Latest news with #CrazyRichAsians'
Time of India
2 days ago
- Entertainment
- Time of India
'Crazy Rich Asians 2' will be more than just a sequel; the director Jon M. Chu has bigger plans
Once in a blue moon, a rom-com hits the silver screen and sways the audience, leaving a smile behind. One such film, 'Crazy Rich Asians' (2018), left an indelible mark with its gushing romantic scenes and the drama that skipped a heartbeat or ten. Tired of too many ads? go ad free now Now, it's getting more than a mere sequel. How would the 'Crazy Rich Asians' world return? When 'Crazy Rich Asians' was released, the film not only explored the rom-com genre, but it also sparked conversations about Asian representation in Hollywood . With the dramatic 'fairytale' script and relatable characters, Rachel Chu (Constance Wu) and Nick Young (Henry Golding) instantly became the favourites; in fact, they became the comfort characters. Now, with the sass of Eleanor (Michelle Yeoh), and the adorable pair, Rachel and Nick, the world of 'Crazy Rich Asians' is returning to dive deeper into the glamorous love story. Director confirmed that the sequel will be more than just 2 hours. It would be a whole new TV series with episodes, and not a mere feature film. During the 'Another Simple Favor' screening, Henry Golding confirmed that the project is finally in the works. What is likely to happen in 'Crazy Rich Asians 2'? While the film followed the story of Rachel Chu and her travel to Singapore to meet her boyfriend, Nick Young's crazy rich family. The series looks forward to turning up the fiery notch and involving a lot more drama. The episodes would be based on the second and third books in Kevin Kwan 's trilogy, ' China Rich Girlfriend ' and ' Rich People Problems .' Focusing on Rachel's journey to find her long-lost biological father, the setting would be around mainland China, according to the Cosmopolitan. The series would explore the higher stakes around Rachel's life with her parents, and with a core of emotional storytelling.
Tatler Asia
6 days ago
- Entertainment
- Tatler Asia
10 wealth-gap relationships in film that actually worked out
2. 'Titanic' (1997) James Cameron's epic uses the doomed voyage of the Titanic as a powerful metaphor for class division. Jack (Leonardo DiCaprio), a struggling artist from the lower decks, and Rose (Kate Winslet), a young woman engaged to an aristocrat, come from worlds that rarely intersect. Their romance is propelled by the thrill of rebellion against societal expectations. Rose's yearning to escape her gilded cage and Jack's carefree poverty illustrate how class shapes identity and opportunity. The stark differences between their lives heighten the tragedy, as the ship's sinking parallels the collapse of the class system—if only momentarily. 3. 'Maid in Manhattan' (2002) In this romantic wealth-gap comedy, Marisa (Jennifer Lopez), a hotel maid raising a child alone, catches the eye of Chris (Ralph Fiennes), a rising political star. Their initial misunderstanding—he believes she is a wealthy socialite—sets up a narrative where class and identity intertwine with romantic possibility. The film delves into the awkward realities that follow when economic disparity is revealed, exposing insecurities on both sides. Marisa's dignity and Chris's idealism are tested by societal preconceptions about who belongs in whose world, highlighting the emotional toll of crossing class boundaries. 4. 'Crazy Rich Asians' (2018) Crazy Rich Asians explores wealth disparity not just as income but as inherited power embedded within cultural and familial expectations. Rachel Chu (Constance Wu), a middle-class professor, confronts the extravagant lifestyle of Nick Young's (Henry Golding) family, who epitomise Singapore's ultra-rich elite. The film foregrounds the pressures faced by those entering such circles, where lineage, reputation and tradition govern acceptance. Rachel's outsider status forces her to navigate subtle class codes, from luxury consumption to social manoeuvring, making the romance as much about cultural capital as personal affection. 5. 'Notting Hill' (1999) William Thacker (Hugh Grant), a modest London bookstore owner, and Anna Scott (Julia Roberts), a glamorous Hollywood actress, negotiate the chasm between ordinary life and celebrity privilege. Their romance examines how fame and wealth alter perceptions of normalcy and intimacy. William's quiet, unassuming background contrasts with Anna's world of cameras and adulation, creating a tension between public identity and private connection. The film's charm lies in its nuanced portrayal of love struggling against the alienation caused by class and status disparities. 6. 'The Notebook' (2004) Based on Nicholas Sparks's novel, The Notebook centres on Noah (Ryan Gosling), a working-class man, and Allie (Rachel McAdams), a young woman from a wealthy family. Their passionate summer romance is stifled by social expectations, particularly from Allie's parents, who disapprove of Noah's lack of fortune. The film captures the enduring conflict between societal pressure and personal desire. It portrays how class can act as a gatekeeper to relationships, while illustrating the perseverance required to overcome such barriers. 7. 'An Education' (2009) Set in 1960s London, An Education tells the story of Jenny (Carey Mulligan), a bright but sheltered schoolgirl from a modest background, and David (Peter Sarsgaard), a suave older man with money and connections. Their relationship reveals the complexities of power, manipulation and class privilege. The film critiques how economic advantage can be wielded to exploit vulnerability, while portraying Jenny's coming-of-age struggle to reconcile romantic fantasy with harsh social realities. Class shapes not only romance but also education and opportunity. 8. 'The Great Gatsby' (2013) Baz Luhrmann's adaptation of F Scott Fitzgerald's novel depicts Jay Gatsby's (Leonardo DiCaprio) obsessive pursuit of Daisy Buchanan (Carey Mulligan), a symbol of old money and social prestige. Gatsby's self-made fortune attempts to erase his humble origins, but the entrenched social hierarchy remains unforgiving. The film exposes the fragility of newly acquired wealth and the rigid codes protecting established privilege. The romance, idealised yet doomed, serves as a critique of the American Dream's class illusions. 9. 'Cinderella' (2015) This live-action retelling of the classic fairy tale focuses on Ella (Lily James), a servant girl whose kindness endears her to Prince Kit (Richard Madden). Unlike earlier animated versions, this adaptation foregrounds Ella's resilience and integrity within a rigidly stratified society. The wealth-gap romance directly challenges inherited privilege and questions the fairness of social structures. Their relationship imagines a love that can dismantle class barriers, though it remains firmly rooted in fantasy. 10. 'Brooklyn' (2015) Set in the 1950s, Brooklyn follows Eilis (Saoirse Ronan), an Irish immigrant navigating a new life in New York. Her romance with Tony (Emory Cohen), a working-class Italian-American plumber, is tender and understated, shaped by the immigrant experience and the constraints of social class. The film poignantly portrays Eilis's internal conflict between pursuing love and seeking upward mobility, reflecting the compromises immigrants often face. In this wealth-gap story, class and cultural identity are inextricable from her emotional journey.
Daily Mirror
25-05-2025
- Entertainment
- Daily Mirror
Netflix to axe popular 'saucy' drama with just days left to binge-watch
Billie Piper's drama Secret Diary of a Call Girl is leaving Netflix and fans only have a few days left to watch the sexy drama. Netflix fans only a short time left to enjoy a Billie Piper drama before it's permanently removed from the streaming giant's vast catalogue of shows. Secret Diary of a Call Girl first graced our screens in 2007, airing on Showtime and ITV2, with actress Billie Piper taking the lead role just a year after her departure from Doctor Who as Rose Tyler. Piper portrayed Hannah Baxter, a woman leading a double life as a prostitute named Belle, a secret kept from her family and friends until her personal and professional worlds collide. The drama enjoyed a successful four-season run before being cancelled, and in mid-June 2024, Secret Diary of a Call Girl was added to Netflix in its entirety. Regrettably, its tenure on the streaming platform is coming to an abrupt end, with Piper's risqué drama set to depart next week. Secret Diary of a Call Girl will be removed from Netflix on Thursday, May 29, leaving less than a week for viewers to binge-watch the series before it disappears for good. The series boasts a star-studded cast featuring big names early in their careers, such as Baby Driver and Mamma Mia star Lily James and Crazy Rich Asians' Gemma Chan. Other recognisable faces include Revenge actress Ashley Madekwe, Excalibur star Cherie Lunghi, and Agent Carter actor James D'Arcy. Fortunately, there's an alternative for fans wishing to continue watching the popular series once it leaves Netflix. All four seasons of Secret Diary of a Call Girl can also be streamed for free via ITV's streaming service, ITVX. Reddit users have been expressing their fondness for the series, with one fan posting: "I watched it years ago on TV and loved it. "It was fascinating to see inside the life of a call girl. Billie Piper was great!" Another fan echoed the sentiment, highlighting the star's performance: "It had Billie Piper and was my reason to watch it back in the day." Someone else reminisced: "This was a very educational series when I was a teenager. "The fact we had a character break the fourth wall and talk to us while she performed was very interesting."
Tatler Asia
16-05-2025
- Entertainment
- Tatler Asia
What to watch: 6 shows that celebrate Asian American and Pacific islander stories
2. 'Crazy Rich Asians' (2018) When Chinese-American professor Rachel Chu accompanies her boyfriend to Singapore, she discovers his family is obscenely wealthy—and that his mother considers her utterly unsuitable. Adapted from Kevin Kwan's bestselling novel, the box office hit is the first major Hollywood studio film with an all-Asian cast in 25 years. Beyond showcasing jaw-dropping opulence, the film explores distinctly Asian hierarchies, the weight of familial obligation, and the tension between those who migrated and those who remained. The mahjong showdown between Rachel and matriarch Eleanor Young (played by Michelle Yeoh) remains a masterclass in storytelling, communicating volumes through the strategic positioning of tiles. Also read: Everything we know so far about the 'Crazy Rich Asians' sequel 3. 'Saving Face' (2004) Among the groundbreaking Asian romance films, Saving Face revolves around Wil Pang, a Chinese-American surgeon juggling her mother's expectations, her community's traditions, and her growing feelings for a ballet dancer. Long before representation was a Hollywood buzzword, Wu crafted this tender exploration of lesbian identity within the constraints of a traditional Chinese-American community in New York. When Wil's widowed mother arrives pregnant and unmarried at her doorstep, both women find themselves navigating shame, secrecy, and the possibility of redemption. Saving Face has become a touchstone for Asian-American queer cinema—and a thoughtful choice for what to watch if you're seeking powerful, under-the-radar love stories. 4. 'Shōgun' (2024) When a mysterious European ship washes ashore in 17th-century Japan, English pilot John Blackthorne becomes entangled in the power struggle that will determine Japan's future. FX's TV adaptation of James Clavell's novel marks a revolutionary shift in how Japanese feudal history is presented to Western audiences. With most of the dialogue in subtitled Japanese, the series meticulously recreates the Edo period, from the political machinations of rival daimyo to the social codes governing every interaction. Hiroyuki Sanada, who also serves as producer, brings gravitas to Lord Toranaga, while Anna Sawai, in her Emmy-winning role as Lady Mariko, portrays the constraints placed on even the more influential women in feudal Japan. If you're browsing what to watch this week, Shōgun is a visually stunning and culturally grounded pick. Also read: Who is Anna Sawai? Get to know the first Japanese woman to win an Emmy for best drama actress 5. 'Never Have I Ever' (2020-2023) High schooler Devi Vishwakumar's quest for popularity and romance is complicated by grief over her father's death and familial expectations as a first-generation Indian-American. Mindy Kaling's semi-autobiographical Netflix series reinvents the teen comedy by placing a brown girl with anger issues at its centre. From navigating cultural customs to dealing with comparisons to more successful cousins, the show explores the nuances of growing up Indian in American suburbia. Tennis legend John McEnroe as the unexpected narrator perfectly complements Devi's hot-headed personality. The show's frank discussion of arranged marriages, Hindu traditions, and intergenerational trauma provides specificity without being didactic. Also read: Exclusive: Netflix's 'Never Have I Ever' star Maitreyi Ramakrishnan talks season two 6. 'Moana' (2016) In an effort to save her island, a Polynesian chieftain's daughter embarks on an ocean voyage with the help of ancient wayfinding traditions and a reluctant demigod. The film's Oceanic Trust, composed of Pacific Islander experts, ensured that Polynesian wayfinding wasn't just a plot device but the spiritual backbone of the narrative. Their feedback helped shape the film down to the small details in Moana singing to the ocean and Maui recounting his feats through his tattoos. The soundtrack, which weaves Samoan, Tokelauan, and Tuvaluan lyrics with contemporary elements, amplifies this cultural specificity. Following the success of the original film and its 2024 sequel, anticipation builds for next year's live-action adaptation, which brings back Dwayne Johnson as Maui and debuts Catherine Lagaʻaia as Moana. If you're looking for what to watch as a family while celebrating Pacific Islander heritage, Moana remains a joyful, generation-spanning favourite.
Yahoo
11-05-2025
- Entertainment
- Yahoo
'Daily Show' star who recently became US citizen says becoming American is like joining 'evil empire'
Ronny Chieng, host of "The Daily Show," compared becoming a U.S. citizen to joining an "evil empire" during an appearance on Variety's "Awards Circuit" podcast on Friday. Chieng, who was born in Malaysia and moved to the U.S. as a child before returning to Malaysia at age seven, described his eventual return to America in 2015 as "30 years in the making." He said he came back to the U.S. to pursue his career in stand-up comedy and that it was a "weird time" to become an American. 'Crazy Rich Asians' Actor Says He'd Like To Have Conservatives In America Who 'Aren't F------ Morons' "I turn down offers to tour overseas all the time," Chieng said. "I've got no interest in it, because I came from there. I've been trying to come here… so it makes sense for me to get citizenship, because if I do leave the country, I know I can come back in to the stuff that I've been building here." Chieng told Variety that the type of things that attracted him to America were "Back to the Future" and "Seinfeld" and not "the Iraq War." Read On The Fox News App "It's like you're joining this evil empire, but that's not why you joined it. It just so happened, the evil empire had some really nice TV shows, and they do stand-up comedy in The Death Star," he said. Click Here For More Coverage Of Media And Culture Beginning his tenure on the "Daily Show" in 2015, Chieng noted that "this Trump thing" is all he's known, saying that since he came to America, President Donald Trump's "shadow has been looming or in charge." "He's [Trump's] been talking s--- for a long time now. We're used to him talking s---," he explained. "He's been throwing chaos in the mix for a long time now. So in that sense, it doesn't feel like anything new in terms of coverage." Chieng also compared covering Trump's second term on the "Daily Show" to "being in an emergency room," describing the non-stop coverage of the president as "outlandish." "You kind of get numb to it, because it's always a car wreck every day. It's something new coming in, and it's something you have to comment on," Chieng said. "It seems outlandish, but at the same time, it's been outlandish for nine years. So is it outlandish? That's the feeling."Original article source: 'Daily Show' star who recently became US citizen says becoming American is like joining 'evil empire'
