Latest news with #DaveBarberCinematheque
Winnipeg Free Press
2 days ago
- Entertainment
- Winnipeg Free Press
Animated documentary bite-sized chunk of family life
At the close of the Hot Docs Festival in May, in a field of dozens of live-action films, it was the animated feature Endless Cookie that took home the $50,000 Rogers Audience Award for Best Canadian Documentary, a prize determined by audience poll. Endless Cookie • Directed by Seth Scriver and Peter Scriver • Dave Barber Cinematheque • 97 minutes • Opens Friday, runs to June 22 It was no small achievement for co-directing brothers Seth Scriver, 47, a seasoned artist and animator, and Peter Scriver, 62, a man of many talents, including carver, trapper and poet. Peter, who is of white/Cree lineage, lives in Shamattawa First Nation in Northern Manitoba, 744 kilometres north of Winnipeg. Seth, who is white, is based in the city of his birth, Toronto. The urban/wilderness dynamic between them yields material that is powerful and relevant. But still … a documentary? The film is, after all, a cartoon, and one that is flagrantly impressionistic when it comes to hard-nosed reality. Peter's daughter Cookie, for example, is drawn as an actual chocolate-chip cookie; his dog Nutty is portrayed as Mr. Peanut. The overall look of the film suggests an underground comic come to life. Seth Scriver admits, when the film — which debuted at Sundance 2025 and opened imagineNATIVE 2025 — was presented at Hot Docs, the brothers were surprised it was so fervently embraced by the documentary realm. 'It was funny. We weren't trying to make a (documentary) genre film. It was more like … What is this?' he says. But he and his brother grew to accept the classification. 'It's a documentary because it's real stories. It's like a real family portrait, even though it seems unbelievable. Most of it is based in some reality,' Seth says. Most of the action is set in Shamattawa, where Seth interviews Peter about his life, including their lives together, stemming from a shared coming-of-age in Toronto, where their white father ran a vintage clothing shop in Kensington Market. In contrast to the crazy streets of '80s-era urban Toronto, the scenes in Shamattawa are linked into a familial community, especially Peter's sizable brood of nine children. And therein lies the film's distinction. Supplied It took Seth Scriver nine years to animate the movie. Supplied It took Seth Scriver nine years to animate the movie. When Seth originally discussed the movie with his brother, the idea was to make a film that would just take a couple of years to finish. It ended up being nine years in the making. Part of the reason is that Seth animated the film almost entirely by himself. But also, the project transformed when Seth realized he couldn't make a conventional animation with typically pristine audio. 'Originally, when we started, it was going to be straight-up good recording with no interruption, but Pete lives in a four-bedroom house with nine kids and 16 dogs, so it's insane to try to record anything,' says Seth. Supplied Peter Scriver is a trapper, carver and poet. Supplied Peter Scriver is a trapper, carver and poet. 'So eventually, we gave into the insanity and let it go.' Endless Cookie presents a picture of Indigenous life that veers away from the sombre, serious depictions prevalent in most films that take on the subject. The kids are funny and, cartoon distortion notwithstanding, real. They even contribute their own creativity to the mix with both animation and music. 'It's not for everyone, but we've been really lucky that it's been embraced so much, and people can relate to it,' Seth says. 'Because everyone has crazy families.' Randall KingReporter In a way, Randall King was born into the entertainment beat. Read full biography Our newsroom depends on a growing audience of readers to power our journalism. If you are not a paid reader, please consider becoming a subscriber. Our newsroom depends on its audience of readers to power our journalism. Thank you for your support.
Winnipeg Free Press
4 days ago
- Entertainment
- Winnipeg Free Press
Technology helps revive folk fest documentary
The creator of a new documentary and oral history book about the Winnipeg Folk Festival doesn't describe himself as a die-hard folkie. 'I've been more of a casual attender, but still a fan,' says Kevin Nikkel, a local filmmaker and writer with an interest in Winnipeg history and culture. SUPPLIED Filmmaker Kevin Nikkel (left) with collaborator John Prentice. SUPPLIED Filmmaker Kevin Nikkel (left) with collaborator John Prentice. This week, Nikkel releases two parallel projects about the history of the annual summer music festival, which celebrates its 50-ish anniversary at Birds Hill Provincial Park in July. His book, Founding Folks: An Oral History of the Winnipeg Folk Festival, launches at McNally Robinson Grant Park Wednesday; followed by the opening of his feature-length documentary, When We Became Folk Fest, at Dave Barber Cinematheque on Friday. 'I'm really excited to show people this cinematic time capsule of the folk fest,' Nikkel says of the documentary directed with his late collaborator, Dave Barber. It's a movie that almost ended up in the trash. Nikkel and Barber — Cinematheque's founding programmer, who died in 2021 — were working on another local history documentary, Tales from the Winnipeg Film Group, when they started mulling another project. Barber had come across a set of previously unusable film reels that hadn't been watched in decades and were headed for the bin. Captured by Winnipeg Film Group members in 1975, the grainy Super 8 footage shows a young Mitch Podolak, bearded and bespectacled, keeping things afloat during the second-ever Winnipeg Folk Festival. SUPPLIED PHOTO Founding Folks is an oral history of the event. The reels, which also included more than four hours of crowd shots and artist performances, were intended for a documentary that was scrapped in the editing booth because the video and audio were out of sync — a fatal issue at the time. 'We were able to access all this material because, technology being the way it is, it was far more reasonable to sync up the faulty audio with the picture because the software has improved so much,' Nikkel says. 'We picked up a project that had begun and was stalled and has become something completely different than what they had originally intended.' Local composer and sound designer Andy Rudolph helped solve the post-production puzzle and UMFM 101.5 radio host John Prentice, who was present during the original film group shoot in 1975, was brought on as a collaborator. When We Became Folk Fest pairs the vintage footage with archival photographs and offscreen interviews with festival instigators Podolak, prior to his death in 2019, wife Ava Kobrinsky, co-founder Colin Gorrie and others. SUPPLIED PHOTO When We Became Folk Fest is a feature-length doc about the early days of the festival. The film — which focuses on the event's early politics, vision and business model — also includes conversations with the likes of performers Bruce Cockburn, Tom Jackson, Peter Paul Van Camp and Al Simmons. 'I'm really looking forward to sharing this window into our scene, our culture — and people might even recognize themselves or their relatives,' Nikkel says. Creating a documentary is a big enough project on its own, but Nikkel knew from the outset he wanted to pair it with an oral history book. He took a similar tack with Establishing Shots: An Oral History of the Winnipeg Film Group, a book based on interviews from his 2017 documentary with Barber. 'My frustration as a filmmaker or editor is you sit down and have a nice long conversation with someone, but then you only take a couple quotes that end up in the film,' he says, adding writing has become a fitting companion to his filmmaking practice. Founding Folks, published by University of Manitoba Press, features many of the same voices as the film but takes a deeper look at the festival's early days and continued success, which Nikkel says is due in large part to its location and dedicated volunteers. JOHN BACHMANN PHOTO A new documentary revives troubled footage from 1975 for a look back at 50-ish years of Folk Fest. These performers were among the first in 1974. JOHN BACHMANN PHOTO A new documentary revives troubled footage from 1975 for a look back at 50-ish years of Folk Fest. These performers were among the first in 1974. In an era when folk festivals across the country are failing, he hopes readers and viewers will recognize the rarity of a grassroots event that's managed to carry on since 1974. 'For both of these projects, I'm really wanting to contribute to that sense of place and the fact that we have this very rich history and heritage,' Nikkel says. 'We often see this kind of archival material and think about Woodstock and some of these other highly important cultural gatherings from that era, but you never get to see that about yourself and about Winnipeg.' BETSY THORSTEINSON PHOTO The footage captured by the Winnipeg Film Group in 1975 suffered the then-fatal flaw of out-of-sync images and sound: today's technology was able to save it. BETSY THORSTEINSON PHOTO The footage captured by the Winnipeg Film Group in 1975 suffered the then-fatal flaw of out-of-sync images and sound: today's technology was able to save it. Every Second Friday The latest on food and drink in Winnipeg and beyond from arts writers Ben Sigurdson and Eva Wasney. Eva WasneyReporter Eva Wasney has been a reporter with the Free Press Arts & Life department since 2019. Read more about Eva. Every piece of reporting Eva produces is reviewed by an editing team before it is posted online or published in print — part of the Free Press's tradition, since 1872, of producing reliable independent journalism. Read more about Free Press's history and mandate, and learn how our newsroom operates. Our newsroom depends on a growing audience of readers to power our journalism. If you are not a paid reader, please consider becoming a subscriber. Our newsroom depends on its audience of readers to power our journalism. Thank you for your support.
