Latest news with #DeArmas
The Advertiser
17 hours ago
- Entertainment
- The Advertiser
Life has come full circle for new John Wick star
Years before Ana de Armas was using an ice skate to slice a neck in From the World of John Wick: Ballerina, she co-starred with Keanu Reeves in a much different film. The erotic thriller Knock Knock, released in 2015, was de Armas' first Hollywood film. De Armas, born and raised in Cuba, had just come to Los Angeles after acting in Spain. English was new to her, so she had to learn her lines phonetically. "It was tough and I felt miserable at times and very lonely," she says. "But I wanted to prove myself. I remember being in meetings with producers and they would be like, 'OK, I'll see you in a year when you learn English.' Before I left the office, I would say, 'I'll see you in two months'." Since Knock Knock, her rise to stardom has been one of the last decade's most meteoric. She was radiant even as a hologram in Blade Runner 2049. She stole the show in Rian Johnson's star-studded Knives Out. She breezed through the Bond movie No Time to Die and was Oscar nominated for her Marilyn Monroe in Blonde. And now, 10 years after those scenes with Reeves, de Armas is for the first time headlining a big summer action movie. In Ballerina, de Armas's progressive development as an unlikely action star reaches a butt-kicking crescendo, inheriting the mantle of one of the most esteemed, high-body-count franchises. "It's a big moment in my career, and I know that. I can see that," she says. "It makes me look back in many ways, just being with Keanu in another film in such a different place in my career. It definitely gives me perspective of the journey and everything since we met. Things have come far since then." While de Armas, 37, isn't new to movie stardom, or the tabloid coverage that comes with it, many of her career highlights have been streaming releases. The Gray Man and Blonde were Netflix. Ghosted was Apple TV+. But Ballerina will rely on de Armas (and abiding "John Wick" fandom) to put moviegoers in seats. Reviews, particularly for de Armas playing a ballerina-assassin, have been good. "There's a lot of pressure," says director Len Wiseman. "It's a lot to carry all on her shoulders. But she'll be the first person to tell you: 'Put it on. Let me carry the weight. I'm totally game'." De Armas, whose talents include the ability to be present and personable on even the most frenzied red carpets, has done the globe-trotting work to make Ballerina a big deal: appearing at CinemaCon, gamely eating hot wings and cheerfully deflecting questions about her next film, Deeper, with Tom Cruise. Yet for someone so comfortable in the spotlight, one of the more interesting facts about de Armas is that she lives part-time in that bastion of young A-listers: Vermont. "Yeah, it surprised many people," she says, chuckling. "As soon as I went up there, I knew that was going to be a place that would bring me happiness and sanity and peace. But I know for a Cuban who doesn't like cold very much, it's very strange." Winding up in northern New England is just as unexpected as landing an action movie like Ballerina. She grew up with the conviction, from age 12, that she would be an actor. But she studied theatre. "I never thought I was going to do action," de Armas says. "What was relatable for me was watching Cuban actors on TV and in movies. That was my reality. That's all I knew, so the actors I looked up to were those." De Armas also had bad asthma, which makes some of the things she does in Ballerina - a movie with a flamethrower duel - all the more remarkable to her. "I couldn't do anything," she remembers. "I couldn't run. I sometimes couldn't play with my friends. I had to just be home and be still so I wouldn't get an asthma attack. So I never thought of myself as someone athletic or able to run just a block. So this has been a surprise." At 14, she auditioned and got into Havana's National Theatre of Cuba. Four years later, with Spanish citizenship through her grandparents, she moved to Madrid to pursue acting. When she arrived in LA in 2014, she had to start all over again. Now as one of the top Latina stars in Hollywood, she's watched as immigrant paths like hers have grown increasingly arduous if not impossible. The Trump administration recently announced a travel ban on 12 countries and heavy restrictions on citizens of other countries, including Cuba. "I got here at a time when things were definitely easier in that sense," says de Armas, who announced her then-imminent US citizenship while hosting Saturday Night Live in 2023. "So I just feel very lucky for that. But it's difficult. Everything that's going on is very difficult and very sad and really challenging for many people. I definitely wish things were different." Chad Stahelski, director of the four John Wick films and producer of Ballerina, was about to start production on John Wick: Chapter 4 when producer Basil Iwanyk called to set up a Zoom about casting de Armas. He quickly watched every scene she had been in. "How many people would have played the Bond girl kind of goofy like that?" he asks. "I know that I can harden people up. I know I can make them the assassin, but getting the charm and the love and the humour out of someone is trickier. But she had it." In Knives Out, Stahelski saw someone who could go from scared and uncertain to a look of "I'm going to stab you in the eye". "I like that in my action heroes," he says. "I don't want to see the stoic, superhero vibe where everything's going to be OK." But it wasn't just her acting or her charisma that convinced Stahelski. It was her life story. "John Wick is all hard work - and I don't mean just in the training. You've got to love it and put yourself out there," says Stahelski. "When you get her story about how she came from the age of 12, got into acting, what she sacrificed, what she did, that's what got my attention. 'Oh, she's a perseverer. She doesn't just enjoy the view, she enjoys the climb'." When that quote is read back to her, de Armas laughs, and agrees. "Being Cuban, and my upbringing and my family and everything I've done, I've never had a plan B," she says. "I've never had that thing of, 'Well, if it doesn't work, my family can help.' Or, 'I can do this other career.' This was it. This is how I feed myself and my family. So it's also a sense of, I don't know, responsibility." That makes her reflect back to when she was just trying to make it in Hollywood, sounding out words and trying not to be intimidated by the action star across from her. "I was so committed to do it," she says. "When I give something a shot, I try my best, whatever that is. Then I can actually say: I gave it a shot." Years before Ana de Armas was using an ice skate to slice a neck in From the World of John Wick: Ballerina, she co-starred with Keanu Reeves in a much different film. The erotic thriller Knock Knock, released in 2015, was de Armas' first Hollywood film. De Armas, born and raised in Cuba, had just come to Los Angeles after acting in Spain. English was new to her, so she had to learn her lines phonetically. "It was tough and I felt miserable at times and very lonely," she says. "But I wanted to prove myself. I remember being in meetings with producers and they would be like, 'OK, I'll see you in a year when you learn English.' Before I left the office, I would say, 'I'll see you in two months'." Since Knock Knock, her rise to stardom has been one of the last decade's most meteoric. She was radiant even as a hologram in Blade Runner 2049. She stole the show in Rian Johnson's star-studded Knives Out. She breezed through the Bond movie No Time to Die and was Oscar nominated for her Marilyn Monroe in Blonde. And now, 10 years after those scenes with Reeves, de Armas is for the first time headlining a big summer action movie. In Ballerina, de Armas's progressive development as an unlikely action star reaches a butt-kicking crescendo, inheriting the mantle of one of the most esteemed, high-body-count franchises. "It's a big moment in my career, and I know that. I can see that," she says. "It makes me look back in many ways, just being with Keanu in another film in such a different place in my career. It definitely gives me perspective of the journey and everything since we met. Things have come far since then." While de Armas, 37, isn't new to movie stardom, or the tabloid coverage that comes with it, many of her career highlights have been streaming releases. The Gray Man and Blonde were Netflix. Ghosted was Apple TV+. But Ballerina will rely on de Armas (and abiding "John Wick" fandom) to put moviegoers in seats. Reviews, particularly for de Armas playing a ballerina-assassin, have been good. "There's a lot of pressure," says director Len Wiseman. "It's a lot to carry all on her shoulders. But she'll be the first person to tell you: 'Put it on. Let me carry the weight. I'm totally game'." De Armas, whose talents include the ability to be present and personable on even the most frenzied red carpets, has done the globe-trotting work to make Ballerina a big deal: appearing at CinemaCon, gamely eating hot wings and cheerfully deflecting questions about her next film, Deeper, with Tom Cruise. Yet for someone so comfortable in the spotlight, one of the more interesting facts about de Armas is that she lives part-time in that bastion of young A-listers: Vermont. "Yeah, it surprised many people," she says, chuckling. "As soon as I went up there, I knew that was going to be a place that would bring me happiness and sanity and peace. But I know for a Cuban who doesn't like cold very much, it's very strange." Winding up in northern New England is just as unexpected as landing an action movie like Ballerina. She grew up with the conviction, from age 12, that she would be an actor. But she studied theatre. "I never thought I was going to do action," de Armas says. "What was relatable for me was watching Cuban actors on TV and in movies. That was my reality. That's all I knew, so the actors I looked up to were those." De Armas also had bad asthma, which makes some of the things she does in Ballerina - a movie with a flamethrower duel - all the more remarkable to her. "I couldn't do anything," she remembers. "I couldn't run. I sometimes couldn't play with my friends. I had to just be home and be still so I wouldn't get an asthma attack. So I never thought of myself as someone athletic or able to run just a block. So this has been a surprise." At 14, she auditioned and got into Havana's National Theatre of Cuba. Four years later, with Spanish citizenship through her grandparents, she moved to Madrid to pursue acting. When she arrived in LA in 2014, she had to start all over again. Now as one of the top Latina stars in Hollywood, she's watched as immigrant paths like hers have grown increasingly arduous if not impossible. The Trump administration recently announced a travel ban on 12 countries and heavy restrictions on citizens of other countries, including Cuba. "I got here at a time when things were definitely easier in that sense," says de Armas, who announced her then-imminent US citizenship while hosting Saturday Night Live in 2023. "So I just feel very lucky for that. But it's difficult. Everything that's going on is very difficult and very sad and really challenging for many people. I definitely wish things were different." Chad Stahelski, director of the four John Wick films and producer of Ballerina, was about to start production on John Wick: Chapter 4 when producer Basil Iwanyk called to set up a Zoom about casting de Armas. He quickly watched every scene she had been in. "How many people would have played the Bond girl kind of goofy like that?" he asks. "I know that I can harden people up. I know I can make them the assassin, but getting the charm and the love and the humour out of someone is trickier. But she had it." In Knives Out, Stahelski saw someone who could go from scared and uncertain to a look of "I'm going to stab you in the eye". "I like that in my action heroes," he says. "I don't want to see the stoic, superhero vibe where everything's going to be OK." But it wasn't just her acting or her charisma that convinced Stahelski. It was her life story. "John Wick is all hard work - and I don't mean just in the training. You've got to love it and put yourself out there," says Stahelski. "When you get her story about how she came from the age of 12, got into acting, what she sacrificed, what she did, that's what got my attention. 'Oh, she's a perseverer. She doesn't just enjoy the view, she enjoys the climb'." When that quote is read back to her, de Armas laughs, and agrees. "Being Cuban, and my upbringing and my family and everything I've done, I've never had a plan B," she says. "I've never had that thing of, 'Well, if it doesn't work, my family can help.' Or, 'I can do this other career.' This was it. This is how I feed myself and my family. So it's also a sense of, I don't know, responsibility." That makes her reflect back to when she was just trying to make it in Hollywood, sounding out words and trying not to be intimidated by the action star across from her. "I was so committed to do it," she says. "When I give something a shot, I try my best, whatever that is. Then I can actually say: I gave it a shot." Years before Ana de Armas was using an ice skate to slice a neck in From the World of John Wick: Ballerina, she co-starred with Keanu Reeves in a much different film. The erotic thriller Knock Knock, released in 2015, was de Armas' first Hollywood film. De Armas, born and raised in Cuba, had just come to Los Angeles after acting in Spain. English was new to her, so she had to learn her lines phonetically. "It was tough and I felt miserable at times and very lonely," she says. "But I wanted to prove myself. I remember being in meetings with producers and they would be like, 'OK, I'll see you in a year when you learn English.' Before I left the office, I would say, 'I'll see you in two months'." Since Knock Knock, her rise to stardom has been one of the last decade's most meteoric. She was radiant even as a hologram in Blade Runner 2049. She stole the show in Rian Johnson's star-studded Knives Out. She breezed through the Bond movie No Time to Die and was Oscar nominated for her Marilyn Monroe in Blonde. And now, 10 years after those scenes with Reeves, de Armas is for the first time headlining a big summer action movie. In Ballerina, de Armas's progressive development as an unlikely action star reaches a butt-kicking crescendo, inheriting the mantle of one of the most esteemed, high-body-count franchises. "It's a big moment in my career, and I know that. I can see that," she says. "It makes me look back in many ways, just being with Keanu in another film in such a different place in my career. It definitely gives me perspective of the journey and everything since we met. Things have come far since then." While de Armas, 37, isn't new to movie stardom, or the tabloid coverage that comes with it, many of her career highlights have been streaming releases. The Gray Man and Blonde were Netflix. Ghosted was Apple TV+. But Ballerina will rely on de Armas (and abiding "John Wick" fandom) to put moviegoers in seats. Reviews, particularly for de Armas playing a ballerina-assassin, have been good. "There's a lot of pressure," says director Len Wiseman. "It's a lot to carry all on her shoulders. But she'll be the first person to tell you: 'Put it on. Let me carry the weight. I'm totally game'." De Armas, whose talents include the ability to be present and personable on even the most frenzied red carpets, has done the globe-trotting work to make Ballerina a big deal: appearing at CinemaCon, gamely eating hot wings and cheerfully deflecting questions about her next film, Deeper, with Tom Cruise. Yet for someone so comfortable in the spotlight, one of the more interesting facts about de Armas is that she lives part-time in that bastion of young A-listers: Vermont. "Yeah, it surprised many people," she says, chuckling. "As soon as I went up there, I knew that was going to be a place that would bring me happiness and sanity and peace. But I know for a Cuban who doesn't like cold very much, it's very strange." Winding up in northern New England is just as unexpected as landing an action movie like Ballerina. She grew up with the conviction, from age 12, that she would be an actor. But she studied theatre. "I never thought I was going to do action," de Armas says. "What was relatable for me was watching Cuban actors on TV and in movies. That was my reality. That's all I knew, so the actors I looked up to were those." De Armas also had bad asthma, which makes some of the things she does in Ballerina - a movie with a flamethrower duel - all the more remarkable to her. "I couldn't do anything," she remembers. "I couldn't run. I sometimes couldn't play with my friends. I had to just be home and be still so I wouldn't get an asthma attack. So I never thought of myself as someone athletic or able to run just a block. So this has been a surprise." At 14, she auditioned and got into Havana's National Theatre of Cuba. Four years later, with Spanish citizenship through her grandparents, she moved to Madrid to pursue acting. When she arrived in LA in 2014, she had to start all over again. Now as one of the top Latina stars in Hollywood, she's watched as immigrant paths like hers have grown increasingly arduous if not impossible. The Trump administration recently announced a travel ban on 12 countries and heavy restrictions on citizens of other countries, including Cuba. "I got here at a time when things were definitely easier in that sense," says de Armas, who announced her then-imminent US citizenship while hosting Saturday Night Live in 2023. "So I just feel very lucky for that. But it's difficult. Everything that's going on is very difficult and very sad and really challenging for many people. I definitely wish things were different." Chad Stahelski, director of the four John Wick films and producer of Ballerina, was about to start production on John Wick: Chapter 4 when producer Basil Iwanyk called to set up a Zoom about casting de Armas. He quickly watched every scene she had been in. "How many people would have played the Bond girl kind of goofy like that?" he asks. "I know that I can harden people up. I know I can make them the assassin, but getting the charm and the love and the humour out of someone is trickier. But she had it." In Knives Out, Stahelski saw someone who could go from scared and uncertain to a look of "I'm going to stab you in the eye". "I like that in my action heroes," he says. "I don't want to see the stoic, superhero vibe where everything's going to be OK." But it wasn't just her acting or her charisma that convinced Stahelski. It was her life story. "John Wick is all hard work - and I don't mean just in the training. You've got to love it and put yourself out there," says Stahelski. "When you get her story about how she came from the age of 12, got into acting, what she sacrificed, what she did, that's what got my attention. 'Oh, she's a perseverer. She doesn't just enjoy the view, she enjoys the climb'." When that quote is read back to her, de Armas laughs, and agrees. "Being Cuban, and my upbringing and my family and everything I've done, I've never had a plan B," she says. "I've never had that thing of, 'Well, if it doesn't work, my family can help.' Or, 'I can do this other career.' This was it. This is how I feed myself and my family. So it's also a sense of, I don't know, responsibility." That makes her reflect back to when she was just trying to make it in Hollywood, sounding out words and trying not to be intimidated by the action star across from her. "I was so committed to do it," she says. "When I give something a shot, I try my best, whatever that is. Then I can actually say: I gave it a shot." Years before Ana de Armas was using an ice skate to slice a neck in From the World of John Wick: Ballerina, she co-starred with Keanu Reeves in a much different film. The erotic thriller Knock Knock, released in 2015, was de Armas' first Hollywood film. De Armas, born and raised in Cuba, had just come to Los Angeles after acting in Spain. English was new to her, so she had to learn her lines phonetically. "It was tough and I felt miserable at times and very lonely," she says. "But I wanted to prove myself. I remember being in meetings with producers and they would be like, 'OK, I'll see you in a year when you learn English.' Before I left the office, I would say, 'I'll see you in two months'." Since Knock Knock, her rise to stardom has been one of the last decade's most meteoric. She was radiant even as a hologram in Blade Runner 2049. She stole the show in Rian Johnson's star-studded Knives Out. She breezed through the Bond movie No Time to Die and was Oscar nominated for her Marilyn Monroe in Blonde. And now, 10 years after those scenes with Reeves, de Armas is for the first time headlining a big summer action movie. In Ballerina, de Armas's progressive development as an unlikely action star reaches a butt-kicking crescendo, inheriting the mantle of one of the most esteemed, high-body-count franchises. "It's a big moment in my career, and I know that. I can see that," she says. "It makes me look back in many ways, just being with Keanu in another film in such a different place in my career. It definitely gives me perspective of the journey and everything since we met. Things have come far since then." While de Armas, 37, isn't new to movie stardom, or the tabloid coverage that comes with it, many of her career highlights have been streaming releases. The Gray Man and Blonde were Netflix. Ghosted was Apple TV+. But Ballerina will rely on de Armas (and abiding "John Wick" fandom) to put moviegoers in seats. Reviews, particularly for de Armas playing a ballerina-assassin, have been good. "There's a lot of pressure," says director Len Wiseman. "It's a lot to carry all on her shoulders. But she'll be the first person to tell you: 'Put it on. Let me carry the weight. I'm totally game'." De Armas, whose talents include the ability to be present and personable on even the most frenzied red carpets, has done the globe-trotting work to make Ballerina a big deal: appearing at CinemaCon, gamely eating hot wings and cheerfully deflecting questions about her next film, Deeper, with Tom Cruise. Yet for someone so comfortable in the spotlight, one of the more interesting facts about de Armas is that she lives part-time in that bastion of young A-listers: Vermont. "Yeah, it surprised many people," she says, chuckling. "As soon as I went up there, I knew that was going to be a place that would bring me happiness and sanity and peace. But I know for a Cuban who doesn't like cold very much, it's very strange." Winding up in northern New England is just as unexpected as landing an action movie like Ballerina. She grew up with the conviction, from age 12, that she would be an actor. But she studied theatre. "I never thought I was going to do action," de Armas says. "What was relatable for me was watching Cuban actors on TV and in movies. That was my reality. That's all I knew, so the actors I looked up to were those." De Armas also had bad asthma, which makes some of the things she does in Ballerina - a movie with a flamethrower duel - all the more remarkable to her. "I couldn't do anything," she remembers. "I couldn't run. I sometimes couldn't play with my friends. I had to just be home and be still so I wouldn't get an asthma attack. So I never thought of myself as someone athletic or able to run just a block. So this has been a surprise." At 14, she auditioned and got into Havana's National Theatre of Cuba. Four years later, with Spanish citizenship through her grandparents, she moved to Madrid to pursue acting. When she arrived in LA in 2014, she had to start all over again. Now as one of the top Latina stars in Hollywood, she's watched as immigrant paths like hers have grown increasingly arduous if not impossible. The Trump administration recently announced a travel ban on 12 countries and heavy restrictions on citizens of other countries, including Cuba. "I got here at a time when things were definitely easier in that sense," says de Armas, who announced her then-imminent US citizenship while hosting Saturday Night Live in 2023. "So I just feel very lucky for that. But it's difficult. Everything that's going on is very difficult and very sad and really challenging for many people. I definitely wish things were different." Chad Stahelski, director of the four John Wick films and producer of Ballerina, was about to start production on John Wick: Chapter 4 when producer Basil Iwanyk called to set up a Zoom about casting de Armas. He quickly watched every scene she had been in. "How many people would have played the Bond girl kind of goofy like that?" he asks. "I know that I can harden people up. I know I can make them the assassin, but getting the charm and the love and the humour out of someone is trickier. But she had it." In Knives Out, Stahelski saw someone who could go from scared and uncertain to a look of "I'm going to stab you in the eye". "I like that in my action heroes," he says. "I don't want to see the stoic, superhero vibe where everything's going to be OK." But it wasn't just her acting or her charisma that convinced Stahelski. It was her life story. "John Wick is all hard work - and I don't mean just in the training. You've got to love it and put yourself out there," says Stahelski. "When you get her story about how she came from the age of 12, got into acting, what she sacrificed, what she did, that's what got my attention. 'Oh, she's a perseverer. She doesn't just enjoy the view, she enjoys the climb'." When that quote is read back to her, de Armas laughs, and agrees. "Being Cuban, and my upbringing and my family and everything I've done, I've never had a plan B," she says. "I've never had that thing of, 'Well, if it doesn't work, my family can help.' Or, 'I can do this other career.' This was it. This is how I feed myself and my family. So it's also a sense of, I don't know, responsibility." That makes her reflect back to when she was just trying to make it in Hollywood, sounding out words and trying not to be intimidated by the action star across from her. "I was so committed to do it," she says. "When I give something a shot, I try my best, whatever that is. Then I can actually say: I gave it a shot."
Perth Now
04-06-2025
- Entertainment
- Perth Now
Ana De Armas gives exciting update on Deeper production with Tom Cruise
Ana De Armas is currently "training" for 'Deeper'. The 37-year-old actress is working with 'Mission: Impossible' legend Tom Cruise on Doug Liman's supernatural thriller following an astronaut who discovers a terrible force while diving into a previously unexplored trench. Asked for an update on the project, De Armas told Deadline: "Training, just training, getting ready for what's to come!" She didn't offer any further details on the movie, but De Arms did open up on some of the lessons she'll be taking forward from her 'John Wick' spinoff 'Ballerina'. She stars as ballerina-assassin Eve Macarro in the action blockbuster, and the role has taught her to "take risks". She said: 'I think it's important to keep looking for truth, answers… To keep pushing until you find your truth no matter what. 'So, take risks and get to the bottom of it.' Meanwhile De Armas - who has been inspired by the likes of Uma Thurman - reacted to the idea she can become a similar role model for the next generation of women in film. She added: "It's beautiful, if that's the effect of my work, whether it's this movie or any other roles. It doesn't get better than that! "I'm very happy, I'm proud that that would be my contribution to younger generations. "I think this character actually has all those characteristics. It's really cool! I hope that's what it does." De Armas is preparing to work with 62-year-old Hollywood icon Cruise on 'Deeper', and she was delighted to see him supporting 'Ballerina' so publicly on his own red carpets. She told Variety: 'You know what, he supports every movie. He really wants the industry and cinema to do well and [wants] people going to the theaters. "We're working together, so he got to see 'Ballerina' and he actually really liked it. He loved the 'John Wicks.' "It is very special that someone like him is supporting ['Ballerina']. It is really special in general to have other actors and people supporting each other. We can do well all together.' She recently revealing the process working on the upcoming thriller has been "amazing" and she's doing "crazy training". She told WWD: "Obviously, everyone knows I'm working with Tom Cruise. We're working on something with Doug Liman and ['Mission: Impossible' director] Christopher McQuarrie, and those guys are unbelievable at everything they do. "And they're so lovely and a great team, and the process we're having is amazing. And of course I'm doing crazy training, as you do when you're working with Tom. "It's another level that just keeps setting the bar higher and higher. But it's so much fun. And we're not only working on that thing that we're training for, but also a couple other things too. We just got excited."
Yahoo
03-06-2025
- Entertainment
- Yahoo
Ana de Armas Embraces Peplum Detailing in Plunging Louis Vuitton Dress for the ‘Ballerina' Berlin Premiere
Ana de Armas joined members of the cast and creative team behind the latest 'John Wick' franchise installment 'Ballerina' for the film's Berlin premiere on Monday. The film is an action thriller, chronicling the latest chapter in the Keanu Reeves-led film series. For the occasion, de Armas opted for a design courtesy of Louis Vuitton. The floor-length dress was designed by Nicolas Ghesquière, the artistic director of women's collections for the French luxury fashion house. More from WWD Janet Jackson's Coiled Curls Steal the Spotlight at the 2025 American Music Awards Brigitte Macron Suits Up in Louis Vuitton With French President Emmanuel for State Visit to Vietnam, Embraces Local Symbolism in Red and More Morgan Riddle Serves Retro Glam: Inside Her Chic Polka Dot Look at the French Open for Boyfriend Taylor Fritz's Match The sleeveless dress featured a plunging neckline and was designed with a peplum detail at the waist for emphasis on the actress' frame. The design included a long skirt and the fabric featured a soft, velvety texture. De Armas accessorized her look with pieces of shimmering silver jewelry, including rings, a statement necklace and earrings. The Oscar-nominated 'Blonde' star's hair was pulled back into a low ponytail with a middle part and wisps to frame her face by stylist Jenny Cho. As for her makeup, artist Mélanie Inglessis defined de Armas's brows, gave the actress a lined, smoky eye and a glossy berry lip. De Armas's look was curated by frequent stylist and collaborator Samantha McMillen, who's also worked with Elle Fanning and styled the actress' 2025 Cannes Film Festival looks. De Armas joined Louis Vuitton as a brand ambassador in June 2023. The actress went on to star in the French luxury fashion house's 'Le Damier de Louis Vuitton' jewelry campaign in September 2024. She often attends Louis Vuitton fashion shows, where de Armas has been spotted in the front row. Ahead of her forthcoming film's arrival in theaters, de Armas spoke with WWD about the process of making 'Ballerina,' her first Oscar nomination and her goals for the future. 'I think I know what I want to do, and I also want to be surprised,' de Armas said. 'I want things to come my way. And sometimes you get in that dynamic of project after project after project, and you are doing a project while you're reading the next thing. It works better for me if I just take my time and just see what I really want to do.' 'Ballerina' follows the origin story of Eve Macarro (de Armas), an orphaned ballerina assassin who sets out to avenge her father's death. The film hits theaters June 6. View Gallery Launch Gallery: Ana de Armas, Fashion Moments for WWD Weekend Best of WWD Princess Charlene of Monaco's Grand Prix Style Through the Years: Louis Vuitton, Akris and More, Photos Princess Charlene's Monaco Grand Prix Style Evolution at Full Speed: Shades of Blue in Louis Vuitton, Playful Patterning in Akris and More Kate Middleton's Royal Rewears Through the Years
