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Daily Record
3 days ago
- Entertainment
- Daily Record
Baby names inspired by Pride Month including one that puts inspiring spin on a classic
Every June, the world celebrates Pride Month to honour the LGBTQ+ community, but the celebrations could also inspire parents-to-be. Parents-to-be pull inspiration from a range of sources when it comes to thinking of baby names. They can look to TV, films, seasons, or even locations to name their child after something special to them. But what about an inspiring month dedicated to the fight for equal rights and honouring the LGBTQ+ community? Well, as if right on cue, June marks the 55th anniversary of the first Pride march held in the United States. Pride Month is an observation of queer culture through celebration and protest. Countless communities host Pride marches, demonstrations and parties to honour queer joy all over the world - including Scotland's major cities. For budding mothers and fathers who feel moved by the event, and want to pay homage to some iconic figures of the LGBTQ+ movement with an equally iconic name for their wee one, Nameberry has comprised a compelling list. So, if you want your bub's title to be rooted in history, read on for ten Pride-related names that could be the moniker-in-waiting for your adorable new arrival. Who knows, it might even spark an appetite for activism. Audre A self-described "black, lesbian, mother, warrior, poet," Audre Lorde dedicated both her life and her creative talent to confronting and addressing injustices of racism, sexism, classism, and homophobia. Born in New York City, Audre uplifted the most marginalised in society. Her name – a streamlined spelling of contemporary classic Audrey – boasts the fitting meaning of "noble strength". Bayard Bayard Rustin was a close friend of Martin Luther King and the chief architect of the 1963 March on Washington. He didn't become a vocal gay rights activist until the 1980s but he did testify on the behalf of a New York City queer civil liberties law, stating that gay rights had become the new barometer for social change and progress. His intriguing name comes from a French word meaning 'russet red'. A trailblazing campaigner for marriage equality, Edie Windsor fought the US federal government in a landmark 2013 lawsuit which paved the way for the legalisation of same-sex marriage across all states two years later. Edie is a cute, retro nickname that ranks just outside the Top 100 in the UK. Gilbert Gilbert Baker was an artist and LGBTQ rights activist. You might not know a lot about him but you will know of his most famous creation - the rainbow flag. The rainbow flag has become synonymous with Pride. Gilbert is a unique pick for a boy's name, but you never know, it could make a comeback very soon. Gracy Miss Major Griffin-Gracy was a long-standing advocate of transgender rights and a veteran of the Stonewall riots, which proved to be a quintessential moment for the LGBTQ+ community in the US and across the world. Gracie is the more popular spelling of the name but the -y ending feels more mature. Harvey As California's first openly gay elected official, Harvey Milk achieved so much for for the LGBTQ community during his tenure, which was cut devastatingly short when he was assassinated just ten months after entering office. Harvey is an old school, sophisticated-sounding name which means "iron blazing" or "battle-worthy". Harvey was in the UK top 100 from 1997-2021, Nameberry reports, but it has fallen slightly in recent years. Jazz Jazz is a more contemporary pick after TV personality and trans rights campaigner Jazz Jennings. The youngest activist on this list, the 24-year-old American YouTuber and LGBT rights activist is one of the youngest publicly documented people to be identified as transgender. Jazz is a great modern-day pick for those touched by the current LGBTQ+ scene. Kahlo Frida Kahlo was a renowned Mexican painter who was was openly bisexual. Her work often explored themes of identity, gender, and sexuality. She is considered a strong LGBTQ+ figure. The Kahlo family name was found in the US between 1880 and 1920. In 2025, it would make for a fascinating artistic baby name. Intriguingly, it's more popular in the US for boys. Lili or Lilli The story of Lili Elbe, one of the earliest known recipients of gender reassignment surgery, was fictionalised in the book (then film) The Danish Girl. These -i ending forms of Lily have historically been most popular in Germany and Hungary – although we have seen a small uptick in them since the birth of Lilibet "Lili", daughter of the Duke and Duchess of Sussex. Lyon Phyllis Lyon and Del Martin made history when they became the first same-sex couple to marry in California. This actually happened twice because their first marriage was voided. Lyon, who was also a lifelong activist, sadly passed away in April 2020. This surname, suggesting bravery and a sense of wildness, could make a unique alternative to 'Leo'. Join the Daily Record WhatsApp community!
Yahoo
5 days ago
- Entertainment
- Yahoo
16 LGBTQ Activists You Should Know
Activists have long been at the forefront of creating change for LGBTQ people. Over the years, these trailblazers have helped moved the needle on gay and transgender rights, influencing laws and attitudes. Early pioneers in the gay liberation movement, such as Audre Lorde and Harvey Milk, paved the way for modern activists, like Elliot Page, to take up the mantle and continue to push for equality. To celebrate Pride Month in June, here are some of the most prominent LGBTQ activists, both past and 'Edie' WindsorBest known for his contributions to civil rights movement, Bayard Rustin also became involved in the gay liberation movement later in his Gay Task ForceTKtkPoetPlaywright and ACT UP You Might Also Like Nicole Richie's Surprising Adoption Story The Story of Gypsy Rose Blanchard and Her Mother Queen Camilla's Life in Photos
The Guardian
13-05-2025
- Entertainment
- The Guardian
ChatGPT may be polite, but it's not cooperating with you
After publishing my third book in early April, I kept encountering headlines that made me feel like the protagonist of some Black Mirror episode. 'Vauhini Vara consulted ChatGPT to help craft her new book 'Searches,'' one of them read. 'To tell her own story, this acclaimed novelist turned to ChatGPT,' said another. 'Vauhini Vara examines selfhood with assistance from ChatGPT,' went a third. The publications describing Searches this way were reputable and fact-based. But their descriptions of my book – and of ChatGPT's role in it – didn't match my own reading. It was true that I had put my ChatGPT conversations in the book, but my goal had been critique, not collaboration. In interviews and public events, I had repeatedly cautioned against using large language models such as the ones behind ChatGPT for help with self-expression. Had these headline writers misunderstood what I'd written? Had I? In the book, I chronicle how big technology companies have exploited human language for their gain. We let this happen, I argue, because we also benefit somewhat from using the products. It's a dynamic that makes us complicit in big tech's accumulation of wealth and power: we're both victims and beneficiaries. I describe this complicity, but I also enact it, through my own internet archives: my Google searches, my Amazon product reviews and, yes, my ChatGPT dialogues. The book opens with epigraphs from Audre Lorde and Ngũgĩ wa Thiong'o evoking the political power of language, followed by the beginning of a conversation in which I ask ChatGPT to respond to my writing. The juxtaposition is deliberate: I planned to get its feedback on a series of chapters I'd written to see how the exercise would reveal the politics of both my language use and ChatGPT's. My tone was polite, even timid: 'I'm nervous,' I claimed. OpenAI, the company behind ChatGPT, tells us its product is built to be good at following instructions, and some research suggests that ChatGPT is most obedient when we act nice to it. I couched my own requests in good manners. When it complimented me, I sweetly thanked it; when I pointed out its factual errors, I kept any judgment out of my tone. ChatGPT was likewise polite by design. People often describe chatbots' textual output as 'bland' or 'generic' – the linguistic equivalent of a beige office building. OpenAI's products are built to 'sound like a colleague', as OpenAI puts it, using language that, coming from a person, would sound 'polite', 'empathetic', 'kind', 'rationally optimistic' and 'engaging', among other qualities. OpenAI describes these strategies as helping its products seem 'professional' and 'approachable'. This appears to be bound up with making us feel safe: 'ChatGPT's default personality deeply affects the way you experience and trust it,' OpenAI recently explained in a blogpost explaining the rollback of an update that had made ChatGPT sound creepily sycophantic. Trust is a challenge for artificial intelligence (AI) companies, partly because their products regularly produce falsehoods and reify sexist, racist, US-centric cultural norms. While the companies are working on these problems, they persist: OpenAI found that its latest systems generate errors at a higher rate than its previous system. In the book, I wrote about the inaccuracies and biases and also demonstrated them with the products. When I prompted Microsoft's Bing Image Creator to produce a picture of engineers and space explorers, it gave me an entirely male cast of characters; when my father asked ChatGPT to edit his writing, it transmuted his perfectly correct Indian English into American English. Those weren't flukes. Research suggests that both tendencies are widespread. In my own ChatGPT dialogues, I wanted to enact how the product's veneer of collegial neutrality could lull us into absorbing false or biased responses without much critical engagement. Over time, ChatGPT seemed to be guiding me to write a more positive book about big tech – including editing my description of OpenAI's CEO, Sam Altman, to call him 'a visionary and a pragmatist'. I'm not aware of research on whether ChatGPT tends to favor big tech, OpenAI or Altman, and I can only guess why it seemed that way in our conversation. OpenAI explicitly states that its products shouldn't attempt to influence users' thinking. When I asked ChatGPT about some of the issues, it blamed biases in its training data – though I suspect my arguably leading questions played a role too. When I queried ChatGPT about its rhetoric, it responded: 'The way I communicate is designed to foster trust and confidence in my responses, which can be both helpful and potentially misleading.' Still, by the end of the dialogue, ChatGPT was proposing an ending to my book in which Altman tells me: 'AI can give us tools to explore our humanity in ways we never imagined. It's up to us to use them wisely.' Altman never said this to me, though it tracks with a common talking point emphasizing our responsibilities over AI products' shortcomings. I felt my point had been made: ChatGPT's epilogue was both false and biased. I gracefully exited the chat. I had – I thought – won. Then came the headlines (and, in some cases, articles or reviews referring to my use of ChatGPT as an aid in self-expression). People were also asking about my so-called collaboration with ChatGPT in interviews and at public appearances. Each time, I rejected the premise, referring to the Cambridge Dictionary definition of a collaboration: 'the situation of two or more people working together to create or achieve the same thing.' No matter how human-like its rhetoric seemed, ChatGPT was not a person – it was incapable of either working with me or sharing my goals. OpenAI has its own goals, of course. Among them, it emphasizes wanting to build AI that 'benefits all of humanity'. But while the company is controlled by a non-profit with that mission, its funders still seek a return on their investment. That will presumably require getting people using products such as ChatGPT even more than they already are – a goal that is easier to accomplish if people see those products as trustworthy collaborators. Last year, Altman envisioned AI behaving as a 'super-competent colleague that knows absolutely everything about my whole life'. In a Ted interview this April, he suggested this could even function at the societal level: 'I think AI can help us be wiser and make better collective governance decisions than we could before.' By this month, he was testifying at a US Senate hearing about the hypothetical benefits of having 'an agent in your pocket fully integrated with the United States government'. Reading the headlines that seemed to echo Altman, my first instinct was to blame the headline writers' thirst for something sexy to tantalize readers (or, in any case, the algorithms that increasingly determine what readers see). My second instinct was to blame the companies behind the algorithms, including the AI companies whose chatbots are trained on published material. When I asked ChatGPT about well-known recent books that are 'AI collaborations', it named mine, citing a few of the reviews whose headlines had bothered me. I went back to my book to see if maybe I'd inadvertently referred to collaboration myself. At first it seemed like I had. I found 30 instances of words such as 'collaboration' and 'collaborating'. Of those, though, 25 came from ChatGPT, in the interstitial dialogues, often describing the relationship between people and AI products. None of the other five were references to AI 'collaboration' except when I was quoting someone else or being ironic: I asked, for example, about the fate ChatGPT expected for 'writers who refuse to collaborate with AI'. But did it matter that I mostly hadn't been the one using the term? It occurred to me that those talking about my ChatGPT 'collaboration' might have gotten the idea from my book even if I hadn't put it there. What had made me so sure that the only effect of printing ChatGPT's rhetoric would be to reveal its insidiousness? How hadn't I imagined that at least some readers might be convinced by ChatGPT's position? Maybe my book had been more of a collaboration than I had realized – not because an AI product had helped me express myself, but because I had helped the companies behind these products with their own goals. My book concerns how those in power exploit our language to their benefit – and about our complicity in this. Now, it seemed, the public life of my book was itself caught up in this dynamic. It was a chilling experience, but I should have anticipated it: of course there was no reason my book should be exempt from an exploitation that has taken over the globe. And yet, my book was also about the way in which we can – and do – use language to serve our own purposes, independent from, and indeed in opposition to, the goals of the powerful. While ChatGPT proposed that I close with a quote from Altman, I instead picked one from Ursula K Le Guin: 'We live in capitalism. Its power seems inescapable – but then, so did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art. Very often in our art, the art of words.' I wondered aloud where we might go from here: how might we get our governments to meaningfully rein in big tech wealth and power? How might we fund and build technologies so that they serve our needs and desires without being bound up in exploitation? I'd imagined that my rhetorical power struggle against big tech had begun and ended within the pages of my book. It clearly hadn't. If the headlines I read represented the actual end of the struggle, it would mean I had lost. And yet, I soon also started hearing from readers who said the book had made them feel complicit in big tech's rise and moved to act in response to this feeling. Several had canceled their Amazon Prime subscriptions; one stopped soliciting intimate personal advice from ChatGPT. The struggle is ongoing. Collaboration will be required – among human beings.
