. And it was in 1985 that Ward, like Becker aged 17, joined the ground staff at Leicestershire's Grace Road as a trainee. This summer, for the first time in four decades, he will not be there. 'I just drifted into it,' Ward says. 'It was a difficult time to get a job as a school leaver back then. It was a placement I went on which I really enjoyed. Just being outside. I never wanted to work indoors. It wasn't until a few years later, probably when I became deputy head groundsman, that I thought, 'Yeah, this is the job for me.' As a kid it was just a way of getting money to go out.' Ward became deputy head groundsman in 1997 and head groundsman in 2009, a position he held until his early retirement last November. 'I'd been thinking for a while, trying to do the maths,' he says. 'I thought 40 seasons was a good time for me. I've got a good lady in my life who was encouraging me to see that there's more to life than preparing pitches. I wasn't enjoying the job as much as I used to as well, which I was conscious of. It's nice to have the pressure off. It became very stressful, the job.' There were good times. The County Championship wins of 1996 and 1998 ('The best time at Leicestershire I've ever had. The team were brilliant. Everything was fantastic'), T20 Cup successes in 2004, 2006 and 2011 ('A little county like Leicestershire winning the T20 three times, that was amazing'), Australia praising the facilities during a warmup match at Grace Road before the 2005 Ashes ('That team, with that calibre of players, loving the pitches, that was brilliant'). 'I loved the outdoor work and it's a bit of a feather in your cap to be in professional sport,' Ward says. 'People are actually impressed by that. I used to enjoy cricket. Less so as I got older. I've seen too much cricket. After 40 years, I've had enough of it.' Over time, the season has stretched and warped. In 1985, the first County Championship fixtures started on 27 April and the last finished on 17 September. This year, it starts on 4 April and ends on 27 September, more than a month of extra cricket, into which more fixtures in more competitions and involving more teams are squeezed. In Ward's final season, the first game at Grace Road (predictably abandoned because of poor weather) started on 19 March. 'It's totally changed,' Ward says. 'It used to be more fun. It got to the stage where the season was just too long for me. We used to work weekends from February right the way through to the end of the season. And then we'd have so much time off in the winter when everyone else was working. It made it difficult for families. 'It's a tough balance and it's only getting worse. We're the only groundsmen in the world who are preparing pitches in frost, snow, ice – we go through everything in this country. It takes six or seven weeks just to get a pitch anywhere near ready. March cricket is just ridiculous. 'The pay isn't great. The hours are long. We had a really good apprentice last year, Dan. He left about the same time as me. Gone to work for a university. It's more time off, more money. People dip their toes in, you know, have a little look at it, and then think, 'Do I want to be doing this for the rest of my life?' 'Four-day cricket for me became such a grind. It's 12-hour days and a lot of the time you're doing it for 200 or 250 people. You'd get home about half eight and you're up at dawn the next day. I won't miss four-day cricket whatsoever. 'I spoke to Craig [Harvey] at Northants the other day and he says, 'You get to mid-season and you're just running on empty.' There's a lot of hours people don't see. A lot of unseen work. And not having a break – I was guilty of that. 'A lot of head groundsmen are quite controlling. I didn't want to take any time off, felt I had to be there. I always try to encourage the younger head groundsmen to take some time off during the season, but it's such a difficult thing to let go.' Ward was sustained by the camaraderie among a close team at Leicestershire and by a WhatsApp group where the nation's chief groundskeepers share not just personal problems but professional solutions, nursing each other through advances in sports turf technology. Three times he returned from the Grounds Manager of the Year Awards, the Grounds Management Association's big annual get-together, with a trophy and another four with commendations, most recently in November. At which point, he decided to go. 'I'd been away on holiday. I had a good think about it and I handed my notice in,' he says. 'It was a very strange feeling. A lot of relief and joy, but then you feel lost for a bit. 'I've been back a couple of times. You work somewhere for 40 years and then you pop back in and even though no one made me feel like an outsider, I felt I was. Just little things, like I always had my own seat there, and someone's in my seat now.' So to Ward's first summer of freedom (but for occasional mowing jobs) since he was a child. 'I booked a month in Greece for the end of May,' he says. 'We like going on walks and picnics, so we'll do a lot of that. And I'll go and watch some T20, see the lads. I won't watch any four-day cricket, though.' It often feels like cricket is in a state of permanent peril and crisis, the only change being precisely what looks certain to end the game as we know it this week. But researching this week's Spin took me back to the summer of 1985 and the start of Ward's debut season as a cricket groundsman, a campaign previewed in the Guardian by an extraordinarily optimistic Matthew Engel. 'The English game is managing to exude remarkable, pink-cheeked health,' he wrote. 'After four successive summers blessed by cricket that might have been plotted in advance to bump up public interest, and weather that has often been delightful and almost always passable at the strategic moments, the counties find themselves if not exactly rich, then at least away from the poverty line. 'If county secretaries look depressed this spring it is generally because they cannot find a young fast bowler or a new slow left-armer, not because the bank is about to foreclose. The England team has started winning again and is almost ideally matched against a beatable but still challenging Australian side. Advance ticket sales have been excellent. And in the middle distance there are signs of a new generation, of batsmen anyway, that could do great things for English cricket … Sign up to The Recap The best of our sports journalism from the past seven days and a heads-up on the weekend's action after newsletter promotion 'Let us offer a springtime prayer: for a summer of sunshine, good cricket and endeavour, and the Ashes won back from a full-strength Australian side. And let's be able to concentrate on a bit of honest-to-goodness Australia-hating and selector-bashing. That's what the game's all about.' Oh to be able to pen such an article in 2025, though looking on the bright side we've probably got the selector-bashing covered. 'Dr Shama Mohamed, national spokesperson of the Indian National Congress, made certain remarks about a cricketing legend that do not reflect the party's position. She has been asked to delete the concerned social media posts from X and has been advised to exercise greater caution in the future. The Indian National Congress holds the contributions of sporting icons in the highest regard and does not endorse any statements that undermine their legacy' – Pawan Khera, chair of the INC's publicity department, after Mohamed posted that she thought Rohit Sharma 'needs to lose weight' and is 'the most unimpressive captain India has ever had'. The INC is the second-biggest party in the Indian parliament. Jimmy Anderson, 42, wants to play in the Hundred. Jofra Archer is on course to be part of England's pace attack in Tests again, writes Ali Martin. And Ali finds that Brendon McCullum has plenty to ponder about England's white-ball future. 27 June 1930: The R101 airship emerges from low cloud over Lord's during the second Ashes Test match in which Australia thrashed England by seven wickets, with Don Bradman scoring 254. … by writing to In? To subscribe to The Spin, just visit this page and follow the instructions.
