Latest news with #Cultura
Arab News
06-05-2025
- Entertainment
- Arab News
‘Roses of Humanity': Lahore gallery hosts art installation to honor children killed in Israeli strikes on Gaza
Works by renowned 20th-century Latin American artists presented in new exhibition in Doha DOHA: One of revered Mexican artist Diego Rivera's best-known paintings is now on display at the National Museum of Qatar. Titled 'Baile en Tehuantepec' ('Dance in Tehuantepec') and completed in 1920, it depicts a group of female Oaxacan dancers dressed in bright costumes poised to begin the Zandunga dance. The painting, like others by Riviera at the time, aimed to depict the social life of Mexico. With time, the work, exhibited a few years later at the Museum of Modern Art in New York, became one of the most expensive paintings in Latin American art. Lam, Wilfredo, Omi Obini, ALTA. (Supplied) Nearly a century after Riviera painted the work, it is on show in Doha in 'LATINOAMERICANO,' a comprehensive exhibition running until July 19. Showcasing over 170 artworks, including paintings, sculptures, installation, video, photographs, films and archival documentation by over 100 artists from Argentina, Brazil, Chile, Colombia, Cuba, Paraguay, Mexico, Venezuela and Uruguay, the exhibition offers an in-depth look at Latin American art from 1900 to the present in what marks the first-ever show of its kind in West Asia and North Africa for the genre. The exhibition, organized in partnership with Qatar Museums, is a pivotal aspect of the Qatar, Argentina and Chile 2025 Year of Culture. It presents modern and contemporary artworks from the collections of Museo de Arte Latinoamericano de Buenos Aires, Eduardo F. Costantini and Qatar Museums institutions like Mathaf: Arab Museum of Modern Art and the Future Art Mill Museum, among others. Rivera, Diego, Baile en Tehuantepec, 1928, Colección Eduardo F. Costantini. (Supplied) Curated by Issa Al-Shirawi, a Qatari curator, researcher and head of international exhibitions at Qatar Museums, and Maria Amalia Garcia, curator in chief at Malba, the show ambitiously strives to capture the diverse art and culture of an entire continent. 'The exhibition promotes an exchange of knowledge through art, continuing Qatar Museums' emphasis on showing art histories from underrated and underappreciated art histories,' Al-Shirawi told Arab News, underlining how Latin American artists have consistently challenged narratives, readapted local traditions and influenced artistic movements across the world. There are several pieces Al-Shirawi notes that highlight the artistic exchange between the Middle East and Latin America. Candido Portinari. Festa de Sao Joao, 1936. (Supplied) One is by Uruguayan-born artist Gonzalo Fonseca who traveled to the Middle East during the 1950s where he visited archaeological sites that made a lasting impact on his sculptural work, highly conceptual with great references to architectural forms. Another is a vibrant painting by Lebanese-born artist Bibi Zogbe, who emigrated to Buenos Aires, Argentina and became known throughout South America as 'la pintura de flores' ('the flower painter'). These works are displayed alongside those of both globally renowned artists from the continent, like Colombian artist Fernando Botero, Cuban painter Wilfredo Lam, Belkis Ayon, also from Cuba, known for her work on African influences in the Caribbean island, and Mexican artist Frida Kahlo, among many others. Candido Portinari. Festa de Sao Joao, 1936. (Supplied) The exhibition's in-depth thematic sections provide a first taste for those new to Latin American art. 'At first, we thought we would organize the show chronologically, but then we realized that it was crucial to show the connections between traditional art and various modern and contemporary movements and what influenced these,' Al-Shirawi aid. 'How does the traditional translate back into the contemporary? And how does the contemporary go back to the traditional? A poignant multisensory installation that demonstrates this and that, in Al-Shirawi's opinion, serves as one of the 'anchor' works for the exhibition is by Chilean artist Cecilia Vicuna. Titled 'Quipu desparecido' ('Disappeared Quipu,' 2018), it refers to the Andean civilization's quipus — knotted strings made of colored and spun or plied wood or llama hair — used to record information. The practice was crucial to societal organization across the ancient Incan Empire but was decimated by the Spanish colonization. Vicuna's artwork pays homage to these important threads to reactivate the memory of the quipus, which she refers to as a 'poem in space, a way to remember, involving the body and the cosmos at once.'
Arab News
06-05-2025
- Entertainment
- Arab News
AlUla institution to select Saudi artist for residency in Paris
Works by renowned 20th-century Latin American artists presented in new exhibition in Doha DOHA: One of revered Mexican artist Diego Rivera's best-known paintings is now on display at the National Museum of Qatar. Titled 'Baile en Tehuantepec' ('Dance in Tehuantepec') and completed in 1920, it depicts a group of female Oaxacan dancers dressed in bright costumes poised to begin the Zandunga dance. The painting, like others by Riviera at the time, aimed to depict the social life of Mexico. With time, the work, exhibited a few years later at the Museum of Modern Art in New York, became one of the most expensive paintings in Latin American art. Lam, Wilfredo, Omi Obini, ALTA. (Supplied) Nearly a century after Riviera painted the work, it is on show in Doha in 'LATINOAMERICANO,' a comprehensive exhibition running until July 19. Showcasing over 170 artworks, including paintings, sculptures, installation, video, photographs, films and archival documentation by over 100 artists from Argentina, Brazil, Chile, Colombia, Cuba, Paraguay, Mexico, Venezuela and Uruguay, the exhibition offers an in-depth look at Latin American art from 1900 to the present in what marks the first-ever show of its kind in West Asia and North Africa for the genre. The exhibition, organized in partnership with Qatar Museums, is a pivotal aspect of the Qatar, Argentina and Chile 2025 Year of Culture. It presents modern and contemporary artworks from the collections of Museo de Arte Latinoamericano de Buenos Aires, Eduardo F. Costantini and Qatar Museums institutions like Mathaf: Arab Museum of Modern Art and the Future Art Mill Museum, among others. Rivera, Diego, Baile en Tehuantepec, 1928, Colección Eduardo F. Costantini. (Supplied) Curated by Issa Al-Shirawi, a Qatari curator, researcher and head of international exhibitions at Qatar Museums, and Maria Amalia Garcia, curator in chief at Malba, the show ambitiously strives to capture the diverse art and culture of an entire continent. 'The exhibition promotes an exchange of knowledge through art, continuing Qatar Museums' emphasis on showing art histories from underrated and underappreciated art histories,' Al-Shirawi told Arab News, underlining how Latin American artists have consistently challenged narratives, readapted local traditions and influenced artistic movements across the world. There are several pieces Al-Shirawi notes that highlight the artistic exchange between the Middle East and Latin America. Candido Portinari. Festa de Sao Joao, 1936. (Supplied) One is by Uruguayan-born artist Gonzalo Fonseca who traveled to the Middle East during the 1950s where he visited archaeological sites that made a lasting impact on his sculptural work, highly conceptual with great references to architectural forms. Another is a vibrant painting by Lebanese-born artist Bibi Zogbe, who emigrated to Buenos Aires, Argentina and became known throughout South America as 'la pintura de flores' ('the flower painter'). These works are displayed alongside those of both globally renowned artists from the continent, like Colombian artist Fernando Botero, Cuban painter Wilfredo Lam, Belkis Ayon, also from Cuba, known for her work on African influences in the Caribbean island, and Mexican artist Frida Kahlo, among many others. Candido Portinari. Festa de Sao Joao, 1936. (Supplied) The exhibition's in-depth thematic sections provide a first taste for those new to Latin American art. 'At first, we thought we would organize the show chronologically, but then we realized that it was crucial to show the connections between traditional art and various modern and contemporary movements and what influenced these,' Al-Shirawi aid. 'How does the traditional translate back into the contemporary? And how does the contemporary go back to the traditional? A poignant multisensory installation that demonstrates this and that, in Al-Shirawi's opinion, serves as one of the 'anchor' works for the exhibition is by Chilean artist Cecilia Vicuna. Titled 'Quipu desparecido' ('Disappeared Quipu,' 2018), it refers to the Andean civilization's quipus — knotted strings made of colored and spun or plied wood or llama hair — used to record information. The practice was crucial to societal organization across the ancient Incan Empire but was decimated by the Spanish colonization. Vicuna's artwork pays homage to these important threads to reactivate the memory of the quipus, which she refers to as a 'poem in space, a way to remember, involving the body and the cosmos at once.'
Associated Press
08-04-2025
- Health
- Associated Press
Cultura Dermatology and Plastic Surgery in Washington, D.C. Pioneers Complexion Blending Treatment for African American Skin
Washington, D.C.--(Newsfile Corp. - April 8, 2025) - Cultura Dermatology and Plastic Surgery, a premier cosmetic dermatology, laser center, and plastic surgery aesthetic practice in Washington, DC, is redefining skincare solutions for patients of color with its groundbreaking Complexion Blending™ treatment. Founded by Dr. Eliot Battle, a renowned dermatologist and laser specialist whose pioneering research at Havard helped to pioneer safe aesthetic lasers for skin of color. His original research focused on laser hair removal, helping to introduce the Nd: YAG and longer pulsed Diode lasers to the market and get them FDA-approved for skin of color. Cultura is at the forefront of innovative skincare tailored specifically for African American and ethnic skin types with darker skin. Dr. Battle's Complexion Blending™ treatment is a signature, non-invasive approach designed to address hyperpigmentation, melasma, uneven skin tone, and textural irregularities commonly experienced by individuals with darker skin tones. Unlike traditional treatments that may cause unwanted side effects on melanin-rich skin, Complexion Blending™ is uniquely customized to enhance skin color and texture uniformity while protecting the skin's natural integrity and vibrancy. It's a top-down and bottom-up approach to skin care. Top-down includes using appropriate topical skin products, prescriptions, and peels chosen based on the patient's unique skin characteristics. Bottom-up is the use of appropriate lasers and energy-based devices (EBDs) that are safe and effective on skin of color. Complexion Blending™ effectively addresses a wide range of skin conditions, including: Post-inflammatory hyperpigmentation Acne scars Sun damage Melasma Dark spots Age spots Facial moles Blemishes Freckles Blood vessels By utilizing cutting-edge laser technology and precision treatments, Complexion Blending™ works by gently fading hyperpigmented and uneven areas, ensuring a seamless and radiant skin tone. This technique is particularly effective for those who have struggled to find safe and effective solutions for melanin-rich skin, an area where conventional treatments have historically fallen short. 'We understand that melanin-rich skin requires specialized care, and at Cultura, we take pride in offering safe and effective treatments that empower our patients to feel confident in their skin,' said Dr. Eliot Battle. 'Complexion Blending™ has transformed the lives of countless individuals by providing a science-backed, results-driven solution for those struggling with hyperpigmentation concerns.' With a focus on cutting-edge laser technology, advanced aesthetic procedures, and patient education, Cultura Dermatology and Plastic Surgery remains the nation's leading practice for treating ethnic skin. Patients travel from across the country to experience Dr. Battle's expertise and benefit from a personalized treatment plan that ensures optimal results. For those interested in learning more about Complexion Blending™, Cultura offers virtual and in-person consultations. About Cultura Dermatology and Plastic Surgery: Located in Washington, DC, Cultura Dermatology and Plastic Surgery is an industry leader in advanced skincare and aesthetic treatments for diverse skin tones. Founded by Dr. Eliot Battle, the practice is dedicated to providing the highest level of expertise, innovation, and personalized care for patients of all backgrounds. Company Name: Cultura Dermatology & Plastic Surgery Contact Person: Eliot Battle, MD Phone: (202) 410-4410 Address: 5301 Wisconsin Ave NW City: Washington DC State: District of Columbia Postal Code: 20015
