Latest news with #AnnaLapwood
Daily Mail
5 days ago
- Entertainment
- Daily Mail
EXCLUSIVE Rise of the TikTok Organist: How a vicar's daughter bewitched royalty and sold out the Royal Albert Hall in hours - as her viral organ performances see her branded the 'Taylor Swift of classical music'
She has been dubbed the ' TikTok Organist' and received widespread praise for her accessible, charismatic and playful videos about her favourite instrument. Now, Anna Lapwood - who is seen as classic music's answer to Taylor Swift - has been handed her biggest role yet as the Royal Albert Hall's first official organist. Aged just 29, she has racked up more than two million social media followers and is fast becoming a trailblazer for young women in a field traditionally populated by men. Buckinghamshire-born Miss Lapwood first performed at the iconic London venue as a teenager in 2012 when she was a member of the National Youth Orchestra. The BBC and Classic FM presenter attended Oxford High School and then Magdalen College, Oxford, where she was its first female organ scholar and then joined Pembroke College, Cambridge in 2016 where she became director of music. In June last year Miss Lapwood – who uses the hashtag #PlayLikeAGirl - was made an MBE for services to music in the New Year Honours, urging Princess Anne upon receiving the award that she should take up the organ and play at Windsor Castle. She stepped down from Pembroke in February to focus on her career as a concert organist, and was named last month on the Sunday Times' Young Power List, celebrating the most powerful 30 people under 30 in the UK. Miss Lapwood had been a Royal Albert Hall associate artist from 2022, and her latest headline performance at the venue on May 15 sold out in under 24 hours. Anna Lapwood regularly posts videos on TikTok of her practicising and playing to huge crowds Anna Lapwood has played the music from films such as Interstellar and Top Gun on the organ In four-star reviews for the show, the Guardian said she was 'charismatic enough to sell out a midweek gig and have a packed hall eating out of her hand', while the Times told how she 'mixed the music with an almost Adele-like level of personal chat'. She was also a soloist during the 2021 BBC Proms season, and has since headlined the venue - as well as teaching Benedict Cumberbatch and Tom Cruise about its famous organ. Miss Lapwood can also play the piano, violin, viola and the harp. Now, the venue has created a new role for her as the first 'Organist of the Royal Albert Hall' with the aim of increasing national access to organ and choral music. She will be headlining auditorium concerts and making guest appearances with artists, while also trying to increase accessibility to the organ by holding open sessions. The venue's organ was the biggest musical instrument in the world when it was unveiled 154 years ago, described by its builder Henry Willis as 'The Voice of Jupiter'. It was played at the Hall's opening ceremony in 1871, where its wind system was powered by two steam engines. Musicians who have performed on it include Camille Saint-Saëns, Anton Bruckner, Pink Floyd's Richard Wright, and the rock band Muse. Miss Lapwood - who has played with artists such as Bonobo, Aurora, Raye and Florence and the Machine - was described by Harper's Bazaar as 'classical music's Taylor Swift'. The publication added: 'Like Swift, Lapwood is a once-in-a-generation talent: she's irreverent, charismatic, a born performer and a whip-smart communicator. Dispel all your preconceptions about what an organ recital might ordinarily entail.' The New York Times has called her 'the world's most visible organist'. Miss Lapwood, who opened the Baftas in 2019 at the Royal Festival Hall, has also just released a new album called Firedove which includes original compositions - and has curated an all-night BBC Prom taking place in August. Speaking about her new role, she said: 'I feel very lucky to have been allowed access to the incredible instrument at the Royal Albert Hall over the last few years and it has taught me so much, so I'm incredibly excited to be continuing my partnership with the Hall as its official organist.' She added that she was looking forward to opening up access to the instrument to more organists, starting with the launch of a new organ scholarship. It comes after Miss Lapwood discovered the organ aged 15 when it was brought to her attention by her mother, a paediatric nurse. Back in June last year, Miss Lapwood - whose father was a Church of England priest - revealed she had told the Princess Royal to take up the organ and play at Windsor Castle. She said at the time: 'I said 'Have you ever had to go on the organ?' and she said 'No, I haven't, I think it's a bit late'. And I was like 'Oh, I think you can I think you could do it, you should do it'.' Miss Lapwood also said that they had talked about the importance of making women feel comfortable in music, adding that the organ was a 'previously male-dominated world'. In September 2022, she famously had an impromptu duet with a passing security guard at London Bridge station in the days after Queen Elizabeth II died. Miss Lapwood stopped to play the organ at the station when she was approached by a security guard called Marcella, who revealed she was a classically trained singer. The pair performed the national anthem, God Save The King, and then at the request of Marcella, Miss Lapwood launched into a rendition of Lascia ch'io pianga by Handel. In January 2021 Miss Lapwood hit the headlines for her humorous reaction to being put on hold to the same movement of a Mozart symphony for over an hour, when she started playing along Miss Lapwood posted a clip of her duet with Marcella on X and the video quickly went viral, racking up over three million views. And back in January 2021 she hit the headlines for her humorous reaction to being put on hold to the same movement of a Mozart symphony for over an hour. Miss Lapwood found herself listening to the same segment of the piece whilst stuck on hold to Energy for 70 minutes - so she started playing along with her electronic pipe organ at home. Speaking to Classic FM in 2019, she said: 'When I took up the organ, I really had no idea what world I was getting into. 'I feel there's a responsibility to help provide the opportunity for young girls to realise they could be an organist too. I think the reason they don't take it up is because they don't even think about it. 'They don't see visible female role models playing the organ. It tends to be seen as either something for a certain kind of man or a little old lady, and that's not something a little girl is going to aspire to be.'
Times
16-05-2025
- Entertainment
- Times
Anna Lapwood review — the organist holds the Royal Albert Hall spellbound
The first thing to say about this concert — perhaps the most important thing — is that the Royal Albert Hall was packed to its flying saucers for a concert showcasing a classical organist. Older colleagues tell me that Anton Bruckner achieved the same — but that was back in 1871. So Anna Lapwood has undoubtedly broken through to a wider public — one that maybe doesn't go to many classical concerts, let alone organ recitals. Yes, she has been indefatigable about cultivating a following on TikTok, where she now has 1.2 million followers. But that's only a third of the story. Another third is her very marketable image: a quick-witted, winsome young woman in a musical field still mostly populated by nerdish male organists
The Guardian
16-05-2025
- Entertainment
- The Guardian
Anna Lapwood review – charismatic organist has a packed Royal Albert Hall eating out of her hand
The Henry Willis organ – 70ft high, 65ft wide, with 9,999 pipes – has long been the criminally underused centrepiece of the Royal Albert Hall, but it has finally found someone big enough to bring it to life. Anna Lapwood, the venue's first ever official organist, might be a slight 5ft 3in but the so-called 'TikTok organist' – with more than 2m social media followers – is charismatic enough to sell out a midweek gig and have a packed hall eating out of her hand. Tonight she and her organ battle with the Philharmonia Orchestra and Chorus, under the baton of the ever adventurous German conductor André de Ridder. Lapwood's obsession with film soundtracks could suggest a rather glib populism – she even apologises for starting with a Hans Zimmer theme from The Da Vinci Code ('I don't know why it made me cry, it's not even a very good film') and encores with a solo arrangement of a throwaway theme from How to Train Your Dragon. But the rest of the show has heft. Saint Saëns' third symphony, probably the most famous piece for organ and orchestra, takes up most of the second half, while a suite from Zimmer's Interstellar soundtrack shifts the organ-heavy themes into hypnotic, Philip Glass-like territory. Better still are the two pieces specially written for tonight. A toccata by young composer Kristina Arakelyan is a wonderful mix of whimsy and horror, filled with slippery harmonies, gurgling sci-fi passages and studied discordancy. Max Richter's 33-minute Cosmology conducts a circular voyage through space – from the tentative, irregular, arpeggios of the intro, to the heart-tugging, funereal organ drones of the second movement, the glistening modulations and irregular time signatures of the third, while the final movement mixes Lapwood's dreamy, synth-like chord washes with the female voices of the choir she leads at Pembroke College, Cambridge. What's especially welcome is Lapwood's efforts to talk to the audience and put the music into context. As well as being an evangelist for the pipe organ, and a champion of female musicians (her #PlayLikeAGirl T-shirts are all over the hall), she's also becoming one of the most effective ambassadors for classical music since Leonard Bernstein – a musically omnivorous enthusiast who knows how to communicate with a wider audience.
