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The Guardian
27-04-2025
- Entertainment
- The Guardian
LPO/Gardner review – no recording could match the visceral thrill of Mahler's Eighth Symphony live
Gustav Mahler objected to his Eighth Symphony being promoted as 'The Symphony of a Thousand', just as he worried about its 1910 premiere being made into a 'Barnum and Bailey show'. But the symphony remains a vast undertaking, calling for hundreds of musicians, so the nickname has stuck. Meanwhile, crossing a symphony with a circus act sounds exactly like a night at the Southbank Centre's self-consciously boundary-crossing Multitudes festival. As it happens, the circus has already been and gone, but this Mahler 8 came with accompanying video by Tal Rosner in a performance directed by Tom Morris. The basic point, the programme explains, is that 'you can't experience Multitudes at home'. Mahler had already seen to that, of course. No recording (and no domestic sound system) could match the visceral thrill of the combined London Philharmonic Choir, London Symphony Chorus and Tiffin Boys' Choir launching into the fortissimo opening from three sides of the stage. Or the London Philharmonic Orchestra laying down a contrapuntal theme in monumental slabs. Or two sets of timpani and offstage brass in balconies serving volleys in blistering stereo. Or the sudden spare harshness of the opening of Part 2 as conductor Edward Gardner held back his enormous forces, making space for sinewy woodwind and mere flashes of intensity through another achingly slow buildup, climactic phrases placed with absolute precision, his pacing virtuosic. Woven through this intricate texture and singing mostly from behind the orchestra, the eight solo voices inevitably made the greatest impact at quieter moments, their words often lost in the melee. For those interested in the text, screens provided surtitles – albeit in white, illegible at times against Rosner's video. Part music-video, part screen-saver, it spoke the familiar language of advertising: shimmering lights, rippling fluids, hard lines amid smoke. In Part 2 – based on the end of Goethe's Faust Part 2 – Faust himself emerged from the abstraction, then appeared on stage and followed Gretchen up into the auditorium for redemption under a spotlight's glare. Such gestures felt bluntly out of place: too bland and too literal to hold their own alongside such a powerfully immersive musical performance.
Axios
21-02-2025
- Entertainment
- Axios
Weekend events: Bourbon & BBQ, Lanta Gras and Hawks
Looking for something to get into this weekend? We've got you covered. 🎪 Ringling Bros. and Barnum and Bailey brings The Greatest Show on Earth to Gas South Arena. (Fri.-Sun.) 🪕 Bluegrass guitarist Billy Strings takes the stage at State Farm Arena. (Fri.-Sat.) 🎤 Yacht Rock Schooner plays sounds from the late 70s and early 80s at Red Clay Music Foundry. (Fri.) 🎥 Celebrate John Lewis' 85th birthday with a free screening of "John Lewis: Good Trouble" at the Rialto Center for the Arts. (Fri.) 🎞️ The Atlanta Jewish Film Festival screens movies including " Art Spiegelman: Disaster Is My Muse," " Come Closer" and more. (through March 16) 🥃 The Beer, Bourbon & BBQ Festival serves up brews, smoked meats and music at Atlantic Station. (Sat.) 🍻 Sweetwater Brewery celebrates 28 years of making hops magic with live music and, of course, beer. (Sat.) 🎉 Lanta Gras kicks off the 10th annual parade and festival in Kirkwood to money for area students' music scholarships and instruments. (Sat.) 🏀 The Atlanta Hawks host home games against the Orlando Magic (Thurs.) and Detroit Pistons. (Sun.)
