Latest news with #DanielleDeadwyler
USA Today
16-04-2025
- Entertainment
- USA Today
Time 100 list: Get an exclusive early look at the star-studded honorees
Time 100 list: Get an exclusive early look at the star-studded honorees Show Caption Hide Caption Time Magazine names Donald Trump as Person of the Year Time names a person that they feel has had the biggest impact on the world during that year. This year, it is Donald Trump. It's the list to end all lists: The Time 100 is here. A bonafide who's-who of the entertainment, sports and political elite, the list serves as a quasi-yearbook superlatives list for the biggest movers and shakers in each industry. USA TODAY can exclusively reveal that this year's group includes Hollywood favorites like Danielle Deadwyler, Daniel Dae Kim and Jon M. Chu, along with trailblazing athletes like Jalen Hurts, Simone Biles and Serena Williams. Here's an early look at this year's honorees − and, in signature Time 100 fashion, some words of praise written about them by other notable names. Michelle Yeoh thinks Jon M. Chu is a 'baby genius' You've definitely seen a Jon M. Chu film. The director behind blockbuster hits like "Wicked," "In the Heights" and "Crazy Rich Asians," Chu's fingerprint on pop culture is inarguable. Michell Yeoh, who starred in both "Wicked" and "Crazy Rich Asians," says the director "sees into the heart of things." "He's a visionary, so he knows what he wants, but he always listens," she writes in her Time 100 tribute. "To this baby genius, who I'm proud to call a friend and an honorary son all at once, I will always be eternally grateful." Regina King praises Danielle Deadwyler Danielle Deadwyler, among this year's Time honorees, is a "captivating" actress, Regina King writes in her blurb for the magazine, professing that "her eyes evoke something different and riveting with every role she plays." Deadwyler first gained critical acclaim for her role in the 2021 Western "The Harder They Fall," in which she co-starred with King, before going on to nab Critic's Choice and BAFTA nominations for her performances in "Till" and "The Piano Lesson." "Danielle doesn't see anything as small when it comes to acting: every moment has a meaning. It's been a joy to see how much range she has," writes King. Daniel Dae Kim's acting, activism inspires J.J. Abrams When Daniel Dae Kim "combines his talent, skill, and humanity as an advocate for equality, he becomes a force of nature," writes director J.J. Abrams, who directed Kim in network TV drama "Lost" and calls his career "rare." "But even rarer is a willingness to use success not just for oneself, but for others." With Kim's decision to walk away from his hit series "Hawaii 5-0" when he discovered a pay discrepancy with white co-stars, and his advocacy in 2021 for Asian American communities, Abrams lauded the actor's ability to stand up for what is right even at "personal cost." Serena Williams makes Time 100 list again Serena Williams was already considered the G.O.A.T, long before she danced on Drake's (metaphorical) grave during Kendrick Lamar's rousing Super Bowl halftime show. An investor, athlete and activist, this is not Williams' first time being featured on the Time 100. "Even as she's moved away from professional tennis, Serena continues to be impactful," fellow athlete Allyson Felix writes in a heartfelt tribute. Felix reveals Williams' candidness about a difficult pregnancy and return to competition inspired her own comeback story. "She continues to show that we, as athletes, are so far from one dimensional." How Olympians Simone Biles, Léon Marchand are changing sports Simone Biles has remade gymnastics (several stunts are named after her), and "faced — and withstood — mounting expectations, pressures, and adversity, which seem to intensify each year," fellow Olympic gymnast Aly Raisman writes. Biles "has embraced her vulnerability, while refusing to let it define or limit her." She returned to the 2024 Olympics with a gold-winning performance, after walking away from competition in 2020, citing mental health concerns. "Simone has changed lives by bringing mental health and athlete safety to the forefront," Raisman writes. "But her greatest legacy may be ensuring a better future for those who follow." And fellow 2024 Olympic Games competitor, French swimmer (and world record holder) Léon Marchand, shocked the world this summer, nabbing four gold medals. "The crowd would roar each time his head broke the surface of the water," writes Olympian Summer McIntosh. "To be able to do that under the pressure of a home crowd is nothing short of sensational." British singer Myles Smith, K-pop 'icon' Rosé, Irish musician Hozier make sweet music for Time 100 Rosé, once a member of K-pop collective Blackpink, proves that a solo career can be just as successful. "She's such a dynamic performer and songwriter, and I think it's incredible that she's able to captivate arenas full of people as both a member of the biggest girl group in the world and also as a solo artist," writes friend and actress Lily Collins. "She's basically the definition of an icon and a boss." Fellow musician Hozier is captivating audiences as well – especially with the yell he lets out during his guest spot on Noah Kahan's "Northern Attitude." Kahan believes in the "magic" of the Irish musician, best known for his soulful tenor and a masterful blend of folk and blues. "Hozier had me believing from the first note," he writes. "His music became the barometer for my own: How can I make a song feel like an extension of my soul, the way Hozier does?" And British singer-songwriter Myles Smith has charmed fans with his balladry on tracks like "Stargazing and "Blink Twice." "Myles sees music as a limitless form of expression—and something meant to be shared with everyone," writes country crooner and "Blink Twice" collaborator Shaboozey, calling Smith "a singular talent" who "proves singer-songwriter music is still alive in the age of Top 40." Reese Witherspoon couldn't stop reading Amy Griffin's story Amy Griffin, a venture capitalist-turned-author, pulled the curtain back on her own abuse in the buzzy 2025 book "The Tell," which recounts a woman's pursuit of the truth about her own story. "I watched as she bravely reached into the deepest parts of herself and, after gaining access to repressed memories of abuse she faced as a child, embarked on an incredible journey of discovery, grief, and healing," writes Reese Witherspoon, who chose Griffin's memoir as part of her book club. Breanna Stewart, Napheesa Collier, Jalen Hurts are committed to shining in sports Breanna Stewart and Napheesa Collier, both certified WNBA stars at a time when the league itself is enjoying growing success, share a Time 100 slot. The pair are co-founders of Unrivaled, a women's 3-on-3 professional basketball league. Time honoree and Philadelphia Eagles quarterback Jalen Hurts used a 2023 Super Bowl loss to compel him to a resounding 2025 win, baseball icon Derek Jeter writes in his tribute, adding that Hurts' decision to set his phone lock screen as a photo of himself walking off the field post-loss demonstrated a commitment to change. "Sometimes people win, then exhale. Jalen is not exhaling. He's embracing the next challenge." Who's on the Time 100 list? Danielle Deadwyler (tribute written by Regina King) (tribute written by Regina King) Daniel Dae Kim (tribute written by J.J. Abrams) (tribute written by J.J. Abrams) Jalen Hurts (tribute written by Derek Jeter) (tribute written by Derek Jeter) Léon Marchand (tribute written by Summer McIntosh) (tribute written by Summer McIntosh) Serena Williams (tribute written by Allyson Felix) (tribute written by Allyson Felix) Simone Biles (tribute written by Aly Raisman) (tribute written by Aly Raisman) Myles Smith (tribute written by Shaboozey) (tribute written by Shaboozey) Rosé (tribute written by Lily Collins) (tribute written by Lily Collins) Hozier (tribute written by Noah Kahan) (tribute written by Noah Kahan) Jon M. Chu (tribute written by Michelle Yeoh) (tribute written by Michelle Yeoh) Amy Griffin (tribute written by Reese Witherspoon) (tribute written by Reese Witherspoon) Breanna Stewart and Napheesa Collier (tribute written by Alex Morgan) See the full Time 100 List Follow this link to see the full Time 100 list. The new issue will hit newsstands on Friday, April 18.
Forbes
07-04-2025
- Entertainment
- Forbes
Horror Thriller ‘The Woman In The Yard' Gets Digital Streaming Date
Okwui Okpokwasili in :The Woman in the Yard." The Woman in the Yard — a horror thriller starring Danielle Deadwyler — is coming soon to digital streaming. Directed by Jaume Collet-Serra and produced by Blumhouse Pictures, The Woman in the Yard was released in theaters on March 28. The summary for the film reads, 'A lone, spectral woman shrouded entirely in black appears on a family's front lawn without explanation and warns them, 'Today's the day.' Where did she come from? What does she want? When will she leave? Only The Woman in the Yard knows.' Okwui Okpokwasili also stars in The Woman in the Yard as the title character, alongside Russell Hornsby, Peyton Jackson and Estella Kahiha. The Woman in the Yard is expected to be released on Tuesday, April 15, on digital streaming via premium video on demand, When to Stream reported. While When to Stream's PVOD reports are typically accurate, the streamer tracker noted that that The Woman in the Yard's studio, Universal Pictures, has not announced or confirmed the release date and it is subject to change. The Woman in the Yard's 18-day theatrical debut-to-PVOD window falls in line with the release pattern of previous Universal Pictures PVOD releases including Wolf Man, which arrived on PVOD on Feb. 4, 18 days after its release in theaters on Jan. 17. The Woman in the Yard is already available for pre-order on PVOD for $24.99 on Prime Video, which is also the film's digital purchase price. Since digital rentals typically run $5 less than purchase prices, viewers can expect to rent The Woman in the Yard when it becomes available for $19.99 for 48 hours. The Woman in the Yard has earned nearly $16.7 million in North American theaters and more than $438,600 internationally for a worldwide box office take of $17.1 million to date. The production budget for The Woman in the Yard was $12 million before prints and advertising, Deadline reported. The Woman in the Yard earned a 46% 'rotten' rating from Rotten Tomatoes critics based on 54 reviews. The RT Critics Consensus for the film reads, 'The Woman in the Yard has plenty of spooky promise in its premise and a committed performance from Danielle Deadwyler, but the story's heavy-handed metaphor leaves little room for scares or surprise.' The film also had a 46% 'rotten' score on RT's Popcornmeter based on 500-plus verified user ratings. The audience summary on RT reads, 'With striking imagery, The Woman in the Yard honorably tackles mental health issues but withers in delivering the horror it purports.' Rated PG-13, The Woman in the Yard is expected to arrive on PVOD on April 15.
Forbes
28-03-2025
- Entertainment
- Forbes
When Is Horror Thriller ‘The Woman In The Yard' Coming To Streaming?
Okwui Okpokwasili in "The Woman in the Yard." Universal Studios The Woman in the Yard — a horror thriller starring Danielle Deadwyler— is new in theaters. When will viewers be able to watch the film at home? Directed by Jaume Collet-Serra (Carry-On) is rated PG-13. The official summary for The Woman in the Yard reads, 'A lone, spectral woman shrouded entirely in black appears on a family's front lawn without explanation and warns them, 'Today's the day.' Where did she come from? What does she want? When will she leave? Only The Woman in the Yard knows.' Starring alongside Deadwyler (Till, The Piano Lesson) in The Woman in the Yard are Russell Hornsby, Estella Kahiha and Peyton Jackson. Okwui Okpokwasili also stars in the title role In The Woman in the Yard. Currently, the only way you can see The Woman in the Yard is in theaters, so check your local listings for showtimes. When The Woman in the Yard comes to home video, the first place it will be available will be on digital streaming via premium video on demand. The Woman in the Yard is a Universal Pictures release. Typically, there's a one-month to six-week window between the release of the studio's films in theaters and their arrival on PVOD. For example, Universal's blockbuster hit Wicked, arrived on PVOD on Dec. 31, 2024, just shy of six weeks after its Nov. 20 release date. In addition, Nosferatu, released by Universal Pictures subsidiary Focus Features, debuted on PVOD on Jan. 21, just a few days shy of a month after the film's Dec. 25, 2024, release in theaters. There are instances when a Universal film debuts on PVOD much quicker. Universal's horror thriller Wolf Man debuted on PVOD on Feb. 4, 18 days after its release in theaters on Jan. 17. If The Woman in the Yard follows the same one-month-to-six-week release pattern as Wicked and Nosferatu, then viewers can expect the film to arrive on PVOD anytime between April 29 and May 13 since new movie releases on digital streaming tend to come out on Tuesdays. However, if The Woman in the Yard takes the 18-day route to PVOD like Wolf Man, then viewers can expect to purchase or rent the film on digital streaming on April 15. Typically, new film releases on PVOD run anywhere between $19.99 to $29.99 to purchase and $14.99 to $24.99 to rent for a 48-hour period. New PVOD releases are generally available on a variety of digital platforms including AppleTV, Fandango at Home and Prime Video. Since The Woman in the Yard is a Universal Pictures release, the film will make its streaming video on demand on Peacock, which is NBC Universal's streaming platform. Peacock's streaming packages range from $7.99 per month or $79 per year with ads and $13.99 per month or $139.99 yearly without ads. Generally, it takes new Universal Pictures (and its subsidiaries) releases anywhere from two to four months to debut on Peacock after they premiere in theaters. Nosferatu, for example, arrived on Peacock on Feb. 21, just shy of two months after its Dec. 25, 2024, release, while Wolf Man is set to arrive on the streaming service on April 18, just over two months after it debuted in theaters on Jan. 17. Wicked, however, didn't arrive on Peacock until March 21, just over four months after it opened in theaters. Since the film was a blockbuster hit in theaters and a hot awards season film, Universal no doubt opted to push back its PVOD and SVOD releases since the film was such a big film in theaters. As such, if The Woman in the Yard follows the same release pattern as Nosferatu and Wolf Man — two other horror films, coincidentally — then viewers can expect the film to arrive about two months from now. That would place the SVOD release date anywhere from May 23 to May 30, since new film releases on Peacock generally come out on Fridays. The Woman of the Yard is new in theaters.
The Guardian
28-03-2025
- Entertainment
- The Guardian
The Woman in the Yard review – pared-back horror is Grandma's Footsteps: The Movie
Sometimes a single image is enough to carry a film so far. This pared-down Blumhouse chiller opens with a brisk, detailed overview of the disarray that a remote rural fixer-upper has fallen into since the death of a paterfamilias. No power; no food in the cupboards; a bereft, incapacitated mother (Danielle Deadwyler) leaving two children to fend for themselves; cracks in the plasterwork offering their own doleful commentary. Then, one morning the lingering spectre of absence is compounded by an unignorable presence: a huddled figure in mourning garb (Okwui Okpokwasili) who appears on a chair in the backyard, and over a single day moves gradually ever closer to the property. That's the image – as unnerving for us as it is for the characters – and there's your elevator pitch: Grandma's Footsteps: The Movie. Sam Stefanak's script is at its strongest when leaning into the folkloric. The fact that that this house is unplugged from the wider world registers as both plot point and mission statement. Spanish genre specialist Jaume Collet-Serra precisely establishes where the woman sits in relation to the house, and cinematographer Pawel Pogorzelski's sunny images approach an uncanny Andrew Wyeth beauty – although we're mostly indoors looking out, as the yard woman proves less significant in herself than for the reactions she provokes. If the obvious reading is that this interloper represents unaddressed grief, Stefanak complicates matters by yanking at unravelling threads: the mother's stitches and sanity; a dog's chain. It's not just the woman who is shifting. For an hour or so, it's intriguing; we don't know where we stand exactly, and there's an awful lot in the air. It settles shruggingly, however, and some of what is being juggled – Black Mirror-ish psychology, Us-like shadow selves – is revealed as decidedly secondhand. Collet-Serra paints over some of the third-act problems with style, but key elements go awol as we pass back-and-forth through the looking glass, not least basic clarity. Deadwyler remains credibly frazzled, pushed towards monstrousness in ways that will be familiar to anyone who homeschooled during Covid, and the bundled figure closing in on her is genuine nightmare fuel. Yet the rest of this hotchpotch never matches it, and flails in trying to explain it away. The Woman in the Yard is out on 27 March in Australia, and 28 March in the UK and US.
Telegraph
27-03-2025
- Entertainment
- Telegraph
The Woman in the Yard: this ghostly study of grief isn't worth leaving the house for
The Woman in the Yard takes a favourite horror theme – grief – and literalises it on the doorstep of the main character. Ramona (Danielle Deadwyler) has survived a car crash that claimed the life of her husband (Russell Hornsby), leaving her to look after two children in an American Gothic farmhouse. She's still recovering from severe injuries that have left her on crutches, and is not far off catatonic in her emotional state. In their front garden, a veiled woman in black appears one morning, seated in a chair on the lawn. 'Today's the day,' this wraith, played by Okwui Okpokwasili, announces to Ramona. She doesn't explain what she's on about, but inches closer to the house every time someone looks, in the manner of Grandmother's Footsteps. The shadows she casts take on a life of their own – they can throttle and rampage. The family realises that their best hope to defeat her is darkness, not light: once they've barricaded themselves inside, the film simply becomes a wait for the sun to go down. Leaving a torch on in the attic turns out to be a grave mistake. Deadwyler is a great actress for whom horror ought to be a stomping ground: Toni Collette in Hereditary, Florence Pugh in Midsommar and Essie Davis in The Babadook all proved how much the genre can benefit from an all-stops-out lead performance. She's capable of much the same. But those films developed jaggedly, along uncanny lines, without just dumping their symbolism in our laps. The title spectre here suggests Susan Hill's Woman in Black, if she pitched up at a Day of the Dead costume party, was zero fun, and held everyone hostage to a performance piece about fraying mental health and morbid thoughts of the beyond. The Devil Wears Prada's Miranda Priestly might have reviewed her black vestments with a single mutter – 'groundbreaking'. The film leans heavily on the nervy gravitas of its leading lady, and just as much on the flashy editing and VFX showmanship of the prolific director, Jaume Collet-Serra (Orphan, Jungle Cruise, Carry-On). He can lay on industry-standard jump scares, get the sound designers to goose us, and weave in some cool shadow-play that certainly manages to get noticed in the absence of any real plot. But there's little here to keep us up at night – or from forgetting all about it by tomorrow. 15 cert, 88 min; in cinemas March 28
