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The Guardian
22-05-2025
- Entertainment
- The Guardian
Resurrection review – fascinating phantasmagoria is wild riddle about new China and an old universe
Bi Gan's new movie in Cannes is bold and ambitious, visually amazing, trippy and woozy in its embrace of hallucination and the heightened meaning of the unreal and the dreamlike. His last film Long Day's Journey Into Night from 2018 was an extraordinary and almost extraterrestrial experience in the cinema which challenged the audience to examine what they thought about time and memory; this doesn't have quite that power, being effectively a portmanteau movie, some of whose sections are better than others – though it climaxes with some gasp-inducing images and tracking shots and all the constituent parts contribute to the film's aggregate effect. Resurrection is, perhaps, a long night's journey to the enlightenment of daybreak; it finishes at a club called the Sunrise. It is also an episodic journey through Chinese history, finishing at that historic moment which continues to fascinate Chinese film-makers whose movies are a way of collectively processing their feelings about it: New Year's Eve 1999, the new century in which China was to bullishly embrace the new capitalism while cleaving to the political conformism of the old ways. We are in a kind of alt-reality universe where humans have discovered they can live indefinitely if they do not dream, an activity which burns up humans like a lit candle. Bi Gan leaves it up to us to ponder what that implies for overpopulation. But there is one outlier, one dissident, a man who does dream – he is a sacred monster called the Fantasmer (Jackson Yee) and the paradox is that the Fantasmer's ecstatic perception of illusions and dreams allows him to reincarnate and resurrect in an exotic variety of lowlife existences at different historic times in the last century – and a woman enters his life. Is it the woman perceiving these events, or is the Fantasmer doing it? At the beginning of the century, and occupying a kind of antique silent-movie world, he is a white-faced figure like the vampire Nosferatu being tended to by a mysterious woman (played by longtime Hou Hsiao-shen performer Shu Qi). During the second world war he is involved in a violent imbroglio in a mirror shop – shades of Welles's The Lady From Shanghai perhaps – involving a theremin. We flashforward 20 years and our time-travelling itinerant Fantasmer is in a remote and wintry temple where he breaks a Buddha statue and encounters a Spirit of Bitterness. Some decades later, he is a crooked card-sharp who inveigles a little girl into a scam he's got going against a local gangster and finally we are at the brink of the new century in which the Fantasmer meets another mobster Mr Luo – his vampiric destiny, and the movie's own visuals, ascend to a new plane. It is a deeply mysterious film whose enigma extends to the title – is what is happening 'resurrection' in any clear transformative sense? Or is it just a continuous flickering shape-shifting: the Fantasmer just a pulsating star on the far-reaches of the universe, that might in a few hundred thousand years explode or collapse in on itself? Asking or answering these questions may not be the film's point and its riddling quality, combined with its spectacular visual effects, may leave some audiences agnostic – and I myself wasn't sure about the silent-movie type effects. Yet it's a work of real artistry. Resurrection premiered at the Cannes film festival
South China Morning Post
18-05-2025
- Entertainment
- South China Morning Post
Hidden history of Aboriginal-Chinese culture comes alive at National Museum of Australia
In 1989, Zhou Xiaoping was a 29-year-old Chinese artist travelling around Australia pursuing his passion for Aboriginal culture. He had explored the desert town of Alice Springs and the tropical Arnhem Land region before he arrived in the coastal resort of Broome. Here, immersed in an environment that felt completely foreign to him, Zhou was shocked to discover a connection to his home country. 'I met the Aboriginal songwriter Jimmy Chi,' Zhou says. 'Jimmy asked me to say something to him in Chinese. He wanted to hear the sound of spoken Chinese. He then told me that his father was James Joseph Minero Chi, the son of a Chinese gold miner who had come to Australia around 1870.' The conversation sparked Zhou's decades-long fascination with Aboriginal-Chinese history, culture and communities, which are largely unacknowledged in either Australia or China. Dragonserpent (2024), by Gordon Hookey, a work featuring in 'Our Story: Aboriginal-Chinese People in Australia' at the National Museum of Australia, includes images of both the Chinese dragon and Aboriginal rainbow serpent. Photo: Gordon Hookey Zhou was so fascinated by Aboriginal culture – and by Chi's family history – that he relocated from Hefei, in China's Anhui province, to Australia soon after that trip.
South China Morning Post
07-05-2025
- South China Morning Post
Students in elite Hong Kong secondary school caught cheating in uniform test
Several students from a Hong Kong elite secondary school have been caught cheating in a standardised Chinse History test in late April, with the school vowing to penalising those violating the rules. Advertisement Queen's College in Causeway Bay, the city's oldest government secondary school, said in a circular released on Tuesday that it would not hold the uniform test again and that students of the offenders' class would not have the test result included in their second term assessment. According to a school internal circular seen by the Post on Wednesday, which was also widely circulated online, principal Eric Chan Cheung-wai told parents that 'several' students were found cheating in a Chinese History uniform test held in late April. 'The school attached great importance to this matter and immediately launched an investigation and met with the students and invigilators involved to understand the details of the incident,' he wrote. 'After investigation, it was confirmed that several students in one class were involved in violations to different extents during the test,' he said. Advertisement 'The school will punish students who violate the rules in accordance with the school regulations strictly.'
CTV News
06-05-2025
- General
- CTV News
How Lytton Chinese History Museum rose from the ashes, almost five years after fire
Lorna Fandrich, owner of the Chinese History Museum, is shown in this handout photo. The Lytton Chinese Canadian Museum, which was burned down in the Lytton creek fire, has reopened to the public again. THE CANADIAN PRESS/HO-Al Lau
