Latest news with #CMAFestival
Associated Press
6 days ago
- Business
- Associated Press
KYN Capital Groups Koinfold(TM) Pay 2.0 to Engage Music Industry Professionals at ArtistRelations.com Private Event on June 4, 2025 During CMA Festival Week
RANCHO CORDOVA, CA - June 4, 2025 ( NEWMEDIAWIRE ) - KYN Capital Group, Inc. (OTC: KYNC), a leading innovator in cryptocurrency and blockchain solutions, is thrilled to announce that KOINFOLD (TM) Pay 2.0, its secure digital wallet and cryptocurrency app, will be featured at an exclusive, invite-only event hosted by on June 4, 2025. This private gathering in Nashville, Tennessee, strategically timed during the week of the CMA Festival, will bring together music industry professionals, including musicians, producers, engineers, and managers, in town for the iconic event, to explore the transformative potential of KOINFOLD (TM) Pay 2.0 in the entertainment sector. At the event, KYN Capital Group will showcase how KOINFOLD(TM) Pay 2.0 empowers artists and industry stakeholders to seamlessly buy, sell, transfer, and store cryptocurrencies, as well as purchase physical precious metals like gold, silver, and platinum. Attendees will learn about the app's contactless payment solutions, robust security features, and innovative tools, such as the ability to create branded entertainment crypto coins and integrate with global retail networks for everyday spending. 'We are excited to continue to partner with to connect with music industry leaders during the vibrant week of the CMA Festival,' said Rick Wilson, CEO of KYN Capital Group. 'This event is a unique opportunity to engage with professionals in town for the festival and demonstrate how KOINFOLD (TM) Pay 2.0 can revolutionize payments, NFT creation, and financial empowerment for artists in the music industry.' a trusted leader in artist endorsements and music industry networking for over three decades, will host this exclusive event to foster dialogue and collaboration. KYN Capital Group aims to educate attendees on the benefits of blockchain technology and cryptocurrency, driving adoption of Koinfold(TM) Pay 2.0 as a game-changing tool for the entertainment world. Following the event, KYN Capital Group will continue to promote Koinfold(TM) Pay 2.0 to the music and entertainment industry, building on its mission to integrate decentralized finance (DeFi) with mainstream applications. For more information about Koinfold(TM) Pay 2.0, visit Download KOINFOLD here: KOINFOLD Google Play Store KOINFOLD IOS APP STORE Follow KYN Capital Group, Inc. (KYNC) on Twitter and Instagram KOINFOLD on Discord: About KYN Capital Group, Inc. (KYNC) KYN Capital Group, Inc. (KYNC), a Nevada Corporation, is a leading holding company dedicated to being at the vanguard of its industry working on acquisitions in the entertainment, blockchain, cryptocurrency and touchless payment verticals. KYNC leverages the expertise of its highly skilled team & developers to create a cohesive force in formulating market and business strategies, ensuring that they remain ahead of the curve to carry thecompany forward in the marketplace. Safe Harbor Statement: Certain statements made in this press release constitute forward-looking statements that are based on management's expectations, estimates, projections and assumptions. Words such as expects,' 'anticipates,' 'plans,' 'believes,' 'scheduled,' 'estimates' and variationsof these words and similar expressions are intended to identify forward-looking statements. Forward- looking statements are made pursuant to the safe harbor provisions of the Private Securities Litigation Reform Act of 1995, as amended. These statements are not guarantees of futureperformance and involve certain risks and uncertainties, which are difficult to predict. Therefore, actual future results and trends may differ materially from what is forecast in forward-looking statements due to a variety of factors. All forward-looking statements speak only as of the date of this press release and the company does not undertake any obligation to update or publicly release any revisions to forward-lookingstatements to reflect events, circumstances or changes in expectations after the date of this press release. Contact: KYN Capital Group, Inc. (KYNC) [email protected] View the original release on
Irish Daily Mirror
09-05-2025
- Entertainment
- Irish Daily Mirror
Three generations of Irish country and western family takes Nashville by storm
Last summer, TG4 filmed three generations of the Cannon family's visit to the annual CMA Festival in it is doubtful the home of country music and The Grand Ole' Opry will ever be the same following their eventful collision with country music Donegal resulting documentary called 'Nashville - Seo muid ag teacht' will be a classic of the country genreThe traveling Cannons, who hail from Gortahork, consisted of dad John who used to be the leader of The Clubmen, his daughter Diane who is a noted trad and bluegrass artist and her daughter Kelly, a respected sean-nos three are devotees of different types of country music, John into old style such as George Jones, Diane more bluegrass and swing via Ricky Skaggs and The Time Jumpers while Kelly's liking is for modern acts such as there, they even get to record a song with legendary country producer John Mock (Randy Travis, James Taylor, Dixie Chicks, Ricky Skaggs) and legendary guitarist Tim O' the result, a reworking of a vintage RTE Radio na Gaeltachta competition winning song, is superbSays Diane of the trip: "The concept that TG4 had at the beginning was to take us as a family, three generations of country and western type singers from the Donegal Gaeltacht to the real home of country music Nashville."I would say they were pitching for a different programme about and around country music and with my involvement in trad and folk and even bluegrass and Scottish music and everything else, it's just a journey."So we had all our interests in country music but I also wanted to show how Nashville is not just (itals) country music, it is a great place for all kinds of music, delve into the different types of music there, try and understand music there as a business and why people go there, as they say, to make it."We spoke to promoters, managers, record companies, went to the studios to see their different way of recording there, what they call the 'Nashville Sound', as opposed to recording here in Ireland or the UK. "So it's kind of like a behind the scenes, more in-depth and away from that mainstream and what people kind of generally think country music is, your downtown broadway, stetsons, cowboys boots and all that."The Cannons spent 12 days all told in Nashville."There was going to a lot of gigs, we visited some of the iconic places and we got to meet people such as Steve Earle, Allie Colleen (Garth Brooks' daughter), Kelsey Hart, Tayler Holder and lots more."To get to talk to people such as John Mock and Tim O'Brien in such depth, things that you wouldn't get to do normally was fascinating. "We also met Eamonn McLaughlin who is the fiddle player in the houseband in the Grand Ole Opry. It was a real, real honour to get backstage at the Opry, to see behind the scenes."Mock and O'Brien went as far as inviting the Cannons to record a song with as it turned out, they set up a version of honky-tonk standard Don't Let Me Cross Over first recorded by Carl Butler and Pearl in 1962, a tune Jerry Lee Lewis and Jim Reeves also associated with it."We went into John's studio with Tim who played guitar and the three of us sang the song which they knew as Don't Let Me Cross Over."But our song has lyrics as (itals) gaeilge (itals) and they are not a direct translation. The words are about where we live, around different locations here in Donegal and it was written to the melody from that song."This version has a fascinating history, it came from a competition that RTE Radio na Gaeltachta had years ago with Ronan Mac Aodh Bhui and it was won by a man called Danny Cannon who isn't a relation of ours."I have also since recorded the song with The Time Jumpers who we met in the programme and I released that single earlier this week."Some of it was recorded remotely with The Time Jumpers recording in Nashville. I did the vocals here in Brian Kerrigan's studio in Letterkenny and then the whole thing was mixed and mastered."
