Latest news with #Cort
Yahoo
02-05-2025
- Entertainment
- Yahoo
Mt. Juliet Christian Academy Prom Queen Belle Cort wins The Tennessean Student of the Week
Mt. Juliet Christian Academy senior and Prom Queen Belle Cort secured the top spot in The Tennessean's Student of the Week poll featuring the best and brightest students in the region involved in their schools' prom. Cort raked in more than 85% of the vote to secure the title. Mt. Juliet Christian Academy High School Science Teacher and Prom Coordinator Mallory Burkeen nominated Cort, saying "for our Prom, Belle was my right-hand-man." "Not only did she help build our song playlist, she also went with me to pick out and purchase decorations," Burkeen said. "Belle is an amazing student!" Cort serves as the senior class vice president, is active on the school volleyball and tennis teams and participates in Student Council, a school club that organizes dances and other fun events. Middle Tennessee schools have been abuzz with proms this spring. More: Greenbrier's Aidan Raymer tops close Student of the Week poll for esports, STEM, robotics More: Riverdale's Danielle Clark named The Tennessean Criminal justice Student of the Week Six names were submitted for this week's poll. Student of the Week nominations are sent every week to The Tennessean by principals, teachers, administrators and staffers at participating Tennessee high schools. The Tennessean plans to honor outstanding seniors in its next poll, which will publish online at at 5 a.m. on Monday. Voting will remain open until noon on Thursday. Results will publish online at the end of the week and in our Sunday print edition. But before the new poll drops, let's take a look at this week's student nominees and what makes them stand out: Pearl-Cohn High School officials nominated this year's Prom King Da'Vontae Anderson and Queen Dyna'C Davis for their many talents. Seniors Anderson and Davis are both star athletes and students who stand out amongst their peers, Pearl-Cohn High School Assistant Principal Dr. Lavette Dunham said. "(Anderson) is quiet with a smile that will light up a room," Dunham said. "He is also highly respected by his peers (and) enjoys laughing and making others laugh." "(Davis) is highly respected and revered by her peers as indicated by her vote for Prom Queen," Dunham said. "She is a beautiful person and is ambitious and eager to graduate and start her collegiate journey." John Overton High School's Ana Gallman helped plan and promote this year's prom, John Overton High School Academy of Interdisciplinary Research Dean April Adams said. Gallman also participated in the cafeteria fashion show to advertise her school's prom. "And she was the only prom committee student who showed up for the debrief," Adams said. Hickman County High School officials nominated this year's Prom King and Queen Colby Odom and Savannah Parrish for a slew of reasons. Both students helped with prom set up and take down and last-minute decoration changes while practicing for a school play and maintaining their Top 10 GPAs. "They are not only amazing students, but wonderful people," Hickman County High School Family & Consumer Sciences Teacher, FCCLA Advisor and Prom Coordinator Raven Davidson said. Katie Nixon can be reached at knixon@ This article originally appeared on Nashville Tennessean: Mt. Juliet Christian's Cort named The Tennessean Student of the Week
Yahoo
13-03-2025
- Business
- Yahoo
Meet the MTA inspector general, the agency watchdog
NEW YORK (PIX11) — Riders have ideas about improving the transit system. Some elected leaders say the agency needs to be audited. It's a system with thousands of vendors and workers, millions of riders, an operating budget around $19 billion and more than $60 billion in capital improvement plans. More Local News Many watchdogs are on the beat. The state created an office in 1983 to provide oversight of the MTA. The Office of the MTA Inspector General is located in a building near Penn Station. A piece of subway history hangs at the door of Daniel Cort, the MTA inspector general. 'I remember riding the No. 7 train growing up,' he said. Cort has been on the job since summer 2023. The position is appointed by the governor. He has a three decades of law enforcement background in city and state investigations. The office and staff produce audits and investigations of MTA policies and procedures. They watch contracts, and if needed, investigate vendors and workers. 'I don't report to the MTA board or leadership. I report to the public. That's the purpose of an independent watchdog. We don't conduct generally large-scale financial audits. We are concerned about how the MTA spends its money,' Cort said. The comptroller's office also conducts in-depth audits and issues reports. The MTA inspector general investigates tips and concerns from workers and the public. Staff can also initiate audits on agency policies or programs. The number of complaints to the inspector general of the MTA is about five times higher than 2015. The 2024 annual report shows 4,127 complaints. In total, 83% were referred to the appropriate MTA agency for action. In 2024, staff performed 419 site visits and issued 18 reports with 68 recommendations. The MTA can accept or reject the recommendations. The office follows the MTA response and work. Emergency doors and the Help Point system were the focus of two reports. The MTA has current projects on both issues. Major topics facing the agency can be addressed. The office is monitoring the implementation of congestion pricing. Fare evasion is also on the radar. 'We don't have operational control or separate policy. But we know that it is an important issue, and we are in touch with the MTA. In terms of fare abuse, we might look at programs they've enacted and make sure they're implemented properly,' Cort said. Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
The Guardian
28-02-2025
- Sport
- The Guardian
Farewell Eurosport: home of lesser-spotted sports ends for UK fans with minimal fanfare
After a scenic ride through the winding lanes between Marín and A Estrada, a 36-year journey reached its close. The last winner ever to grace British and Irish Eurosport was Magnus Cort, whose dominant second stage victory in O Gran Camiño was enough to leave fans wanting plenty more. 'Another great moment,' acclaimed the commentary, but it would be the final one on a channel that had become cycling's home. Eurosport's farewell at around 2am on Friday came with little fanfare. Cort's victory blended into a recurring advert promoting the integration into TNT Sports and the Discovery+ streaming platform, where the pick of its offerings will now reside. 'Eurosport channels in the UK and Ireland have now closed,' advised a voice above reels of skiers, cyclists, rugby players, footballers and motocross riders. 'The sports you love have moved to TNT Sports'. On Friday morning, anyone reflexively looking for Sky channel 417 would be floundering at the remote control. Not even the ghost of Eurosport 1's former residence was permitted to linger: the gap between 416 and 418 was conspicuous for anyone addicted to an eclectic blend of fare that skirted the mainstream, transporting viewers far beyond the modern force-feeding of Premier League and Champions League stodge. What do viewers stand to gain? The first hurdle for TNT, in luring Eurosport's hardy faithful, may be financial. A monthly £6.99 fee becomes £30.99, with slightly cheaper deals available through provider packages. The latter amount allows a delve into TNT's panoramic offering of premium events but feels alienating to those who, paying the lower price, may simply have been seeking particular sports that rarely see light of day elsewhere. The concern is that those sports will suffer if fans vote with their wallets. A smorgasbord of expanded European club competition football may be little draw to those whose passion lay in a few precious hours of skiing each week. There is a sense that sports lovers with scant interest in football are being asked to pay for the stratospheric costs of its broadcast rights. Not for the first time, those with more niche concerns stand to see their lives complicated. An example often cited by those worried about the impact of dwindling eyeballs is that of MotoGP, which aired on BBC before 2013 but had a slump in engagement behind the paywalls of TNT and its predecessor BT Sport. A move this year to broadcast some MotoGP coverage on Quest, the free-to-air channel that shows elements of TNT's package, may redress that balance. That may point a viable direction for other sports in the post-Eurosport era, although in cycling's case the only guarantee is for highlights packages from major events and a weekly magazine show. Earlier this year Scott Young, who leads the European operation at Eurosport and TNT's parent company WBD, claimed combining their resources would give viewers what they are looking for: 'A slightly simpler journey on where to find the sport they love.' That is not entirely untrue in a landscape where British football supporters, in particular, would nowadays require at least five different subscriptions to receive every piece of output from Europe's top leagues. But fans of cycling, winter sports and tennis, to name but three, always knew Eurosport had their back. Simplicity will come at a cost and, for some smaller sports, it remains to be seen how deep TNT elects to go. Will typical Eurosport 2 offerings speedway, biathlon and cyclo-cross find a foothold in their stable? Elsewhere in Europe, the channel will soldier on. Its viewing share in the UK was always low compared with the Netherlands, France, Germany and the Scandinavian countries in particular. Skiing, handball, basketball and volleyball are among major sports that draw in the numbers away from these shores but have rarely caught on widely to a British audience whose interests tend to be more focused. Sign up to The Recap The best of our sports journalism from the past seven days and a heads-up on the weekend's action after newsletter promotion It means there is a sense of genuine loss for anyone who basked in Eurosport's softer edges and the thrill of accessing sports or competitions that once seemed beyond reach. As tastes homogenise and subscribers are implored to believe little matters more than big-ticket occasions and moments, its race as a stand-alone offering in the UK market had been run. TNT is likely to judge the new packaging's success in the number of sign-ups it receives for events such as the Tour de France, which will not be free to air on ITV from 2026, and next year's Winter Olympics. Aficionados of those sports will pray that, for all their glossy new packaging, issues like cost and access do not nudge them out of view. That is where Eurosport, now merely a synapse in the listings, now resides. It was a treat for anyone on a European holiday in the 1990s or 2000s, the joy of stumbling across a race or football match from the margins synonymous with the wonder of sampling new cultures. Now it returns to the role of continental curio; the hope must be that the sports TNT has assimilated do not suffer for being paraded into a brave new era.
Yahoo
25-02-2025
- Business
- Yahoo
Fender's Justin Norvell on the $599 Standard Series and why it's not a Squier with a different decal
When you buy through links on our articles, Future and its syndication partners may earn a commission. Fender has truly put the Strat among the pigeons with the launch of the Standard series. Here we are taking out a second mortgage to finance the purchase of a dozen eggs then along come genuine Fender Stratocasters and Telecasters for $599 street. Yes, those figures are correct. Unveiled during the new gear fever of NAMM 2025, the Standard range is the most affordable Fender you'll find and comprises the Strat, HSS Strat and Telecaster, Fender's O.G. bass guitars, the Precision Bass and Jazz Bass – plus, the pièce de résistance, the Acoustasonic Jazzmaster and Telecaster (again, street price $599). This minor economic miracle comes thanks to the Big F deepening its decades-old working relationship with Cor-Tek to manufacture the instruments in Indonesia. Most players will recognise the name Cor-Tek. The South Korean company releases its own guitars under the Cort brand and works with a number of overseas brands. PRS Guitars' partnership with Cor-Tek on its SE line has been one of the biggest success stories in electric guitar manufacturing. Joining us over Zoom, Fender's executive vice president of product, Justin Norvell, now in his 30th year with the company, reminds us that Fender's partnership with Cor-Tek has similarly yielded high-profile hits for the brand in recent years. The Jim Adkins signature Telecaster, which has always been a huge unit-shifter, is an Indonesian build, so too the Tom DeLonge signature guitars. It was just like, 'What is the best guitar that we can make with this partner, in this facility, that would be worthy of the Fender name?' Norvell and Cor-Tek go way back. The first product line he managed for Fender was built by them. 'I did the Squier '51 in the Cort factory,' he tells MusicRadar. 'We designed it and we drew it, and we did that guitar in Korea at the time. It's a 40-year plus relationship that we've been working together on acoustics, on some amplifiers, on guitars – so a very, very important partner of ours.' Fender has also released Asian-made guitars under its own name, most notably with its current high-end Japanese-made lineup, but also in the past with the Chinese-made Modern Player range, which was launched in 2011, retailed for around 500 bucks, and besides the price was perhaps most memorable for the return of the cult-classic Marauder. With the quality of guitars being made out of Fender's Ensenada facility in Mexico rising all the time – and, accordingly, the price – Norvell says it was time to go all-in with the Indonesian project and revisit what an entry-level Fender guitar looked like. Sitting somewhere in between Squier's top-of-the-line Classic Vibe Series and the Player II, that Standard Series guitar looks something like this: the electrics all have poplar bodies, bolt-on maple necks with a satin urethane finish and Modern C profile, a gloss urethane finish on the headstock, 9.5' radius Indian laurel fingerboards, with 21 medium jumbo frets. The pickups are new ceramic winds. For hardware you get die-cast tuners with hex buttons, with the Strats equipped with a Standard 2-point tremolo with satin chrome steel block saddles, the Tele fitted with a string-through-body bridge with satin chrome saddles. I've already watched some of the punditry post-launch where it's like, 'Oh, it's a Squier with a Fender decal on it' The big question for players is whether to spend an extra $200 on the Player II model, where you'll find Alnico V pickups, high-ratio 18:1 ClassicGear tuners, and the choice of maple or rosewood fingerboards with rolled edges, or to go for top-of-the-range Squier, spending circa $429 on a vintage-inspired Classic Vibe model, with those nicotine-yellow stained gloss necks offering a Vintera-esque experience for less than half the price. It's a tough call. But maybe Norvell can help. Here he shares the thinking behind the Standard Series, who it's for, why this is (probably) as cheap as the Acoustasonic is going to get, and why some online critics who are calling it Squier with a different decal on the headstock are getting it all wrong. What is the elevator pitch for the Standard Series? 'It's not about a price point or filling a hole in a business term, it's about, 'I'm a kid guitar player or someone that wants a second guitar and I don't wanna like buy super high-end but I want a rock-solid, reliable name brand guitar.' And we didn't have that. 'Our company statement is 'Serving all players at all stages' and we were kind of falling down on that in some respects. I've already watched some of the punditry post-launch where it's like, 'Oh, it's a Squier with a Fender decal on it.'' Okay, the Reply Guys online are saying things like this is just an Affinity Series Squier guitar with Fender on the headstock. How do you rebut that? There are people that proudly play Squier over Fender. Squier, on its own, is one of the biggest electric guitar brands, so it would be crazy to get rid of that 'It was designed from the bottom up. Those guitars are value engineered, I would say; an Affinity Series [model], you are managing costs the whole time, and you're just like, 'How do I get it into the right spot while still being as good an instrument, playing as well as it can?' Affinity Series guitars are awesome. 'This [Standard Series] guitar was designed with the price thing removed, basically, so it was just like, 'What is the best guitar that we can make with this partner, in this facility, that would be worthy of the Fender name?' 'The guardrails that almost keep something Squier were off, but we were still conscious of what was above it and what was below it and what would make sense. It really was a clean slate, and it was like, 'Can we do this?' Geography is a fascinating thing; that it's controversial, if this guitar had come out of one of our other facilities saying Fender no one would be having this conversation.' Did you ever think about retiring the Squier brand and making Fender models from beginner to Custom Shop? 'I think everything is a discussion. We're open enough as a company and we listen enough to think about it. But there's so much equity in the Squier brand name. There are people that love Squier. There are people that proudly play Squier over Fender. Squier, on its own, is one of the biggest electric guitar brands, so it would be crazy to get rid of that.' If this is someone's first Fender guitar, we are trying to line it up with, 'What do we think that person might play? When you say the Standard Series is designed from the bottom up, does that mean that, say, these pickups are an all-new design? What can you tell us about them? 'Because Squier starts to bend more vintage at the top of its line, we wanted to go with something that's a little more modern, more overwound – distortion-friendly, more aggressive. We had recently gone back to a more vintage Alnico thing on the Player Series so we thought this was one of the ways this could stick out. 'So if this is someone's first Fender guitar, we are trying to line it up with, 'What do we think that person might play? Or might want to hear?' And a ceramic is a really even, diverse kind of pickup to start with. It's a nice baseline and then you can trade up and out as you develop your tastes for what Alnico pickups bring – roundness, scoop and those different things that people start looking for.' You mention trading up, the Standard Series models look like they would be good guitars for modding. 'Yeah, it very much can be a base platform for someone to do what Fenders were built to do. Fenders are wide open. Everyone wants to be unique and personalise things, and this is a perfect personalisation platform – for people who have a bunch of guitars and they want a guitar just to get into modding, this is a great step into that realm. There's nothing too precious about it.' Sure, and the players who might buy one can mod it as their own playing style evolves. 'We have always welcomed that and I think it's going to be a great platform. The way people can play jazz, funk, country, punk, metal, anything on a Strat or a Tele, it's amazing. James Burton to James Root on Teles.' And Mike Rutherford on a modded beginner's Bullet Strat. 'A hundred per cent. That's brilliant. I think Clapton had an Ensenada-made Standard Strat before they became Players that his family bought him, and like they signed it and he plays that in between the Todd Krause Masterbuilt guitars.' Sometimes it's good for experienced players to pick up a well put-together beginner electric guitar and have some fun with it. 'The Squier Affinity, I mean, it's 41mm [body thickness] instead of 45mm. It's a little sleeker, thinner, lighter. There is a different feeling when you put that on. It can make you play differently. It's amazing the quality that exists on beginner guitars these days.' You are a big offset guy and there are no offsets in the Standard Series yet. Might we see them further down the line? 'Yeah, potentially. We just wanted to tailor the offering, keep it tight, don't make it too big at the beginning. But I would never say never and it's definitely something that we've discussed.' For over 30 years, we have been sending our manufacturing experts over there and helping the factories that we chose to partner with. We would share in best practices What does the relationship with Cor-Tek look like in practice? Do you send your luthiers over with the blueprints? 'Yeah, there would be R&D on our side and then that would go over to their side, and then their side would have to R&D it as well to fit their templates, machines, everybody's standard metric and all the translation that has to occur between the facilities. 'There are several in-person meetings, several sit-downs, virtually back and forth every day, samples coming back and forth, and then we're there for the proto runs, the pilot runs, all of that stuff – checking that stuff off as it comes off the line and having discussions, making adjustments. It's very similar to if it was our own facility.' That Cor-Tek facility has such a good rep that it is a selling point. 'For over 30 years, we have been sending our manufacturing experts over there and helping the factories that we chose to partner with. We would share in best practices. We've had had ex-Master Builders like Chris Fleming and Mark Kendrick go out there. [Fender pickup guru] Tim Shaw used to go out there all the time, [chief engineer] Donnie Wade. We've had a cavalcade of people that have spent [time there]. This is the culmination of a 40-year partnership.' You mentioned Indonesian-made signature models. Might we see Standard Series signature models? 'Anything is possible! The goal is for this to seep into the line, that there's something there [for] all players at all stages, from the [Squier] Sonic Series all the way up to Custom Shop. We have upped quality so much in Ensenada. It's not just that prices have increased there, what those guitars are today is not what those guitars were 15 years ago. This is the new reality for the product line.' Was making a Standard Series Acoustasonic the toughest challenge? 'That was super complex. Basically, one of the things that makes that guitar more expensive is the electronics, that DSP technology. There's a box in there that does great things. And so, how are we going to do this without that? Is there a way to do it with multiple parametric EQs? And other things that we could voice that could get it dialled-in in a way that sounds like it was worthy of the name and the sound quality that we associate with those guitars? 'Also, even the purfling was challenging for us… The factories that we work with over there don't have the same technology. We had to figure out a lot. That was a ground-up [project]. Apart from the fact of, 'This is how the body comes together…', essentially all of the electronics, the pickups – everything – was a complete redesign and that took a lot of time and a lot of effort. But the team that worked on it, it was way better than they hoped for. It has probably come out a little bit later than we'd hoped but we wanted to do it right, not fast.' This feels like the Acoustasonic finally going mainstream. Is this as cheap as they'll come? 'I think this is probably as affordable as they will get, for the time being. Maybe as we get learnings about what's hard, what's possible, what barriers exist with this. There might be a way to go one more click down but I probably think this is about it.' When do you know that a new series has been a success? 'There's sales that occur just from when you launch something and that feels good, but I think staying power, and people, artists, using stuff, especially in iconic ways. This is an interesting business. The Jazzmaster was cool for a minute in the '60s, surf music and everything, and then it wasn't cool again until the '90s. 'There are these peaks and valleys in guitardom. There are very famous guitars that weren't made from 1962 to 1968 – majorly iconic guitars – and that has always been interesting because even when I think that we feel [success], we just need to be always reaching. Even when something isn't a success, that might make it a cult success about 20 years from now.' 'Success is a relative term. We did a guitar in 2014, the Deluxe Strat Plus, that had the switchable mod cards – failure! But I think we learned something and it was a cool reach. No failure comes without learnings. It's not a complete answer to your question but overall it's not just about sales. 'If someone adopts it, and someone's doing cool stuff with it, when you're seeing it inspire people, like with the Acoustasonic, when Jack White gravitated right towards it and started doing some really cool stuff with it, asking for modifications. When you see someone really take to something that we've done and they're making new music with it, that's something that I would call success.' The Standard Series is available now. See Fender for more details.
Boston Globe
28-01-2025
- General
- Boston Globe
Nana's secret is now out of the bottle: It's possible to improve maple syrup
Collaborating with the Cornell Food Venture Center, which assists entrepreneurs in developing new food products, he refined the recipe. Together they replaced Marshmallow Fluff with marshmallow for improved safety since Fluff contains eggs, and made it ready to sell in the marketplace. Cort began selling Nana's Special Sauce initially at farmers' markets in squat bottles adorned with a sketch of his mother, Marie, on the label. Customers were wowed by its silky, viscous texture and caramel-like flavor. Today, you can find it in more than two dozen stores across Greater Boston and beyond. Give the bottle a good shake to mix the ingredients, and try the syrup warmed up. It's not only for pancakes and waffles, but delicious drizzled over ice cream, or use to roast chicken, as its sugariness helps caramelize the skin. Get Winter Soup Club [Coming Soon] A six-week series featuring soup recipes and cozy vibes, plus side dishes and toppings, to get us all through the winter. Enter Email Sign Up 'My mom wanted to spread joy wherever she went,' says Cort. In her honor, he donates a percentage of the profits to charities that help children ($18 for 8 ounces). Available at Foodie's Markets, 230 W. Broadway, South Boston, 617-269-4700; Fells Market, 326 Weston Road, Wellesley, 781-235-1555; Wilson Farm, 10 Pleasant St., Lexington, 781-862-3900, and others, or go to Advertisement Ann Trieger Kurland can be reached at
