Latest news with #Daskath
New Indian Express
08-05-2025
- Entertainment
- New Indian Express
Aneesh Poojary Venur: Tulu and Kannada have different flavours, but they both deserve quality storytelling
Aneesh also reflects on the importance of regional languages and rural storytelling. 'Our film is about life in rural areas, the Gram Panchayat system, and the way people live and think. It's very different from urban storytelling. However, people in places like Mysuru and Bengaluru can relate to it because it is about something very basic and rooted,' says Aneesh. Talking about how Tulu cinema is an extension of his self, Aneesh says, 'Daskath refers to a signature, but it's not just about signing. The act of sowing seeds in agriculture, lighting a lamp for the deity every morning, or even the expressions of love and hatred — these are all reflections of our signature. Daskath captures that with authenticity.' The film features a cast of fresh faces, including Yuva Shetty, known for his versatility in comedy. 'Yuva was also part of Comedy Khiladigalu, and in Daskath, he gets to play a villain. We also have Deekshith, Bhavya, Neeraj, and Mithun as part of the ensemble cast,' says Aneesh. The technical crew includes Samarthan S Rao as the music director, Santhosh Acharya handling cinematography, and Ganesh Nirchal as the editor. Looking ahead, Aneesh is working on three new stories, which will be produced in Tulu and Kannada languages. 'I want to tell stories from Tulu Nadu but also reach audiences across Karnataka. Tulu and Kannada have different flavours but deserve quality storytelling.'
Time of India
08-05-2025
- Entertainment
- Time of India
Daskath Movie Review: A gritty portrait of power, resistance, and rural reality
For a film to effectively tackle a serious issue, it needs a powerful antagonist—and Daskath delivers with one of the most memorable villains in recent times. Meet Yuva Shetty as Gunapaala: a monstrous caricature of unchecked power, with a bloated ego to match his bulging stomach. Always in a crisp white shirt and with a betel-stained mouth, he rules the panchayat like a deranged monarch—corrupt, cruel, and intolerant of anything that disturbs his twisted sense of order. He's not just greedy; he's pathologically opposed to discomfort. From killing a bird that dirtied his bike to silencing a barking dog, Gunapaala is driven by a toxic superiority complex, determined to keep others beneath him in every possible way. Opposing him is a fiery group of young men bent on disrupting his reign. At the centre is Shekhara (Deekshith), always in fight mode; Keshava (Mohan), torn by family duties; Baadu, entangled romantically with Gunapaala's daughter Baagi (Bhavya Poojary); and Deepu, a spirited youngster immersed in the village's cultural life. Each member of this tight-knit gang has a personal stake in the chaos created by Gunapaala. The film hinges on the idea that a single official signature—Daskath—could solve many of the villagers' problems. But in a system riddled with socio-political and cultural hurdles, the real question is: do they have the courage to stand up to the monster in power? Aneesh Poojary steers the film with clarity and conviction. The narrative captures the day-to-day reality of a remote village with striking realism—its culture, traditions, beliefs, and the challenges faced across generations. Without ever feeling preachy, the film weaves in multiple social issues with subtlety and sensitivity. While the pace dips occasionally, Aneesh restores momentum through well-timed surprises that re-engage the viewer. Two standout highlights are the background score and casting. The music, rooted in local flavour, brings emotional depth and energy to key moments. The casting is impeccable—naturalistic performances make it feel like the characters truly belong in the village. Visually, the film beautifully captures the lush, rustic essence of Kepulapalke. Daskath follows in the footsteps of regional gems like Kantara, Garuda Gamana Vrishabha Vahana, and Ulidavaru Kandanthe, showcasing Karavali's unique culture—from Daiva traditions to Hulivesha dance. Though its ambition to address numerous social issues leaves some threads unresolved, this open-endedness may be its boldest statement—reflecting rural life's messy, unfinished realities. For those who value grounded storytelling rooted in place, Daskath is a must-watch. By Susmita Sameera
New Indian Express
23-04-2025
- Entertainment
- New Indian Express
Tulu film Daskath gets Kannada release
After a strong 70-day theatrical run in the Tulu industry and appreciation from international screens including Canada, Nigeria, and Dubai, Daskath is now ready to make its Kannada debut on May 9. "At the heart of Daskath is a simple yet powerful premise—a villager's struggle for a signature," says director Aneesh Poojary Venoor, adding, 'The word Daskath itself means signature. The film dives into the chaos that erupts around a simple document, revealing how bureaucracy can fracture lives. It's about power, poverty, and the invisible battles fought in silence.' The Kannada trailer was recently unveiled, and the buzz has been good. Hat-trick Hero Shivarajkumar, Sriimurali, and Raj B Shetty were among the first to shower praise. The film also found a place at the Bengaluru International Film Festival, where it was named the third-best film. Producer Jagadeesh N Arebannimangala, who is dubbing and releasing the film in Kannada, brings his grassroots insight: 'I've served as a gram panchayat president. Watching Daskath —even without understanding Tulu—hit home. The emotions, the injustice, the warmth… it mirrors the very soul of our villages.' Actor Deekshith, playing the protagonist Shekhar, hopes for a similar response from Kannada audiences. 'They accepted me in Tulu cinema—I'm hoping they'll embrace me here too.' Bhavya Poojary, the film's female lead, adds, 'This role is special—raw, real, and rooted in village life. I've put my heart into it.' Music director Samarth S Rao signs off, 'Three songs and a background score—each one crafted with care. The soul of Daskath sings through its music.'
