Latest news with #Antim
The Hindu
4 days ago
- Sport
- The Hindu
Rich haul of medals by India's women wrestlers
Indian women wrestlers, including World championships bronze medallist Antim Panghal, landed four gold medals in the Ulaanbaatar Open Ranking Series on Friday (May 30, 2025). Paris Olympian Antim won all her matches, including the final where she outsmarted Nataliya Malysheva 10-0, convincingly. Neha (57kg), Muskan (59kg) and Harshita (72kg) also secured gold medals, while Neelam (50kg) got a bronze. Greco Roman wrestler Suraj (60kg) bagged a silver.
Indian Express
23-05-2025
- Entertainment
- Indian Express
Best of Both Sides: OTT allows experimentation sans restrictions that accompany cinema, TV
In the mid-2010s, the emergence of OTT platforms allowed young filmmakers like me to tell stories our way. The OTT boom was the only reason I could direct my own show as soon as I did. Before this boom, the path to directing your first piece of content was a long-drawn one. Talent was one of the factors, but networking was possibly more important than anything else. OTTs, in that sense, democratised the filmmaking process. At the start, if you had an interesting idea, someone somewhere was willing to back you up. Spaces for experimentation emerged without most of the restrictions that cinema and TV suffered from and in the process, the chokehold the two mediums had on the industry broke. The OTT boom threatened to wipe out both the TV and film industries. Several TV giants created their own OTT platforms. Some even transitioned their programming to digital first. Within the first few years, the movie catalogues of all platforms grew by leaps and bounds. Many obituaries of theatres and TV were written in this period. The assumption was that people would rather pay the yearly fee and watch in the comfort of their homes at a time convenient to them than spend on the weekly theatre experience. For a family of four in any metropolitan city, going to a theatre can quickly turn into a Rs 2,000 expense, with the tickets and popcorn and cold drinks. Initially, these claims were dismissed as hyperbole — it was a family outing that the smaller screens could not replace. But Covid changed all that. The pandemic caused a serious shift in viewing habits. Going to the theatre was not an option during the lockdowns, and even once things were open again, people were wary of going to the halls. Through 2021 and into 2022, movies sure to do well in the theatres either got lukewarm numbers like 83, or failed like Salman Khan's Antim or Akshay Kumar's Bell Bottom. Bollywood A-listers delivered flops, sometimes massive ones. And again, there were obituaries of the big screen. But 2022 also saw RRR, KGF 2 and Ponniyin Selvan make incredible amounts of money. The conversation shifted as the industry tried to arrive at a formula for success in the theatrical run. This time, Bollywood's obituary was written, and industries in the south were now the beacon of hope. Then in 2023, Jawan, Pathan and Animal broke box office records. Granted, Shah Rukh Khan helmed the first two. However, till these hits, many had begun to write off his acting career. At this point, the argument changed: Only 'big', 'event' films would survive. Smaller films had to accept that they do not garner audiences in cinema halls anymore, and they were to be relegated to OTT releases. 12th Fail emerged as a huge success. It shows that if there are interesting stories to be told, audiences exist for them. OTT platforms expand the world of storytelling. In essence, though, they are experienced in isolation. Theatres offer a community experience that is unparalleled by other forms. Ajay Sing Rathore's funeral in Rang De Basanti, with 'Luka Chuppi' by AR Rahman playing, hits harder in the theatre when you aren't distracted by your phone. Tumbbad is scarier in the hall and Khosla ka Ghosla is funnier when you're laughing together with strangers. Emotions are infectious and you can't find a sense of community with earphones on. Going to the theatre continues to function as a bonding experience, with friends, family, colleagues or lovers. There is no denying the fact that OTT has changed how content is viewed, especially by producers. Every film script has to go through a lens of whether it's an OTT film or one that deserves a theatrical release. Within scripts, every single character is put through the same lens. Often, this analysis pushes things to the OTT screen as opposed to the theatre. A great example of this is Imtiaz Ali's Chamkila, which found itself on OTT and did very well. In the same year, Shaitaan, Stree, Munjya and Kalki found their audiences in theatres. OTT platforms and theatres exist in parallel to each other. The two worlds are pushing and pulling each other constantly, but one will not destroy the other. OTT platforms are still searching for their footing, constantly experimenting with new structures to make themselves self-sustaining in the long run. Cinemas, too, have been experimenting with ways to stay profitable: From formulaic movies to expensive popcorn, everything has been thrown at audiences, and even though we hate on the films we do not like, we continue to return for more. If new forms of consuming art killed their predecessors, photography would have killed painting by the end of the 19th century. Raza is a filmmaker and has directed shows on OTT platforms, including The Other Woman and Doctors
Hindustan Times
13-05-2025
- Sport
- Hindustan Times
Antim in trouble for leaving national camp
New Delhi: Antim Panghal finds herself in trouble once again after she left the national camp at the IG Stadium here citing injury. Antim first approached WFI with a proposal that she wanted to travel to Japan along with her personal physio for training, and that she would join the team directly in Mongolia for the international ranking series from May 29. After consulting with coaches in the camp, WFI denied her permission. The coaching team was of the view that since camp has begun after a long break, fitness of wrestlers needed to be monitored. Antim requested leave for two days on medical grounds which was granted. On Tuesday, she sought extension of her leave, along with a request that her personal physio be permitted to accompany her in national camps, international tournaments and tours. 'She submitted a medical report and took leave for two days. She is now asking for extension and also wants her physio to be allowed in the camp and competitions. WFI cannot allow personal physios in the national camp. We have three physios in the camp and they are available for everyone. Antim did not take advice from the support staff on her injury,' a WFI official told HT. It was also learnt that Antim has complained about coaches in the camp after her proposal to train in Japan was struck down. 'We have asked for a report from the chief coach on the entire issue and we will forward it to SAI. Indiscipline cannot be tolerated. The federation will issue her a warning and give her two days to join the camp,' the official said. One of India's most promising talents, Antim, 20, medalled at the 2023 World Championships and Asian Games and qualified for the Paris Olympics. At the Paris Olympics, she lost in the first round. Antim courted trouble in Paris after she passed on her accreditation card to her sister who used it to gain access to Games Village before she was stopped by security. Subsequently, Antim's accreditation was cancelled by the organisers and she was sent back home along with her four-member support staff. Since then, Antim has won a bronze at the Asian Championships in March. Medallists in Jordan have been selected in the team for Mongolia ranking series. If Antim doesn't compete in Mongolia, there is likely to be no Indian representation since the trials were completed on Tuesday. Anshu loses in trials Two-time Olympian Anshu Malik was a pale shadow of her past as she lost to Neha Sangwan in the first bout of the 57kg weight division. Neha, who won the U17 World and Asian titles last year, was leading 7-0 in the second period when Anshu withdrew with an injury. Despite not being in the national camp, Anshu was invited for the trials after she reached out to SAI seeking permission to compete for the Mongolia ranking series. Neha won the final beating Neha Sharma 6-4. Neelam (50kg), Pushpa (55kg), Sikhsa (65kg), Harshita (72kg), and Monika (68kg) were the other winners of trials.
India.com
29-04-2025
- Entertainment
- India.com
Aayush Sharma Shares Glimpse From His Next Project In Banaras: Ek Nayi Kahani...
New Delhi: Aayush Sharma, known for making brief but impactful choices of film, has hinted at shooting for his next project. The Antim actor took to his social media handle to share a series of photos from Banaras, indicating that the shooting is slated to be held in the City of Ghats. Beyond this, Aayush Sharma is seen sporting a new look - a combed-back hairstyle and a classic moustache, suggesting a new look for his next role. The series of pictures featured him at the famous Banaras Ghat, a few snapshots from the streets of the pilgrimage city, and more. Apart from the photos, Aayush penned a note that read, "Yeh Banaras hai bhaiya, yahaan har mod par kahaani milti hai. Aur hogayi shuruvat ek nayi kahani ka ." Take A Look At The Post: View this post on Instagram A post shared by Aayush Sharma (@aaysharma) Ever since he posted the photos on Instagram, his fans were quick to express excitement towards his look and his next project. After establishing himself through Loveyatri, Antim: The Final Truth, and Ruslaan, this upcoming project marks a significant step in shaping his booming filmography. Considering that Aayush has never shied away from experimenting with his roles and picking up genre-defying films, he is sure to leave his admirers mighty impressed with his carefully picked film. Now that Aayush has hinted at kickstarting his next project, excitement is sky-high to know the deets about his project, and what he has in store for the viewers.
India.com
26-04-2025
- Entertainment
- India.com
Meet actor whose home is 'Dubai Of Mumbai', yet to give a single hit in his career, net worth is Rs..., married to...
Salman Khan's sister, Arpita Khan, and her husband, Aayush Sharma, live in a massive luxurious apartment located in Bandra, Mumbai. From high ceilings, marble interiors, sea-facing view, to a lobby that has everything luxury, the house of Arpita and Aayush is no less than a dream. Recently, filmmaker and choreographer Farah Khan visited Arpita Khan's home and gave a tour of the ultra-luxurious sea-facing home. Farah shared the video on her YouTube channel and it has now gone viral. In the video, Aayush even joked that their home is the 'Dubai of Mumbai,' which to many internet users seemed apt. In Farah's vlog, Aayush can be seen saying, 'Ma'am, welcome humare Mumbai ke Dubai main,' to this Farah quickly reacts and says, 'It's better than Dubai.' With this, the camera pans and the view of the gorgeous apartment is shown to the viewers. Aayush and Arpita's sea-facing apartment is located in Mumbai's Bandra. The entrance lobby of their home sets a tone for the rest of the house. The extravagant home has artwork and decor inspired by Scandinavian design. The city skyline views are absolutely breathtaking. The balcony overlooks both the city and the sea, creating an ideal spot to relax and unwind. The balcony area of the home is beautifully decorated with plants, giving it a cozy vibe. Now, coming to Aayush Sharma and his professional front, he made his debut in 2018 with the film Loveyatri, which was his brother-in-law Salman Khan's production. The movie did not work on the big screens and turned out to be a huge flop. Later, he took a hiatus of 2 years from movies and made a comeback with Antim in 2021, which also became a flop. Aayush was last seen in Ruslaan, which also did not do well at the box office. Aayush will be seen in Kwatha. The details of the film are yet to be released. Meanwhile, according to a 2024 report by Jagran, Aayush Sharma has a net worth of Rs 91 crore.
